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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 203 252 it is the complementary color RGB 177 52 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 203 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 203 252 shade: RGB 83 203 247, RGB 100 221 255, RGB 117 239 255, RGB 134 255 255 and RGB 151 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 203 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 203 252 shade: RGB 78 203 252, RGB 61 185 233, RGB 44 167 214, RGB 27 149 195 and RGB 10 131 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 203 252 shade: RGB 79 204 252, RGB 79 157 252, RGB 79 110 252, RGB 95 79 252 and RGB 142 79 252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 203 252 shade: RGB 79 204 252, RGB 79 157 252, RGB 79 110 252 and RGB 79 79 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 203 252 shade matches the following richer shades: RGB 79 204 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 203 252 shade: RGB 79 204 252, RGB 94 197 238, RGB 108 191 223, RGB 122 185 209 and RGB 137 178 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 203 252 shade: RGB 79 252 206, RGB 79 252 252, RGB 79 206 252, RGB 79 160 252 and RGB 79 114 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 203 252 shade: RGB 4 177 245, RGB 39 192 252, RGB 79 204 252, RGB 120 215 253 and RGB 160 227 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 203 252 shade: RGB 78 203 252, RGB 160 79 252 and RGB 252 229 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 203 252 shade: RGB 78 203 252, RGB 252 79 206 and RGB 206 252 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 203 252 shade: RGB 78 203 252, RGB 160 79 252, RGB 252 125 79 and RGB 172 252 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 203 252 shade: RGB 78 203 252, RGB 212 79 252, RGB 252 125 79 and RGB 120 252 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 19 / 0 / 1

HEX #4ECBFC

RGB 78 203 252

HSL 196.9, 0.97%, 0.65%

LAB 76.9, -19.37, -34.1

 

Complementary color

CMYK 0 / 71 / 98 / 31

HEX #B13403

RGB 177 52 3

HSL 16.9, 0.97%, 0.35%

LAB 40.91, 48.96, 51.9

 

CMYK 66 / 18 / 0 / 3

HEX #53CBF7

RGB 83 203 247

HSL 196.1, 0.91%, 0.65%

LAB 76.84, -20.21, -31.5

 

CMYK 61 / 13 / 0 / 0

HEX #64DDFF

RGB 100 221 255

HSL 193.16, 1%, 0.7%

LAB 82.72, -24.17, -26.7

 

CMYK 54 / 6 / 0 / 0

HEX #75EFFF

RGB 117 239 255

HSL 186.96, 1%, 0.73%

LAB 88.32, -29.86, -18.16

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 69 / 19 / 0 / 1

HEX #4ECBFC

RGB 78 203 252

HSL 196.9, 0.97%, 0.65%

LAB 76.9, -19.37, -34.1

 

CMYK 74 / 21 / 0 / 9

HEX #3DB9E9

RGB 61 185 233

HSL 196.74, 0.8%, 0.58%

LAB 70.58, -18.3, -33.67

 

CMYK 79 / 22 / 0 / 16

HEX #2CA7D6

RGB 44 167 214

HSL 196.59, 0.67%, 0.51%

LAB 64.18, -16.95, -33.18

 

CMYK 86 / 24 / 0 / 24

HEX #1B95C3

RGB 27 149 195

HSL 196.43, 0.76%, 0.44%

LAB 57.72, -15.25, -32.63

 

CMYK 94 / 26 / 0 / 31

HEX #0A83B0

RGB 10 131 176

HSL 196.27, 0.89%, 0.36%

LAB 51.19, -13.08, -32

 

CMYK 69 / 19 / 0 / 1

HEX #4FCCFC

RGB 79 204 252

HSL 196.65, 0.97%, 0.65%

LAB 77.21, -19.75, -33.62

 

CMYK 69 / 38 / 0 / 1

HEX #4F9DFC

RGB 79 157 252

HSL 212.95, 0.97%, 0.65%

LAB 64, 6.06, -54.31

 

CMYK 69 / 56 / 0 / 1

HEX #4F6EFC

RGB 79 110 252

HSL 229.25, 0.97%, 0.65%

LAB 51.66, 34.48, -74.15

 

CMYK 62 / 69 / 0 / 1

HEX #5F4FFC

RGB 95 79 252

HSL 245.55, 0.97%, 0.65%

LAB 45.71, 54.75, -83.83

 

CMYK 44 / 69 / 0 / 1

HEX #8E4FFC

RGB 142 79 252

HSL 261.85, 0.97%, 0.65%

LAB 49.94, 61.86, -76.73

 

CMYK 69 / 19 / 0 / 1

HEX #4FCCFC

RGB 79 204 252

HSL 196.65, 0.97%, 0.65%

LAB 77.21, -19.75, -33.62

 

CMYK 69 / 38 / 0 / 1

HEX #4F9DFC

RGB 79 157 252

HSL 212.95, 0.97%, 0.65%

LAB 64, 6.06, -54.31

 

CMYK 69 / 56 / 0 / 1

HEX #4F6EFC

RGB 79 110 252

HSL 229.25, 0.97%, 0.65%

LAB 51.66, 34.48, -74.15

 

CMYK 69 / 69 / 0 / 1

HEX #4F4FFC

RGB 79 79 252

HSL 240, 0.97%, 0.65%

LAB 44.64, 52.87, -85.63

 

CMYK 69 / 19 / 0 / 1

HEX #4FCCFC

RGB 79 204 252

HSL 196.65, 0.97%, 0.65%

LAB 77.21, -19.75, -33.62

 

CMYK 69 / 19 / 0 / 1

HEX #4FCCFC

RGB 79 204 252

HSL 196.65, 0.97%, 0.65%

LAB 77.21, -19.75, -33.62

 

CMYK 61 / 17 / 0 / 7

HEX #5EC5EE

RGB 94 197 238

HSL 197.08, 0.81%, 0.65%

LAB 75.13, -18.06, -29.27

 

CMYK 52 / 14 / 0 / 13

HEX #6CBFDF

RGB 108 191 223

HSL 196.7, 0.64%, 0.65%

LAB 73.4, -16.57, -23.77

 

CMYK 42 / 11 / 0 / 18

HEX #7AB9D1

RGB 122 185 209

HSL 196.55, 0.49%, 0.65%

LAB 71.85, -13.97, -18.44

 

CMYK 30 / 9 / 0 / 24

HEX #89B2C3

RGB 137 178 195

HSL 197.59, 0.33%, 0.65%

LAB 70.25, -9.69, -13.11

 

CMYK 69 / 0 / 18 / 1

HEX #4FFCCE

RGB 79 252 206

HSL 164.05, 0.97%, 0.65%

LAB 89.74, -54.37, 9.35

 

CMYK 69 / 0 / 0 / 1

HEX #4FFCFC

RGB 79 252 252

HSL 180, 0.97%, 0.65%

LAB 90.92, -42.69, -12.79

 

CMYK 69 / 18 / 0 / 1

HEX #4FCEFC

RGB 79 206 252

HSL 195.95, 0.97%, 0.65%

LAB 77.78, -20.77, -32.74

 

CMYK 69 / 37 / 0 / 1

HEX #4FA0FC

RGB 79 160 252

HSL 211.91, 0.97%, 0.65%

LAB 64.83, 4.31, -52.99

 

CMYK 69 / 55 / 0 / 1

HEX #4F72FC

RGB 79 114 252

HSL 227.86, 0.97%, 0.65%

LAB 52.65, 32.03, -72.54

 

CMYK 98 / 28 / 0 / 4

HEX #04B1F5

RGB 4 177 245

HSL 196.93, 0.97%, 0.49%

LAB 68.07, -13.6, -44.16

 

CMYK 85 / 24 / 0 / 1

HEX #27C0FC

RGB 39 192 252

HSL 196.9, 0.97%, 0.57%

LAB 73, -17.68, -40.21

 

CMYK 69 / 19 / 0 / 1

HEX #4FCCFC

RGB 79 204 252

HSL 196.65, 0.97%, 0.65%

LAB 77.21, -19.75, -33.62

 

CMYK 53 / 15 / 0 / 1

HEX #78D7FD

RGB 120 215 253

HSL 197.14, 0.97%, 0.73%

LAB 81.67, -17.96, -27.19

 

CMYK 37 / 11 / 0 / 0

HEX #A0E3FE

RGB 160 227 254

HSL 197.23, 0.98%, 0.81%

LAB 86.78, -14.46, -19.77

 

CMYK 69 / 19 / 0 / 1

HEX #4ECBFC

RGB 78 203 252

HSL 196.9, 0.97%, 0.65%

LAB 76.9, -19.37, -34.1

 

CMYK 37 / 69 / 0 / 1

HEX #A04FFC

RGB 160 79 252

HSL 268.09, 0.97%, 0.65%

LAB 51.94, 65.06, -73.39

 

CMYK 0 / 9 / 69 / 1

HEX #FCE54F

RGB 252 229 79

HSL 52.02, 0.97%, 0.65%

LAB 90.46, -8.26, 72.48

 

CMYK 69 / 19 / 0 / 1

HEX #4ECBFC

RGB 78 203 252

HSL 196.9, 0.97%, 0.65%

LAB 76.9, -19.37, -34.1

 

CMYK 0 / 69 / 18 / 1

HEX #FC4FCE

RGB 252 79 206

HSL 315.95, 0.97%, 0.65%

LAB 62.29, 76.86, -30.32

 

CMYK 18 / 0 / 69 / 1

HEX #CEFC4F

RGB 206 252 79

HSL 75.95, 0.97%, 0.65%

LAB 93.15, -37.6, 74.07

 

CMYK 69 / 19 / 0 / 1

HEX #4ECBFC

RGB 78 203 252

HSL 196.9, 0.97%, 0.65%

LAB 76.9, -19.37, -34.1

 

CMYK 37 / 69 / 0 / 1

HEX #A04FFC

RGB 160 79 252

HSL 268.09, 0.97%, 0.65%

LAB 51.94, 65.06, -73.39

 

CMYK 0 / 50 / 69 / 1

HEX #FC7D4F

RGB 252 125 79

HSL 15.95, 0.97%, 0.65%

LAB 66.46, 45.17, 46.95

 

CMYK 32 / 0 / 69 / 1

HEX #ACFC4F

RGB 172 252 79

HSL 87.75, 0.97%, 0.65%

LAB 91.21, -49.98, 71.48

 

CMYK 69 / 19 / 0 / 1

HEX #4ECBFC

RGB 78 203 252

HSL 196.9, 0.97%, 0.65%

LAB 76.9, -19.37, -34.1

 

CMYK 16 / 69 / 0 / 1

HEX #D44FFC

RGB 212 79 252

HSL 286.13, 0.97%, 0.65%

LAB 58.62, 75.2, -62.28

 

CMYK 0 / 50 / 69 / 1

HEX #FC7D4F

RGB 252 125 79

HSL 15.95, 0.97%, 0.65%

LAB 66.46, 45.17, 46.95

 

CMYK 52 / 0 / 69 / 1

HEX #78FC4F

RGB 120 252 79

HSL 105.78, 0.97%, 0.65%

LAB 89.01, -65.92, 68.51

 

Description

Color code: RGB 78 203 252 | qconv.com Color code: RGB 78 203 252 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 203 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 203 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 19 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 19% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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