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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80.1 201 188 it is the complementary color RGB 174.9 54 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80.1 201 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80.1 201 188 shade: RGB 85.1 201 183, RGB 102.1 219 202, RGB 119.1 237 221, RGB 136.1 255 240 and RGB 153.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80.1 201 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80.1 201 188 shade: RGB 80.1 201 188, RGB 63.1 183 169, RGB 46.1 165 150, RGB 29.1 147 131 and RGB 12.1 129 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80.1 201 188 shade: RGB 79 201 188, RGB 79 201 155, RGB 79 201 122, RGB 79 201 90 and RGB 102 201 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80.1 201 188 shade: RGB 79 201 188, RGB 79 181 201, RGB 79 149 201, RGB 79 116 201 and RGB 79 83 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80.1 201 188 shade matches the following richer shades: RGB 79 201 188, RGB 61 220 203 and RGB 42 238 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80.1 201 188 shade: RGB 79 201 188, RGB 98 183 173, RGB 117 164 159, RGB 135 145 144 and RGB 154 127 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80.1 201 188 shade: RGB 79 201 122, RGB 79 201 154, RGB 79 201 187, RGB 79 183 201 and RGB 79 150 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80.1 201 188 shade: RGB 47 151 140, RGB 56 183 169, RGB 79 201 188, RGB 111 211 200 and RGB 143 220 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80.1 201 188 shade: RGB 80.1 201 188, RGB 90 79 201 and RGB 201 138 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80.1 201 188 shade: RGB 80.1 201 188, RGB 187 79 201 and RGB 201 187 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80.1 201 188 shade: RGB 80.1 201 188, RGB 90 79 201, RGB 201 79 94 and RGB 191 201 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80.1 201 188 shade: RGB 80.1 201 188, RGB 126 79 201, RGB 201 79 94 and RGB 154 201 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 6 / 21

HEX #50C9BC

RGB 80.1 201 188

HSL 173.55, 0.53%, 0.55%

LAB 74.26, -36.65, -3.58

 

Complementary color

CMYK 0 / 69 / 62 / 31

HEX #AE3643

RGB 174.9 54 67

HSL 353.55, 0.53%, 0.45%

LAB 41.45, 49.72, 20.48

 

CMYK 58 / 0 / 9 / 21

HEX #55C9B7

RGB 85.1 201 183

HSL 170.68, 0.52%, 0.56%

LAB 74.27, -37.01, -0.84

 

CMYK 53 / 0 / 8 / 14

HEX #66DBCA

RGB 102.1 219 202

HSL 171.27, 0.62%, 0.63%

LAB 80.6, -37.13, -1.7

 

CMYK 50 / 0 / 7 / 7

HEX #77EDDD

RGB 119.1 237 221

HSL 171.86, 0.77%, 0.7%

LAB 86.86, -37.17, -2.51

 

CMYK 47 / 0 / 6 / 0

HEX #88FFF0

RGB 136.1 255 240

HSL 172.43, 1%, 0.77%

LAB 93.04, -37.16, -3.26

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153.1 255 255

HSL 180, 1%, 0.8%

LAB 94.11, -29.69, -9.36

 

CMYK 60 / 0 / 6 / 21

HEX #50C9BC

RGB 80.1 201 188

HSL 173.55, 0.53%, 0.55%

LAB 74.26, -36.65, -3.58

 

CMYK 66 / 0 / 8 / 28

HEX #3FB7A9

RGB 63.1 183 169

HSL 172.99, 0.49%, 0.48%

LAB 67.87, -36.29, -2.65

 

CMYK 72 / 0 / 9 / 35

HEX #2EA596

RGB 46.1 165 150

HSL 172.43, 0.56%, 0.41%

LAB 61.39, -35.73, -1.62

 

CMYK 80 / 0 / 11 / 42

HEX #1D9383

RGB 29.1 147 131

HSL 171.86, 0.67%, 0.35%

LAB 54.83, -34.88, -0.46

 

CMYK 91 / 0 / 13 / 49

HEX #0C8170

RGB 12.1 129 112

HSL 171.27, 0.83%, 0.28%

LAB 48.2, -33.58, 0.87

 

CMYK 61 / 0 / 6 / 21

HEX #4FC9BC

RGB 79 201 188

HSL 173.61, 0.53%, 0.55%

LAB 74.23, -36.84, -3.62

 

CMYK 61 / 0 / 23 / 21

HEX #4FC99B

RGB 79 201 155

HSL 157.38, 0.53%, 0.55%

LAB 73.42, -44.88, 13.02

 

CMYK 61 / 0 / 39 / 21

HEX #4FC97A

RGB 79 201 122

HSL 141.15, 0.53%, 0.55%

LAB 72.79, -51.51, 29.62

 

CMYK 61 / 0 / 55 / 21

HEX #4FC95A

RGB 79 201 90

HSL 125.41, 0.53%, 0.55%

LAB 72.34, -56.4, 44.98

 

CMYK 49 / 0 / 61 / 21

HEX #66C94F

RGB 102 201 79

HSL 108.69, 0.53%, 0.55%

LAB 73, -51.81, 50.96

 

CMYK 61 / 0 / 6 / 21

HEX #4FC9BC

RGB 79 201 188

HSL 173.61, 0.53%, 0.55%

LAB 74.23, -36.84, -3.62

 

CMYK 61 / 10 / 0 / 21

HEX #4FB5C9

RGB 79 181 201

HSL 189.84, 0.53%, 0.55%

LAB 68.7, -23.55, -19

 

CMYK 61 / 26 / 0 / 21

HEX #4F95C9

RGB 79 149 201

HSL 205.57, 0.53%, 0.55%

LAB 59.32, -6.38, -33.42

 

CMYK 61 / 42 / 0 / 21

HEX #4F74C9

RGB 79 116 201

HSL 221.8, 0.53%, 0.55%

LAB 49.94, 13.22, -48.2

 

CMYK 61 / 59 / 0 / 21

HEX #4F53C9

RGB 79 83 201

HSL 238.03, 0.53%, 0.55%

LAB 41.32, 33.87, -62.08

 

CMYK 61 / 0 / 6 / 21

HEX #4FC9BC

RGB 79 201 188

HSL 173.61, 0.53%, 0.55%

LAB 74.23, -36.84, -3.62

 

CMYK 72 / 0 / 8 / 14

HEX #3DDCCB

RGB 61 220 203

HSL 173.58, 0.69%, 0.55%

LAB 79.89, -44.03, -3.4

 

CMYK 82 / 0 / 9 / 7

HEX #2AEED9

RGB 42 238 217

HSL 173.57, 0.85%, 0.55%

LAB 85.33, -49.81, -2.86

 

CMYK 61 / 0 / 6 / 21

HEX #4FC9BC

RGB 79 201 188

HSL 173.61, 0.53%, 0.55%

LAB 74.23, -36.84, -3.62

 

CMYK 46 / 0 / 5 / 28

HEX #62B7AD

RGB 98 183 173

HSL 172.94, 0.37%, 0.55%

LAB 69.1, -28.22, -2.91

 

CMYK 29 / 0 / 3 / 36

HEX #75A49F

RGB 117 164 159

HSL 173.62, 0.21%, 0.55%

LAB 64.03, -16.79, -2.49

 

CMYK 7 / 0 / 1 / 43

HEX #879190

RGB 135 145 144

HSL 174, 0.04%, 0.55%

LAB 59.36, -3.81, -0.72

 

CMYK 0 / 18 / 16 / 40

HEX #9A7F82

RGB 154 127 130

HSL 353.33, 0.12%, 0.55%

LAB 55.75, 10.87, 2.27

 

CMYK 61 / 0 / 39 / 21

HEX #4FC97A

RGB 79 201 122

HSL 141.15, 0.53%, 0.55%

LAB 72.79, -51.51, 29.62

 

CMYK 61 / 0 / 23 / 21

HEX #4FC99A

RGB 79 201 154

HSL 156.89, 0.53%, 0.55%

LAB 73.4, -45.1, 13.53

 

CMYK 61 / 0 / 7 / 21

HEX #4FC9BB

RGB 79 201 187

HSL 173.11, 0.53%, 0.55%

LAB 74.2, -37.11, -3.12

 

CMYK 61 / 9 / 0 / 21

HEX #4FB7C9

RGB 79 183 201

HSL 188.85, 0.53%, 0.55%

LAB 69.29, -24.56, -18.11

 

CMYK 61 / 25 / 0 / 21

HEX #4F96C9

RGB 79 150 201

HSL 205.08, 0.53%, 0.55%

LAB 59.61, -6.94, -32.97

 

CMYK 69 / 0 / 7 / 41

HEX #2F978C

RGB 47 151 140

HSL 173.65, 0.53%, 0.39%

LAB 56.71, -31.86, -2.82

 

CMYK 69 / 0 / 8 / 28

HEX #38B7A9

RGB 56 183 169

HSL 173.39, 0.53%, 0.47%

LAB 67.7, -37.36, -2.91

 

CMYK 61 / 0 / 6 / 21

HEX #4FC9BC

RGB 79 201 188

HSL 173.61, 0.53%, 0.55%

LAB 74.23, -36.84, -3.62

 

CMYK 47 / 0 / 5 / 17

HEX #6FD3C8

RGB 111 211 200

HSL 173.4, 0.53%, 0.63%

LAB 78.54, -31.96, -3.63

 

CMYK 35 / 0 / 4 / 14

HEX #8FDCD4

RGB 143 220 212

HSL 173.77, 0.52%, 0.71%

LAB 82.8, -25.46, -3.61

 

CMYK 60 / 0 / 6 / 21

HEX #50C9BC

RGB 80.1 201 188

HSL 173.55, 0.53%, 0.55%

LAB 74.26, -36.65, -3.58

 

CMYK 55 / 61 / 0 / 21

HEX #5A4FC9

RGB 90 79 201

HSL 245.41, 0.53%, 0.55%

LAB 41.19, 38.24, -62.25

 

CMYK 0 / 31 / 61 / 21

HEX #C98A4F

RGB 201 138 79

HSL 29.02, 0.53%, 0.55%

LAB 62.64, 18, 40.81

 

CMYK 60 / 0 / 6 / 21

HEX #50C9BC

RGB 80.1 201 188

HSL 173.55, 0.53%, 0.55%

LAB 74.26, -36.65, -3.58

 

CMYK 7 / 61 / 0 / 21

HEX #BB4FC9

RGB 187 79 201

HSL 293.11, 0.53%, 0.55%

LAB 52.26, 60.14, -43.89

 

CMYK 0 / 7 / 61 / 21

HEX #C9BB4F

RGB 201 187 79

HSL 53.11, 0.53%, 0.55%

LAB 75.15, -8.27, 55.07

 

CMYK 60 / 0 / 6 / 21

HEX #50C9BC

RGB 80.1 201 188

HSL 173.55, 0.53%, 0.55%

LAB 74.26, -36.65, -3.58

 

CMYK 55 / 61 / 0 / 21

HEX #5A4FC9

RGB 90 79 201

HSL 245.41, 0.53%, 0.55%

LAB 41.19, 38.24, -62.25

 

CMYK 0 / 61 / 53 / 21

HEX #C94F5E

RGB 201 79 94

HSL 352.62, 0.53%, 0.55%

LAB 50.47, 49.71, 16.89

 

CMYK 5 / 0 / 61 / 21

HEX #BFC94F

RGB 191 201 79

HSL 64.92, 0.53%, 0.55%

LAB 78.12, -19.53, 58.07

 

CMYK 60 / 0 / 6 / 21

HEX #50C9BC

RGB 80.1 201 188

HSL 173.55, 0.53%, 0.55%

LAB 74.26, -36.65, -3.58

 

CMYK 37 / 61 / 0 / 21

HEX #7E4FC9

RGB 126 79 201

HSL 263.11, 0.53%, 0.55%

LAB 44.58, 45.6, -56.6

 

CMYK 0 / 61 / 53 / 21

HEX #C94F5E

RGB 201 79 94

HSL 352.62, 0.53%, 0.55%

LAB 50.47, 49.71, 16.89

 

CMYK 23 / 0 / 61 / 21

HEX #9AC94F

RGB 154 201 79

HSL 83.11, 0.53%, 0.55%

LAB 75.58, -34.24, 54.56

 

Description

Color code: RGB 80.1 201 188 | qconv.com Color code: RGB 80.1 201 188 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80.1 red, 201 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80.1 201 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 6 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 6% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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