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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 211 142 it is the complementary color RGB 248 44 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 211 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 211 142 shade: RGB 12 211 137, RGB 29 229 156, RGB 46 247 175, RGB 63 255 194 and RGB 80 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 211 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 211 142 shade: RGB 7 211 142, RGB 0 193 123, RGB 0 175 104, RGB 0 157 85 and RGB 0 139 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 211 142 shade: RGB 6 212 143, RGB 6 212 87, RGB 6 212 31, RGB 36 212 6 and RGB 92 212 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 211 142 shade: RGB 6 212 143, RGB 6 212 198, RGB 6 171 212, RGB 6 115 212 and RGB 6 60 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 211 142 shade matches the following richer shades: RGB 6 212 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 211 142 shade: RGB 6 212 143, RGB 24 194 137, RGB 42 177 131, RGB 59 159 125 and RGB 77 141 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 211 142 shade: RGB 6 212 30, RGB 6 212 85, RGB 6 212 140, RGB 6 212 195 and RGB 6 174 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 211 142 shade: RGB 4 132 89, RGB 5 172 116, RGB 6 212 143, RGB 13 247 168 and RGB 53 248 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 211 142 shade: RGB 7 211 142, RGB 6 37 212 and RGB 212 58 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 211 142 shade: RGB 7 211 142, RGB 140 6 212 and RGB 212 140 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 211 142 shade: RGB 7 211 142, RGB 6 37 212, RGB 212 6 78 and RGB 212 181 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 211 142 shade: RGB 7 211 142, RGB 37 6 212, RGB 212 6 78 and RGB 181 212 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 33 / 17

HEX #07D38E

RGB 7 211 142

HSL 159.71, 0.94%, 0.43%

LAB 75.19, -59.34, 22.24

 

Complementary color

CMYK 0 / 82 / 54 / 3

HEX #F82C71

RGB 248 44 113

HSL 339.71, 0.94%, 0.57%

LAB 55.02, 76.5, 13.08

 

CMYK 94 / 0 / 35 / 17

HEX #0CD389

RGB 12 211 137

HSL 157.69, 0.89%, 0.44%

LAB 75.12, -60.23, 24.76

 

CMYK 87 / 0 / 32 / 10

HEX #1DE59C

RGB 29 229 156

HSL 158.1, 0.79%, 0.51%

LAB 81.13, -61.89, 23.08

 

CMYK 81 / 0 / 29 / 3

HEX #2EF7AF

RGB 46 247 175

HSL 158.51, 0.93%, 0.57%

LAB 87.09, -63.15, 21.53

 

CMYK 75 / 0 / 24 / 0

HEX #3FFFC2

RGB 63 255 194

HSL 160.94, 1%, 0.62%

LAB 90.08, -60.32, 15.98

 

CMYK 69 / 0 / 16 / 0

HEX #50FFD5

RGB 80 255 213

HSL 165.6, 1%, 0.66%

LAB 90.79, -53.81, 7.25

 

CMYK 97 / 0 / 33 / 17

HEX #07D38E

RGB 7 211 142

HSL 159.71, 0.94%, 0.43%

LAB 75.19, -59.34, 22.24

 

CMYK 100 / 0 / 36 / 24

HEX #00C17B

RGB 0 193 123

HSL 158.24, 1%, 0.38%

LAB 69.16, -57.11, 24.06

 

CMYK 100 / 0 / 41 / 31

HEX #00AF68

RGB 0 175 104

HSL 155.66, 1%, 0.34%

LAB 63.06, -54.56, 26

 

CMYK 100 / 0 / 46 / 38

HEX #009D55

RGB 0 157 85

HSL 152.48, 1%, 0.31%

LAB 56.85, -51.87, 28

 

CMYK 100 / 0 / 53 / 45

HEX #008B42

RGB 0 139 66

HSL 148.49, 1%, 0.27%

LAB 50.52, -49, 30.04

 

CMYK 97 / 0 / 33 / 17

HEX #06D48F

RGB 6 212 143

HSL 159.9, 0.94%, 0.43%

LAB 75.52, -59.52, 22.16

 

CMYK 97 / 0 / 59 / 17

HEX #06D457

RGB 6 212 87

HSL 143.59, 0.94%, 0.43%

LAB 74.71, -69.18, 48.89

 

CMYK 97 / 0 / 85 / 17

HEX #06D41F

RGB 6 212 31

HSL 127.28, 0.94%, 0.43%

LAB 74.33, -73.93, 68.13

 

CMYK 83 / 0 / 97 / 17

HEX #24D406

RGB 36 212 6

HSL 111.26, 0.94%, 0.43%

LAB 74.49, -72.7, 72.06

 

CMYK 57 / 0 / 97 / 17

HEX #5CD406

RGB 92 212 6

HSL 94.95, 0.94%, 0.43%

LAB 75.68, -62.54, 73.52

 

CMYK 97 / 0 / 33 / 17

HEX #06D48F

RGB 6 212 143

HSL 159.9, 0.94%, 0.43%

LAB 75.52, -59.52, 22.16

 

CMYK 97 / 0 / 7 / 17

HEX #06D4C6

RGB 6 212 198

HSL 175.92, 0.94%, 0.43%

LAB 76.8, -45.73, -5.34

 

CMYK 97 / 19 / 0 / 17

HEX #06ABD4

RGB 6 171 212

HSL 191.94, 0.94%, 0.43%

LAB 64.9, -21.96, -31

 

CMYK 97 / 46 / 0 / 17

HEX #0673D4

RGB 6 115 212

HSL 208.25, 0.94%, 0.43%

LAB 48.33, 10.33, -57.17

 

CMYK 97 / 72 / 0 / 17

HEX #063CD4

RGB 6 60 212

HSL 224.27, 0.94%, 0.43%

LAB 34.03, 45.7, -80.5

 

CMYK 97 / 0 / 33 / 17

HEX #06D48F

RGB 6 212 143

HSL 159.9, 0.94%, 0.43%

LAB 75.52, -59.52, 22.16

 

CMYK 97 / 0 / 33 / 17

HEX #06D48F

RGB 6 212 143

HSL 159.9, 0.94%, 0.43%

LAB 75.52, -59.52, 22.16

 

CMYK 88 / 0 / 29 / 24

HEX #18C289

RGB 24 194 137

HSL 159.88, 0.78%, 0.43%

LAB 69.88, -53.35, 17.61

 

CMYK 76 / 0 / 26 / 31

HEX #2AB183

RGB 42 177 131

HSL 159.56, 0.62%, 0.43%

LAB 64.62, -46.34, 13.58

 

CMYK 63 / 0 / 21 / 38

HEX #3B9F7D

RGB 59 159 125

HSL 159.6, 0.46%, 0.43%

LAB 59.17, -37.37, 9.27

 

CMYK 45 / 0 / 15 / 45

HEX #4D8D78

RGB 77 141 120

HSL 160.31, 0.29%, 0.43%

LAB 54.01, -25.83, 4.84

 

CMYK 97 / 0 / 86 / 17

HEX #06D41E

RGB 6 212 30

HSL 126.99, 0.94%, 0.43%

LAB 74.33, -73.97, 68.35

 

CMYK 97 / 0 / 60 / 17

HEX #06D455

RGB 6 212 85

HSL 143.01, 0.94%, 0.43%

LAB 74.69, -69.43, 49.76

 

CMYK 97 / 0 / 34 / 17

HEX #06D48C

RGB 6 212 140

HSL 159.03, 0.94%, 0.43%

LAB 75.46, -60.16, 23.65

 

CMYK 97 / 0 / 8 / 17

HEX #06D4C3

RGB 6 212 195

HSL 175.05, 0.94%, 0.43%

LAB 76.72, -46.57, -3.86

 

CMYK 97 / 18 / 0 / 17

HEX #06AED4

RGB 6 174 212

HSL 191.07, 0.94%, 0.43%

LAB 65.8, -23.51, -29.61

 

CMYK 97 / 0 / 33 / 48

HEX #048459

RGB 4 132 89

HSL 159.84, 0.94%, 0.27%

LAB 48.57, -41.47, 14.79

 

CMYK 97 / 0 / 33 / 33

HEX #05AC74

RGB 5 172 116

HSL 159.88, 0.94%, 0.35%

LAB 62.34, -50.7, 18.56

 

CMYK 97 / 0 / 33 / 17

HEX #06D48F

RGB 6 212 143

HSL 159.9, 0.94%, 0.43%

LAB 75.52, -59.52, 22.16

 

CMYK 95 / 0 / 32 / 3

HEX #0DF7A8

RGB 13 247 168

HSL 159.74, 0.94%, 0.51%

LAB 86.72, -66.52, 24.56

 

CMYK 79 / 0 / 27 / 3

HEX #35F8B6

RGB 53 248 182

HSL 159.69, 0.93%, 0.59%

LAB 87.62, -61.36, 18.67

 

CMYK 97 / 0 / 33 / 17

HEX #07D38E

RGB 7 211 142

HSL 159.71, 0.94%, 0.43%

LAB 75.19, -59.34, 22.24

 

CMYK 97 / 83 / 0 / 17

HEX #0625D4

RGB 6 37 212

HSL 230.97, 0.94%, 0.43%

LAB 29.7, 58.09, -87.69

 

CMYK 0 / 73 / 97 / 17

HEX #D43A06

RGB 212 58 6

HSL 15.15, 0.94%, 0.43%

LAB 48.31, 58.25, 58.56

 

CMYK 97 / 0 / 33 / 17

HEX #07D38E

RGB 7 211 142

HSL 159.71, 0.94%, 0.43%

LAB 75.19, -59.34, 22.24

 

CMYK 34 / 97 / 0 / 17

HEX #8C06D4

RGB 140 6 212

HSL 279.03, 0.94%, 0.43%

LAB 38.65, 74.93, -72.52

 

CMYK 0 / 34 / 97 / 17

HEX #D48C06

RGB 212 140 6

HSL 39.03, 0.94%, 0.43%

LAB 63.97, 18.93, 68.38

 

CMYK 97 / 0 / 33 / 17

HEX #07D38E

RGB 7 211 142

HSL 159.71, 0.94%, 0.43%

LAB 75.19, -59.34, 22.24

 

CMYK 97 / 83 / 0 / 17

HEX #0625D4

RGB 6 37 212

HSL 230.97, 0.94%, 0.43%

LAB 29.7, 58.09, -87.69

 

CMYK 0 / 97 / 63 / 17

HEX #D4064E

RGB 212 6 78

HSL 339.03, 0.94%, 0.43%

LAB 45.19, 71.27, 19.91

 

CMYK 0 / 15 / 97 / 17

HEX #D4B506

RGB 212 181 6

HSL 50.97, 0.94%, 0.43%

LAB 74.23, -2.98, 75.63

 

CMYK 97 / 0 / 33 / 17

HEX #07D38E

RGB 7 211 142

HSL 159.71, 0.94%, 0.43%

LAB 75.19, -59.34, 22.24

 

CMYK 83 / 97 / 0 / 17

HEX #2506D4

RGB 37 6 212

HSL 249.03, 0.94%, 0.43%

LAB 27.51, 68.15, -91.32

 

CMYK 0 / 97 / 63 / 17

HEX #D4064E

RGB 212 6 78

HSL 339.03, 0.94%, 0.43%

LAB 45.19, 71.27, 19.91

 

CMYK 15 / 0 / 97 / 17

HEX #B5D406

RGB 181 212 6

HSL 69.03, 0.94%, 0.43%

LAB 80.14, -31.64, 78.91

 

Description

Color code: RGB 7 211 142 | qconv.com Color code: RGB 7 211 142 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 211 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 211 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 33 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 33% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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