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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 192 206 it is the complementary color RGB 179 63 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 192 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 76 192 206: RGB 81 192 201, RGB 98 210 220, RGB 115 228 239, RGB 132 246 255 and RGB 149 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 192 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 76 192 206: RGB 76 192 206, RGB 59 174 187, RGB 42 156 168, RGB 25 138 149 and RGB 8 120 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 7 / 0 / 19

HEX #4CC0CE

RGB 76 192 206

HSL 186.46, 0.57%, 0.55%

LAB 72.02, -28.09, -16.72

 

Complementary color

CMYK 0 / 65 / 73 / 30

HEX #B33F31

RGB 179 63 49

HSL 6.46, 0.57%, 0.45%

LAB 43.3, 46.29, 33.71

 

CMYK 60 / 4 / 0 / 21

HEX #51C0C9

RGB 81 192 201

HSL 184.5, 0.53%, 0.55%

LAB 72, -28.67, -14

 

CMYK 55 / 5 / 0 / 14

HEX #62D2DC

RGB 98 210 220

HSL 184.92, 0.64%, 0.62%

LAB 78.38, -29.01, -14.65

 

CMYK 52 / 5 / 0 / 6

HEX #73E4EF

RGB 115 228 239

HSL 185.32, 0.79%, 0.69%

LAB 84.67, -29.24, -15.25

 

CMYK 48 / 4 / 0 / 0

HEX #84F6FF

RGB 132 246 255

HSL 184.39, 1%, 0.76%

LAB 90.8, -30.17, -14.39

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 63 / 7 / 0 / 19

HEX #4CC0CE

RGB 76 192 206

HSL 186.46, 0.57%, 0.55%

LAB 72.02, -28.09, -16.72

 

CMYK 68 / 7 / 0 / 27

HEX #3BAEBB

RGB 59 174 187

HSL 186.09, 0.52%, 0.48%

LAB 65.58, -27.46, -16.03

 

CMYK 75 / 7 / 0 / 34

HEX #2A9CA8

RGB 42 156 168

HSL 185.71, 0.6%, 0.41%

LAB 59.06, -26.59, -15.27

 

CMYK 83 / 7 / 0 / 42

HEX #198A95

RGB 25 138 149

HSL 185.32, 0.71%, 0.34%

LAB 52.46, -25.39, -14.41

 

CMYK 94 / 8 / 0 / 49

HEX #087882

RGB 8 120 130

HSL 184.92, 0.88%, 0.27%

LAB 45.77, -23.71, -13.41

 

CMYK 63 / 7 / 0 / 19

HEX #4CC0CE

RGB 76 192 206

HSL 186.46, 0.57%, 0.55%

LAB 72.02, -28.09, -16.72

 

CMYK 64 / 17 / 0 / 20

HEX #4AAACD

RGB 74 170 205

HSL 196.03, 0.57%, 0.55%

LAB 65.45, -17.51, -26.19

 

CMYK 64 / 28 / 0 / 20

HEX #4A94CD

RGB 74 148 205

HSL 206.11, 0.57%, 0.55%

LAB 59.01, -5.42, -36.16

 

CMYK 64 / 38 / 0 / 20

HEX #4A7FCD

RGB 74 127 205

HSL 215.73, 0.57%, 0.55%

LAB 53, 6.94, -45.64

 

CMYK 64 / 49 / 0 / 20

HEX #4A69CD

RGB 74 105 205

HSL 225.8, 0.57%, 0.55%

LAB 46.93, 20.56, -55.32

 

CMYK 63 / 7 / 0 / 19

HEX #4CC0CE

RGB 76 192 206

HSL 186.46, 0.57%, 0.55%

LAB 72.02, -28.09, -16.72

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 62 / 8 / 0 / 79

HEX #143135

RGB 20 49 53

HSL 187.27, 0.45%, 0.14%

LAB 18.38, -9.46, -5.88

 

CMYK 63 / 7 / 0 / 59

HEX #266168

RGB 38 97 104

HSL 186.36, 0.46%, 0.28%

LAB 37.77, -16.63, -9.7

 

CMYK 63 / 7 / 0 / 39

HEX #39909B

RGB 57 144 155

HSL 186.73, 0.46%, 0.42%

LAB 55.26, -22.29, -13.56

 

CMYK 63 / 7 / 0 / 19

HEX #4CC0CE

RGB 76 192 206

HSL 186.46, 0.57%, 0.55%

LAB 72.02, -28.09, -16.72

 

CMYK 44 / 64 / 0 / 20

HEX #724ACD

RGB 114 74 205

HSL 258.32, 0.57%, 0.55%

LAB 42.59, 46.88, -62.2

 

CMYK 0 / 19 / 64 / 20

HEX #CDA64A

RGB 205 166 74

HSL 42.14, 0.57%, 0.55%

LAB 70, 4.17, 51.77

 

CMYK 63 / 7 / 0 / 19

HEX #4CC0CE

RGB 76 192 206

HSL 186.46, 0.57%, 0.55%

LAB 72.02, -28.09, -16.72

 

CMYK 0 / 64 / 6 / 20

HEX #CD4AC0

RGB 205 74 192

HSL 305.95, 0.57%, 0.55%

LAB 53.69, 65.16, -36.28

 

CMYK 6 / 0 / 64 / 20

HEX #C0CD4A

RGB 192 205 74

HSL 65.95, 0.57%, 0.55%

LAB 79.25, -21.43, 61.38

 

CMYK 63 / 7 / 0 / 19

HEX #4CC0CE

RGB 76 192 206

HSL 186.46, 0.57%, 0.55%

LAB 72.02, -28.09, -16.72

 

CMYK 44 / 64 / 0 / 20

HEX #724ACD

RGB 114 74 205

HSL 258.32, 0.57%, 0.55%

LAB 42.59, 46.88, -62.2

 

CMYK 0 / 58 / 64 / 20

HEX #CD574A

RGB 205 87 74

HSL 5.95, 0.57%, 0.55%

LAB 52.16, 45.95, 30.98

 

CMYK 19 / 0 / 64 / 20

HEX #A6CD4A

RGB 166 205 74

HSL 77.86, 0.57%, 0.55%

LAB 77.44, -31.86, 58.92

 

CMYK 63 / 7 / 0 / 19

HEX #4CC0CE

RGB 76 192 206

HSL 186.46, 0.57%, 0.55%

LAB 72.02, -28.09, -16.72

 

CMYK 25 / 64 / 0 / 20

HEX #994ACD

RGB 153 74 205

HSL 276.18, 0.57%, 0.55%

LAB 47.08, 55.19, -54.72

 

CMYK 0 / 58 / 64 / 20

HEX #CD574A

RGB 205 87 74

HSL 5.95, 0.57%, 0.55%

LAB 52.16, 45.95, 30.98

 

CMYK 38 / 0 / 64 / 20

HEX #7FCD4A

RGB 127 205 74

HSL 95.73, 0.57%, 0.55%

LAB 75.24, -46.12, 55.91

 

Description

Color code: RGB 76 192 206 | qconv.com Color code: RGB 76 192 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 192 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 192 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 7 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 7% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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