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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80.1 36.8 188 it is the complementary color RGB 174.9 218.2 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80.1 36.8 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80.1 36.8 188 shade: RGB 85.1 36.8 183, RGB 102.1 54.8 202, RGB 119.1 72.8 221, RGB 136.1 90.8 240 and RGB 153.1 108.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80.1 36.8 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80.1 36.8 188 shade: RGB 80.1 36.8 188, RGB 63.1 18.8 169, RGB 46.1 0.8 150, RGB 29.1 0 131 and RGB 12.1 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80.1 36.8 188 shade: RGB 80 37 187, RGB 121 37 187, RGB 161 37 187, RGB 187 37 173 and RGB 187 37 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80.1 36.8 188 shade: RGB 80 37 187, RGB 40 37 187 and RGB 37 37 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80.1 36.8 188 shade matches the following richer shades: RGB 80 37 187, RGB 72 19 206 and RGB 65 1 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80.1 36.8 188 shade: RGB 80 37 187, RGB 88 55 169, RGB 96 73 151, RGB 103 91 133 and RGB 111 110 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80.1 36.8 188 shade: RGB 37 75 187, RGB 40 37 187, RGB 80 37 187, RGB 120 37 187 and RGB 160 37 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80.1 36.8 188 shade: RGB 51 23 118, RGB 65 30 153, RGB 80 37 187, RGB 98 51 215 and RGB 124 85 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80.1 36.8 188 shade: RGB 80.1 36.8 188, RGB 187 37 115 and RGB 55 187 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80.1 36.8 188 shade: RGB 80.1 36.8 188, RGB 187 80 37 and RGB 37 187 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80.1 36.8 188 shade: RGB 80.1 36.8 188, RGB 187 37 115, RGB 145 187 37 and RGB 37 187 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80.1 36.8 188 shade: RGB 80.1 36.8 188, RGB 187 37 70, RGB 145 187 37 and RGB 37 187 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 80 / 0 / 26

HEX #5024BC

RGB 80.1 36.8 188

HSL 257.18, 0.67%, 0.44%

LAB 31, 55.35, -71.36

 

Complementary color

CMYK 20 / 0 / 69 / 14

HEX #AEDA43

RGB 174.9 218.2 67

HSL 77.18, 0.67%, 0.56%

LAB 81.7, -34.96, 66.24

 

CMYK 53 / 80 / 0 / 28

HEX #5524B7

RGB 85.1 36.8 183

HSL 259.82, 0.67%, 0.43%

LAB 31.03, 54.61, -68.33

 

CMYK 49 / 73 / 0 / 21

HEX #6636CA

RGB 102.1 54.8 202

HSL 259.28, 0.58%, 0.5%

LAB 37.5, 53.91, -68.81

 

CMYK 46 / 67 / 0 / 13

HEX #7748DD

RGB 119.1 72.8 221

HSL 258.74, 0.69%, 0.58%

LAB 44.07, 52.84, -68.94

 

CMYK 43 / 62 / 0 / 6

HEX #885AF0

RGB 136.1 90.8 240

HSL 258.22, 0.83%, 0.65%

LAB 50.67, 51.64, -68.88

 

CMYK 40 / 57 / 0 / 0

HEX #996CFF

RGB 153.1 108.8 255

HSL 258.18, 1%, 0.71%

LAB 56.97, 49.39, -66.94

 

CMYK 57 / 80 / 0 / 26

HEX #5024BC

RGB 80.1 36.8 188

HSL 257.18, 0.67%, 0.44%

LAB 31, 55.35, -71.36

 

CMYK 63 / 89 / 0 / 34

HEX #3F12A9

RGB 63.1 18.8 169

HSL 257.7, 0.8%, 0.37%

LAB 24.9, 55.31, -70.15

 

CMYK 69 / 99 / 0 / 41

HEX #2E0096

RGB 46.1 0.8 150

HSL 258.22, 0.99%, 0.3%

LAB 19.24, 54.1, -68

 

CMYK 78 / 100 / 0 / 49

HEX #1D0083

RGB 29.1 0 131

HSL 253.33, 1%, 0.26%

LAB 14.96, 48.84, -63.26

 

CMYK 89 / 100 / 0 / 56

HEX #0C0070

RGB 12.1 0 112

HSL 246.48, 1%, 0.22%

LAB 10.91, 43.37, -57.82

 

CMYK 57 / 80 / 0 / 27

HEX #5025BB

RGB 80 37 187

HSL 257.2, 0.67%, 0.44%

LAB 30.92, 54.98, -70.91

 

CMYK 35 / 80 / 0 / 27

HEX #7925BB

RGB 121 37 187

HSL 273.6, 0.67%, 0.44%

LAB 35.94, 60.67, -62.48

 

CMYK 14 / 80 / 0 / 27

HEX #A125BB

RGB 161 37 187

HSL 289.6, 0.67%, 0.44%

LAB 41.98, 67.55, -52.4

 

CMYK 0 / 80 / 7 / 27

HEX #BB25AD

RGB 187 37 173

HSL 305.6, 0.67%, 0.44%

LAB 45.5, 70.33, -38.26

 

CMYK 0 / 80 / 29 / 27

HEX #BB2584

RGB 187 37 132

HSL 322, 0.67%, 0.44%

LAB 43.59, 64.88, -16.57

 

CMYK 57 / 80 / 0 / 27

HEX #5025BB

RGB 80 37 187

HSL 257.2, 0.67%, 0.44%

LAB 30.92, 54.98, -70.91

 

CMYK 79 / 80 / 0 / 27

HEX #2825BB

RGB 40 37 187

HSL 241.2, 0.67%, 0.44%

LAB 27.74, 51.42, -76.26

 

CMYK 80 / 80 / 0 / 27

HEX #2525BB

RGB 37 37 187

HSL 240, 0.67%, 0.44%

LAB 27.58, 51.24, -76.53

 

CMYK 57 / 80 / 0 / 27

HEX #5025BB

RGB 80 37 187

HSL 257.2, 0.67%, 0.44%

LAB 30.92, 54.98, -70.91

 

CMYK 65 / 91 / 0 / 19

HEX #4813CE

RGB 72 19 206

HSL 257.01, 0.83%, 0.44%

LAB 30.16, 65.4, -83.35

 

CMYK 71 / 100 / 0 / 12

HEX #4101E0

RGB 65 1 224

HSL 257.22, 0.99%, 0.44%

LAB 30.71, 72.7, -92.87

 

CMYK 57 / 80 / 0 / 27

HEX #5025BB

RGB 80 37 187

HSL 257.2, 0.67%, 0.44%

LAB 30.92, 54.98, -70.91

 

CMYK 48 / 67 / 0 / 34

HEX #5837A9

RGB 88 55 169

HSL 257.37, 0.51%, 0.44%

LAB 33.29, 42.17, -56.27

 

CMYK 36 / 52 / 0 / 41

HEX #604997

RGB 96 73 151

HSL 257.69, 0.35%, 0.44%

LAB 36.9, 28.2, -39.55

 

CMYK 23 / 32 / 0 / 48

HEX #675B85

RGB 103 91 133

HSL 257.14, 0.19%, 0.44%

LAB 41.31, 14.29, -21.67

 

CMYK 3 / 4 / 0 / 55

HEX #6F6E73

RGB 111 110 115

HSL 252, 0.02%, 0.44%

LAB 46.67, 1.42, -2.64

 

CMYK 80 / 60 / 0 / 27

HEX #254BBB

RGB 37 75 187

HSL 224.8, 0.67%, 0.44%

LAB 36.01, 28.37, -62.66

 

CMYK 79 / 80 / 0 / 27

HEX #2825BB

RGB 40 37 187

HSL 241.2, 0.67%, 0.44%

LAB 27.74, 51.42, -76.26

 

CMYK 57 / 80 / 0 / 27

HEX #5025BB

RGB 80 37 187

HSL 257.2, 0.67%, 0.44%

LAB 30.92, 54.98, -70.91

 

CMYK 36 / 80 / 0 / 27

HEX #7825BB

RGB 120 37 187

HSL 273.2, 0.67%, 0.44%

LAB 35.8, 60.51, -62.71

 

CMYK 14 / 80 / 0 / 27

HEX #A025BB

RGB 160 37 187

HSL 289.2, 0.67%, 0.44%

LAB 41.82, 67.36, -52.66

 

CMYK 57 / 81 / 0 / 54

HEX #331776

RGB 51 23 118

HSL 257.68, 0.67%, 0.28%

LAB 18.47, 38.02, -49.07

 

CMYK 58 / 80 / 0 / 40

HEX #411E99

RGB 65 30 153

HSL 257.07, 0.67%, 0.36%

LAB 24.8, 46.79, -60.56

 

CMYK 57 / 80 / 0 / 27

HEX #5025BB

RGB 80 37 187

HSL 257.2, 0.67%, 0.44%

LAB 30.92, 54.98, -70.91

 

CMYK 54 / 76 / 0 / 16

HEX #6233D7

RGB 98 51 215

HSL 257.2, 0.67%, 0.52%

LAB 37.61, 58.62, -76.16

 

CMYK 44 / 62 / 0 / 13

HEX #7C55DD

RGB 124 85 221

HSL 257.21, 0.67%, 0.6%

LAB 46.98, 47.24, -64.19

 

CMYK 57 / 80 / 0 / 26

HEX #5024BC

RGB 80.1 36.8 188

HSL 257.18, 0.67%, 0.44%

LAB 31, 55.35, -71.36

 

CMYK 0 / 80 / 39 / 27

HEX #BB2573

RGB 187 37 115

HSL 328.8, 0.67%, 0.44%

LAB 42.95, 63.02, -7.05

 

CMYK 71 / 0 / 80 / 27

HEX #37BB25

RGB 55 187 37

HSL 112.8, 0.67%, 0.44%

LAB 66.89, -61.48, 60.01

 

CMYK 57 / 80 / 0 / 26

HEX #5024BC

RGB 80.1 36.8 188

HSL 257.18, 0.67%, 0.44%

LAB 31, 55.35, -71.36

 

CMYK 0 / 57 / 80 / 27

HEX #BB5025

RGB 187 80 37

HSL 17.2, 0.67%, 0.44%

LAB 47.54, 40.81, 44.93

 

CMYK 80 / 0 / 57 / 27

HEX #25BB50

RGB 37 187 80

HSL 137.2, 0.67%, 0.44%

LAB 66.91, -60.07, 43.01

 

CMYK 57 / 80 / 0 / 26

HEX #5024BC

RGB 80.1 36.8 188

HSL 257.18, 0.67%, 0.44%

LAB 31, 55.35, -71.36

 

CMYK 0 / 80 / 39 / 27

HEX #BB2573

RGB 187 37 115

HSL 328.8, 0.67%, 0.44%

LAB 42.95, 63.02, -7.05

 

CMYK 22 / 0 / 80 / 27

HEX #91BB25

RGB 145 187 37

HSL 76.8, 0.67%, 0.44%

LAB 70.66, -33.93, 64.86

 

CMYK 80 / 0 / 41 / 27

HEX #25BB6E

RGB 37 187 110

HSL 149.2, 0.67%, 0.44%

LAB 67.32, -55.22, 28.51

 

CMYK 57 / 80 / 0 / 26

HEX #5024BC

RGB 80.1 36.8 188

HSL 257.18, 0.67%, 0.44%

LAB 31, 55.35, -71.36

 

CMYK 0 / 80 / 63 / 27

HEX #BB2546

RGB 187 37 70

HSL 346.8, 0.67%, 0.44%

LAB 41.74, 59.34, 19.42

 

CMYK 22 / 0 / 80 / 27

HEX #91BB25

RGB 145 187 37

HSL 76.8, 0.67%, 0.44%

LAB 70.66, -33.93, 64.86

 

CMYK 80 / 0 / 17 / 27

HEX #25BB9B

RGB 37 187 155

HSL 167.2, 0.67%, 0.44%

LAB 68.24, -45.12, 5.54

 

Description

Color code: RGB 80.1 36.8 188 | qconv.com Color code: RGB 80.1 36.8 188 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80.1 red, 36.8 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80.1 36.8 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 80 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 80% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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