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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 26 153 it is the complementary color RGB 177 229 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 26 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 26 153: RGB 83 26 148, RGB 100 44 167, RGB 117 62 186, RGB 134 80 205 and RGB 151 98 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 26 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 26 153: RGB 78 26 153, RGB 61 8 134, RGB 44 0 115, RGB 27 0 96 and RGB 10 0 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 83 / 0 / 40

HEX #4E1A99

RGB 78 26 153

HSL 264.57, 0.71%, 0.35%

LAB 25.74, 50.17, -58.97

 

Complementary color

CMYK 23 / 0 / 55 / 10

HEX #B1E566

RGB 177 229 102

HSL 84.57, 0.71%, 0.65%

LAB 85.17, -36.4, 55.64

 

CMYK 44 / 82 / 0 / 42

HEX #531A94

RGB 83 26 148

HSL 268.03, 0.7%, 0.34%

LAB 25.91, 49.61, -55.58

 

CMYK 40 / 74 / 0 / 35

HEX #642CA7

RGB 100 44 167

HSL 267.32, 0.58%, 0.41%

LAB 32.48, 49.51, -56.32

 

CMYK 37 / 67 / 0 / 27

HEX #753EBA

RGB 117 62 186

HSL 266.61, 0.5%, 0.49%

LAB 39.19, 48.81, -56.62

 

CMYK 35 / 61 / 0 / 20

HEX #8650CD

RGB 134 80 205

HSL 265.92, 0.56%, 0.56%

LAB 45.93, 47.88, -56.69

 

CMYK 33 / 56 / 0 / 12

HEX #9762E0

RGB 151 98 224

HSL 265.24, 0.67%, 0.63%

LAB 52.62, 46.87, -56.67

 

CMYK 49 / 83 / 0 / 40

HEX #4E1A99

RGB 78 26 153

HSL 264.57, 0.71%, 0.35%

LAB 25.74, 50.17, -58.97

 

CMYK 54 / 94 / 0 / 47

HEX #3D0886

RGB 61 8 134

HSL 265.24, 0.89%, 0.28%

LAB 19.59, 49.12, -57.37

 

CMYK 62 / 100 / 0 / 55

HEX #2C0073

RGB 44 0 115

HSL 262.96, 1%, 0.23%

LAB 14.25, 45.44, -54.14

 

CMYK 72 / 100 / 0 / 62

HEX #1B0060

RGB 27 0 96

HSL 256.88, 1%, 0.19%

LAB 9.62, 39.51, -49.36

 

CMYK 87 / 100 / 0 / 70

HEX #0A004D

RGB 10 0 77

HSL 247.79, 1%, 0.15%

LAB 5.42, 32.09, -43.41

 

CMYK 49 / 83 / 0 / 40

HEX #4E1A99

RGB 78 26 153

HSL 264.57, 0.71%, 0.35%

LAB 25.74, 50.17, -58.97

 

CMYK 36 / 84 / 0 / 40

HEX #611998

RGB 97 25 152

HSL 274.02, 0.72%, 0.35%

LAB 28.12, 53.06, -54.34

 

CMYK 22 / 84 / 0 / 40

HEX #761998

RGB 118 25 152

HSL 283.94, 0.72%, 0.35%

LAB 31.38, 56.57, -48.9

 

CMYK 9 / 84 / 0 / 40

HEX #8B1998

RGB 139 25 152

HSL 293.86, 0.72%, 0.35%

LAB 34.91, 60.42, -43.03

 

CMYK 0 / 84 / 5 / 40

HEX #981990

RGB 152 25 144

HSL 303.78, 0.72%, 0.35%

LAB 36.71, 61.66, -35.12

 

CMYK 49 / 83 / 0 / 40

HEX #4E1A99

RGB 78 26 153

HSL 264.57, 0.71%, 0.35%

LAB 25.74, 50.17, -58.97

 

CMYK 49 / 83 / 0 / 20

HEX #6823CC

RGB 104 35 204

HSL 264.5, 0.71%, 0.47%

LAB 35.01, 62.98, -74.04

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 49 / 82 / 0 / 80

HEX #1A0933

RGB 26 9 51

HSL 264.29, 0.7%, 0.12%

LAB 5.91, 19.39, -23.94

 

CMYK 49 / 83 / 0 / 60

HEX #341166

RGB 52 17 102

HSL 264.71, 0.71%, 0.23%

LAB 15.95, 36.4, -42.78

 

CMYK 49 / 83 / 0 / 40

HEX #4E1A99

RGB 78 26 153

HSL 264.57, 0.71%, 0.35%

LAB 25.74, 50.17, -58.97

 

CMYK 0 / 84 / 50 / 40

HEX #98194C

RGB 152 25 76

HSL 335.91, 0.72%, 0.35%

LAB 33.76, 53.31, 3.47

 

CMYK 84 / 0 / 84 / 40

HEX #199819

RGB 25 152 25

HSL 120, 0.72%, 0.35%

LAB 54.8, -55.69, 51.98

 

CMYK 49 / 83 / 0 / 40

HEX #4E1A99

RGB 78 26 153

HSL 264.57, 0.71%, 0.35%

LAB 25.74, 50.17, -58.97

 

CMYK 0 / 50 / 84 / 40

HEX #984C19

RGB 152 76 25

HSL 24.09, 0.72%, 0.35%

LAB 41.08, 28.36, 42.4

 

CMYK 84 / 0 / 50 / 40

HEX #19984C

RGB 25 152 76

HSL 144.09, 0.72%, 0.35%

LAB 55.26, -49.99, 30.77

 

CMYK 49 / 83 / 0 / 40

HEX #4E1A99

RGB 78 26 153

HSL 264.57, 0.71%, 0.35%

LAB 25.74, 50.17, -58.97

 

CMYK 0 / 84 / 50 / 40

HEX #98194C

RGB 152 25 76

HSL 335.91, 0.72%, 0.35%

LAB 33.76, 53.31, 3.47

 

CMYK 34 / 0 / 84 / 40

HEX #659819

RGB 101 152 25

HSL 84.09, 0.72%, 0.35%

LAB 57.36, -35.77, 55.26

 

CMYK 84 / 0 / 34 / 40

HEX #199865

RGB 25 152 101

HSL 155.91, 0.72%, 0.35%

LAB 55.69, -45.08, 17.77

 

CMYK 49 / 83 / 0 / 40

HEX #4E1A99

RGB 78 26 153

HSL 264.57, 0.71%, 0.35%

LAB 25.74, 50.17, -58.97

 

CMYK 0 / 84 / 75 / 40

HEX #981926

RGB 152 25 38

HSL 353.86, 0.72%, 0.35%

LAB 32.94, 50.86, 27.06

 

CMYK 34 / 0 / 84 / 40

HEX #659819

RGB 101 152 25

HSL 84.09, 0.72%, 0.35%

LAB 57.36, -35.77, 55.26

 

CMYK 84 / 0 / 9 / 40

HEX #19988B

RGB 25 152 139

HSL 173.86, 0.72%, 0.35%

LAB 56.61, -35.25, -2.45

 

Description

Color code: RGB 78 26 153 | qconv.com Color code: RGB 78 26 153 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 26 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 26 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 83 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 83% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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