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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 103 155 it is the complementary color RGB 248 152 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 103 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 103 155 shade: RGB 12 103 150, RGB 29 121 169, RGB 46 139 188, RGB 63 157 207 and RGB 80 175 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 103 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 103 155 shade: RGB 7 103 155, RGB 0 85 136, RGB 0 67 117, RGB 0 49 98 and RGB 0 31 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 103 155 shade: RGB 7 103 155, RGB 7 63 155, RGB 7 23 155, RGB 31 7 155 and RGB 71 7 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 103 155 shade: RGB 7 103 155, RGB 7 63 155, RGB 7 23 155 and RGB 7 7 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 103 155 shade matches the following richer shades: RGB 7 103 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 103 155 shade: RGB 7 103 155, RGB 20 99 142, RGB 33 95 129, RGB 46 91 116 and RGB 60 87 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 103 155 shade: RGB 7 155 128, RGB 7 143 155, RGB 7 103 155, RGB 7 64 155 and RGB 7 24 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 103 155 shade: RGB 3 51 77, RGB 5 77 116, RGB 7 103 155, RGB 9 129 195 and RGB 11 156 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 103 155 shade: RGB 7 103 155, RGB 89 7 155 and RGB 155 148 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 103 155 shade: RGB 7 103 155, RGB 155 7 103 and RGB 103 155 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 103 155 shade: RGB 7 103 155, RGB 89 7 155, RGB 155 59 7 and RGB 74 155 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 103 155 shade: RGB 7 103 155, RGB 133 7 155, RGB 155 59 7 and RGB 29 155 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

Complementary color

CMYK 0 / 39 / 60 / 3

HEX #F89864

RGB 248 152 100

HSL 21.08, 0.91%, 0.68%

LAB 71.78, 31.2, 42.26

 

CMYK 92 / 31 / 0 / 41

HEX #0C6796

RGB 12 103 150

HSL 200.43, 0.85%, 0.32%

LAB 41.19, -6.52, -32.43

 

CMYK 83 / 28 / 0 / 34

HEX #1D79A9

RGB 29 121 169

HSL 200.57, 0.71%, 0.39%

LAB 48.01, -8.7, -32.9

 

CMYK 76 / 26 / 0 / 26

HEX #2E8BBC

RGB 46 139 188

HSL 200.7, 0.61%, 0.46%

LAB 54.74, -10.33, -33.29

 

CMYK 70 / 24 / 0 / 19

HEX #3F9DCF

RGB 63 157 207

HSL 200.83, 0.6%, 0.53%

LAB 61.37, -11.58, -33.63

 

CMYK 65 / 23 / 0 / 11

HEX #50AFE2

RGB 80 175 226

HSL 200.96, 0.72%, 0.6%

LAB 67.91, -12.55, -33.93

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 100 / 38 / 0 / 47

HEX #005588

RGB 0 85 136

HSL 202.5, 1%, 0.27%

LAB 34.55, -1.6, -34.47

 

CMYK 100 / 43 / 0 / 54

HEX #004375

RGB 0 67 117

HSL 205.64, 1%, 0.23%

LAB 27.57, 2.23, -33.78

 

CMYK 100 / 50 / 0 / 62

HEX #003162

RGB 0 49 98

HSL 210, 1%, 0.19%

LAB 20.36, 6.46, -33.14

 

CMYK 100 / 61 / 0 / 69

HEX #001F4F

RGB 0 31 79

HSL 216.46, 1%, 0.15%

LAB 12.89, 11.21, -32.52

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 95 / 59 / 0 / 39

HEX #073F9B

RGB 7 63 155

HSL 217.3, 0.91%, 0.32%

LAB 29.33, 21.73, -54.47

 

CMYK 95 / 85 / 0 / 39

HEX #07179B

RGB 7 23 155

HSL 233.51, 0.91%, 0.32%

LAB 20.14, 46.68, -69.63

 

CMYK 80 / 95 / 0 / 39

HEX #1F079B

RGB 31 7 155

HSL 249.73, 0.91%, 0.32%

LAB 19.27, 53.06, -71.06

 

CMYK 54 / 95 / 0 / 39

HEX #47079B

RGB 71 7 155

HSL 265.95, 0.91%, 0.32%

LAB 23.2, 55.44, -64.42

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 95 / 59 / 0 / 39

HEX #073F9B

RGB 7 63 155

HSL 217.3, 0.91%, 0.32%

LAB 29.33, 21.73, -54.47

 

CMYK 95 / 85 / 0 / 39

HEX #07179B

RGB 7 23 155

HSL 233.51, 0.91%, 0.32%

LAB 20.14, 46.68, -69.63

 

CMYK 95 / 95 / 0 / 39

HEX #07079B

RGB 7 7 155

HSL 240, 0.91%, 0.32%

LAB 18.2, 52.54, -72.86

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 86 / 30 / 0 / 44

HEX #14638E

RGB 20 99 142

HSL 201.15, 0.75%, 0.32%

LAB 39.62, -6.64, -30.08

 

CMYK 74 / 26 / 0 / 49

HEX #215F81

RGB 33 95 129

HSL 201.25, 0.59%, 0.32%

LAB 38.01, -7.62, -24.7

 

CMYK 60 / 22 / 0 / 55

HEX #2E5B74

RGB 46 91 116

HSL 201.43, 0.43%, 0.32%

LAB 36.6, -7.42, -18.87

 

CMYK 42 / 16 / 0 / 60

HEX #3C5767

RGB 60 87 103

HSL 202.33, 0.26%, 0.32%

LAB 35.51, -5.5, -12.41

 

CMYK 95 / 0 / 17 / 39

HEX #079B80

RGB 7 155 128

HSL 169.05, 0.91%, 0.32%

LAB 57.12, -40.8, 4.54

 

CMYK 95 / 8 / 0 / 39

HEX #078F9B

RGB 7 143 155

HSL 184.86, 0.91%, 0.32%

LAB 54.09, -27.02, -15.42

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 95 / 59 / 0 / 39

HEX #07409B

RGB 7 64 155

HSL 216.89, 0.91%, 0.32%

LAB 29.61, 21.03, -54.02

 

CMYK 95 / 85 / 0 / 39

HEX #07189B

RGB 7 24 155

HSL 233.11, 0.91%, 0.32%

LAB 20.3, 46.2, -69.36

 

CMYK 96 / 34 / 0 / 70

HEX #03334D

RGB 3 51 77

HSL 201.08, 0.93%, 0.16%

LAB 19.73, -4.12, -20.2

 

CMYK 96 / 34 / 0 / 55

HEX #054D74

RGB 5 77 116

HSL 201.08, 0.92%, 0.24%

LAB 30.88, -4.45, -27.89

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 95 / 34 / 0 / 24

HEX #0981C3

RGB 9 129 195

HSL 201.29, 0.91%, 0.4%

LAB 51.49, -4.79, -42.42

 

CMYK 95 / 33 / 0 / 8

HEX #0B9CEA

RGB 11 156 234

HSL 200.99, 0.91%, 0.48%

LAB 61.47, -5.74, -48.52

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 43 / 95 / 0 / 39

HEX #59079B

RGB 89 7 155

HSL 273.24, 0.91%, 0.32%

LAB 25.69, 57.22, -60.22

 

CMYK 0 / 5 / 95 / 39

HEX #9B9407

RGB 155 148 7

HSL 57.16, 0.91%, 0.32%

LAB 60.04, -11.07, 62.65

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 0 / 95 / 34 / 39

HEX #9B0767

RGB 155 7 103

HSL 321.08, 0.91%, 0.32%

LAB 34.19, 59.98, -13.32

 

CMYK 34 / 0 / 95 / 39

HEX #679B07

RGB 103 155 7

HSL 81.08, 0.91%, 0.32%

LAB 58.36, -36.87, 59.73

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 43 / 95 / 0 / 39

HEX #59079B

RGB 89 7 155

HSL 273.24, 0.91%, 0.32%

LAB 25.69, 57.22, -60.22

 

CMYK 0 / 62 / 95 / 39

HEX #9B3B07

RGB 155 59 7

HSL 21.08, 0.91%, 0.32%

LAB 38.04, 37.98, 46.82

 

CMYK 52 / 0 / 95 / 39

HEX #4A9B07

RGB 74 155 7

HSL 92.84, 0.91%, 0.32%

LAB 56.99, -46.94, 58.05

 

CMYK 95 / 34 / 0 / 39

HEX #07679B

RGB 7 103 155

HSL 201.08, 0.91%, 0.32%

LAB 41.39, -4.81, -35.08

 

CMYK 14 / 95 / 0 / 39

HEX #85079B

RGB 133 7 155

HSL 291.08, 0.91%, 0.32%

LAB 32.93, 63.23, -48.1

 

CMYK 0 / 62 / 95 / 39

HEX #9B3B07

RGB 155 59 7

HSL 21.08, 0.91%, 0.32%

LAB 38.04, 37.98, 46.82

 

CMYK 81 / 0 / 95 / 39

HEX #1D9B07

RGB 29 155 7

HSL 111.08, 0.91%, 0.32%

LAB 55.81, -56.83, 56.59

 

Description

Color code: RGB 7 103 155 | qconv.com Color code: RGB 7 103 155 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 103 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 103 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 34 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 34% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Jive Software | Soci...
Link: http://www.jivesoftware.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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