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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 53 185 it is the complementary color RGB 178 202 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 53 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 53 185 shade: RGB 82 53 180, RGB 99 71 199, RGB 116 89 218, RGB 133 107 237 and RGB 150 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 53 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 53 185 shade: RGB 77 53 185, RGB 60 35 166, RGB 43 17 147, RGB 26 0 128 and RGB 9 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 53 185 shade: RGB 78 54 186, RGB 113 54 186, RGB 149 54 186, RGB 185 54 186 and RGB 186 54 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 53 185 shade: RGB 78 54 186 and RGB 54 54 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 53 185 shade matches the following richer shades: RGB 78 54 186, RGB 66 35 205 and RGB 53 15 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 53 185 shade: RGB 78 54 186, RGB 90 73 166, RGB 103 93 147, RGB 115 112 128 and RGB 127 131 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 53 185 shade: RGB 54 102 186, RGB 54 67 186, RGB 76 54 186, RGB 111 54 186 and RGB 146 54 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 53 185 shade: RGB 51 35 122, RGB 64 45 154, RGB 78 54 186, RGB 100 77 203 and RGB 128 109 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 53 185 shade: RGB 77 53 185, RGB 186 54 137 and RGB 85 186 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 53 185 shade: RGB 77 53 185, RGB 186 76 54 and RGB 54 186 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 53 185 shade: RGB 77 53 185, RGB 186 54 137, RGB 164 186 54 and RGB 54 186 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 53 185 shade: RGB 77 53 185, RGB 186 54 98, RGB 164 186 54 and RGB 54 186 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 71 / 0 / 27

HEX #4D35B9

RGB 77 53 185

HSL 250.91, 0.55%, 0.47%

LAB 33.19, 46.17, -65.99

 

Complementary color

CMYK 12 / 0 / 65 / 21

HEX #B2CA46

RGB 178 202 70

HSL 70.91, 0.55%, 0.53%

LAB 77.37, -25.94, 60.71

 

CMYK 54 / 71 / 0 / 29

HEX #5235B4

RGB 82 53 180

HSL 253.7, 0.55%, 0.46%

LAB 33.21, 45.44, -62.98

 

CMYK 50 / 64 / 0 / 22

HEX #6347C7

RGB 99 71 199

HSL 253.13, 0.53%, 0.53%

LAB 40.05, 43.96, -62.91

 

CMYK 47 / 59 / 0 / 15

HEX #7459DA

RGB 116 89 218

HSL 252.56, 0.64%, 0.6%

LAB 46.87, 42.52, -62.7

 

CMYK 44 / 55 / 0 / 7

HEX #856BED

RGB 133 107 237

HSL 252, 0.78%, 0.67%

LAB 53.62, 41.17, -62.45

 

CMYK 41 / 51 / 0 / 0

HEX #967DFF

RGB 150 125 255

HSL 251.54, 1%, 0.75%

LAB 60.22, 39.67, -61.74

 

CMYK 58 / 71 / 0 / 27

HEX #4D35B9

RGB 77 53 185

HSL 250.91, 0.55%, 0.47%

LAB 33.19, 46.17, -65.99

 

CMYK 64 / 79 / 0 / 35

HEX #3C23A6

RGB 60 35 166

HSL 251.45, 0.65%, 0.39%

LAB 26.49, 47.63, -65.71

 

CMYK 71 / 88 / 0 / 42

HEX #2B1193

RGB 43 17 147

HSL 252, 0.79%, 0.32%

LAB 20.13, 48.36, -64.66

 

CMYK 80 / 100 / 0 / 50

HEX #1A0080

RGB 26 0 128

HSL 252.19, 1%, 0.25%

LAB 14.28, 47.96, -62.5

 

CMYK 92 / 100 / 0 / 57

HEX #09006D

RGB 9 0 109

HSL 244.95, 1%, 0.21%

LAB 10.28, 42.5, -56.93

 

CMYK 58 / 71 / 0 / 27

HEX #4E36BA

RGB 78 54 186

HSL 250.91, 0.55%, 0.47%

LAB 33.57, 46.08, -65.96

 

CMYK 39 / 71 / 0 / 27

HEX #7136BA

RGB 113 54 186

HSL 266.82, 0.55%, 0.47%

LAB 37.29, 51.98, -59.73

 

CMYK 20 / 71 / 0 / 27

HEX #9536BA

RGB 149 54 186

HSL 283.18, 0.55%, 0.47%

LAB 42.11, 59.17, -51.69

 

CMYK 1 / 71 / 0 / 27

HEX #B936BA

RGB 185 54 186

HSL 299.55, 0.55%, 0.47%

LAB 47.62, 66.92, -42.57

 

CMYK 0 / 71 / 19 / 27

HEX #BA3697

RGB 186 54 151

HSL 315.91, 0.55%, 0.47%

LAB 46.06, 61.82, -24.29

 

CMYK 58 / 71 / 0 / 27

HEX #4E36BA

RGB 78 54 186

HSL 250.91, 0.55%, 0.47%

LAB 33.57, 46.08, -65.96

 

CMYK 71 / 71 / 0 / 27

HEX #3636BA

RGB 54 54 186

HSL 240, 0.55%, 0.47%

LAB 31.73, 43, -69.05

 

CMYK 58 / 71 / 0 / 27

HEX #4E36BA

RGB 78 54 186

HSL 250.91, 0.55%, 0.47%

LAB 33.57, 46.08, -65.96

 

CMYK 68 / 83 / 0 / 20

HEX #4223CD

RGB 66 35 205

HSL 250.94, 0.71%, 0.47%

LAB 31.27, 59.46, -80.93

 

CMYK 76 / 93 / 0 / 12

HEX #350FE1

RGB 53 15 225

HSL 250.86, 0.88%, 0.47%

LAB 30.72, 70.18, -93.44

 

CMYK 58 / 71 / 0 / 27

HEX #4E36BA

RGB 78 54 186

HSL 250.91, 0.55%, 0.47%

LAB 33.57, 46.08, -65.96

 

CMYK 46 / 56 / 0 / 35

HEX #5A49A6

RGB 90 73 166

HSL 250.97, 0.39%, 0.47%

LAB 37.28, 31.09, -47.99

 

CMYK 30 / 37 / 0 / 42

HEX #675D93

RGB 103 93 147

HSL 251.11, 0.23%, 0.47%

LAB 42.49, 16.73, -28.28

 

CMYK 10 / 13 / 0 / 50

HEX #737080

RGB 115 112 128

HSL 251.25, 0.07%, 0.47%

LAB 48, 4.54, -8.39

 

CMYK 3 / 0 / 18 / 49

HEX #7F836C

RGB 127 131 108

HSL 70.43, 0.1%, 0.47%

LAB 53.84, -5.77, 11.95

 

CMYK 71 / 45 / 0 / 27

HEX #3666BA

RGB 54 102 186

HSL 218.18, 0.55%, 0.47%

LAB 43.99, 12.43, -49.13

 

CMYK 71 / 64 / 0 / 27

HEX #3643BA

RGB 54 67 186

HSL 234.09, 0.55%, 0.47%

LAB 34.69, 35.04, -64.2

 

CMYK 59 / 71 / 0 / 27

HEX #4C36BA

RGB 76 54 186

HSL 250, 0.55%, 0.47%

LAB 33.39, 45.78, -66.26

 

CMYK 40 / 71 / 0 / 27

HEX #6F36BA

RGB 111 54 186

HSL 265.91, 0.55%, 0.47%

LAB 37.05, 51.61, -60.14

 

CMYK 22 / 71 / 0 / 27

HEX #9236BA

RGB 146 54 186

HSL 281.82, 0.55%, 0.47%

LAB 41.68, 58.54, -52.41

 

CMYK 58 / 71 / 0 / 52

HEX #33237A

RGB 51 35 122

HSL 251.03, 0.55%, 0.31%

LAB 21.25, 32.59, -47.07

 

CMYK 58 / 71 / 0 / 40

HEX #402D9A

RGB 64 45 154

HSL 250.46, 0.55%, 0.39%

LAB 27.57, 39.11, -56.63

 

CMYK 58 / 71 / 0 / 27

HEX #4E36BA

RGB 78 54 186

HSL 250.91, 0.55%, 0.47%

LAB 33.57, 46.08, -65.96

 

CMYK 51 / 62 / 0 / 20

HEX #644DCB

RGB 100 77 203

HSL 250.95, 0.55%, 0.55%

LAB 41.73, 41.9, -62.49

 

CMYK 40 / 49 / 0 / 16

HEX #806DD5

RGB 128 109 213

HSL 250.96, 0.55%, 0.63%

LAB 52.21, 32.15, -51.22

 

CMYK 58 / 71 / 0 / 27

HEX #4D35B9

RGB 77 53 185

HSL 250.91, 0.55%, 0.47%

LAB 33.19, 46.17, -65.99

 

CMYK 0 / 71 / 26 / 27

HEX #BA3689

RGB 186 54 137

HSL 322.27, 0.55%, 0.47%

LAB 45.47, 59.95, -16.75

 

CMYK 54 / 0 / 71 / 27

HEX #55BA36

RGB 85 186 54

HSL 105.91, 0.55%, 0.47%

LAB 67.51, -53.11, 55.17

 

CMYK 58 / 71 / 0 / 27

HEX #4D35B9

RGB 77 53 185

HSL 250.91, 0.55%, 0.47%

LAB 33.19, 46.17, -65.99

 

CMYK 0 / 59 / 71 / 27

HEX #BA4C36

RGB 186 76 54

HSL 10, 0.55%, 0.47%

LAB 46.81, 43.09, 35.2

 

CMYK 71 / 0 / 59 / 27

HEX #36BA4C

RGB 54 186 76

HSL 130, 0.55%, 0.47%

LAB 66.84, -57.79, 44.87

 

CMYK 58 / 71 / 0 / 27

HEX #4D35B9

RGB 77 53 185

HSL 250.91, 0.55%, 0.47%

LAB 33.19, 46.17, -65.99

 

CMYK 0 / 71 / 26 / 27

HEX #BA3689

RGB 186 54 137

HSL 322.27, 0.55%, 0.47%

LAB 45.47, 59.95, -16.75

 

CMYK 12 / 0 / 71 / 27

HEX #A4BA36

RGB 164 186 54

HSL 70, 0.55%, 0.47%

LAB 71.74, -24.89, 60.82

 

CMYK 71 / 0 / 45 / 27

HEX #36BA66

RGB 54 186 102

HSL 141.82, 0.55%, 0.47%

LAB 67.17, -53.95, 32.52

 

CMYK 58 / 71 / 0 / 27

HEX #4D35B9

RGB 77 53 185

HSL 250.91, 0.55%, 0.47%

LAB 33.19, 46.17, -65.99

 

CMYK 0 / 71 / 47 / 27

HEX #BA3662

RGB 186 54 98

HSL 340, 0.55%, 0.47%

LAB 44.17, 55.66, 5.28

 

CMYK 12 / 0 / 71 / 27

HEX #A4BA36

RGB 164 186 54

HSL 70, 0.55%, 0.47%

LAB 71.74, -24.89, 60.82

 

CMYK 71 / 0 / 24 / 27

HEX #36BA8E

RGB 54 186 142

HSL 160, 0.55%, 0.47%

LAB 67.91, -45.83, 12.21

 

Description

Color code: RGB 77 53 185 | qconv.com Color code: RGB 77 53 185 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 53 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 53 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 71 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 71% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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