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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80.3 180.4 250 it is the complementary color RGB 174.7 74.6 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80.3 180.4 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80.3 180.4 250 shade: RGB 85.3 180.4 245, RGB 102.3 198.4 255, RGB 119.3 216.4 255, RGB 136.3 234.4 255 and RGB 153.3 252.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80.3 180.4 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80.3 180.4 250 shade: RGB 80.3 180.4 250, RGB 63.3 162.4 231, RGB 46.3 144.4 212, RGB 29.3 126.4 193 and RGB 12.3 108.4 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80.3 180.4 250 shade: RGB 82 181 250, RGB 82 136 250, RGB 82 90 250, RGB 119 82 250 and RGB 164 82 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80.3 180.4 250 shade: RGB 82 181 250, RGB 82 136 250, RGB 82 90 250 and RGB 82 82 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80.3 180.4 250 shade matches the following richer shades: RGB 82 181 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80.3 180.4 250 shade: RGB 82 181 250, RGB 96 178 235, RGB 111 176 221, RGB 125 173 206 and RGB 140 170 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80.3 180.4 250 shade: RGB 82 250 227, RGB 82 227 250, RGB 82 183 250, RGB 82 138 250 and RGB 82 93 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80.3 180.4 250 shade: RGB 7 146 242, RGB 42 164 248, RGB 82 181 250, RGB 122 198 251 and RGB 162 215 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80.3 180.4 250 shade: RGB 80.3 180.4 250, RGB 183 82 250 and RGB 250 250 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80.3 180.4 250 shade: RGB 80.3 180.4 250, RGB 250 82 183 and RGB 183 250 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80.3 180.4 250 shade: RGB 80.3 180.4 250, RGB 183 82 250, RGB 250 149 82 and RGB 149 250 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80.3 180.4 250 shade: RGB 80.3 180.4 250, RGB 233 82 250, RGB 250 149 82 and RGB 99 250 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 28 / 0 / 2

HEX #50B4FA

RGB 80.3 180.4 250

HSL 204.61, 0.94%, 0.65%

LAB 70.47, -7.67, -43.01

 

Complementary color

CMYK 0 / 57 / 97 / 31

HEX #AE4A05

RGB 174.7 74.6 5

HSL 24.61, 0.94%, 0.35%

LAB 44.33, 37.98, 53.09

 

CMYK 65 / 26 / 0 / 4

HEX #55B4F5

RGB 85.3 180.4 245

HSL 204.27, 0.89%, 0.65%

LAB 70.42, -8.53, -40.38

 

CMYK 60 / 22 / 0 / 0

HEX #66C6FF

RGB 102.3 198.4 255

HSL 202.24, 1%, 0.7%

LAB 76.46, -12.17, -36.33

 

CMYK 53 / 15 / 0 / 0

HEX #77D8FF

RGB 119.3 216.4 255

HSL 197.07, 1%, 0.73%

LAB 82.1, -18.25, -27.59

 

CMYK 47 / 8 / 0 / 0

HEX #88EAFF

RGB 136.3 234.4 255

HSL 190.41, 1%, 0.77%

LAB 87.75, -23.63, -18.94

 

CMYK 40 / 1 / 0 / 0

HEX #99FCFF

RGB 153.3 252.4 255

HSL 181.53, 1%, 0.8%

LAB 93.4, -28.41, -10.41

 

CMYK 68 / 28 / 0 / 2

HEX #50B4FA

RGB 80.3 180.4 250

HSL 204.61, 0.94%, 0.65%

LAB 70.47, -7.67, -43.01

 

CMYK 73 / 30 / 0 / 9

HEX #3FA2E7

RGB 63.3 162.4 231

HSL 204.54, 0.78%, 0.58%

LAB 64.01, -6.42, -42.8

 

CMYK 78 / 32 / 0 / 17

HEX #2E90D4

RGB 46.3 144.4 212

HSL 204.48, 0.66%, 0.51%

LAB 57.47, -4.85, -42.57

 

CMYK 85 / 35 / 0 / 24

HEX #1D7EC1

RGB 29.3 126.4 193

HSL 204.41, 0.74%, 0.44%

LAB 50.85, -2.87, -42.28

 

CMYK 93 / 38 / 0 / 32

HEX #0C6CAE

RGB 12.3 108.4 174

HSL 204.34, 0.87%, 0.37%

LAB 44.16, -0.36, -41.92

 

CMYK 67 / 28 / 0 / 2

HEX #52B5FA

RGB 82 181 250

HSL 204.64, 0.94%, 0.65%

LAB 70.69, -7.75, -42.66

 

CMYK 67 / 46 / 0 / 2

HEX #5288FA

RGB 82 136 250

HSL 220.71, 0.94%, 0.65%

LAB 58.32, 18.31, -62.27

 

CMYK 67 / 64 / 0 / 2

HEX #525AFA

RGB 82 90 250

HSL 237.14, 0.94%, 0.65%

LAB 46.99, 46.25, -80.65

 

CMYK 52 / 67 / 0 / 2

HEX #7752FA

RGB 119 82 250

HSL 253.21, 0.94%, 0.65%

LAB 48.08, 56.01, -78.75

 

CMYK 34 / 67 / 0 / 2

HEX #A452FA

RGB 164 82 250

HSL 269.29, 0.94%, 0.65%

LAB 52.76, 63.97, -70.92

 

CMYK 67 / 28 / 0 / 2

HEX #52B5FA

RGB 82 181 250

HSL 204.64, 0.94%, 0.65%

LAB 70.69, -7.75, -42.66

 

CMYK 67 / 46 / 0 / 2

HEX #5288FA

RGB 82 136 250

HSL 220.71, 0.94%, 0.65%

LAB 58.32, 18.31, -62.27

 

CMYK 67 / 64 / 0 / 2

HEX #525AFA

RGB 82 90 250

HSL 237.14, 0.94%, 0.65%

LAB 46.99, 46.25, -80.65

 

CMYK 67 / 67 / 0 / 2

HEX #5252FA

RGB 82 82 250

HSL 240, 0.94%, 0.65%

LAB 45.26, 50.87, -83.47

 

CMYK 67 / 28 / 0 / 2

HEX #52B5FA

RGB 82 181 250

HSL 204.64, 0.94%, 0.65%

LAB 70.69, -7.75, -42.66

 

CMYK 67 / 28 / 0 / 2

HEX #52B5FA

RGB 82 181 250

HSL 204.64, 0.94%, 0.65%

LAB 70.69, -7.75, -42.66

 

CMYK 59 / 24 / 0 / 8

HEX #60B2EB

RGB 96 178 235

HSL 204.6, 0.78%, 0.65%

LAB 69.7, -8.51, -36.03

 

CMYK 50 / 20 / 0 / 13

HEX #6FB0DD

RGB 111 176 221

HSL 204.55, 0.62%, 0.65%

LAB 69.22, -8.5, -29.08

 

CMYK 39 / 16 / 0 / 19

HEX #7DADCE

RGB 125 173 206

HSL 204.44, 0.45%, 0.65%

LAB 68.54, -7.57, -21.82

 

CMYK 27 / 11 / 0 / 25

HEX #8CAAC0

RGB 140 170 192

HSL 205.38, 0.29%, 0.65%

LAB 68.12, -5.2, -14.64

 

CMYK 67 / 0 / 9 / 2

HEX #52FAE3

RGB 82 250 227

HSL 171.79, 0.94%, 0.65%

LAB 89.73, -48.01, -1.56

 

CMYK 67 / 9 / 0 / 2

HEX #52E3FA

RGB 82 227 250

HSL 188.21, 0.94%, 0.65%

LAB 83.77, -31.33, -22.5

 

CMYK 67 / 27 / 0 / 2

HEX #52B7FA

RGB 82 183 250

HSL 203.93, 0.94%, 0.65%

LAB 71.26, -8.84, -41.78

 

CMYK 67 / 45 / 0 / 2

HEX #528AFA

RGB 82 138 250

HSL 220, 0.94%, 0.65%

LAB 58.86, 17.11, -61.41

 

CMYK 67 / 63 / 0 / 2

HEX #525DFA

RGB 82 93 250

HSL 236.07, 0.94%, 0.65%

LAB 47.66, 44.48, -79.55

 

CMYK 97 / 40 / 0 / 5

HEX #0792F2

RGB 7 146 242

HSL 204.51, 0.94%, 0.49%

LAB 58.99, 2.98, -56.89

 

CMYK 83 / 34 / 0 / 3

HEX #2AA4F8

RGB 42 164 248

HSL 204.47, 0.94%, 0.57%

LAB 64.82, -3.55, -50.88

 

CMYK 67 / 28 / 0 / 2

HEX #52B5FA

RGB 82 181 250

HSL 204.64, 0.94%, 0.65%

LAB 70.69, -7.75, -42.66

 

CMYK 51 / 21 / 0 / 2

HEX #7AC6FB

RGB 122 198 251

HSL 204.65, 0.94%, 0.73%

LAB 76.98, -9.24, -33.32

 

CMYK 36 / 15 / 0 / 1

HEX #A2D7FC

RGB 162 215 252

HSL 204.67, 0.94%, 0.81%

LAB 83.61, -8.25, -23.53

 

CMYK 68 / 28 / 0 / 2

HEX #50B4FA

RGB 80.3 180.4 250

HSL 204.61, 0.94%, 0.65%

LAB 70.47, -7.67, -43.01

 

CMYK 27 / 67 / 0 / 2

HEX #B752FA

RGB 183 82 250

HSL 276.07, 0.94%, 0.65%

LAB 55.08, 67.71, -67.07

 

CMYK 0 / 0 / 67 / 2

HEX #FAFA52

RGB 250 250 82

HSL 60, 0.94%, 0.65%

LAB 95.71, -19.19, 76.57

 

CMYK 68 / 28 / 0 / 2

HEX #50B4FA

RGB 80.3 180.4 250

HSL 204.61, 0.94%, 0.65%

LAB 70.47, -7.67, -43.01

 

CMYK 0 / 67 / 27 / 2

HEX #FA52B7

RGB 250 82 183

HSL 323.93, 0.94%, 0.65%

LAB 61.46, 72.38, -18.51

 

CMYK 27 / 0 / 67 / 2

HEX #B7FA52

RGB 183 250 82

HSL 83.93, 0.94%, 0.65%

LAB 91.26, -45.06, 70.61

 

CMYK 68 / 28 / 0 / 2

HEX #50B4FA

RGB 80.3 180.4 250

HSL 204.61, 0.94%, 0.65%

LAB 70.47, -7.67, -43.01

 

CMYK 27 / 67 / 0 / 2

HEX #B752FA

RGB 183 82 250

HSL 276.07, 0.94%, 0.65%

LAB 55.08, 67.71, -67.07

 

CMYK 0 / 40 / 67 / 2

HEX #FA9552

RGB 250 149 82

HSL 23.93, 0.94%, 0.65%

LAB 71.17, 32.43, 50.69

 

CMYK 40 / 0 / 67 / 2

HEX #95FA52

RGB 149 250 82

HSL 96.07, 0.94%, 0.65%

LAB 89.57, -56.57, 68.33

 

CMYK 68 / 28 / 0 / 2

HEX #50B4FA

RGB 80.3 180.4 250

HSL 204.61, 0.94%, 0.65%

LAB 70.47, -7.67, -43.01

 

CMYK 7 / 67 / 0 / 2

HEX #E952FA

RGB 233 82 250

HSL 293.93, 0.94%, 0.65%

LAB 61.88, 78.12, -55.79

 

CMYK 0 / 40 / 67 / 2

HEX #FA9552

RGB 250 149 82

HSL 23.93, 0.94%, 0.65%

LAB 71.17, 32.43, 50.69

 

CMYK 60 / 0 / 67 / 2

HEX #63FA52

RGB 99 250 82

HSL 113.93, 0.94%, 0.65%

LAB 87.79, -70.04, 65.92

 

Description

Color code: RGB 80.3 180.4 250 | qconv.com Color code: RGB 80.3 180.4 250 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80.3 red, 180.4 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80.3 180.4 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 28 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 28% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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