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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 86 132 it is the complementary color RGB 179 169 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 86 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 86 132 shade: RGB 81 86 127, RGB 98 104 146, RGB 115 122 165, RGB 132 140 184 and RGB 149 158 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 86 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 86 132 shade: RGB 76 86 132, RGB 59 68 113, RGB 42 50 94, RGB 25 32 75 and RGB 8 14 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 86 132 shade: RGB 76 86 133, RGB 81 76 133, RGB 97 76 133, RGB 112 76 133 and RGB 127 76 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 86 132 shade: RGB 76 86 133 and RGB 76 76 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 86 132 shade matches the following richer shades: RGB 76 86 133, RGB 59 76 150, RGB 42 65 167, RGB 26 54 184 and RGB 9 43 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 86 132 shade: RGB 76 86 133, RGB 93 97 116, RGB 110 108 99, RGB 127 119 82 and RGB 144 130 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 86 132 shade: RGB 76 117 133, RGB 76 102 133, RGB 76 87 133, RGB 81 76 133 and RGB 96 76 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 86 132 shade: RGB 46 52 80, RGB 61 69 107, RGB 76 86 133, RGB 91 103 159 and RGB 116 127 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 86 132 shade: RGB 76 86 132, RGB 133 76 132 and RGB 109 133 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 86 132 shade: RGB 76 86 132, RGB 133 76 87 and RGB 87 133 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 86 132 shade: RGB 76 86 132, RGB 133 76 132, RGB 133 122 76 and RGB 76 133 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 86 132 shade: RGB 76 86 132, RGB 133 76 115, RGB 133 122 76 and RGB 76 133 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 35 / 0 / 48

HEX #4C5684

RGB 76 86 132

HSL 229.29, 0.27%, 0.41%

LAB 37.59, 8.73, -27.03

 

Complementary color

CMYK 0 / 6 / 31 / 30

HEX #B3A97B

RGB 179 169 123

HSL 49.29, 0.27%, 0.59%

LAB 69.03, -3.58, 25.08

 

CMYK 36 / 32 / 0 / 50

HEX #51567F

RGB 81 86 127

HSL 233.48, 0.22%, 0.41%

LAB 37.73, 8.71, -23.72

 

CMYK 33 / 29 / 0 / 43

HEX #626892

RGB 98 104 146

HSL 232.5, 0.2%, 0.48%

LAB 45.04, 8.13, -23.74

 

CMYK 30 / 26 / 0 / 35

HEX #737AA5

RGB 115 122 165

HSL 231.6, 0.22%, 0.55%

LAB 52.15, 7.65, -23.82

 

CMYK 28 / 24 / 0 / 28

HEX #848CB8

RGB 132 140 184

HSL 230.77, 0.27%, 0.62%

LAB 59.09, 7.23, -23.94

 

CMYK 27 / 22 / 0 / 20

HEX #959ECB

RGB 149 158 203

HSL 230, 0.34%, 0.69%

LAB 65.87, 6.86, -24.1

 

CMYK 42 / 35 / 0 / 48

HEX #4C5684

RGB 76 86 132

HSL 229.29, 0.27%, 0.41%

LAB 37.59, 8.73, -27.03

 

CMYK 48 / 40 / 0 / 56

HEX #3B4471

RGB 59 68 113

HSL 230, 0.31%, 0.34%

LAB 30.05, 9.6, -27.17

 

CMYK 55 / 47 / 0 / 63

HEX #2A325E

RGB 42 50 94

HSL 230.77, 0.38%, 0.27%

LAB 22.24, 10.77, -27.4

 

CMYK 67 / 57 / 0 / 71

HEX #19204B

RGB 25 32 75

HSL 231.6, 0.5%, 0.2%

LAB 14.1, 12.47, -27.75

 

CMYK 86 / 75 / 0 / 78

HEX #080E38

RGB 8 14 56

HSL 232.5, 0.75%, 0.13%

LAB 5.88, 14.17, -27.72

 

CMYK 43 / 35 / 0 / 48

HEX #4C5685

RGB 76 86 133

HSL 229.47, 0.27%, 0.41%

LAB 37.64, 9.04, -27.56

 

CMYK 39 / 43 / 0 / 48

HEX #514C85

RGB 81 76 133

HSL 245.26, 0.27%, 0.41%

LAB 35.23, 16.89, -31.33

 

CMYK 27 / 43 / 0 / 48

HEX #614C85

RGB 97 76 133

HSL 262.11, 0.27%, 0.41%

LAB 36.75, 21.69, -28.83

 

CMYK 16 / 43 / 0 / 48

HEX #704C85

RGB 112 76 133

HSL 277.89, 0.27%, 0.41%

LAB 38.39, 26.45, -26.14

 

CMYK 5 / 43 / 0 / 48

HEX #7F4C85

RGB 127 76 133

HSL 293.68, 0.27%, 0.41%

LAB 40.2, 31.33, -23.18

 

CMYK 43 / 35 / 0 / 48

HEX #4C5685

RGB 76 86 133

HSL 229.47, 0.27%, 0.41%

LAB 37.64, 9.04, -27.56

 

CMYK 43 / 43 / 0 / 48

HEX #4C4C85

RGB 76 76 133

HSL 240, 0.27%, 0.41%

LAB 34.8, 15.48, -32.03

 

CMYK 43 / 35 / 0 / 48

HEX #4C5685

RGB 76 86 133

HSL 229.47, 0.27%, 0.41%

LAB 37.64, 9.04, -27.56

 

CMYK 61 / 49 / 0 / 41

HEX #3B4C96

RGB 59 76 150

HSL 228.79, 0.44%, 0.41%

LAB 34.6, 17.09, -42.8

 

CMYK 75 / 61 / 0 / 35

HEX #2A41A7

RGB 42 65 167

HSL 228.96, 0.6%, 0.41%

LAB 31.95, 27.94, -57.4

 

CMYK 86 / 71 / 0 / 28

HEX #1A36B8

RGB 26 54 184

HSL 229.37, 0.75%, 0.41%

LAB 30.2, 39.98, -70.43

 

CMYK 96 / 79 / 0 / 22

HEX #092BC8

RGB 9 43 200

HSL 229.32, 0.91%, 0.41%

LAB 29.3, 51.33, -81.36

 

CMYK 43 / 35 / 0 / 48

HEX #4C5685

RGB 76 86 133

HSL 229.47, 0.27%, 0.41%

LAB 37.64, 9.04, -27.56

 

CMYK 20 / 16 / 0 / 55

HEX #5D6174

RGB 93 97 116

HSL 229.57, 0.11%, 0.41%

LAB 41.43, 2.86, -11.22

 

CMYK 0 / 2 / 10 / 57

HEX #6E6C63

RGB 110 108 99

HSL 49.09, 0.05%, 0.41%

LAB 45.55, -0.97, 5.31

 

CMYK 0 / 6 / 35 / 50

HEX #7F7752

RGB 127 119 82

HSL 49.33, 0.22%, 0.41%

LAB 49.88, -2.94, 21.49

 

CMYK 0 / 10 / 55 / 44

HEX #908241

RGB 144 130 65

HSL 49.37, 0.38%, 0.41%

LAB 54.32, -3.55, 36.7

 

CMYK 43 / 12 / 0 / 48

HEX #4C7585

RGB 76 117 133

HSL 196.84, 0.27%, 0.41%

LAB 46.91, -9.81, -13.27

 

CMYK 43 / 23 / 0 / 48

HEX #4C6685

RGB 76 102 133

HSL 212.63, 0.27%, 0.41%

LAB 42.36, -0.95, -20.23

 

CMYK 43 / 35 / 0 / 48

HEX #4C5785

RGB 76 87 133

HSL 228.42, 0.27%, 0.41%

LAB 37.93, 8.4, -27.11

 

CMYK 39 / 43 / 0 / 48

HEX #514C85

RGB 81 76 133

HSL 245.26, 0.27%, 0.41%

LAB 35.23, 16.89, -31.33

 

CMYK 28 / 43 / 0 / 48

HEX #604C85

RGB 96 76 133

HSL 261.05, 0.27%, 0.41%

LAB 36.65, 21.38, -28.99

 

CMYK 43 / 35 / 0 / 69

HEX #2E3450

RGB 46 52 80

HSL 229.41, 0.27%, 0.25%

LAB 22.36, 5.67, -17.93

 

CMYK 43 / 36 / 0 / 58

HEX #3D456B

RGB 61 69 107

HSL 229.57, 0.27%, 0.33%

LAB 30.18, 7.55, -23.15

 

CMYK 43 / 35 / 0 / 48

HEX #4C5685

RGB 76 86 133

HSL 229.47, 0.27%, 0.41%

LAB 37.64, 9.04, -27.56

 

CMYK 43 / 35 / 0 / 38

HEX #5B679F

RGB 91 103 159

HSL 229.41, 0.27%, 0.49%

LAB 44.84, 10.47, -31.81

 

CMYK 34 / 27 / 0 / 31

HEX #747FAF

RGB 116 127 175

HSL 228.81, 0.27%, 0.57%

LAB 54.01, 7.66, -26.72

 

CMYK 42 / 35 / 0 / 48

HEX #4C5684

RGB 76 86 132

HSL 229.29, 0.27%, 0.41%

LAB 37.59, 8.73, -27.03

 

CMYK 0 / 43 / 1 / 48

HEX #854C84

RGB 133 76 132

HSL 301.05, 0.27%, 0.41%

LAB 40.93, 33.09, -21.38

 

CMYK 18 / 0 / 43 / 48

HEX #6D854C

RGB 109 133 76

HSL 85.26, 0.27%, 0.41%

LAB 52.45, -18.98, 27.9

 

CMYK 42 / 35 / 0 / 48

HEX #4C5684

RGB 76 86 132

HSL 229.29, 0.27%, 0.41%

LAB 37.59, 8.73, -27.03

 

CMYK 0 / 43 / 35 / 48

HEX #854C57

RGB 133 76 87

HSL 348.42, 0.27%, 0.41%

LAB 39.32, 25.49, 4.03

 

CMYK 35 / 0 / 43 / 48

HEX #57854C

RGB 87 133 76

HSL 108.42, 0.27%, 0.41%

LAB 51.06, -27.4, 25.85

 

CMYK 42 / 35 / 0 / 48

HEX #4C5684

RGB 76 86 132

HSL 229.29, 0.27%, 0.41%

LAB 37.59, 8.73, -27.03

 

CMYK 0 / 43 / 1 / 48

HEX #854C84

RGB 133 76 132

HSL 301.05, 0.27%, 0.41%

LAB 40.93, 33.09, -21.38

 

CMYK 0 / 8 / 43 / 48

HEX #857A4C

RGB 133 122 76

HSL 48.42, 0.27%, 0.41%

LAB 51.18, -2.79, 26.69

 

CMYK 43 / 0 / 42 / 48

HEX #4C854D

RGB 76 133 77

HSL 121.05, 0.27%, 0.41%

LAB 50.51, -31, 24.47

 

CMYK 42 / 35 / 0 / 48

HEX #4C5684

RGB 76 86 132

HSL 229.29, 0.27%, 0.41%

LAB 37.59, 8.73, -27.03

 

CMYK 0 / 43 / 14 / 48

HEX #854C73

RGB 133 76 115

HSL 318.95, 0.27%, 0.41%

LAB 40.24, 29.91, -12.01

 

CMYK 0 / 8 / 43 / 48

HEX #857A4C

RGB 133 122 76

HSL 48.42, 0.27%, 0.41%

LAB 51.18, -2.79, 26.69

 

CMYK 43 / 0 / 29 / 48

HEX #4C855E

RGB 76 133 94

HSL 138.95, 0.27%, 0.41%

LAB 50.83, -27.89, 15.31

 

Description

Color code: RGB 76 86 132 | qconv.com Color code: RGB 76 86 132 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 86 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 86 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 35 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 35% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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