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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 233 253 it is the complementary color RGB 248 22 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 233 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 233 253 shade: RGB 12 233 248, RGB 29 251 255, RGB 46 255 255, RGB 63 255 255 and RGB 80 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 233 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 233 253 shade: RGB 7 233 253, RGB 0 215 234, RGB 0 197 215, RGB 0 179 196 and RGB 0 161 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 233 253 shade: RGB 7 232 252, RGB 7 166 252, RGB 7 100 252, RGB 7 34 252 and RGB 46 7 252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 233 253 shade: RGB 7 232 252, RGB 7 166 252, RGB 7 100 252, RGB 7 34 252 and RGB 7 7 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 233 253 shade matches the following richer shades: RGB 7 232 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 233 253 shade: RGB 7 232 252, RGB 27 215 232, RGB 48 198 212, RGB 68 181 191 and RGB 88 164 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 233 253 shade: RGB 7 252 138, RGB 7 252 203, RGB 7 236 252, RGB 7 170 252 and RGB 7 105 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 233 253 shade: RGB 1 161 175, RGB 2 199 216, RGB 7 232 252, RGB 48 236 252 and RGB 89 239 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 233 253 shade: RGB 7 233 253, RGB 72 7 252 and RGB 252 170 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 233 253 shade: RGB 7 233 253, RGB 252 7 236 and RGB 236 252 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 233 253 shade: RGB 7 233 253, RGB 72 7 252, RGB 252 23 7 and RGB 187 252 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 233 253 shade: RGB 7 233 253, RGB 146 7 252, RGB 252 23 7 and RGB 113 252 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 8 / 0 / 1

HEX #07E9FD

RGB 7 233 253

HSL 184.88, 0.98%, 0.51%

LAB 84.7, -38.77, -22.77

 

Complementary color

CMYK 0 / 91 / 99 / 3

HEX #F81602

RGB 248 22 2

HSL 4.88, 0.98%, 0.49%

LAB 52.44, 76.59, 65.53

 

CMYK 95 / 6 / 0 / 3

HEX #0CE9F8

RGB 12 233 248

HSL 183.81, 0.94%, 0.51%

LAB 84.55, -40.19, -20.35

 

CMYK 89 / 2 / 0 / 0

HEX #1DFBFF

RGB 29 251 255

HSL 181.06, 1%, 0.56%

LAB 90.08, -45.56, -15.68

 

CMYK 82 / 0 / 0 / 0

HEX #2EFFFF

RGB 46 255 255

HSL 180, 1%, 0.59%

LAB 91.38, -46.35, -13.72

 

CMYK 75 / 0 / 0 / 0

HEX #3FFFFF

RGB 63 255 255

HSL 180, 1%, 0.62%

LAB 91.59, -44.95, -13.38

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 97 / 8 / 0 / 1

HEX #07E9FD

RGB 7 233 253

HSL 184.88, 0.98%, 0.51%

LAB 84.7, -38.77, -22.77

 

CMYK 100 / 8 / 0 / 8

HEX #00D7EA

RGB 0 215 234

HSL 184.87, 1%, 0.46%

LAB 78.78, -36.49, -21.69

 

CMYK 100 / 8 / 0 / 16

HEX #00C5D7

RGB 0 197 215

HSL 185.02, 1%, 0.42%

LAB 72.79, -34.02, -20.55

 

CMYK 100 / 9 / 0 / 23

HEX #00B3C4

RGB 0 179 196

HSL 185.2, 1%, 0.38%

LAB 66.69, -31.51, -19.41

 

CMYK 100 / 9 / 0 / 31

HEX #00A1B1

RGB 0 161 177

HSL 185.42, 1%, 0.35%

LAB 60.48, -28.94, -18.24

 

CMYK 97 / 8 / 0 / 1

HEX #07E8FC

RGB 7 232 252

HSL 184.9, 0.98%, 0.51%

LAB 84.37, -38.62, -22.73

 

CMYK 97 / 34 / 0 / 1

HEX #07A6FC

RGB 7 166 252

HSL 201.06, 0.98%, 0.51%

LAB 65.24, -4.9, -52.43

 

CMYK 97 / 60 / 0 / 1

HEX #0764FC

RGB 7 100 252

HSL 217.22, 0.98%, 0.51%

LAB 47.22, 35.49, -81.47

 

CMYK 97 / 87 / 0 / 1

HEX #0722FC

RGB 7 34 252

HSL 233.39, 0.98%, 0.51%

LAB 34.43, 70.97, -102.62

 

CMYK 82 / 97 / 0 / 1

HEX #2E07FC

RGB 46 7 252

HSL 249.55, 0.98%, 0.51%

LAB 33.48, 77.91, -104.18

 

CMYK 97 / 8 / 0 / 1

HEX #07E8FC

RGB 7 232 252

HSL 184.9, 0.98%, 0.51%

LAB 84.37, -38.62, -22.73

 

CMYK 97 / 34 / 0 / 1

HEX #07A6FC

RGB 7 166 252

HSL 201.06, 0.98%, 0.51%

LAB 65.24, -4.9, -52.43

 

CMYK 97 / 60 / 0 / 1

HEX #0764FC

RGB 7 100 252

HSL 217.22, 0.98%, 0.51%

LAB 47.22, 35.49, -81.47

 

CMYK 97 / 87 / 0 / 1

HEX #0722FC

RGB 7 34 252

HSL 233.39, 0.98%, 0.51%

LAB 34.43, 70.97, -102.62

 

CMYK 97 / 97 / 0 / 1

HEX #0707FC

RGB 7 7 252

HSL 240, 0.98%, 0.51%

LAB 32.31, 77.46, -106.16

 

CMYK 97 / 8 / 0 / 1

HEX #07E8FC

RGB 7 232 252

HSL 184.9, 0.98%, 0.51%

LAB 84.37, -38.62, -22.73

 

CMYK 97 / 8 / 0 / 1

HEX #07E8FC

RGB 7 232 252

HSL 184.9, 0.98%, 0.51%

LAB 84.37, -38.62, -22.73

 

CMYK 88 / 7 / 0 / 9

HEX #1BD7E8

RGB 27 215 232

HSL 184.98, 0.82%, 0.51%

LAB 78.85, -36.26, -20.5

 

CMYK 77 / 7 / 0 / 17

HEX #30C6D4

RGB 48 198 212

HSL 185.12, 0.66%, 0.51%

LAB 73.4, -32.86, -17.96

 

CMYK 64 / 5 / 0 / 25

HEX #44B5BF

RGB 68 181 191

HSL 184.88, 0.49%, 0.51%

LAB 68.05, -28.36, -14.5

 

CMYK 49 / 4 / 0 / 33

HEX #58A4AB

RGB 88 164 171

HSL 185.06, 0.33%, 0.51%

LAB 62.98, -21.58, -10.92

 

CMYK 97 / 0 / 45 / 1

HEX #07FC8A

RGB 7 252 138

HSL 152.08, 0.98%, 0.51%

LAB 87.73, -74.02, 40.85

 

CMYK 97 / 0 / 19 / 1

HEX #07FCCB

RGB 7 252 203

HSL 168, 0.98%, 0.51%

LAB 88.91, -60.56, 9.62

 

CMYK 97 / 6 / 0 / 1

HEX #07ECFC

RGB 7 236 252

HSL 183.92, 0.98%, 0.51%

LAB 85.54, -40.44, -20.97

 

CMYK 97 / 33 / 0 / 1

HEX #07AAFC

RGB 7 170 252

HSL 200.08, 0.98%, 0.51%

LAB 66.38, -7.15, -50.61

 

CMYK 97 / 58 / 0 / 1

HEX #0769FC

RGB 7 105 252

HSL 216, 0.98%, 0.51%

LAB 48.48, 32.32, -79.41

 

CMYK 99 / 8 / 0 / 31

HEX #01A1AF

RGB 1 161 175

HSL 184.83, 0.99%, 0.35%

LAB 60.42, -29.56, -17.21

 

CMYK 99 / 8 / 0 / 15

HEX #02C7D8

RGB 2 199 216

HSL 184.77, 0.98%, 0.43%

LAB 73.43, -34.6, -20.12

 

CMYK 97 / 8 / 0 / 1

HEX #07E8FC

RGB 7 232 252

HSL 184.9, 0.98%, 0.51%

LAB 84.37, -38.62, -22.73

 

CMYK 81 / 6 / 0 / 1

HEX #30ECFC

RGB 48 236 252

HSL 184.71, 0.97%, 0.59%

LAB 85.83, -38.59, -20.5

 

CMYK 65 / 6 / 0 / 1

HEX #59EFFD

RGB 89 239 253

HSL 185.12, 0.98%, 0.67%

LAB 87.46, -35.14, -18.49

 

CMYK 97 / 8 / 0 / 1

HEX #07E9FD

RGB 7 233 253

HSL 184.88, 0.98%, 0.51%

LAB 84.7, -38.77, -22.77

 

CMYK 71 / 97 / 0 / 1

HEX #4807FC

RGB 72 7 252

HSL 255.92, 0.98%, 0.51%

LAB 35.12, 78.63, -101.4

 

CMYK 0 / 33 / 97 / 1

HEX #FCAA07

RGB 252 170 7

HSL 39.92, 0.98%, 0.51%

LAB 75.74, 20.12, 78.54

 

CMYK 97 / 8 / 0 / 1

HEX #07E9FD

RGB 7 233 253

HSL 184.88, 0.98%, 0.51%

LAB 84.7, -38.77, -22.77

 

CMYK 0 / 97 / 6 / 1

HEX #FC07EC

RGB 252 7 236

HSL 303.92, 0.98%, 0.51%

LAB 58.88, 94.79, -52.58

 

CMYK 6 / 0 / 97 / 1

HEX #ECFC07

RGB 236 252 7

HSL 63.92, 0.98%, 0.51%

LAB 94.94, -27.85, 91.73

 

CMYK 97 / 8 / 0 / 1

HEX #07E9FD

RGB 7 233 253

HSL 184.88, 0.98%, 0.51%

LAB 84.7, -38.77, -22.77

 

CMYK 71 / 97 / 0 / 1

HEX #4807FC

RGB 72 7 252

HSL 255.92, 0.98%, 0.51%

LAB 35.12, 78.63, -101.4

 

CMYK 0 / 91 / 97 / 1

HEX #FC1707

RGB 252 23 7

HSL 3.92, 0.98%, 0.51%

LAB 53.3, 77.5, 65.15

 

CMYK 26 / 0 / 97 / 1

HEX #BBFC07

RGB 187 252 7

HSL 75.92, 0.98%, 0.51%

LAB 91.77, -47.03, 87.93

 

CMYK 97 / 8 / 0 / 1

HEX #07E9FD

RGB 7 233 253

HSL 184.88, 0.98%, 0.51%

LAB 84.7, -38.77, -22.77

 

CMYK 42 / 97 / 0 / 1

HEX #9207FC

RGB 146 7 252

HSL 274.04, 0.98%, 0.51%

LAB 43.2, 83.37, -87.77

 

CMYK 0 / 91 / 97 / 1

HEX #FC1707

RGB 252 23 7

HSL 3.92, 0.98%, 0.51%

LAB 53.3, 77.5, 65.15

 

CMYK 55 / 0 / 97 / 1

HEX #71FC07

RGB 113 252 7

HSL 94.04, 0.98%, 0.51%

LAB 88.52, -70.7, 83.98

 

Description

Color code: RGB 7 233 253 | qconv.com Color code: RGB 7 233 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 233 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 233 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 8 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 8% 0% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Larry Yueli Zhang - ...
Link: http://www.cs.toronto.edu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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