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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 201 23 it is the complementary color RGB 248 54 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 201 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 201 23 shade: RGB 12 201 18, RGB 29 219 37, RGB 46 237 56, RGB 63 255 75 and RGB 80 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 201 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 201 23 shade: RGB 7 201 23, RGB 0 183 4, RGB 0 165 0, RGB 0 147 0 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 201 23 shade: RGB 7 201 23, RGB 43 201 7, RGB 96 201 7, RGB 148 201 7 and RGB 201 201 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 201 23 shade: RGB 7 201 23, RGB 7 201 75, RGB 7 201 128, RGB 7 201 180 and RGB 7 170 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 201 23 shade matches the following richer shades: RGB 7 201 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 201 23 shade: RGB 7 201 23, RGB 24 184 37, RGB 41 167 51, RGB 58 151 65 and RGB 74 134 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 201 23 shade: RGB 98 201 7, RGB 46 201 7, RGB 7 201 20, RGB 7 201 72 and RGB 7 201 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 201 23 shade: RGB 4 122 14, RGB 5 161 18, RGB 7 201 23, RGB 8 241 27 and RGB 44 247 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 201 23 shade: RGB 7 201 23, RGB 7 149 201 and RGB 201 7 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 201 23 shade: RGB 7 201 23, RGB 20 7 201 and RGB 201 20 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 201 23 shade: RGB 7 201 23, RGB 7 149 201, RGB 201 7 188 and RGB 201 59 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 201 23 shade: RGB 7 201 23, RGB 7 91 201, RGB 201 7 188 and RGB 201 117 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

Complementary color

CMYK 0 / 78 / 6 / 3

HEX #F836E8

RGB 248 54 232

HSL 304.95, 0.93%, 0.59%

LAB 60.27, 86.9, -48.18

 

CMYK 94 / 0 / 91 / 21

HEX #0CC912

RGB 12 201 18

HSL 121.9, 0.89%, 0.42%

LAB 70.8, -71.15, 67.51

 

CMYK 87 / 0 / 83 / 14

HEX #1DDB25

RGB 29 219 37

HSL 122.53, 0.77%, 0.49%

LAB 76.71, -74.34, 68.94

 

CMYK 81 / 0 / 76 / 7

HEX #2EED38

RGB 46 237 56

HSL 123.14, 0.84%, 0.55%

LAB 82.61, -76.76, 69.3

 

CMYK 75 / 0 / 71 / 0

HEX #3FFF4B

RGB 63 255 75

HSL 123.75, 1%, 0.62%

LAB 88.49, -78.58, 68.97

 

CMYK 69 / 0 / 63 / 0

HEX #50FF5E

RGB 80 255 94

HSL 124.8, 1%, 0.66%

LAB 88.94, -74.26, 62.31

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 100 / 0 / 98 / 28

HEX #00B704

RGB 0 183 4

HSL 121.31, 1%, 0.36%

LAB 64.86, -67.08, 64.34

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 79 / 0 / 97 / 21

HEX #2BC907

RGB 43 201 7

HSL 108.87, 0.93%, 0.41%

LAB 71.08, -68.71, 69.22

 

CMYK 52 / 0 / 97 / 21

HEX #60C907

RGB 96 201 7

HSL 92.47, 0.93%, 0.41%

LAB 72.41, -57.56, 70.85

 

CMYK 26 / 0 / 97 / 21

HEX #94C907

RGB 148 201 7

HSL 76.39, 0.93%, 0.41%

LAB 74.88, -39.81, 73.85

 

CMYK 0 / 0 / 97 / 21

HEX #C9C907

RGB 201 201 7

HSL 60, 0.93%, 0.41%

LAB 78.58, -17.95, 78.3

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 97 / 0 / 63 / 21

HEX #07C94B

RGB 7 201 75

HSL 141.03, 0.93%, 0.41%

LAB 71.1, -67.28, 50.06

 

CMYK 97 / 0 / 36 / 21

HEX #07C980

RGB 7 201 128

HSL 157.42, 0.93%, 0.41%

LAB 71.81, -58.69, 25

 

CMYK 97 / 0 / 10 / 21

HEX #07C9B4

RGB 7 201 180

HSL 173.51, 0.93%, 0.41%

LAB 72.97, -46.05, -1.27

 

CMYK 97 / 15 / 0 / 21

HEX #07AAC9

RGB 7 170 201

HSL 189.59, 0.93%, 0.41%

LAB 64.17, -25.18, -26.03

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 87 / 0 / 80 / 28

HEX #18B825

RGB 24 184 37

HSL 124.88, 0.77%, 0.41%

LAB 65.44, -64.71, 58.47

 

CMYK 75 / 0 / 69 / 35

HEX #29A733

RGB 41 167 51

HSL 124.76, 0.61%, 0.41%

LAB 60.2, -56.28, 48.33

 

CMYK 62 / 0 / 57 / 41

HEX #3A9741

RGB 58 151 65

HSL 124.52, 0.44%, 0.41%

LAB 55.5, -45.6, 36.82

 

CMYK 45 / 0 / 41 / 47

HEX #4A864F

RGB 74 134 79

HSL 125, 0.29%, 0.41%

LAB 50.77, -31.78, 23.68

 

CMYK 51 / 0 / 97 / 21

HEX #62C907

RGB 98 201 7

HSL 91.86, 0.93%, 0.41%

LAB 72.49, -56.99, 70.94

 

CMYK 77 / 0 / 97 / 21

HEX #2EC907

RGB 46 201 7

HSL 107.94, 0.93%, 0.41%

LAB 71.12, -68.3, 69.28

 

CMYK 97 / 0 / 90 / 21

HEX #07C914

RGB 7 201 20

HSL 124.02, 0.93%, 0.41%

LAB 70.78, -71.3, 67.16

 

CMYK 97 / 0 / 64 / 21

HEX #07C948

RGB 7 201 72

HSL 140.1, 0.93%, 0.41%

LAB 71.07, -67.63, 51.32

 

CMYK 97 / 0 / 39 / 21

HEX #07C97B

RGB 7 201 123

HSL 155.88, 0.93%, 0.41%

LAB 71.72, -59.69, 27.5

 

CMYK 97 / 0 / 89 / 52

HEX #047A0E

RGB 4 122 14

HSL 125.08, 0.94%, 0.25%

LAB 44.2, -49.01, 45.19

 

CMYK 97 / 0 / 89 / 37

HEX #05A112

RGB 5 161 18

HSL 125, 0.94%, 0.33%

LAB 57.62, -60.27, 56.16

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 97 / 0 / 89 / 5

HEX #08F11B

RGB 8 241 27

HSL 124.89, 0.94%, 0.49%

LAB 83.46, -81.79, 76.86

 

CMYK 82 / 0 / 75 / 3

HEX #2CF73D

RGB 44 247 61

HSL 125.02, 0.93%, 0.57%

LAB 85.7, -79.51, 70.76

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 97 / 26 / 0 / 21

HEX #0795C9

RGB 7 149 201

HSL 196.08, 0.93%, 0.41%

LAB 57.81, -14.06, -35.9

 

CMYK 0 / 97 / 64 / 21

HEX #C90748

RGB 201 7 72

HSL 339.9, 0.93%, 0.41%

LAB 42.82, 68.24, 20.12

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 90 / 97 / 0 / 21

HEX #1407C9

RGB 20 7 201

HSL 244.02, 0.93%, 0.41%

LAB 25.31, 64.9, -88.58

 

CMYK 0 / 90 / 97 / 21

HEX #C91407

RGB 201 20 7

HSL 4.02, 0.93%, 0.41%

LAB 42.66, 64.82, 54.15

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 97 / 26 / 0 / 21

HEX #0795C9

RGB 7 149 201

HSL 196.08, 0.93%, 0.41%

LAB 57.81, -14.06, -35.9

 

CMYK 0 / 97 / 6 / 21

HEX #C907BC

RGB 201 7 188

HSL 304.02, 0.93%, 0.41%

LAB 47.24, 79.7, -44.19

 

CMYK 0 / 71 / 97 / 21

HEX #C93B07

RGB 201 59 7

HSL 16.08, 0.93%, 0.41%

LAB 46.39, 54.34, 56.15

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 97 / 55 / 0 / 21

HEX #075BC9

RGB 7 91 201

HSL 214.02, 0.93%, 0.41%

LAB 40.81, 21.52, -63.03

 

CMYK 0 / 97 / 6 / 21

HEX #C907BC

RGB 201 7 188

HSL 304.02, 0.93%, 0.41%

LAB 47.24, 79.7, -44.19

 

CMYK 0 / 42 / 97 / 21

HEX #C97507

RGB 201 117 7

HSL 34.02, 0.93%, 0.41%

LAB 57.23, 26.63, 62.97

 

Description

Color code: RGB 7 201 23 | qconv.com Color code: RGB 7 201 23 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 201 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 201 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 89% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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