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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80.7 128.6 189 it is the complementary color RGB 174.3 126.4 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80.7 128.6 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80.7 128.6 189 shade: RGB 85.7 128.6 184, RGB 102.7 146.6 203, RGB 119.7 164.6 222, RGB 136.7 182.6 241 and RGB 153.7 200.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80.7 128.6 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80.7 128.6 189 shade: RGB 80.7 128.6 189, RGB 63.7 110.6 170, RGB 46.7 92.6 151, RGB 29.7 74.6 132 and RGB 12.7 56.6 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80.7 128.6 189 shade: RGB 81 129 189, RGB 81 100 189, RGB 92 81 189, RGB 121 81 189 and RGB 150 81 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80.7 128.6 189 shade: RGB 81 129 189, RGB 81 100 189 and RGB 81 81 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80.7 128.6 189 shade matches the following richer shades: RGB 81 129 189, RGB 62 127 208, RGB 42 124 228 and RGB 23 122 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80.7 128.6 189 shade: RGB 81 129 189, RGB 101 131 170, RGB 120 133 150, RGB 139 136 131 and RGB 159 138 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80.7 128.6 189 shade: RGB 81 187 189, RGB 81 159 189, RGB 81 130 189, RGB 81 101 189 and RGB 90 81 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80.7 128.6 189 shade: RGB 52 89 136, RGB 63 109 166, RGB 81 129 189, RGB 111 151 200 and RGB 141 172 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80.7 128.6 189 shade: RGB 80.7 128.6 189, RGB 162 81 189 and RGB 173 189 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80.7 128.6 189 shade: RGB 80.7 128.6 189, RGB 189 81 130 and RGB 130 189 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80.7 128.6 189 shade: RGB 80.7 128.6 189, RGB 162 81 189, RGB 189 141 81 and RGB 108 189 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80.7 128.6 189 shade: RGB 80.7 128.6 189, RGB 189 81 184, RGB 189 141 81 and RGB 81 189 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 32 / 0 / 26

HEX #5080BD

RGB 80.7 128.6 189

HSL 213.46, 0.45%, 0.53%

LAB 52.96, 1.9, -36.56

 

Complementary color

CMYK 0 / 27 / 62 / 32

HEX #AE7E42

RGB 174.3 126.4 66

HSL 33.46, 0.45%, 0.47%

LAB 56.54, 11.99, 39.58

 

CMYK 53 / 30 / 0 / 28

HEX #5580B8

RGB 85.7 128.6 184

HSL 213.81, 0.41%, 0.53%

LAB 52.97, 1.38, -33.65

 

CMYK 49 / 28 / 0 / 20

HEX #6692CB

RGB 102.7 146.6 203

HSL 213.74, 0.49%, 0.6%

LAB 59.82, 0.71, -33.69

 

CMYK 46 / 26 / 0 / 13

HEX #77A4DE

RGB 119.7 164.6 222

HSL 213.67, 0.61%, 0.67%

LAB 66.53, 0.15, -33.75

 

CMYK 43 / 24 / 0 / 5

HEX #88B6F1

RGB 136.7 182.6 241

HSL 213.6, 0.79%, 0.74%

LAB 73.12, -0.31, -33.84

 

CMYK 40 / 21 / 0 / 0

HEX #99C8FF

RGB 153.7 200.6 255

HSL 212.22, 1%, 0.8%

LAB 79.41, -2.03, -31.57

 

CMYK 57 / 32 / 0 / 26

HEX #5080BD

RGB 80.7 128.6 189

HSL 213.46, 0.45%, 0.53%

LAB 52.96, 1.9, -36.56

 

CMYK 63 / 35 / 0 / 33

HEX #3F6EAA

RGB 63.7 110.6 170

HSL 213.53, 0.45%, 0.46%

LAB 45.99, 2.94, -36.58

 

CMYK 69 / 39 / 0 / 41

HEX #2E5C97

RGB 46.7 92.6 151

HSL 213.6, 0.53%, 0.39%

LAB 38.88, 4.29, -36.61

 

CMYK 78 / 43 / 0 / 48

HEX #1D4A84

RGB 29.7 74.6 132

HSL 213.67, 0.63%, 0.32%

LAB 31.61, 6.14, -36.65

 

CMYK 89 / 50 / 0 / 56

HEX #0C3871

RGB 12.7 56.6 113

HSL 213.74, 0.8%, 0.25%

LAB 24.2, 8.74, -36.63

 

CMYK 57 / 32 / 0 / 26

HEX #5181BD

RGB 81 129 189

HSL 213.33, 0.45%, 0.53%

LAB 53.08, 1.73, -36.36

 

CMYK 57 / 47 / 0 / 26

HEX #5164BD

RGB 81 100 189

HSL 229.44, 0.45%, 0.53%

LAB 44.99, 19.55, -49.19

 

CMYK 51 / 57 / 0 / 26

HEX #5C51BD

RGB 92 81 189

HSL 246.11, 0.45%, 0.53%

LAB 40.95, 33.68, -55.65

 

CMYK 36 / 57 / 0 / 26

HEX #7951BD

RGB 121 81 189

HSL 262.22, 0.45%, 0.53%

LAB 43.69, 40.18, -51.1

 

CMYK 21 / 57 / 0 / 26

HEX #9651BD

RGB 150 81 189

HSL 278.33, 0.45%, 0.53%

LAB 47.03, 47.41, -45.56

 

CMYK 57 / 32 / 0 / 26

HEX #5181BD

RGB 81 129 189

HSL 213.33, 0.45%, 0.53%

LAB 53.08, 1.73, -36.36

 

CMYK 57 / 47 / 0 / 26

HEX #5164BD

RGB 81 100 189

HSL 229.44, 0.45%, 0.53%

LAB 44.99, 19.55, -49.19

 

CMYK 57 / 57 / 0 / 26

HEX #5151BD

RGB 81 81 189

HSL 240, 0.45%, 0.53%

LAB 40.09, 31.51, -57.08

 

CMYK 57 / 32 / 0 / 26

HEX #5181BD

RGB 81 129 189

HSL 213.33, 0.45%, 0.53%

LAB 53.08, 1.73, -36.36

 

CMYK 70 / 39 / 0 / 18

HEX #3E7FD0

RGB 62 127 208

HSL 213.29, 0.61%, 0.53%

LAB 52.68, 6.04, -47.86

 

CMYK 82 / 46 / 0 / 11

HEX #2A7CE4

RGB 42 124 228

HSL 213.55, 0.78%, 0.53%

LAB 52.41, 12.9, -59.61

 

CMYK 91 / 51 / 0 / 3

HEX #177AF7

RGB 23 122 247

HSL 213.48, 0.93%, 0.53%

LAB 52.75, 20.15, -69.68

 

CMYK 57 / 32 / 0 / 26

HEX #5181BD

RGB 81 129 189

HSL 213.33, 0.45%, 0.53%

LAB 53.08, 1.73, -36.36

 

CMYK 41 / 23 / 0 / 33

HEX #6583AA

RGB 101 131 170

HSL 213.91, 0.29%, 0.53%

LAB 53.92, -0.38, -24.06

 

CMYK 20 / 11 / 0 / 41

HEX #788596

RGB 120 133 150

HSL 214, 0.13%, 0.53%

LAB 55.04, -0.91, -10.69

 

CMYK 0 / 2 / 6 / 45

HEX #8B8883

RGB 139 136 131

HSL 37.5, 0.03%, 0.53%

LAB 56.82, 0.17, 3.07

 

CMYK 0 / 13 / 30 / 38

HEX #9F8A70

RGB 159 138 112

HSL 33.19, 0.2%, 0.53%

LAB 58.71, 3.83, 16.86

 

CMYK 57 / 1 / 0 / 26

HEX #51BBBD

RGB 81 187 189

HSL 181.11, 0.45%, 0.53%

LAB 70.15, -29.59, -10.21

 

CMYK 57 / 16 / 0 / 26

HEX #519FBD

RGB 81 159 189

HSL 196.67, 0.45%, 0.53%

LAB 61.84, -15.27, -22.78

 

CMYK 57 / 31 / 0 / 26

HEX #5182BD

RGB 81 130 189

HSL 212.78, 0.45%, 0.53%

LAB 53.37, 1.13, -35.91

 

CMYK 57 / 47 / 0 / 26

HEX #5165BD

RGB 81 101 189

HSL 228.89, 0.45%, 0.53%

LAB 45.26, 18.92, -48.76

 

CMYK 52 / 57 / 0 / 26

HEX #5A51BD

RGB 90 81 189

HSL 245, 0.45%, 0.53%

LAB 40.79, 33.27, -55.92

 

CMYK 62 / 35 / 0 / 47

HEX #345988

RGB 52 89 136

HSL 213.57, 0.45%, 0.37%

LAB 37.21, 2.13, -30.16

 

CMYK 62 / 34 / 0 / 35

HEX #3F6DA6

RGB 63 109 166

HSL 213.2, 0.45%, 0.45%

LAB 45.29, 2.39, -35.35

 

CMYK 57 / 32 / 0 / 26

HEX #5181BD

RGB 81 129 189

HSL 213.33, 0.45%, 0.53%

LAB 53.08, 1.73, -36.36

 

CMYK 45 / 25 / 0 / 22

HEX #6F97C8

RGB 111 151 200

HSL 213.03, 0.45%, 0.61%

LAB 61.38, -0.65, -29.54

 

CMYK 33 / 19 / 0 / 17

HEX #8DACD4

RGB 141 172 212

HSL 213.8, 0.45%, 0.69%

LAB 69.41, -1.05, -23.7

 

CMYK 57 / 32 / 0 / 26

HEX #5080BD

RGB 80.7 128.6 189

HSL 213.46, 0.45%, 0.53%

LAB 52.96, 1.9, -36.56

 

CMYK 14 / 57 / 0 / 26

HEX #A251BD

RGB 162 81 189

HSL 285, 0.45%, 0.53%

LAB 48.56, 50.52, -43.04

 

CMYK 8 / 0 / 57 / 26

HEX #ADBD51

RGB 173 189 81

HSL 68.89, 0.45%, 0.53%

LAB 73.46, -20.81, 51.66

 

CMYK 57 / 32 / 0 / 26

HEX #5080BD

RGB 80.7 128.6 189

HSL 213.46, 0.45%, 0.53%

LAB 52.96, 1.9, -36.56

 

CMYK 0 / 57 / 31 / 26

HEX #BD5182

RGB 189 81 130

HSL 332.78, 0.45%, 0.53%

LAB 49.88, 48.58, -5.84

 

CMYK 31 / 0 / 57 / 26

HEX #82BD51

RGB 130 189 81

HSL 92.78, 0.45%, 0.53%

LAB 70.69, -37.48, 47.76

 

CMYK 57 / 32 / 0 / 26

HEX #5080BD

RGB 80.7 128.6 189

HSL 213.46, 0.45%, 0.53%

LAB 52.96, 1.9, -36.56

 

CMYK 14 / 57 / 0 / 26

HEX #A251BD

RGB 162 81 189

HSL 285, 0.45%, 0.53%

LAB 48.56, 50.52, -43.04

 

CMYK 0 / 25 / 57 / 26

HEX #BD8D51

RGB 189 141 81

HSL 33.33, 0.45%, 0.53%

LAB 62.05, 11.39, 38.74

 

CMYK 43 / 0 / 57 / 26

HEX #6CBD51

RGB 108 189 81

HSL 105, 0.45%, 0.53%

LAB 69.6, -44.93, 46.21

 

CMYK 57 / 32 / 0 / 26

HEX #5080BD

RGB 80.7 128.6 189

HSL 213.46, 0.45%, 0.53%

LAB 52.96, 1.9, -36.56

 

CMYK 0 / 57 / 3 / 26

HEX #BD51B8

RGB 189 81 184

HSL 302.78, 0.45%, 0.53%

LAB 52.02, 56.73, -34.43

 

CMYK 0 / 25 / 57 / 26

HEX #BD8D51

RGB 189 141 81

HSL 33.33, 0.45%, 0.53%

LAB 62.05, 11.39, 38.74

 

CMYK 57 / 0 / 54 / 26

HEX #51BD57

RGB 81 189 87

HSL 123.33, 0.45%, 0.53%

LAB 68.63, -51.81, 41.97

 

Description

Color code: RGB 80.7 128.6 189 | qconv.com Color code: RGB 80.7 128.6 189 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80.7 red, 128.6 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80.7 128.6 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 32 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 32% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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