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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 158 217 it is the complementary color RGB 176 97 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 158 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 158 217 shade: RGB 84 158 212, RGB 101 176 231, RGB 118 194 250, RGB 135 212 255 and RGB 152 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 158 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 158 217 shade: RGB 79 158 217, RGB 62 140 198, RGB 45 122 179, RGB 28 104 160 and RGB 11 86 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 158 217 shade: RGB 79 158 216, RGB 79 121 216, RGB 79 84 216, RGB 112 79 216 and RGB 149 79 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 158 217 shade: RGB 79 158 216, RGB 79 121 216, RGB 79 84 216 and RGB 79 79 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 158 217 shade matches the following richer shades: RGB 79 158 216, RGB 62 160 234 and RGB 45 163 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 158 217 shade: RGB 79 158 216, RGB 97 155 199, RGB 114 153 182, RGB 131 150 164 and RGB 149 148 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 158 217 shade: RGB 79 216 200, RGB 79 196 216, RGB 79 159 216, RGB 79 123 216 and RGB 79 86 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 158 217 shade: RGB 38 117 175, RGB 46 139 209, RGB 79 158 216, RGB 113 177 224 and RGB 147 195 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 158 217 shade: RGB 79 158 217, RGB 164 79 216 and RGB 214 216 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 158 217 shade: RGB 79 158 217, RGB 216 79 159 and RGB 159 216 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 158 217 shade: RGB 79 158 217, RGB 164 79 216, RGB 216 136 79 and RGB 132 216 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 158 217 shade: RGB 79 158 217, RGB 205 79 216, RGB 216 136 79 and RGB 91 216 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 27 / 0 / 15

HEX #4F9ED9

RGB 79 158 217

HSL 205.65, 0.64%, 0.58%

LAB 62.61, -6.26, -37.22

 

Complementary color

CMYK 0 / 45 / 78 / 31

HEX #B06126

RGB 176 97 38

HSL 25.65, 0.64%, 0.42%

LAB 49.4, 27.55, 45.69

 

CMYK 60 / 25 / 0 / 17

HEX #549ED4

RGB 84 158 212

HSL 205.31, 0.6%, 0.58%

LAB 62.59, -6.96, -34.47

 

CMYK 56 / 24 / 0 / 9

HEX #65B0E7

RGB 101 176 231

HSL 205.38, 0.73%, 0.65%

LAB 69.17, -7.67, -34.65

 

CMYK 53 / 22 / 0 / 2

HEX #76C2FA

RGB 118 194 250

HSL 205.45, 0.93%, 0.72%

LAB 75.66, -8.25, -34.83

 

CMYK 47 / 17 / 0 / 0

HEX #87D4FF

RGB 135 212 255

HSL 201.5, 1%, 0.76%

LAB 81.54, -12.59, -28.39

 

CMYK 40 / 10 / 0 / 0

HEX #98E6FF

RGB 152 230 255

HSL 194.56, 1%, 0.8%

LAB 87.24, -17.75, -19.66

 

CMYK 64 / 27 / 0 / 15

HEX #4F9ED9

RGB 79 158 217

HSL 205.65, 0.64%, 0.58%

LAB 62.61, -6.26, -37.22

 

CMYK 69 / 29 / 0 / 22

HEX #3E8CC6

RGB 62 140 198

HSL 205.59, 0.54%, 0.51%

LAB 55.94, -5.18, -37.05

 

CMYK 75 / 32 / 0 / 30

HEX #2D7AB3

RGB 45 122 179

HSL 205.52, 0.6%, 0.44%

LAB 49.17, -3.8, -36.85

 

CMYK 83 / 35 / 0 / 37

HEX #1C68A0

RGB 28 104 160

HSL 205.45, 0.7%, 0.37%

LAB 42.29, -1.98, -36.62

 

CMYK 92 / 39 / 0 / 45

HEX #0B568D

RGB 11 86 141

HSL 205.38, 0.86%, 0.3%

LAB 35.3, 0.47, -36.31

 

CMYK 63 / 27 / 0 / 15

HEX #4F9ED8

RGB 79 158 216

HSL 205.4, 0.64%, 0.58%

LAB 62.57, -6.58, -36.73

 

CMYK 63 / 44 / 0 / 15

HEX #4F79D8

RGB 79 121 216

HSL 221.61, 0.64%, 0.58%

LAB 52.17, 15.27, -53.17

 

CMYK 63 / 61 / 0 / 15

HEX #4F54D8

RGB 79 84 216

HSL 237.81, 0.64%, 0.58%

LAB 42.7, 38.23, -68.45

 

CMYK 48 / 63 / 0 / 15

HEX #704FD8

RGB 112 79 216

HSL 254.45, 0.64%, 0.58%

LAB 44.23, 46.81, -65.86

 

CMYK 31 / 63 / 0 / 15

HEX #954FD8

RGB 149 79 216

HSL 270.66, 0.64%, 0.58%

LAB 48.18, 54.39, -59.27

 

CMYK 63 / 27 / 0 / 15

HEX #4F9ED8

RGB 79 158 216

HSL 205.4, 0.64%, 0.58%

LAB 62.57, -6.58, -36.73

 

CMYK 63 / 44 / 0 / 15

HEX #4F79D8

RGB 79 121 216

HSL 221.61, 0.64%, 0.58%

LAB 52.17, 15.27, -53.17

 

CMYK 63 / 61 / 0 / 15

HEX #4F54D8

RGB 79 84 216

HSL 237.81, 0.64%, 0.58%

LAB 42.7, 38.23, -68.45

 

CMYK 63 / 63 / 0 / 15

HEX #4F4FD8

RGB 79 79 216

HSL 240, 0.64%, 0.58%

LAB 41.55, 41.26, -70.34

 

CMYK 63 / 27 / 0 / 15

HEX #4F9ED8

RGB 79 158 216

HSL 205.4, 0.64%, 0.58%

LAB 62.57, -6.58, -36.73

 

CMYK 74 / 32 / 0 / 8

HEX #3EA0EA

RGB 62 160 234

HSL 205.81, 0.8%, 0.58%

LAB 63.43, -4.19, -45.37

 

CMYK 82 / 35 / 0 / 2

HEX #2DA3FB

RGB 45 163 251

HSL 205.63, 0.96%, 0.58%

LAB 64.74, -1.66, -52.65

 

CMYK 63 / 27 / 0 / 15

HEX #4F9ED8

RGB 79 158 216

HSL 205.4, 0.64%, 0.58%

LAB 62.57, -6.58, -36.73

 

CMYK 51 / 22 / 0 / 22

HEX #619BC7

RGB 97 155 199

HSL 205.88, 0.48%, 0.58%

LAB 61.75, -6.59, -28.47

 

CMYK 37 / 16 / 0 / 29

HEX #7299B6

RGB 114 153 182

HSL 205.59, 0.32%, 0.58%

LAB 61.43, -5.97, -19.34

 

CMYK 20 / 9 / 0 / 36

HEX #8396A4

RGB 131 150 164

HSL 205.45, 0.15%, 0.58%

LAB 61.06, -3.61, -9.61

 

CMYK 0 / 1 / 1 / 42

HEX #959493

RGB 149 148 147

HSL 30, 0.01%, 0.58%

LAB 61.37, 0.18, 0.65

 

CMYK 63 / 0 / 7 / 15

HEX #4FD8C8

RGB 79 216 200

HSL 172.99, 0.64%, 0.58%

LAB 79.01, -40.52, -3.06

 

CMYK 63 / 9 / 0 / 15

HEX #4FC4D8

RGB 79 196 216

HSL 188.76, 0.64%, 0.58%

LAB 73.61, -26.65, -19.74

 

CMYK 63 / 26 / 0 / 15

HEX #4F9FD8

RGB 79 159 216

HSL 204.96, 0.64%, 0.58%

LAB 62.86, -7.14, -36.28

 

CMYK 63 / 43 / 0 / 15

HEX #4F7BD8

RGB 79 123 216

HSL 220.73, 0.64%, 0.58%

LAB 52.71, 14.04, -52.3

 

CMYK 63 / 60 / 0 / 15

HEX #4F56D8

RGB 79 86 216

HSL 236.93, 0.64%, 0.58%

LAB 43.18, 37.01, -67.69

 

CMYK 78 / 33 / 0 / 31

HEX #2675AF

RGB 38 117 175

HSL 205.4, 0.64%, 0.42%

LAB 47.27, -3.14, -37.53

 

CMYK 78 / 33 / 0 / 18

HEX #2E8BD1

RGB 46 139 209

HSL 205.77, 0.64%, 0.5%

LAB 55.74, -2.82, -43.62

 

CMYK 63 / 27 / 0 / 15

HEX #4F9ED8

RGB 79 158 216

HSL 205.4, 0.64%, 0.58%

LAB 62.57, -6.58, -36.73

 

CMYK 50 / 21 / 0 / 12

HEX #71B1E0

RGB 113 177 224

HSL 205.41, 0.64%, 0.66%

LAB 69.71, -7.72, -29.96

 

CMYK 36 / 16 / 0 / 9

HEX #93C3E7

RGB 147 195 231

HSL 205.71, 0.64%, 0.74%

LAB 76.68, -7, -22.92

 

CMYK 64 / 27 / 0 / 15

HEX #4F9ED9

RGB 79 158 217

HSL 205.65, 0.64%, 0.58%

LAB 62.61, -6.26, -37.22

 

CMYK 24 / 63 / 0 / 15

HEX #A44FD8

RGB 164 79 216

HSL 277.23, 0.64%, 0.58%

LAB 50.03, 57.71, -56.2

 

CMYK 1 / 0 / 63 / 15

HEX #D6D84F

RGB 214 216 79

HSL 60.88, 0.64%, 0.58%

LAB 83.95, -17.48, 64.82

 

CMYK 64 / 27 / 0 / 15

HEX #4F9ED9

RGB 79 158 217

HSL 205.65, 0.64%, 0.58%

LAB 62.61, -6.26, -37.22

 

CMYK 0 / 63 / 26 / 15

HEX #D84F9F

RGB 216 79 159

HSL 324.96, 0.64%, 0.58%

LAB 54.76, 61.32, -15.29

 

CMYK 26 / 0 / 63 / 15

HEX #9FD84F

RGB 159 216 79

HSL 84.96, 0.64%, 0.58%

LAB 80.21, -39.16, 59.71

 

CMYK 64 / 27 / 0 / 15

HEX #4F9ED9

RGB 79 158 217

HSL 205.65, 0.64%, 0.58%

LAB 62.61, -6.26, -37.22

 

CMYK 24 / 63 / 0 / 15

HEX #A44FD8

RGB 164 79 216

HSL 277.23, 0.64%, 0.58%

LAB 50.03, 57.71, -56.2

 

CMYK 0 / 37 / 63 / 15

HEX #D8884F

RGB 216 136 79

HSL 24.96, 0.64%, 0.58%

LAB 63.98, 25.34, 42.83

 

CMYK 39 / 0 / 63 / 15

HEX #84D84F

RGB 132 216 79

HSL 96.79, 0.64%, 0.58%

LAB 78.8, -48.6, 57.77

 

CMYK 64 / 27 / 0 / 15

HEX #4F9ED9

RGB 79 158 217

HSL 205.65, 0.64%, 0.58%

LAB 62.61, -6.26, -37.22

 

CMYK 5 / 63 / 0 / 15

HEX #CD4FD8

RGB 205 79 216

HSL 295.18, 0.64%, 0.58%

LAB 55.61, 67.16, -46.96

 

CMYK 0 / 37 / 63 / 15

HEX #D8884F

RGB 216 136 79

HSL 24.96, 0.64%, 0.58%

LAB 63.98, 25.34, 42.83

 

CMYK 58 / 0 / 63 / 15

HEX #5BD84F

RGB 91 216 79

HSL 114.74, 0.64%, 0.58%

LAB 77.22, -60.32, 55.59

 

Description

Color code: RGB 79 158 217 | qconv.com Color code: RGB 79 158 217 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 158 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 158 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 27 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 27% 0% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Outdoor Expeditions ...
Link: http://www.outdoor-exp.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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