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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 131 8 it is the complementary color RGB 248 124 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 131 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 131 8 shade: RGB 12 131 3, RGB 29 149 22, RGB 46 167 41, RGB 63 185 60 and RGB 80 203 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 131 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 131 8 shade: RGB 7 131 8, RGB 0 113 0, RGB 0 95 0, RGB 0 77 0 and RGB 0 59 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 131 8 shade: RGB 7 131 8, RGB 39 131 7, RGB 73 131 7, RGB 106 131 7 and RGB 131 122 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 131 8 shade: RGB 7 131 8, RGB 7 131 41, RGB 7 131 75, RGB 7 131 108 and RGB 7 120 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 131 8 shade matches the following richer shades: RGB 7 131 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 131 8 shade: RGB 7 131 8, RGB 18 120 19, RGB 29 109 30, RGB 40 97 41 and RGB 51 86 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 131 8 shade: RGB 73 131 7, RGB 40 131 7, RGB 7 131 7, RGB 7 131 40 and RGB 7 131 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 131 8 shade: RGB 3 52 3, RGB 5 92 6, RGB 7 131 8, RGB 9 170 10 and RGB 11 209 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 131 8 shade: RGB 7 131 8, RGB 7 106 131 and RGB 131 7 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 131 8 shade: RGB 7 131 8, RGB 7 7 131 and RGB 131 7 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 131 8 shade: RGB 7 131 8, RGB 7 106 131, RGB 131 7 131 and RGB 131 32 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 131 8 shade: RGB 7 131 8, RGB 7 69 131, RGB 131 7 131 and RGB 131 69 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

Complementary color

CMYK 0 / 50 / 0 / 3

HEX #F87CF7

RGB 248 124 247

HSL 300.48, 0.9%, 0.73%

LAB 70.24, 63.56, -40.82

 

CMYK 91 / 0 / 98 / 49

HEX #0C8303

RGB 12 131 3

HSL 115.78, 0.96%, 0.26%

LAB 47.39, -51.54, 50.26

 

CMYK 81 / 0 / 85 / 42

HEX #1D9516

RGB 29 149 22

HSL 116.69, 0.74%, 0.34%

LAB 53.83, -54.41, 51.93

 

CMYK 72 / 0 / 75 / 35

HEX #2EA729

RGB 46 167 41

HSL 117.62, 0.61%, 0.41%

LAB 60.23, -56.31, 52.21

 

CMYK 66 / 0 / 68 / 27

HEX #3FB93C

RGB 63 185 60

HSL 118.56, 0.51%, 0.48%

LAB 66.58, -57.5, 51.63

 

CMYK 61 / 0 / 61 / 20

HEX #50CB4F

RGB 80 203 79

HSL 119.52, 0.54%, 0.55%

LAB 72.88, -58.21, 50.63

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 70 / 0 / 95 / 49

HEX #278307

RGB 39 131 7

HSL 104.52, 0.9%, 0.27%

LAB 47.85, -47.41, 50.05

 

CMYK 44 / 0 / 95 / 49

HEX #498307

RGB 73 131 7

HSL 88.06, 0.9%, 0.27%

LAB 49.09, -37.61, 51.57

 

CMYK 19 / 0 / 95 / 49

HEX #6A8307

RGB 106 131 7

HSL 72.1, 0.9%, 0.27%

LAB 51.05, -24.33, 53.98

 

CMYK 0 / 7 / 95 / 49

HEX #837A07

RGB 131 122 7

HSL 55.65, 0.9%, 0.27%

LAB 50.4, -8.11, 54.36

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 95 / 0 / 69 / 49

HEX #078329

RGB 7 131 41

HSL 136.45, 0.9%, 0.27%

LAB 47.54, -49.39, 38.82

 

CMYK 95 / 0 / 43 / 49

HEX #07834B

RGB 7 131 75

HSL 152.9, 0.9%, 0.27%

LAB 47.99, -43.99, 21.94

 

CMYK 95 / 0 / 18 / 49

HEX #07836C

RGB 7 131 108

HSL 168.87, 0.9%, 0.27%

LAB 48.71, -35.93, 3.95

 

CMYK 95 / 8 / 0 / 49

HEX #077883

RGB 7 120 131

HSL 185.32, 0.9%, 0.27%

LAB 45.79, -23.42, -13.96

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 85 / 0 / 84 / 53

HEX #127813

RGB 18 120 19

HSL 120.59, 0.74%, 0.27%

LAB 43.67, -46.77, 43.36

 

CMYK 73 / 0 / 72 / 57

HEX #1D6D1E

RGB 29 109 30

HSL 120.75, 0.58%, 0.27%

LAB 40.07, -40.3, 35.73

 

CMYK 59 / 0 / 58 / 62

HEX #286129

RGB 40 97 41

HSL 121.05, 0.42%, 0.27%

LAB 36.29, -31.42, 26.12

 

CMYK 41 / 0 / 40 / 66

HEX #335634

RGB 51 86 52

HSL 121.71, 0.26%, 0.27%

LAB 33.15, -20.68, 15.92

 

CMYK 44 / 0 / 95 / 49

HEX #498307

RGB 73 131 7

HSL 88.06, 0.9%, 0.27%

LAB 49.09, -37.61, 51.57

 

CMYK 69 / 0 / 95 / 49

HEX #288307

RGB 40 131 7

HSL 104.03, 0.9%, 0.27%

LAB 47.88, -47.19, 50.08

 

CMYK 95 / 0 / 95 / 49

HEX #078307

RGB 7 131 7

HSL 120, 0.9%, 0.27%

LAB 47.36, -51.78, 49.43

 

CMYK 95 / 0 / 69 / 49

HEX #078328

RGB 7 131 40

HSL 135.97, 0.9%, 0.27%

LAB 47.53, -49.5, 39.25

 

CMYK 95 / 0 / 44 / 49

HEX #078349

RGB 7 131 73

HSL 151.94, 0.9%, 0.27%

LAB 47.95, -44.39, 23.01

 

CMYK 94 / 0 / 94 / 80

HEX #033403

RGB 3 52 3

HSL 120, 0.89%, 0.11%

LAB 17.84, -26.83, 23.63

 

CMYK 95 / 0 / 93 / 64

HEX #055C06

RGB 5 92 6

HSL 120.69, 0.9%, 0.19%

LAB 33.35, -39.92, 37.66

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 95 / 0 / 94 / 33

HEX #09AA0A

RGB 9 170 10

HSL 120.37, 0.9%, 0.35%

LAB 60.63, -62.88, 60.1

 

CMYK 95 / 0 / 94 / 18

HEX #0BD10D

RGB 11 209 13

HSL 120.61, 0.9%, 0.43%

LAB 73.35, -73.51, 70.32

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 95 / 19 / 0 / 49

HEX #076A83

RGB 7 106 131

HSL 192.1, 0.9%, 0.27%

LAB 41.2, -15.85, -20.99

 

CMYK 0 / 95 / 57 / 49

HEX #830738

RGB 131 7 56

HSL 336.29, 0.9%, 0.27%

LAB 27.47, 49.84, 7.25

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 95 / 95 / 0 / 49

HEX #070783

RGB 7 7 131

HSL 240, 0.9%, 0.27%

LAB 14.6, 45.71, -63.89

 

CMYK 0 / 95 / 95 / 49

HEX #830707

RGB 131 7 7

HSL 0, 0.9%, 0.27%

LAB 26.71, 47.72, 36.54

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 95 / 19 / 0 / 49

HEX #076A83

RGB 7 106 131

HSL 192.1, 0.9%, 0.27%

LAB 41.2, -15.85, -20.99

 

CMYK 0 / 95 / 0 / 49

HEX #830783

RGB 131 7 131

HSL 300, 0.9%, 0.27%

LAB 30.92, 58.86, -36.53

 

CMYK 0 / 76 / 95 / 49

HEX #832007

RGB 131 32 7

HSL 12.1, 0.9%, 0.27%

LAB 29.09, 41.01, 38.54

 

CMYK 95 / 0 / 94 / 49

HEX #078308

RGB 7 131 8

HSL 120.48, 0.9%, 0.27%

LAB 47.36, -51.74, 49.24

 

CMYK 95 / 47 / 0 / 49

HEX #074583

RGB 7 69 131

HSL 210, 0.9%, 0.27%

LAB 29.26, 7.39, -39.83

 

CMYK 0 / 95 / 0 / 49

HEX #830783

RGB 131 7 131

HSL 300, 0.9%, 0.27%

LAB 30.92, 58.86, -36.53

 

CMYK 0 / 47 / 95 / 49

HEX #834507

RGB 131 69 7

HSL 30, 0.9%, 0.27%

LAB 36.17, 22.62, 43.67

 

Description

Color code: RGB 7 131 8 | qconv.com Color code: RGB 7 131 8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 131 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 131 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 94 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 94% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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