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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 190 214 it is the complementary color RGB 177 65 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 190 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 190 214 shade: RGB 83 190 209, RGB 100 208 228, RGB 117 226 247, RGB 134 244 255 and RGB 151 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 190 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 190 214 shade: RGB 78 190 214, RGB 61 172 195, RGB 44 154 176, RGB 27 136 157 and RGB 10 118 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 190 214 shade: RGB 77 189 213, RGB 77 153 213, RGB 77 116 213, RGB 77 79 213 and RGB 112 77 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 190 214 shade: RGB 77 189 213, RGB 77 153 213, RGB 77 116 213, RGB 77 79 213 and RGB 77 77 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 190 214 shade matches the following richer shades: RGB 77 189 213, RGB 60 201 231 and RGB 42 212 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 190 214 shade: RGB 77 189 213, RGB 95 178 196, RGB 113 166 178, RGB 131 155 160 and RGB 148 143 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 190 214 shade: RGB 77 213 163, RGB 77 213 200, RGB 77 191 213, RGB 77 154 213 and RGB 77 118 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 190 214 shade: RGB 40 146 169, RGB 47 175 202, RGB 77 189 213, RGB 111 202 221 and RGB 144 214 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 190 214 shade: RGB 78 190 214, RGB 127 77 213 and RGB 213 182 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 190 214 shade: RGB 78 190 214, RGB 213 77 191 and RGB 191 213 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 190 214 shade: RGB 78 190 214, RGB 127 77 213, RGB 213 100 77 and RGB 163 213 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 190 214 shade: RGB 78 190 214, RGB 168 77 213, RGB 213 100 77 and RGB 123 213 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 11 / 0 / 16

HEX #4EBED6

RGB 78 190 214

HSL 190.59, 0.62%, 0.57%

LAB 71.76, -24.41, -21.47

 

Complementary color

CMYK 0 / 63 / 77 / 31

HEX #B14129

RGB 177 65 41

HSL 10.59, 0.62%, 0.43%

LAB 43.19, 44.33, 37.95

 

CMYK 60 / 9 / 0 / 18

HEX #53BED1

RGB 83 190 209

HSL 189.05, 0.58%, 0.57%

LAB 71.74, -25.03, -18.76

 

CMYK 56 / 9 / 0 / 11

HEX #64D0E4

RGB 100 208 228

HSL 189.38, 0.7%, 0.64%

LAB 78.12, -25.43, -19.31

 

CMYK 53 / 9 / 0 / 3

HEX #75E2F7

RGB 117 226 247

HSL 189.69, 0.89%, 0.71%

LAB 84.43, -25.72, -19.83

 

CMYK 47 / 4 / 0 / 0

HEX #86F4FF

RGB 134 244 255

HSL 185.45, 1%, 0.76%

LAB 90.32, -28.79, -15.1

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 64 / 11 / 0 / 16

HEX #4EBED6

RGB 78 190 214

HSL 190.59, 0.62%, 0.57%

LAB 71.76, -24.41, -21.47

 

CMYK 69 / 12 / 0 / 24

HEX #3DACC3

RGB 61 172 195

HSL 190.3, 0.53%, 0.5%

LAB 65.31, -23.71, -20.89

 

CMYK 75 / 13 / 0 / 31

HEX #2C9AB0

RGB 44 154 176

HSL 190, 0.6%, 0.43%

LAB 58.77, -22.77, -20.24

 

CMYK 83 / 13 / 0 / 38

HEX #1B889D

RGB 27 136 157

HSL 189.69, 0.71%, 0.36%

LAB 52.15, -21.5, -19.51

 

CMYK 93 / 14 / 0 / 46

HEX #0A768A

RGB 10 118 138

HSL 189.38, 0.86%, 0.29%

LAB 45.44, -19.75, -18.67

 

CMYK 64 / 11 / 0 / 16

HEX #4DBDD5

RGB 77 189 213

HSL 190.59, 0.62%, 0.57%

LAB 71.4, -24.37, -21.47

 

CMYK 64 / 28 / 0 / 16

HEX #4D99D5

RGB 77 153 213

HSL 206.47, 0.62%, 0.57%

LAB 60.93, -5.09, -37.64

 

CMYK 64 / 46 / 0 / 16

HEX #4D74D5

RGB 77 116 213

HSL 222.79, 0.62%, 0.57%

LAB 50.54, 16.98, -54.09

 

CMYK 64 / 63 / 0 / 16

HEX #4D4FD5

RGB 77 79 213

HSL 239.12, 0.62%, 0.57%

LAB 41.17, 39.98, -69.24

 

CMYK 47 / 64 / 0 / 16

HEX #704DD5

RGB 112 77 213

HSL 255.44, 0.62%, 0.57%

LAB 43.59, 47.07, -65.18

 

CMYK 64 / 11 / 0 / 16

HEX #4DBDD5

RGB 77 189 213

HSL 190.59, 0.62%, 0.57%

LAB 71.4, -24.37, -21.47

 

CMYK 64 / 28 / 0 / 16

HEX #4D99D5

RGB 77 153 213

HSL 206.47, 0.62%, 0.57%

LAB 60.93, -5.09, -37.64

 

CMYK 64 / 46 / 0 / 16

HEX #4D74D5

RGB 77 116 213

HSL 222.79, 0.62%, 0.57%

LAB 50.54, 16.98, -54.09

 

CMYK 64 / 63 / 0 / 16

HEX #4D4FD5

RGB 77 79 213

HSL 239.12, 0.62%, 0.57%

LAB 41.17, 39.98, -69.24

 

CMYK 64 / 64 / 0 / 16

HEX #4D4DD5

RGB 77 77 213

HSL 240, 0.62%, 0.57%

LAB 40.72, 41.18, -69.98

 

CMYK 64 / 11 / 0 / 16

HEX #4DBDD5

RGB 77 189 213

HSL 190.59, 0.62%, 0.57%

LAB 71.4, -24.37, -21.47

 

CMYK 74 / 13 / 0 / 9

HEX #3CC9E7

RGB 60 201 231

HSL 190.53, 0.78%, 0.57%

LAB 75.14, -27.2, -25.56

 

CMYK 83 / 15 / 0 / 2

HEX #2AD4F9

RGB 42 212 249

HSL 190.72, 0.95%, 0.57%

LAB 78.71, -28.6, -29.77

 

CMYK 64 / 11 / 0 / 16

HEX #4DBDD5

RGB 77 189 213

HSL 190.59, 0.62%, 0.57%

LAB 71.4, -24.37, -21.47

 

CMYK 52 / 9 / 0 / 23

HEX #5FB2C4

RGB 95 178 196

HSL 190.69, 0.46%, 0.57%

LAB 68.21, -20.28, -16.93

 

CMYK 37 / 7 / 0 / 30

HEX #71A6B2

RGB 113 166 178

HSL 191.08, 0.3%, 0.57%

LAB 64.96, -14.38, -11.76

 

CMYK 18 / 3 / 0 / 37

HEX #839BA0

RGB 131 155 160

HSL 190.34, 0.13%, 0.57%

LAB 62.34, -7.28, -5.44

 

CMYK 0 / 3 / 4 / 42

HEX #948F8E

RGB 148 143 142

HSL 10, 0.03%, 0.57%

LAB 59.79, 1.66, 1.18

 

CMYK 64 / 0 / 23 / 16

HEX #4DD5A3

RGB 77 213 163

HSL 157.94, 0.62%, 0.57%

LAB 77.17, -48.52, 14.03

 

CMYK 64 / 0 / 6 / 16

HEX #4DD5C8

RGB 77 213 200

HSL 174.26, 0.62%, 0.57%

LAB 78.07, -39.49, -4.44

 

CMYK 64 / 10 / 0 / 16

HEX #4DBFD5

RGB 77 191 213

HSL 189.71, 0.62%, 0.57%

LAB 71.99, -25.37, -20.58

 

CMYK 64 / 28 / 0 / 16

HEX #4D9AD5

RGB 77 154 213

HSL 206.03, 0.62%, 0.57%

LAB 61.21, -5.66, -37.19

 

CMYK 64 / 45 / 0 / 16

HEX #4D76D5

RGB 77 118 213

HSL 221.91, 0.62%, 0.57%

LAB 51.08, 15.74, -53.22

 

CMYK 76 / 14 / 0 / 34

HEX #2892A9

RGB 40 146 169

HSL 190.7, 0.62%, 0.41%

LAB 55.96, -21.38, -20.56

 

CMYK 77 / 13 / 0 / 21

HEX #2FAFCA

RGB 47 175 202

HSL 190.45, 0.62%, 0.49%

LAB 66.16, -24.79, -23.5

 

CMYK 64 / 11 / 0 / 16

HEX #4DBDD5

RGB 77 189 213

HSL 190.59, 0.62%, 0.57%

LAB 71.4, -24.37, -21.47

 

CMYK 50 / 9 / 0 / 13

HEX #6FCADD

RGB 111 202 221

HSL 190.36, 0.62%, 0.65%

LAB 76.58, -22.11, -17.84

 

CMYK 37 / 7 / 0 / 10

HEX #90D6E5

RGB 144 214 229

HSL 190.59, 0.62%, 0.73%

LAB 81.66, -18.17, -14.33

 

CMYK 64 / 11 / 0 / 16

HEX #4EBED6

RGB 78 190 214

HSL 190.59, 0.62%, 0.57%

LAB 71.76, -24.41, -21.47

 

CMYK 40 / 64 / 0 / 16

HEX #7F4DD5

RGB 127 77 213

HSL 262.06, 0.62%, 0.57%

LAB 45.11, 50.02, -62.63

 

CMYK 0 / 15 / 64 / 16

HEX #D5B64D

RGB 213 182 77

HSL 46.32, 0.62%, 0.57%

LAB 74.91, -0.7, 56.01

 

CMYK 64 / 11 / 0 / 16

HEX #4EBED6

RGB 78 190 214

HSL 190.59, 0.62%, 0.57%

LAB 71.76, -24.41, -21.47

 

CMYK 0 / 64 / 10 / 16

HEX #D54DBF

RGB 213 77 191

HSL 309.71, 0.62%, 0.57%

LAB 55.29, 65.82, -33.1

 

CMYK 10 / 0 / 64 / 16

HEX #BFD54D

RGB 191 213 77

HSL 69.71, 0.62%, 0.57%

LAB 81.4, -25.52, 62.41

 

CMYK 64 / 11 / 0 / 16

HEX #4EBED6

RGB 78 190 214

HSL 190.59, 0.62%, 0.57%

LAB 71.76, -24.41, -21.47

 

CMYK 40 / 64 / 0 / 16

HEX #7F4DD5

RGB 127 77 213

HSL 262.06, 0.62%, 0.57%

LAB 45.11, 50.02, -62.63

 

CMYK 0 / 53 / 64 / 16

HEX #D5644D

RGB 213 100 77

HSL 10.15, 0.62%, 0.57%

LAB 55.88, 42.77, 34.13

 

CMYK 23 / 0 / 64 / 16

HEX #A3D54D

RGB 163 213 77

HSL 82.06, 0.62%, 0.57%

LAB 79.56, -36.47, 59.9

 

CMYK 64 / 11 / 0 / 16

HEX #4EBED6

RGB 78 190 214

HSL 190.59, 0.62%, 0.57%

LAB 71.76, -24.41, -21.47

 

CMYK 21 / 64 / 0 / 16

HEX #A84DD5

RGB 168 77 213

HSL 280.15, 0.62%, 0.57%

LAB 50.02, 58.9, -54.47

 

CMYK 0 / 53 / 64 / 16

HEX #D5644D

RGB 213 100 77

HSL 10.15, 0.62%, 0.57%

LAB 55.88, 42.77, 34.13

 

CMYK 42 / 0 / 64 / 16

HEX #7BD54D

RGB 123 213 77

HSL 99.71, 0.62%, 0.57%

LAB 77.48, -50.44, 57.04

 

Description

Color code: RGB 78 190 214 | qconv.com Color code: RGB 78 190 214 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 190 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 190 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 11 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 11% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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