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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 201 71 it is the complementary color RGB 248 54 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 201 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 201 71 shade: RGB 12 201 66, RGB 29 219 85, RGB 46 237 104, RGB 63 255 123 and RGB 80 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 201 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 201 71 shade: RGB 7 201 71, RGB 0 183 52, RGB 0 165 33, RGB 0 147 14 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 201 71 shade: RGB 7 201 71, RGB 7 201 19, RGB 48 201 7, RGB 100 201 7 and RGB 152 201 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 201 71 shade: RGB 7 201 71, RGB 7 201 123, RGB 7 201 176, RGB 7 174 201 and RGB 7 122 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 201 71 shade matches the following richer shades: RGB 7 201 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 201 71 shade: RGB 7 201 71, RGB 24 184 77, RGB 41 167 82, RGB 58 151 88 and RGB 74 134 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 201 71 shade: RGB 49 201 7, RGB 7 201 17, RGB 7 201 68, RGB 7 201 120 and RGB 7 201 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 201 71 shade: RGB 4 122 43, RGB 5 161 57, RGB 7 201 71, RGB 8 241 85 and RGB 44 247 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 201 71 shade: RGB 7 201 71, RGB 7 101 201 and RGB 201 7 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 201 71 shade: RGB 7 201 71, RGB 68 7 201 and RGB 201 68 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 201 71 shade: RGB 7 201 71, RGB 7 101 201, RGB 201 7 140 and RGB 201 107 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 201 71 shade: RGB 7 201 71, RGB 7 42 201, RGB 201 7 140 and RGB 201 166 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

Complementary color

CMYK 0 / 78 / 26 / 3

HEX #F836B8

RGB 248 54 184

HSL 319.79, 0.93%, 0.59%

LAB 58.09, 80.7, -24.27

 

CMYK 94 / 0 / 67 / 21

HEX #0CC942

RGB 12 201 66

HSL 137.14, 0.89%, 0.42%

LAB 71.04, -68.07, 53.79

 

CMYK 87 / 0 / 61 / 14

HEX #1DDB55

RGB 29 219 85

HSL 137.68, 0.77%, 0.49%

LAB 77.03, -70.38, 52.49

 

CMYK 81 / 0 / 56 / 7

HEX #2EED68

RGB 46 237 104

HSL 138.22, 0.84%, 0.55%

LAB 82.99, -72.07, 51.04

 

CMYK 75 / 0 / 52 / 0

HEX #3FFF7B

RGB 63 255 123

HSL 138.75, 1%, 0.62%

LAB 88.93, -73.3, 49.56

 

CMYK 69 / 0 / 44 / 0

HEX #50FF8E

RGB 80 255 142

HSL 141.26, 1%, 0.66%

LAB 89.48, -67.99, 41.31

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 100 / 0 / 72 / 28

HEX #00B734

RGB 0 183 52

HSL 137.05, 1%, 0.36%

LAB 65.05, -64.63, 52.92

 

CMYK 100 / 0 / 80 / 35

HEX #00A521

RGB 0 165 33

HSL 132, 1%, 0.32%

LAB 58.99, -60.9, 53.49

 

CMYK 100 / 0 / 90 / 42

HEX #00930E

RGB 0 147 14

HSL 125.71, 1%, 0.29%

LAB 52.84, -56.71, 52.79

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 97 / 0 / 91 / 21

HEX #07C913

RGB 7 201 19

HSL 123.71, 0.93%, 0.41%

LAB 70.78, -71.33, 67.32

 

CMYK 76 / 0 / 97 / 21

HEX #30C907

RGB 48 201 7

HSL 107.32, 0.93%, 0.41%

LAB 71.16, -68.02, 69.32

 

CMYK 50 / 0 / 97 / 21

HEX #64C907

RGB 100 201 7

HSL 91.24, 0.93%, 0.41%

LAB 72.56, -56.4, 71.03

 

CMYK 24 / 0 / 97 / 21

HEX #98C907

RGB 152 201 7

HSL 75.15, 0.93%, 0.41%

LAB 75.12, -38.25, 74.14

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 97 / 0 / 39 / 21

HEX #07C97B

RGB 7 201 123

HSL 155.88, 0.93%, 0.41%

LAB 71.72, -59.69, 27.5

 

CMYK 97 / 0 / 12 / 21

HEX #07C9B0

RGB 7 201 176

HSL 172.27, 0.93%, 0.41%

LAB 72.86, -47.15, 0.75

 

CMYK 97 / 13 / 0 / 21

HEX #07AEC9

RGB 7 174 201

HSL 188.35, 0.93%, 0.41%

LAB 65.38, -27.2, -24.16

 

CMYK 97 / 39 / 0 / 21

HEX #077AC9

RGB 7 122 201

HSL 204.43, 0.93%, 0.41%

LAB 49.72, 1.68, -48.68

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 87 / 0 / 58 / 28

HEX #18B84D

RGB 24 184 77

HSL 139.88, 0.77%, 0.41%

LAB 65.76, -60.78, 43.02

 

CMYK 75 / 0 / 51 / 35

HEX #29A752

RGB 41 167 82

HSL 139.52, 0.61%, 0.41%

LAB 60.53, -52.34, 34.31

 

CMYK 62 / 0 / 42 / 41

HEX #3A9758

RGB 58 151 88

HSL 139.35, 0.44%, 0.41%

LAB 55.82, -41.97, 25.24

 

CMYK 45 / 0 / 30 / 47

HEX #4A865E

RGB 74 134 94

HSL 140, 0.29%, 0.41%

LAB 51.05, -28.99, 15.6

 

CMYK 76 / 0 / 97 / 21

HEX #31C907

RGB 49 201 7

HSL 107.01, 0.93%, 0.41%

LAB 71.17, -67.87, 69.34

 

CMYK 97 / 0 / 92 / 21

HEX #07C911

RGB 7 201 17

HSL 123.09, 0.93%, 0.41%

LAB 70.77, -71.39, 67.63

 

CMYK 97 / 0 / 66 / 21

HEX #07C944

RGB 7 201 68

HSL 138.87, 0.93%, 0.41%

LAB 71.03, -68.07, 52.96

 

CMYK 97 / 0 / 40 / 21

HEX #07C978

RGB 7 201 120

HSL 154.95, 0.93%, 0.41%

LAB 71.67, -60.28, 28.99

 

CMYK 97 / 0 / 14 / 21

HEX #07C9AC

RGB 7 201 172

HSL 171.03, 0.93%, 0.41%

LAB 72.76, -48.23, 2.77

 

CMYK 97 / 0 / 65 / 52

HEX #047A2B

RGB 4 122 43

HSL 139.83, 0.94%, 0.25%

LAB 44.4, -46.42, 34.39

 

CMYK 97 / 0 / 65 / 37

HEX #05A139

RGB 5 161 57

HSL 140, 0.94%, 0.33%

LAB 57.86, -57.2, 43.1

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 97 / 0 / 65 / 5

HEX #08F155

RGB 8 241 85

HSL 139.83, 0.94%, 0.49%

LAB 83.77, -77.92, 60.01

 

CMYK 82 / 0 / 55 / 3

HEX #2CF76F

RGB 44 247 111

HSL 139.8, 0.93%, 0.57%

LAB 86.11, -74.49, 51.58

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 97 / 50 / 0 / 21

HEX #0765C9

RGB 7 101 201

HSL 210.93, 0.93%, 0.41%

LAB 43.61, 14.96, -58.48

 

CMYK 0 / 97 / 89 / 21

HEX #C90717

RGB 201 7 23

HSL 355.05, 0.93%, 0.41%

LAB 42.2, 66.55, 47.87

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 66 / 97 / 0 / 21

HEX #4407C9

RGB 68 7 201

HSL 258.87, 0.93%, 0.41%

LAB 28.37, 66.36, -83.4

 

CMYK 0 / 66 / 97 / 21

HEX #C94407

RGB 201 68 7

HSL 18.87, 0.93%, 0.41%

LAB 47.71, 50.76, 56.91

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 97 / 50 / 0 / 21

HEX #0765C9

RGB 7 101 201

HSL 210.93, 0.93%, 0.41%

LAB 43.61, 14.96, -58.48

 

CMYK 0 / 97 / 30 / 21

HEX #C9078C

RGB 201 7 140

HSL 318.87, 0.93%, 0.41%

LAB 44.89, 73.75, -19.22

 

CMYK 0 / 47 / 97 / 21

HEX #C96B07

RGB 201 107 7

HSL 30.93, 0.93%, 0.41%

LAB 55.02, 31.97, 61.5

 

CMYK 97 / 0 / 65 / 21

HEX #07C947

RGB 7 201 71

HSL 139.79, 0.93%, 0.41%

LAB 71.06, -67.74, 51.73

 

CMYK 97 / 79 / 0 / 21

HEX #072AC9

RGB 7 42 201

HSL 229.18, 0.93%, 0.41%

LAB 29.21, 52.15, -82.11

 

CMYK 0 / 97 / 30 / 21

HEX #C9078C

RGB 201 7 140

HSL 318.87, 0.93%, 0.41%

LAB 44.89, 73.75, -19.22

 

CMYK 0 / 17 / 97 / 21

HEX #C9A607

RGB 201 166 7

HSL 49.18, 0.93%, 0.41%

LAB 69.26, 0.08, 71.42

 

Description

Color code: RGB 7 201 71 | qconv.com Color code: RGB 7 201 71 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 201 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 201 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 65 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 65% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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