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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 128 162 it is the complementary color RGB 177 127 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 128 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 128 162: RGB 83 128 157, RGB 100 146 176, RGB 117 164 195, RGB 134 182 214 and RGB 151 200 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 128 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 128 162: RGB 78 128 162, RGB 61 110 143, RGB 44 92 124, RGB 27 74 105 and RGB 10 56 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 21 / 0 / 36

HEX #4E80A2

RGB 78 128 162

HSL 204.29, 0.35%, 0.47%

LAB 51.46, -6.96, -23.34

 

Complementary color

CMYK 0 / 28 / 47 / 31

HEX #B17F5D

RGB 177 127 93

HSL 24.29, 0.35%, 0.53%

LAB 57.38, 15.18, 26.1

 

CMYK 47 / 18 / 0 / 38

HEX #53809D

RGB 83 128 157

HSL 203.51, 0.31%, 0.47%

LAB 51.51, -7.24, -20.33

 

CMYK 43 / 17 / 0 / 31

HEX #6492B0

RGB 100 146 176

HSL 203.68, 0.32%, 0.54%

LAB 58.42, -7.52, -20.6

 

CMYK 40 / 16 / 0 / 24

HEX #75A4C3

RGB 117 164 195

HSL 203.85, 0.39%, 0.61%

LAB 65.18, -7.74, -20.89

 

CMYK 37 / 15 / 0 / 16

HEX #86B6D6

RGB 134 182 214

HSL 204, 0.49%, 0.68%

LAB 71.81, -7.92, -21.17

 

CMYK 35 / 14 / 0 / 9

HEX #97C8E9

RGB 151 200 233

HSL 204.15, 0.65%, 0.75%

LAB 78.33, -8.07, -21.47

 

CMYK 52 / 21 / 0 / 36

HEX #4E80A2

RGB 78 128 162

HSL 204.29, 0.35%, 0.47%

LAB 51.46, -6.96, -23.34

 

CMYK 57 / 23 / 0 / 44

HEX #3D6E8F

RGB 61 110 143

HSL 204.15, 0.4%, 0.4%

LAB 44.41, -6.42, -23.11

 

CMYK 65 / 26 / 0 / 51

HEX #2C5C7C

RGB 44 92 124

HSL 204, 0.48%, 0.33%

LAB 37.2, -5.67, -22.88

 

CMYK 74 / 30 / 0 / 59

HEX #1B4A69

RGB 27 74 105

HSL 203.85, 0.59%, 0.26%

LAB 29.79, -4.55, -22.63

 

CMYK 88 / 35 / 0 / 66

HEX #0A3856

RGB 10 56 86

HSL 203.68, 0.79%, 0.19%

LAB 22.18, -2.79, -22.33

 

CMYK 52 / 21 / 0 / 36

HEX #4E80A2

RGB 78 128 162

HSL 204.29, 0.35%, 0.47%

LAB 51.46, -6.96, -23.34

 

CMYK 52 / 29 / 0 / 37

HEX #4D72A1

RGB 77 114 161

HSL 213.57, 0.35%, 0.47%

LAB 47.22, 0.75, -29.33

 

CMYK 52 / 38 / 0 / 37

HEX #4D64A1

RGB 77 100 161

HSL 223.57, 0.35%, 0.47%

LAB 43.16, 9.38, -35.7

 

CMYK 52 / 47 / 0 / 37

HEX #4D56A1

RGB 77 86 161

HSL 233.57, 0.35%, 0.47%

LAB 39.25, 18.27, -41.91

 

CMYK 48 / 52 / 0 / 37

HEX #534DA1

RGB 83 77 161

HSL 244.29, 0.35%, 0.47%

LAB 37.34, 25.42, -44.95

 

CMYK 52 / 21 / 0 / 36

HEX #4E80A2

RGB 78 128 162

HSL 204.29, 0.35%, 0.47%

LAB 51.46, -6.96, -23.34

 

CMYK 52 / 21 / 0 / 16

HEX #67A8D5

RGB 103 168 213

HSL 204.55, 0.57%, 0.62%

LAB 66.28, -8.27, -29.23

 

CMYK 56 / 22 / 0 / 96

HEX #040709

RGB 4 7 9

HSL 204, 0.38%, 0.03%

LAB 1.78, -0.51, -1.03

 

CMYK 52 / 22 / 0 / 76

HEX #1D2F3C

RGB 29 47 60

HSL 205.16, 0.35%, 0.17%

LAB 18.45, -3.08, -10.54

 

CMYK 52 / 21 / 0 / 56

HEX #35586F

RGB 53 88 111

HSL 203.79, 0.35%, 0.32%

LAB 35.76, -5.57, -17.04

 

CMYK 52 / 21 / 0 / 36

HEX #4E80A2

RGB 78 128 162

HSL 204.29, 0.35%, 0.47%

LAB 51.46, -6.96, -23.34

 

CMYK 20 / 52 / 0 / 37

HEX #804DA1

RGB 128 77 161

HSL 276.43, 0.35%, 0.47%

LAB 41.95, 37.27, -37.31

 

CMYK 0 / 0 / 52 / 37

HEX #A1A14D

RGB 161 161 77

HSL 60, 0.35%, 0.47%

LAB 64.65, -11.85, 43.18

 

CMYK 52 / 21 / 0 / 36

HEX #4E80A2

RGB 78 128 162

HSL 204.29, 0.35%, 0.47%

LAB 51.46, -6.96, -23.34

 

CMYK 0 / 52 / 20 / 37

HEX #A14D80

RGB 161 77 128

HSL 323.57, 0.35%, 0.47%

LAB 44.86, 41.12, -12.58

 

CMYK 20 / 0 / 52 / 37

HEX #80A14D

RGB 128 161 77

HSL 83.57, 0.35%, 0.47%

LAB 62.18, -25.47, 39.66

 

CMYK 52 / 21 / 0 / 36

HEX #4E80A2

RGB 78 128 162

HSL 204.29, 0.35%, 0.47%

LAB 51.46, -6.96, -23.34

 

CMYK 20 / 52 / 0 / 37

HEX #804DA1

RGB 128 77 161

HSL 276.43, 0.35%, 0.47%

LAB 41.95, 37.27, -37.31

 

CMYK 0 / 31 / 52 / 37

HEX #A16F4D

RGB 161 111 77

HSL 24.29, 0.35%, 0.47%

LAB 51.25, 15.84, 26.81

 

CMYK 31 / 0 / 52 / 37

HEX #6FA14D

RGB 111 161 77

HSL 95.71, 0.35%, 0.47%

LAB 61.14, -31.96, 38.16

 

CMYK 52 / 21 / 0 / 36

HEX #4E80A2

RGB 78 128 162

HSL 204.29, 0.35%, 0.47%

LAB 51.46, -6.96, -23.34

 

CMYK 5 / 52 / 0 / 37

HEX #994DA1

RGB 153 77 161

HSL 294.29, 0.35%, 0.47%

LAB 45.16, 44.43, -32.05

 

CMYK 0 / 31 / 52 / 37

HEX #A16F4D

RGB 161 111 77

HSL 24.29, 0.35%, 0.47%

LAB 51.25, 15.84, 26.81

 

CMYK 47 / 0 / 52 / 37

HEX #56A14D

RGB 86 161 77

HSL 113.57, 0.35%, 0.47%

LAB 59.89, -40.4, 36.36

 

Description

Color code: RGB 78 128 162 | qconv.com Color code: RGB 78 128 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 128 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 128 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 21 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 21% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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