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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77.3 198.4 158 it is the complementary color RGB 177.7 56.6 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77.3 198.4 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77.3 198.4 158 shade: RGB 82.3 198.4 153, RGB 99.3 216.4 172, RGB 116.3 234.4 191, RGB 133.3 252.4 210 and RGB 150.3 255 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77.3 198.4 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77.3 198.4 158 shade: RGB 77.3 198.4 158, RGB 60.3 180.4 139, RGB 43.3 162.4 120, RGB 26.3 144.4 101 and RGB 9.3 126.4 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77.3 198.4 158 shade: RGB 77 199 158, RGB 77 199 125, RGB 77 199 92, RGB 94 199 77 and RGB 127 199 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77.3 198.4 158 shade: RGB 77 199 158, RGB 77 199 191, RGB 77 174 199, RGB 77 141 199 and RGB 77 108 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77.3 198.4 158 shade matches the following richer shades: RGB 77 199 158, RGB 58 218 164 and RGB 39 237 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77.3 198.4 158 shade: RGB 77 199 158, RGB 96 180 152, RGB 115 161 145, RGB 134 142 139 and RGB 153 123 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77.3 198.4 158 shade: RGB 77 199 91, RGB 77 199 123, RGB 77 199 156, RGB 77 199 189 and RGB 77 176 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77.3 198.4 158 shade: RGB 46 147 113, RGB 56 178 137, RGB 77 199 158, RGB 108 209 175 and RGB 139 219 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77.3 198.4 158 shade: RGB 77.3 198.4 158, RGB 77 95 199 and RGB 199 107 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77.3 198.4 158 shade: RGB 77.3 198.4 158, RGB 156 77 199 and RGB 199 156 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77.3 198.4 158 shade: RGB 77.3 198.4 158, RGB 77 95 199, RGB 199 77 119 and RGB 199 180 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77.3 198.4 158 shade: RGB 77.3 198.4 158, RGB 95 77 199, RGB 199 77 119 and RGB 180 199 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 20 / 22

HEX #4DC69E

RGB 77.3 198.4 158

HSL 159.98, 0.52%, 0.54%

LAB 72.65, -43.41, 10.31

 

Complementary color

CMYK 0 / 68 / 45 / 30

HEX #B13861

RGB 177.7 56.6 97

HSL 339.98, 0.52%, 0.46%

LAB 43.03, 52.04, 4.06

 

CMYK 59 / 0 / 23 / 22

HEX #52C699

RGB 82.3 198.4 153

HSL 156.54, 0.51%, 0.55%

LAB 72.68, -43.55, 13.08

 

CMYK 54 / 0 / 21 / 15

HEX #63D8AC

RGB 99.3 216.4 172

HSL 157.25, 0.6%, 0.62%

LAB 79.02, -43.56, 11.96

 

CMYK 50 / 0 / 19 / 8

HEX #74EABF

RGB 116.3 234.4 191

HSL 157.95, 0.74%, 0.69%

LAB 85.29, -43.49, 10.93

 

CMYK 47 / 0 / 17 / 1

HEX #85FCD2

RGB 133.3 252.4 210

HSL 158.64, 0.96%, 0.76%

LAB 91.48, -43.37, 9.97

 

CMYK 41 / 0 / 10 / 0

HEX #96FFE5

RGB 150.3 255 229

HSL 165.1, 1%, 0.79%

LAB 93.32, -36.31, 2.9

 

CMYK 61 / 0 / 20 / 22

HEX #4DC69E

RGB 77.3 198.4 158

HSL 159.98, 0.52%, 0.54%

LAB 72.65, -43.41, 10.31

 

CMYK 67 / 0 / 23 / 29

HEX #3CB48B

RGB 60.3 180.4 139

HSL 159.32, 0.5%, 0.47%

LAB 66.24, -43.17, 11.52

 

CMYK 73 / 0 / 26 / 36

HEX #2BA278

RGB 43.3 162.4 120

HSL 158.64, 0.58%, 0.4%

LAB 59.76, -42.7, 12.85

 

CMYK 82 / 0 / 30 / 43

HEX #1A9065

RGB 26.3 144.4 101

HSL 157.95, 0.69%, 0.33%

LAB 53.2, -41.88, 14.36

 

CMYK 93 / 0 / 35 / 50

HEX #097E52

RGB 9.3 126.4 82

HSL 157.25, 0.86%, 0.27%

LAB 46.57, -40.53, 16.08

 

CMYK 61 / 0 / 21 / 22

HEX #4DC79E

RGB 77 199 158

HSL 159.84, 0.52%, 0.54%

LAB 72.82, -43.73, 10.56

 

CMYK 61 / 0 / 37 / 22

HEX #4DC77D

RGB 77 199 125

HSL 143.61, 0.52%, 0.54%

LAB 72.17, -50.59, 27.23

 

CMYK 61 / 0 / 54 / 22

HEX #4DC75C

RGB 77 199 92

HSL 127.38, 0.52%, 0.54%

LAB 71.69, -55.84, 43.23

 

CMYK 53 / 0 / 61 / 22

HEX #5EC74D

RGB 94 199 77

HSL 111.64, 0.52%, 0.54%

LAB 72.07, -53.46, 50.71

 

CMYK 36 / 0 / 61 / 22

HEX #7FC74D

RGB 127 199 77

HSL 95.41, 0.52%, 0.54%

LAB 73.48, -43.31, 52.68

 

CMYK 61 / 0 / 21 / 22

HEX #4DC79E

RGB 77 199 158

HSL 159.84, 0.52%, 0.54%

LAB 72.82, -43.73, 10.56

 

CMYK 61 / 0 / 4 / 22

HEX #4DC7BF

RGB 77 199 191

HSL 176.07, 0.52%, 0.54%

LAB 73.67, -35.47, -6.09

 

CMYK 61 / 13 / 0 / 22

HEX #4DAEC7

RGB 77 174 199

HSL 192.3, 0.52%, 0.54%

LAB 66.5, -20.92, -21.25

 

CMYK 61 / 29 / 0 / 22

HEX #4D8DC7

RGB 77 141 199

HSL 208.52, 0.52%, 0.54%

LAB 56.83, -2.83, -36.18

 

CMYK 61 / 46 / 0 / 22

HEX #4D6CC7

RGB 77 108 199

HSL 224.75, 0.52%, 0.54%

LAB 47.53, 17.14, -50.91

 

CMYK 61 / 0 / 21 / 22

HEX #4DC79E

RGB 77 199 158

HSL 159.84, 0.52%, 0.54%

LAB 72.82, -43.73, 10.56

 

CMYK 73 / 0 / 25 / 15

HEX #3ADAA4

RGB 58 218 164

HSL 159.75, 0.68%, 0.54%

LAB 78.3, -53.22, 15.03

 

CMYK 84 / 0 / 28 / 7

HEX #27EDAB

RGB 39 237 171

HSL 160, 0.85%, 0.54%

LAB 83.93, -60.89, 19.2

 

CMYK 61 / 0 / 21 / 22

HEX #4DC79E

RGB 77 199 158

HSL 159.84, 0.52%, 0.54%

LAB 72.82, -43.73, 10.56

 

CMYK 47 / 0 / 16 / 29

HEX #60B498

RGB 96 180 152

HSL 160, 0.36%, 0.54%

LAB 67.57, -32.31, 6.42

 

CMYK 29 / 0 / 10 / 37

HEX #73A191

RGB 115 161 145

HSL 159.13, 0.2%, 0.54%

LAB 62.66, -19, 3.35

 

CMYK 6 / 0 / 2 / 44

HEX #868E8B

RGB 134 142 139

HSL 157.5, 0.03%, 0.54%

LAB 58.3, -3.51, 0.58

 

CMYK 0 / 20 / 13 / 40

HEX #997B85

RGB 153 123 133

HSL 340, 0.13%, 0.54%

LAB 54.69, 13.31, -1.03

 

CMYK 61 / 0 / 54 / 22

HEX #4DC75B

RGB 77 199 91

HSL 126.89, 0.52%, 0.54%

LAB 71.68, -55.98, 43.7

 

CMYK 61 / 0 / 38 / 22

HEX #4DC77B

RGB 77 199 123

HSL 142.62, 0.52%, 0.54%

LAB 72.13, -50.95, 28.23

 

CMYK 61 / 0 / 22 / 22

HEX #4DC79C

RGB 77 199 156

HSL 158.85, 0.52%, 0.54%

LAB 72.78, -44.19, 11.57

 

CMYK 61 / 0 / 5 / 22

HEX #4DC7BD

RGB 77 199 189

HSL 175.08, 0.52%, 0.54%

LAB 73.61, -36, -5.09

 

CMYK 61 / 12 / 0 / 22

HEX #4DB0C7

RGB 77 176 199

HSL 191.31, 0.52%, 0.54%

LAB 67.09, -21.95, -20.35

 

CMYK 69 / 0 / 23 / 42

HEX #2E9371

RGB 46 147 113

HSL 159.8, 0.52%, 0.38%

LAB 54.7, -37.32, 9.69

 

CMYK 69 / 0 / 23 / 30

HEX #38B289

RGB 56 178 137

HSL 159.84, 0.52%, 0.46%

LAB 65.35, -43.33, 11.34

 

CMYK 61 / 0 / 21 / 22

HEX #4DC79E

RGB 77 199 158

HSL 159.84, 0.52%, 0.54%

LAB 72.82, -43.73, 10.56

 

CMYK 48 / 0 / 16 / 18

HEX #6CD1AF

RGB 108 209 175

HSL 159.8, 0.52%, 0.62%

LAB 77.21, -37.61, 7.82

 

CMYK 37 / 0 / 12 / 14

HEX #8BDBC0

RGB 139 219 192

HSL 159.75, 0.53%, 0.7%

LAB 81.82, -30.5, 5.55

 

CMYK 61 / 0 / 20 / 22

HEX #4DC69E

RGB 77.3 198.4 158

HSL 159.98, 0.52%, 0.54%

LAB 72.65, -43.41, 10.31

 

CMYK 61 / 52 / 0 / 22

HEX #4D5FC7

RGB 77 95 199

HSL 231.15, 0.52%, 0.54%

LAB 44.07, 25.32, -56.48

 

CMYK 0 / 46 / 61 / 22

HEX #C76B4D

RGB 199 107 77

HSL 14.75, 0.52%, 0.54%

LAB 55.27, 33.8, 32.92

 

CMYK 61 / 0 / 20 / 22

HEX #4DC69E

RGB 77.3 198.4 158

HSL 159.98, 0.52%, 0.54%

LAB 72.65, -43.41, 10.31

 

CMYK 22 / 61 / 0 / 22

HEX #9C4DC7

RGB 156 77 199

HSL 278.85, 0.52%, 0.54%

LAB 47.62, 53.12, -50.37

 

CMYK 0 / 22 / 61 / 22

HEX #C79C4D

RGB 199 156 77

HSL 38.85, 0.52%, 0.54%

LAB 66.87, 7.18, 46.67

 

CMYK 61 / 0 / 20 / 22

HEX #4DC69E

RGB 77.3 198.4 158

HSL 159.98, 0.52%, 0.54%

LAB 72.65, -43.41, 10.31

 

CMYK 61 / 52 / 0 / 22

HEX #4D5FC7

RGB 77 95 199

HSL 231.15, 0.52%, 0.54%

LAB 44.07, 25.32, -56.48

 

CMYK 0 / 61 / 40 / 22

HEX #C74D77

RGB 199 77 119

HSL 339.34, 0.52%, 0.54%

LAB 50.43, 52.33, 1.76

 

CMYK 0 / 10 / 61 / 22

HEX #C7B44D

RGB 199 180 77

HSL 50.66, 0.52%, 0.54%

LAB 73.1, -5.61, 53.66

 

CMYK 61 / 0 / 20 / 22

HEX #4DC69E

RGB 77.3 198.4 158

HSL 159.98, 0.52%, 0.54%

LAB 72.65, -43.41, 10.31

 

CMYK 52 / 61 / 0 / 22

HEX #5F4DC7

RGB 95 77 199

HSL 248.85, 0.52%, 0.54%

LAB 41, 39.74, -61.38

 

CMYK 0 / 61 / 40 / 22

HEX #C74D77

RGB 199 77 119

HSL 339.34, 0.52%, 0.54%

LAB 50.43, 52.33, 1.76

 

CMYK 10 / 0 / 61 / 22

HEX #B4C74D

RGB 180 199 77

HSL 69.34, 0.52%, 0.54%

LAB 76.73, -23.19, 57.18

 

Description

Color code: RGB 77.3 198.4 158 | qconv.com Color code: RGB 77.3 198.4 158 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77.3 red, 198.4 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77.3 198.4 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 20 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 20% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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