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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 81 78 it is the complementary color RGB 179 174 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 81 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 81 78 shade: RGB 81 81 73, RGB 98 99 92, RGB 115 117 111, RGB 132 135 130 and RGB 149 153 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 81 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 81 78 shade: RGB 76 81 78, RGB 59 63 59, RGB 42 45 40, RGB 25 27 21 and RGB 8 9 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 81 78 shade: RGB 77 81 79, RGB 77 81 77, RGB 79 81 77 and RGB 80 81 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 81 78 shade: RGB 77 81 79, RGB 77 81 80, RGB 77 81 81, RGB 77 80 81 and RGB 77 79 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 81 78 shade matches the following richer shades: RGB 77 81 79, RGB 64 94 76, RGB 51 107 73, RGB 38 120 71 and RGB 26 133 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 81 78 shade: RGB 77 81 79, RGB 89 69 81, RGB 102 56 84, RGB 115 43 86 and RGB 128 30 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 81 78 shade: RGB 77 81 77, RGB 77 81 79, RGB 77 81 80 and RGB 77 81 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 81 78 shade: RGB 37 39 38, RGB 57 60 58, RGB 77 81 79, RGB 97 103 99 and RGB 117 124 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 81 78 shade: RGB 76 81 78, RGB 77 79 81 and RGB 81 77 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 81 78 shade: RGB 76 81 78, RGB 79 77 81 and RGB 81 79 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 81 78 shade: RGB 76 81 78, RGB 77 79 81, RGB 81 77 80 and RGB 81 80 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 81 78 shade: RGB 76 81 78, RGB 77 77 81, RGB 81 77 80 and RGB 81 81 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 4 / 68

HEX #4C514E

RGB 76 81 78

HSL 144, 0.03%, 0.31%

LAB 33.92, -2.67, 1.06

 

Complementary color

CMYK 0 / 3 / 1 / 30

HEX #B3AEB1

RGB 179 174 177

HSL 324, 0.03%, 0.69%

LAB 71.58, 2.33, -0.91

 

CMYK 0 / 0 / 10 / 68

HEX #515149

RGB 81 81 73

HSL 60, 0.05%, 0.3%

LAB 34.22, -1.65, 4.71

 

CMYK 1 / 0 / 7 / 61

HEX #62635C

RGB 98 99 92

HSL 68.57, 0.04%, 0.37%

LAB 41.68, -1.81, 3.83

 

CMYK 2 / 0 / 5 / 54

HEX #73756F

RGB 115 117 111

HSL 80, 0.03%, 0.45%

LAB 48.9, -1.96, 3.04

 

CMYK 2 / 0 / 4 / 47

HEX #848782

RGB 132 135 130

HSL 96, 0.02%, 0.52%

LAB 55.93, -2.09, 2.29

 

CMYK 3 / 0 / 3 / 40

HEX #959995

RGB 149 153 149

HSL 120, 0.02%, 0.59%

LAB 62.8, -2.22, 1.59

 

CMYK 6 / 0 / 4 / 68

HEX #4C514E

RGB 76 81 78

HSL 144, 0.03%, 0.31%

LAB 33.92, -2.67, 1.06

 

CMYK 6 / 0 / 6 / 75

HEX #3B3F3B

RGB 59 63 59

HSL 120, 0.03%, 0.24%

LAB 26.16, -2.59, 1.87

 

CMYK 7 / 0 / 11 / 82

HEX #2A2D28

RGB 42 45 40

HSL 96, 0.06%, 0.17%

LAB 18.02, -2.51, 2.78

 

CMYK 7 / 0 / 22 / 89

HEX #191B15

RGB 25 27 21

HSL 80, 0.13%, 0.09%

LAB 9.36, -2.43, 3.8

 

CMYK 11 / 0 / 78 / 96

HEX #080902

RGB 8 9 2

HSL 68.57, 0.64%, 0.02%

LAB 2.27, -1.23, 2.56

 

CMYK 5 / 0 / 2 / 68

HEX #4D514F

RGB 77 81 79

HSL 150, 0.03%, 0.31%

LAB 34.04, -2.05, 0.61

 

CMYK 5 / 0 / 5 / 68

HEX #4D514D

RGB 77 81 77

HSL 120, 0.03%, 0.31%

LAB 33.98, -2.48, 1.79

 

CMYK 2 / 0 / 5 / 68

HEX #4F514D

RGB 79 81 77

HSL 90, 0.03%, 0.31%

LAB 34.16, -1.67, 2.06

 

CMYK 1 / 0 / 5 / 68

HEX #50514D

RGB 80 81 77

HSL 75, 0.03%, 0.31%

LAB 34.24, -1.25, 2.2

 

CMYK 5 / 0 / 2 / 68

HEX #4D514F

RGB 77 81 79

HSL 150, 0.03%, 0.31%

LAB 34.04, -2.05, 0.61

 

CMYK 5 / 0 / 1 / 68

HEX #4D5150

RGB 77 81 80

HSL 165, 0.03%, 0.31%

LAB 34.07, -1.83, 0.02

 

CMYK 5 / 0 / 0 / 68

HEX #4D5151

RGB 77 81 81

HSL 180, 0.03%, 0.31%

LAB 34.1, -1.6, -0.56

 

CMYK 5 / 1 / 0 / 68

HEX #4D5051

RGB 77 80 81

HSL 195, 0.03%, 0.31%

LAB 33.79, -0.98, -1.01

 

CMYK 5 / 2 / 0 / 68

HEX #4D4F51

RGB 77 79 81

HSL 210, 0.03%, 0.31%

LAB 33.49, -0.36, -1.46

 

CMYK 5 / 0 / 2 / 68

HEX #4D514F

RGB 77 81 79

HSL 150, 0.03%, 0.31%

LAB 34.04, -2.05, 0.61

 

CMYK 32 / 0 / 19 / 63

HEX #405E4C

RGB 64 94 76

HSL 144, 0.19%, 0.31%

LAB 37.15, -15.37, 6.82

 

CMYK 52 / 0 / 32 / 58

HEX #336B49

RGB 51 107 73

HSL 143.57, 0.35%, 0.31%

LAB 40.74, -27.03, 13.54

 

CMYK 68 / 0 / 41 / 53

HEX #267847

RGB 38 120 71

HSL 144.15, 0.52%, 0.31%

LAB 44.66, -36.54, 19.9

 

CMYK 80 / 0 / 49 / 48

HEX #1A8544

RGB 26 133 68

HSL 143.55, 0.67%, 0.31%

LAB 48.78, -44.29, 26.85

 

CMYK 5 / 0 / 2 / 68

HEX #4D514F

RGB 77 81 79

HSL 150, 0.03%, 0.31%

LAB 34.04, -2.05, 0.61

 

CMYK 0 / 22 / 9 / 65

HEX #594551

RGB 89 69 81

HSL 324, 0.13%, 0.31%

LAB 31.75, 10.85, -3.89

 

CMYK 0 / 45 / 18 / 60

HEX #663854

RGB 102 56 84

HSL 323.48, 0.29%, 0.31%

LAB 30.14, 24.66, -8.06

 

CMYK 0 / 63 / 25 / 55

HEX #732B56

RGB 115 43 86

HSL 324.17, 0.46%, 0.31%

LAB 29.52, 36.74, -10.1

 

CMYK 0 / 77 / 30 / 50

HEX #801E59

RGB 128 30 89

HSL 323.88, 0.62%, 0.31%

LAB 30.01, 46.6, -11.11

 

CMYK 5 / 0 / 5 / 68

HEX #4D514D

RGB 77 81 77

HSL 120, 0.03%, 0.31%

LAB 33.98, -2.48, 1.79

 

CMYK 5 / 0 / 2 / 68

HEX #4D514F

RGB 77 81 79

HSL 150, 0.03%, 0.31%

LAB 34.04, -2.05, 0.61

 

CMYK 5 / 0 / 1 / 68

HEX #4D5150

RGB 77 81 80

HSL 165, 0.03%, 0.31%

LAB 34.07, -1.83, 0.02

 

CMYK 5 / 0 / 0 / 68

HEX #4D5151

RGB 77 81 81

HSL 180, 0.03%, 0.31%

LAB 34.1, -1.6, -0.56

 

CMYK 5 / 0 / 3 / 85

HEX #252726

RGB 37 39 38

HSL 150, 0.03%, 0.15%

LAB 15.4, -1.15, 0.34

 

CMYK 5 / 0 / 3 / 76

HEX #393C3A

RGB 57 60 58

HSL 140, 0.03%, 0.23%

LAB 24.97, -1.73, 0.79

 

CMYK 5 / 0 / 2 / 68

HEX #4D514F

RGB 77 81 79

HSL 150, 0.03%, 0.31%

LAB 34.04, -2.05, 0.61

 

CMYK 6 / 0 / 4 / 60

HEX #616763

RGB 97 103 99

HSL 140, 0.03%, 0.39%

LAB 42.98, -3.16, 1.45

 

CMYK 6 / 0 / 3 / 51

HEX #757C78

RGB 117 124 120

HSL 145.71, 0.03%, 0.47%

LAB 51.33, -3.43, 1.27

 

CMYK 6 / 0 / 4 / 68

HEX #4C514E

RGB 76 81 78

HSL 144, 0.03%, 0.31%

LAB 33.92, -2.67, 1.06

 

CMYK 5 / 2 / 0 / 68

HEX #4D4F51

RGB 77 79 81

HSL 210, 0.03%, 0.31%

LAB 33.49, -0.36, -1.46

 

CMYK 0 / 5 / 5 / 68

HEX #514D4D

RGB 81 77 77

HSL 0, 0.03%, 0.31%

LAB 33.12, 1.65, 0.58

 

CMYK 6 / 0 / 4 / 68

HEX #4C514E

RGB 76 81 78

HSL 144, 0.03%, 0.31%

LAB 33.92, -2.67, 1.06

 

CMYK 2 / 5 / 0 / 68

HEX #4F4D51

RGB 79 77 81

HSL 270, 0.03%, 0.31%

LAB 33.06, 1.69, -2.07

RGB 79 77 81

CMYK 0 / 2 / 5 / 68

HEX #514F4D

RGB 81 79 77

HSL 30, 0.03%, 0.31%

LAB 33.73, 0.4, 1.46

RGB 81 79 77

CMYK 6 / 0 / 4 / 68

HEX #4C514E

RGB 76 81 78

HSL 144, 0.03%, 0.31%

LAB 33.92, -2.67, 1.06

 

CMYK 5 / 2 / 0 / 68

HEX #4D4F51

RGB 77 79 81

HSL 210, 0.03%, 0.31%

LAB 33.49, -0.36, -1.46

 

CMYK 0 / 5 / 1 / 68

HEX #514D50

RGB 81 77 80

HSL 315, 0.03%, 0.31%

LAB 33.21, 2.29, -1.19

 

CMYK 0 / 1 / 5 / 68

HEX #51504D

RGB 81 80 77

HSL 45, 0.03%, 0.31%

LAB 34.03, -0.22, 1.91

 

CMYK 6 / 0 / 4 / 68

HEX #4C514E

RGB 76 81 78

HSL 144, 0.03%, 0.31%

LAB 33.92, -2.67, 1.06

 

CMYK 5 / 5 / 0 / 68

HEX #4D4D51

RGB 77 77 81

HSL 240, 0.03%, 0.31%

LAB 32.87, 0.89, -2.36

 

CMYK 0 / 5 / 1 / 68

HEX #514D50

RGB 81 77 80

HSL 315, 0.03%, 0.31%

LAB 33.21, 2.29, -1.19

 

CMYK 0 / 0 / 5 / 68

HEX #51514D

RGB 81 81 77

HSL 60, 0.03%, 0.31%

LAB 34.33, -0.84, 2.35

 

Description

Color code: RGB 76 81 78 | qconv.com Color code: RGB 76 81 78 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 81 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 81 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 4 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 4% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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