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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77.3 198.4 210 it is the complementary color RGB 177.7 56.6 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77.3 198.4 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77.3 198.4 210 shade: RGB 82.3 198.4 205, RGB 99.3 216.4 224, RGB 116.3 234.4 243, RGB 133.3 252.4 255 and RGB 150.3 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77.3 198.4 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77.3 198.4 210 shade: RGB 77.3 198.4 210, RGB 60.3 180.4 191, RGB 43.3 162.4 172, RGB 26.3 144.4 153 and RGB 9.3 126.4 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77.3 198.4 210 shade: RGB 75 198 210, RGB 75 162 210, RGB 75 126 210, RGB 75 89 210 and RGB 98 75 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77.3 198.4 210 shade: RGB 75 198 210, RGB 75 162 210, RGB 75 126 210, RGB 75 89 210 and RGB 75 75 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77.3 198.4 210 shade matches the following richer shades: RGB 75 198 210, RGB 57 213 228 and RGB 39 228 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77.3 198.4 210 shade: RGB 75 198 210, RGB 94 183 192, RGB 112 168 174, RGB 130 153 156 and RGB 148 138 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77.3 198.4 210 shade: RGB 75 210 150, RGB 75 210 185, RGB 75 199 210, RGB 75 163 210 and RGB 75 127 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77.3 198.4 210 shade: RGB 41 152 162, RGB 49 183 195, RGB 75 198 210, RGB 108 209 218 and RGB 141 219 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77.3 198.4 210 shade: RGB 77.3 198.4 210, RGB 114 75 210 and RGB 210 167 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77.3 198.4 210 shade: RGB 77.3 198.4 210, RGB 210 75 199 and RGB 199 210 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77.3 198.4 210 shade: RGB 77.3 198.4 210, RGB 114 75 210, RGB 210 87 75 and RGB 172 210 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77.3 198.4 210 shade: RGB 77.3 198.4 210, RGB 154 75 210, RGB 210 87 75 and RGB 132 210 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 6 / 0 / 18

HEX #4DC6D2

RGB 77.3 198.4 210

HSL 185.24, 0.6%, 0.56%

LAB 74.07, -29.84, -15.8

 

Complementary color

CMYK 0 / 68 / 75 / 30

HEX #B1382D

RGB 177.7 56.6 45

HSL 5.24, 0.6%, 0.44%

LAB 42.01, 48.39, 34.48

 

CMYK 60 / 3 / 0 / 20

HEX #52C6CD

RGB 82.3 198.4 205

HSL 183.23, 0.55%, 0.56%

LAB 74.05, -30.42, -13.1

 

CMYK 56 / 3 / 0 / 12

HEX #63D8E0

RGB 99.3 216.4 224

HSL 183.66, 0.67%, 0.63%

LAB 80.39, -30.76, -13.77

 

CMYK 52 / 4 / 0 / 5

HEX #74EAF3

RGB 116.3 234.4 243

HSL 184.07, 0.84%, 0.7%

LAB 86.64, -30.99, -14.39

 

CMYK 48 / 1 / 0 / 0

HEX #85FCFF

RGB 133.3 252.4 255

HSL 181.28, 1%, 0.76%

LAB 92.62, -32.92, -11.66

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150.3 255 255

HSL 180, 1%, 0.79%

LAB 93.99, -30.35, -9.55

 

CMYK 63 / 6 / 0 / 18

HEX #4DC6D2

RGB 77.3 198.4 210

HSL 185.24, 0.6%, 0.56%

LAB 74.07, -29.84, -15.8

 

CMYK 68 / 6 / 0 / 25

HEX #3CB4BF

RGB 60.3 180.4 191

HSL 184.87, 0.52%, 0.49%

LAB 67.68, -29.23, -15.08

 

CMYK 75 / 6 / 0 / 33

HEX #2BA2AC

RGB 43.3 162.4 172

HSL 184.48, 0.6%, 0.42%

LAB 61.2, -28.38, -14.29

 

CMYK 83 / 6 / 0 / 40

HEX #1A9099

RGB 26.3 144.4 153

HSL 184.07, 0.71%, 0.35%

LAB 54.65, -27.2, -13.4

 

CMYK 93 / 6 / 0 / 47

HEX #097E86

RGB 9.3 126.4 134

HSL 183.66, 0.87%, 0.28%

LAB 48.01, -25.57, -12.37

 

CMYK 64 / 6 / 0 / 18

HEX #4BC6D2

RGB 75 198 210

HSL 185.33, 0.6%, 0.56%

LAB 73.89, -30.02, -16.07

 

CMYK 64 / 23 / 0 / 18

HEX #4BA2D2

RGB 75 162 210

HSL 201.33, 0.6%, 0.56%

LAB 63.33, -11.44, -32.22

 

CMYK 64 / 40 / 0 / 18

HEX #4B7ED2

RGB 75 126 210

HSL 217.33, 0.6%, 0.56%

LAB 53.03, 9.44, -48.42

 

CMYK 64 / 58 / 0 / 18

HEX #4B59D2

RGB 75 89 210

HSL 233.78, 0.6%, 0.56%

LAB 43.2, 32.52, -64.22

 

CMYK 53 / 64 / 0 / 18

HEX #624BD2

RGB 98 75 210

HSL 250.22, 0.6%, 0.56%

LAB 41.66, 44.77, -66.65

 

CMYK 64 / 6 / 0 / 18

HEX #4BC6D2

RGB 75 198 210

HSL 185.33, 0.6%, 0.56%

LAB 73.89, -30.02, -16.07

 

CMYK 64 / 23 / 0 / 18

HEX #4BA2D2

RGB 75 162 210

HSL 201.33, 0.6%, 0.56%

LAB 63.33, -11.44, -32.22

 

CMYK 64 / 40 / 0 / 18

HEX #4B7ED2

RGB 75 126 210

HSL 217.33, 0.6%, 0.56%

LAB 53.03, 9.44, -48.42

 

CMYK 64 / 58 / 0 / 18

HEX #4B59D2

RGB 75 89 210

HSL 233.78, 0.6%, 0.56%

LAB 43.2, 32.52, -64.22

 

CMYK 64 / 64 / 0 / 18

HEX #4B4BD2

RGB 75 75 210

HSL 240, 0.6%, 0.56%

LAB 39.88, 41.11, -69.63

 

CMYK 64 / 6 / 0 / 18

HEX #4BC6D2

RGB 75 198 210

HSL 185.33, 0.6%, 0.56%

LAB 73.89, -30.02, -16.07

 

CMYK 75 / 7 / 0 / 11

HEX #39D5E4

RGB 57 213 228

HSL 185.26, 0.76%, 0.56%

LAB 78.5, -34.23, -18.85

 

CMYK 84 / 7 / 0 / 4

HEX #27E4F6

RGB 39 228 246

HSL 185.22, 0.92%, 0.56%

LAB 83.22, -37.34, -21.3

 

CMYK 64 / 6 / 0 / 18

HEX #4BC6D2

RGB 75 198 210

HSL 185.33, 0.6%, 0.56%

LAB 73.89, -30.02, -16.07

 

CMYK 51 / 5 / 0 / 25

HEX #5EB7C0

RGB 94 183 192

HSL 185.51, 0.44%, 0.56%

LAB 69.51, -24.15, -12.78

 

CMYK 36 / 3 / 0 / 32

HEX #70A8AE

RGB 112 168 174

HSL 185.81, 0.28%, 0.56%

LAB 65.36, -16.73, -8.93

 

CMYK 17 / 2 / 0 / 39

HEX #82999C

RGB 130 153 156

HSL 186.92, 0.12%, 0.56%

LAB 61.59, -7.41, -4.29

 

CMYK 0 / 7 / 7 / 42

HEX #948A8A

RGB 148 138 138

HSL 0, 0.04%, 0.56%

LAB 58.33, 3.73, 1.34

 

CMYK 64 / 0 / 29 / 18

HEX #4BD296

RGB 75 210 150

HSL 153.33, 0.6%, 0.56%

LAB 75.94, -50.45, 19.2

 

CMYK 64 / 0 / 12 / 18

HEX #4BD2B9

RGB 75 210 185

HSL 168.89, 0.6%, 0.56%

LAB 76.73, -42.34, 1.64

 

CMYK 64 / 5 / 0 / 18

HEX #4BC7D2

RGB 75 199 210

HSL 184.89, 0.6%, 0.56%

LAB 74.19, -30.5, -15.63

 

CMYK 64 / 22 / 0 / 18

HEX #4BA3D2

RGB 75 163 210

HSL 200.89, 0.6%, 0.56%

LAB 63.63, -11.99, -31.77

 

CMYK 64 / 40 / 0 / 18

HEX #4B7FD2

RGB 75 127 210

HSL 216.89, 0.6%, 0.56%

LAB 53.31, 8.84, -47.97

 

CMYK 75 / 6 / 0 / 36

HEX #2998A2

RGB 41 152 162

HSL 184.96, 0.6%, 0.4%

LAB 57.59, -26.6, -14.08

 

CMYK 75 / 6 / 0 / 24

HEX #31B7C3

RGB 49 183 195

HSL 184.93, 0.6%, 0.48%

LAB 68.36, -30.72, -16.28

 

CMYK 64 / 6 / 0 / 18

HEX #4BC6D2

RGB 75 198 210

HSL 185.33, 0.6%, 0.56%

LAB 73.89, -30.02, -16.07

 

CMYK 50 / 4 / 0 / 15

HEX #6CD1DA

RGB 108 209 218

HSL 184.91, 0.6%, 0.64%

LAB 78.37, -27.04, -13.54

 

CMYK 38 / 4 / 0 / 11

HEX #8DDBE3

RGB 141 219 227

HSL 185.58, 0.61%, 0.72%

LAB 82.85, -21.94, -11.52

 

CMYK 63 / 6 / 0 / 18

HEX #4DC6D2

RGB 77.3 198.4 210

HSL 185.24, 0.6%, 0.56%

LAB 74.07, -29.84, -15.8

 

CMYK 46 / 64 / 0 / 18

HEX #724BD2

RGB 114 75 210

HSL 257.33, 0.6%, 0.56%

LAB 43.16, 47.71, -64.15

 

CMYK 0 / 20 / 64 / 18

HEX #D2A74B

RGB 210 167 75

HSL 40.89, 0.6%, 0.56%

LAB 70.77, 5.84, 52.29

 

CMYK 63 / 6 / 0 / 18

HEX #4DC6D2

RGB 77.3 198.4 210

HSL 185.24, 0.6%, 0.56%

LAB 74.07, -29.84, -15.8

 

CMYK 0 / 64 / 5 / 18

HEX #D24BC7

RGB 210 75 199

HSL 304.89, 0.6%, 0.56%

LAB 54.93, 67.11, -38.31

 

CMYK 5 / 0 / 64 / 18

HEX #C7D24B

RGB 199 210 75

HSL 64.89, 0.6%, 0.56%

LAB 81.15, -20.94, 63.13

 

CMYK 63 / 6 / 0 / 18

HEX #4DC6D2

RGB 77.3 198.4 210

HSL 185.24, 0.6%, 0.56%

LAB 74.07, -29.84, -15.8

 

CMYK 46 / 64 / 0 / 18

HEX #724BD2

RGB 114 75 210

HSL 257.33, 0.6%, 0.56%

LAB 43.16, 47.71, -64.15

 

CMYK 0 / 59 / 64 / 18

HEX #D2574B

RGB 210 87 75

HSL 5.33, 0.6%, 0.56%

LAB 52.98, 47.8, 31.59

 

CMYK 18 / 0 / 64 / 18

HEX #ACD24B

RGB 172 210 75

HSL 76.89, 0.6%, 0.56%

LAB 79.25, -31.78, 60.56

 

CMYK 63 / 6 / 0 / 18

HEX #4DC6D2

RGB 77.3 198.4 210

HSL 185.24, 0.6%, 0.56%

LAB 74.07, -29.84, -15.8

 

CMYK 27 / 64 / 0 / 18

HEX #9A4BD2

RGB 154 75 210

HSL 275.11, 0.6%, 0.56%

LAB 47.69, 56.06, -56.59

 

CMYK 0 / 59 / 64 / 18

HEX #D2574B

RGB 210 87 75

HSL 5.33, 0.6%, 0.56%

LAB 52.98, 47.8, 31.59

 

CMYK 37 / 0 / 64 / 18

HEX #84D24B

RGB 132 210 75

HSL 94.67, 0.6%, 0.56%

LAB 76.98, -46.45, 57.45

 

Description

Color code: RGB 77.3 198.4 210 | qconv.com Color code: RGB 77.3 198.4 210 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77.3 red, 198.4 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77.3 198.4 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 6 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 6% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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