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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 167 251 it is the complementary color RGB 178 88 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 167 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 77 167 251: RGB 82 167 246, RGB 99 185 255, RGB 116 203 255, RGB 133 221 255 and RGB 150 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 167 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 77 167 251: RGB 77 167 251, RGB 60 149 232, RGB 43 131 213, RGB 26 113 194 and RGB 9 95 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 33 / 0 / 2

HEX #4DA7FB

RGB 77 167 251

HSL 208.97, 0.96%, 0.64%

LAB 66.66, -0.33, -49.56

 

Complementary color

CMYK 0 / 51 / 98 / 30

HEX #B25804

RGB 178 88 4

HSL 28.97, 0.96%, 0.36%

LAB 47.56, 32.42, 55.64

 

CMYK 67 / 32 / 0 / 4

HEX #52A7F6

RGB 82 167 246

HSL 208.9, 0.9%, 0.64%

LAB 66.58, -1.27, -46.94

 

CMYK 61 / 27 / 0 / 0

HEX #63B9FF

RGB 99 185 255

HSL 206.92, 1%, 0.69%

LAB 72.61, -5.54, -42.33

 

CMYK 55 / 20 / 0 / 0

HEX #74CBFF

RGB 116 203 255

HSL 202.45, 1%, 0.73%

LAB 78.25, -11.98, -33.51

 

CMYK 48 / 13 / 0 / 0

HEX #85DDFF

RGB 133 221 255

HSL 196.72, 1%, 0.76%

LAB 83.92, -17.67, -24.76

 

CMYK 41 / 6 / 0 / 0

HEX #96EFFF

RGB 150 239 255

HSL 189.14, 1%, 0.79%

LAB 89.6, -22.71, -16.11

 

CMYK 69 / 33 / 0 / 2

HEX #4DA7FB

RGB 77 167 251

HSL 208.97, 0.96%, 0.64%

LAB 66.66, -0.33, -49.56

 

CMYK 74 / 36 / 0 / 9

HEX #3C95E8

RGB 60 149 232

HSL 208.95, 0.79%, 0.57%

LAB 60.14, 1.2, -49.47

 

CMYK 80 / 38 / 0 / 16

HEX #2B83D5

RGB 43 131 213

HSL 208.94, 0.67%, 0.5%

LAB 53.55, 3.09, -49.35

 

CMYK 87 / 42 / 0 / 24

HEX #1A71C2

RGB 26 113 194

HSL 208.93, 0.76%, 0.43%

LAB 46.88, 5.46, -49.18

 

CMYK 95 / 46 / 0 / 31

HEX #095FAF

RGB 9 95 175

HSL 208.92, 0.9%, 0.36%

LAB 40.14, 8.44, -48.92

 

CMYK 69 / 33 / 0 / 2

HEX #4DA7FB

RGB 77 167 251

HSL 208.97, 0.96%, 0.64%

LAB 66.66, -0.33, -49.56

 

CMYK 70 / 45 / 0 / 2

HEX #4B8BFB

RGB 75 139 251

HSL 218.18, 0.96%, 0.64%

LAB 58.91, 15.84, -61.9

 

CMYK 70 / 56 / 0 / 2

HEX #4B6EFB

RGB 75 110 251

HSL 228.07, 0.96%, 0.64%

LAB 51.4, 33.61, -74.03

 

CMYK 70 / 68 / 0 / 2

HEX #4B50FB

RGB 75 80 251

HSL 238.3, 0.96%, 0.64%

LAB 44.52, 51.56, -85.28

 

CMYK 61 / 70 / 0 / 2

HEX #624BFB

RGB 98 75 251

HSL 247.84, 0.96%, 0.64%

LAB 45.07, 56.97, -84.3

 

CMYK 69 / 33 / 0 / 2

HEX #4DA7FB

RGB 77 167 251

HSL 208.97, 0.96%, 0.64%

LAB 66.66, -0.33, -49.56

 

CMYK 70 / 34 / 0 / 82

HEX #0E1F2F

RGB 14 31 47

HSL 209.09, 0.54%, 0.12%

LAB 11.12, -1, -12.78

 

CMYK 69 / 34 / 0 / 62

HEX #1E4162

RGB 30 65 98

HSL 209.12, 0.53%, 0.25%

LAB 26.56, -0.83, -23.21

 

CMYK 69 / 34 / 0 / 42

HEX #2E6395

RGB 46 99 149

HSL 209.13, 0.53%, 0.38%

LAB 40.69, -0.61, -32.55

 

CMYK 70 / 34 / 0 / 22

HEX #3D85C8

RGB 61 133 200

HSL 208.92, 0.56%, 0.51%

LAB 53.96, -0.55, -41.3

 

CMYK 69 / 33 / 0 / 2

HEX #4DA7FB

RGB 77 167 251

HSL 208.97, 0.96%, 0.64%

LAB 66.66, -0.33, -49.56

 

CMYK 24 / 70 / 0 / 2

HEX #C04BFB

RGB 192 75 251

HSL 279.89, 0.96%, 0.64%

LAB 55.28, 72.58, -67.23

 

CMYK 5 / 0 / 70 / 2

HEX #EFFB4B

RGB 239 251 75

HSL 64.09, 0.96%, 0.64%

LAB 95.1, -24.43, 78.14

 

CMYK 69 / 33 / 0 / 2

HEX #4DA7FB

RGB 77 167 251

HSL 208.97, 0.96%, 0.64%

LAB 66.66, -0.33, -49.56

 

CMYK 0 / 70 / 33 / 2

HEX #FB4BA9

RGB 251 75 169

HSL 327.95, 0.96%, 0.64%

LAB 60.25, 73.49, -12.26

 

CMYK 33 / 0 / 70 / 2

HEX #A9FB4B

RGB 169 251 75

HSL 87.95, 0.96%, 0.64%

LAB 90.75, -50.86, 72.39

 

CMYK 69 / 33 / 0 / 2

HEX #4DA7FB

RGB 77 167 251

HSL 208.97, 0.96%, 0.64%

LAB 66.66, -0.33, -49.56

 

CMYK 24 / 70 / 0 / 2

HEX #C04BFB

RGB 192 75 251

HSL 279.89, 0.96%, 0.64%

LAB 55.28, 72.58, -67.23

 

CMYK 0 / 37 / 70 / 2

HEX #FB9D4B

RGB 251 157 75

HSL 27.95, 0.96%, 0.64%

LAB 72.98, 28.3, 56.03

 

CMYK 47 / 0 / 70 / 2

HEX #85FB4B

RGB 133 251 75

HSL 100.23, 0.96%, 0.64%

LAB 89.15, -62.28, 70.25

 

CMYK 69 / 33 / 0 / 2

HEX #4DA7FB

RGB 77 167 251

HSL 208.97, 0.96%, 0.64%

LAB 66.66, -0.33, -49.56

 

CMYK 2 / 70 / 0 / 2

HEX #F54BFB

RGB 245 75 251

HSL 297.95, 0.96%, 0.64%

LAB 62.85, 83.2, -54.68

 

CMYK 0 / 37 / 70 / 2

HEX #FB9D4B

RGB 251 157 75

HSL 27.95, 0.96%, 0.64%

LAB 72.98, 28.3, 56.03

 

CMYK 68 / 0 / 70 / 2

HEX #50FB4B

RGB 80 251 75

HSL 118.3, 0.96%, 0.64%

LAB 87.59, -74.71, 68.14

 

Description

Color code: RGB 77 167 251 | qconv.com Color code: RGB 77 167 251 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 167 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 167 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 33 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 33% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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