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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 48 72 it is the complementary color RGB 180 207 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 48 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 48 72 shade: RGB 80 48 67, RGB 97 66 86, RGB 114 84 105, RGB 131 102 124 and RGB 148 120 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 48 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 48 72 shade: RGB 75 48 72, RGB 58 30 53, RGB 41 12 34, RGB 24 0 15 and RGB 7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 48 72 shade: RGB 75 48 72, RGB 75 48 64, RGB 75 48 57, RGB 75 48 50 and RGB 75 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 48 72 shade: RGB 75 48 72, RGB 70 48 75, RGB 63 48 75, RGB 56 48 75 and RGB 49 48 75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 48 72 shade matches the following richer shades: RGB 75 48 72, RGB 85 38 79, RGB 94 28 87, RGB 104 18 95 and RGB 114 8 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 48 72 shade: RGB 75 48 72, RGB 65 58 64, RGB 55 68 56, RGB 45 77 49 and RGB 35 87 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 48 72 shade: RGB 63 48 75, RGB 70 48 75, RGB 75 48 72, RGB 75 48 65 and RGB 75 48 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 48 72 shade: RGB 24 16 23, RGB 49 32 48, RGB 75 48 72, RGB 100 64 96 and RGB 125 80 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 48 72 shade: RGB 75 48 72, RGB 75 56 48 and RGB 48 75 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 48 72 shade: RGB 75 48 72, RGB 72 75 48 and RGB 48 72 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 48 72 shade: RGB 75 48 72, RGB 75 56 48, RGB 48 75 50 and RGB 48 67 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 48 72 shade: RGB 75 48 72, RGB 75 64 48, RGB 48 75 50 and RGB 48 59 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

 

Complementary color

CMYK 13 / 0 / 12 / 19

HEX #B4CFB7

RGB 180 207 183

HSL 126.67, 0.22%, 0.76%

LAB 80.6, -13.6, 8.9

 

CMYK 0 / 40 / 16 / 69

HEX #503043

RGB 80 48 67

HSL 324.38, 0.25%, 0.25%

LAB 24.4, 17.82, -5.78

 

CMYK 0 / 32 / 11 / 62

HEX #614256

RGB 97 66 86

HSL 321.29, 0.19%, 0.32%

LAB 32.06, 16.97, -6.55

 

CMYK 0 / 26 / 8 / 55

HEX #725469

RGB 114 84 105

HSL 318, 0.15%, 0.39%

LAB 39.48, 16.23, -7.2

 

CMYK 0 / 22 / 5 / 49

HEX #83667C

RGB 131 102 124

HSL 314.48, 0.12%, 0.46%

LAB 46.69, 15.58, -7.8

 

CMYK 0 / 19 / 3 / 42

HEX #94788F

RGB 148 120 143

HSL 310.71, 0.12%, 0.53%

LAB 53.72, 15.02, -8.35

 

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 48 / 9 / 77

HEX #3A1E35

RGB 58 30 53

HSL 310.71, 0.32%, 0.17%

LAB 15.93, 17.75, -9.26

RGB 58 30 53

CMYK 0 / 71 / 17 / 84

HEX #290C22

RGB 41 12 34

HSL 314.48, 0.55%, 0.1%

LAB 7.68, 18.57, -8.24

RGB 41 12 34

CMYK 0 / 100 / 38 / 91

HEX #18000F

RGB 24 0 15

HSL 322.5, 1%, 0.05%

LAB 2.07, 10.06, -3.19

RGB 24 0 15

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

RGB 7 0 0

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 36 / 15 / 71

HEX #4B3040

RGB 75 48 64

HSL 324.44, 0.22%, 0.24%

LAB 23.6, 15.18, -5.02

RGB 75 48 64

CMYK 0 / 36 / 24 / 71

HEX #4B3039

RGB 75 48 57

HSL 340, 0.22%, 0.24%

LAB 23.36, 13.85, -0.66

RGB 75 48 57

CMYK 0 / 36 / 33 / 71

HEX #4B3032

RGB 75 48 50

HSL 355.56, 0.22%, 0.24%

LAB 23.14, 12.65, 3.76

RGB 75 48 50

CMYK 0 / 36 / 36 / 71

HEX #4B3030

RGB 75 48 48

HSL 0, 0.22%, 0.24%

LAB 23.08, 12.34, 5.04

RGB 75 48 48

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 7 / 36 / 0 / 71

HEX #46304B

RGB 70 48 75

HSL 288.89, 0.22%, 0.24%

LAB 23.42, 15.58, -12.76

RGB 70 48 75

CMYK 16 / 36 / 0 / 71

HEX #3F304B

RGB 63 48 75

HSL 273.33, 0.22%, 0.24%

LAB 22.58, 12.93, -14.12

RGB 63 48 75

CMYK 25 / 36 / 0 / 71

HEX #38304B

RGB 56 48 75

HSL 257.78, 0.22%, 0.24%

LAB 21.81, 10.33, -15.37

RGB 56 48 75

CMYK 35 / 36 / 0 / 71

HEX #31304B

RGB 49 48 75

HSL 242.22, 0.22%, 0.24%

LAB 21.11, 7.85, -16.51

RGB 49 48 75

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 55 / 7 / 67

HEX #55264F

RGB 85 38 79

HSL 307.66, 0.38%, 0.24%

LAB 23.28, 28.12, -15.48

RGB 85 38 79

CMYK 0 / 70 / 7 / 63

HEX #5E1C57

RGB 94 28 87

HSL 306.36, 0.54%, 0.24%

LAB 23.33, 37.54, -20.62

RGB 94 28 87

CMYK 0 / 83 / 9 / 59

HEX #68125F

RGB 104 18 95

HSL 306.28, 0.7%, 0.24%

LAB 24.33, 45.21, -24.22

RGB 104 18 95

CMYK 0 / 93 / 11 / 55

HEX #720866

RGB 114 8 102

HSL 306.79, 0.87%, 0.24%

LAB 25.89, 50.85, -26.21

RGB 114 8 102

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 11 / 2 / 75

HEX #413A40

RGB 65 58 64

HSL 308.57, 0.06%, 0.24%

LAB 25.32, 4.35, -2.6

RGB 65 58 64

CMYK 19 / 0 / 18 / 73

HEX #374438

RGB 55 68 56

HSL 124.62, 0.11%, 0.24%

LAB 27.39, -8.07, 5.54

RGB 55 68 56

CMYK 42 / 0 / 36 / 70

HEX #2D4D31

RGB 45 77 49

HSL 127.5, 0.26%, 0.24%

LAB 29.63, -18.66, 13.01

RGB 45 77 49

CMYK 60 / 0 / 53 / 66

HEX #235729

RGB 35 87 41

HSL 126.92, 0.43%, 0.24%

LAB 32.56, -28.39, 21.51

RGB 35 87 41

CMYK 16 / 36 / 0 / 71

HEX #3F304B

RGB 63 48 75

HSL 273.33, 0.22%, 0.24%

LAB 22.58, 12.93, -14.12

 

CMYK 7 / 36 / 0 / 71

HEX #46304B

RGB 70 48 75

HSL 288.89, 0.22%, 0.24%

LAB 23.42, 15.58, -12.76

 

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 36 / 13 / 71

HEX #4B3041

RGB 75 48 65

HSL 322.22, 0.22%, 0.24%

LAB 23.64, 15.38, -5.64

RGB 75 48 65

CMYK 0 / 36 / 23 / 71

HEX #4B303A

RGB 75 48 58

HSL 337.78, 0.22%, 0.24%

LAB 23.39, 14.03, -1.29

RGB 75 48 58

CMYK 0 / 33 / 4 / 91

HEX #181017

RGB 24 16 23

HSL 307.5, 0.2%, 0.08%

LAB 5.66, 4.96, -3.03

 

CMYK 0 / 35 / 2 / 81

HEX #312030

RGB 49 32 48

HSL 303.53, 0.21%, 0.16%

LAB 14.95, 11.56, -7.32

 

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 36 / 4 / 61

HEX #644060

RGB 100 64 96

HSL 306.67, 0.22%, 0.32%

LAB 32.3, 21.37, -12.54

RGB 100 64 96

CMYK 0 / 36 / 4 / 51

HEX #7D5078

RGB 125 80 120

HSL 306.67, 0.22%, 0.4%

LAB 40.33, 25.67, -15.03

RGB 125 80 120

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 25 / 36 / 71

HEX #4B3830

RGB 75 56 48

HSL 17.78, 0.22%, 0.24%

LAB 25.37, 7.11, 8.25

RGB 75 56 48

CMYK 36 / 0 / 11 / 71

HEX #304B43

RGB 48 75 67

HSL 162.22, 0.22%, 0.24%

LAB 29.58, -12.31, 1.51

RGB 48 75 67

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 4 / 0 / 36 / 71

HEX #484B30

RGB 72 75 48

HSL 66.67, 0.22%, 0.24%

LAB 30.93, -6.34, 15.72

RGB 72 75 48

CMYK 36 / 4 / 0 / 71

HEX #30484B

RGB 48 72 75

HSL 186.67, 0.22%, 0.24%

LAB 28.83, -8.33, -4.76

RGB 48 72 75

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 25 / 36 / 71

HEX #4B3830

RGB 75 56 48

HSL 17.78, 0.22%, 0.24%

LAB 25.37, 7.11, 8.25

RGB 75 56 48

CMYK 36 / 0 / 33 / 71

HEX #304B32

RGB 48 75 50

HSL 124.44, 0.22%, 0.24%

LAB 29.14, -16.24, 11.74

RGB 48 75 50

CMYK 36 / 11 / 0 / 71

HEX #30434B

RGB 48 67 75

HSL 197.78, 0.22%, 0.24%

LAB 27.16, -5.2, -7.26

RGB 48 67 75

CMYK 0 / 36 / 4 / 71

HEX #4B3048

RGB 75 48 72

HSL 306.67, 0.22%, 0.24%

LAB 23.93, 16.84, -9.91

RGB 75 48 72

CMYK 0 / 15 / 36 / 71

HEX #4B4030

RGB 75 64 48

HSL 35.56, 0.22%, 0.24%

LAB 27.78, 1.93, 11.55

RGB 75 64 48

CMYK 36 / 0 / 33 / 71

HEX #304B32

RGB 48 75 50

HSL 124.44, 0.22%, 0.24%

LAB 29.14, -16.24, 11.74

RGB 48 75 50

CMYK 36 / 21 / 0 / 71

HEX #303B4B

RGB 48 59 75

HSL 215.56, 0.22%, 0.24%

LAB 24.53, -0, -11.25

RGB 48 59 75

Description

Color code: RGB 75 48 72 | qconv.com Color code: RGB 75 48 72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 48 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 48 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 4 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 4% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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