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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 110.2 152.6 it is the complementary color RGB 180 144.8 102.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 110.2 152.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 110.2 152.6 shade: RGB 80 110.2 147.6, RGB 97 128.2 166.6, RGB 114 146.2 185.6, RGB 131 164.2 204.6 and RGB 148 182.2 223.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 110.2 152.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 110.2 152.6 shade: RGB 75 110.2 152.6, RGB 58 92.2 133.6, RGB 41 74.2 114.6, RGB 24 56.2 95.6 and RGB 7 38.2 76.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 110.2 152.6 shade: RGB 76 111 154, RGB 76 90 154, RGB 82 76 154, RGB 103 76 154 and RGB 125 76 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 110.2 152.6 shade: RGB 76 111 154, RGB 76 90 154 and RGB 76 76 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 110.2 152.6 shade matches the following richer shades: RGB 76 111 154, RGB 57 109 172, RGB 39 108 191, RGB 20 106 209 and RGB 1 104 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 110.2 152.6 shade: RGB 76 111 154, RGB 94 113 135, RGB 113 115 117, RGB 131 116 98 and RGB 150 118 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 110.2 152.6 shade: RGB 76 154 154, RGB 76 133 154, RGB 76 112 154, RGB 76 91 154 and RGB 81 76 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 110.2 152.6 shade: RGB 49 71 98, RGB 62 91 126, RGB 76 111 154, RGB 95 132 176 and RGB 122 153 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 110.2 152.6 shade: RGB 75 110.2 152.6, RGB 133 76 154 and RGB 143 154 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 110.2 152.6 shade: RGB 75 110.2 152.6, RGB 154 76 112 and RGB 112 154 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 110.2 152.6 shade: RGB 75 110.2 152.6, RGB 133 76 154, RGB 154 117 76 and RGB 97 154 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 110.2 152.6 shade: RGB 75 110.2 152.6, RGB 154 76 151, RGB 154 117 76 and RGB 76 154 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 28 / 0 / 40

HEX #4B6E98

RGB 75 110.2 152.6

HSL 212.78, 0.34%, 0.45%

LAB 45.6, -0.12, -26.91

 

Complementary color

CMYK 0 / 20 / 43 / 29

HEX #B49066

RGB 180 144.8 102.4

HSL 32.78, 0.34%, 0.55%

LAB 62.39, 7.52, 27.5

 

CMYK 46 / 25 / 0 / 42

HEX #506E93

RGB 80 110.2 147.6

HSL 213.2, 0.3%, 0.45%

LAB 45.67, -0.39, -23.82

 

CMYK 42 / 23 / 0 / 35

HEX #6180A6

RGB 97 128.2 166.6

HSL 213.1, 0.28%, 0.52%

LAB 52.74, -0.82, -23.94

 

CMYK 39 / 21 / 0 / 27

HEX #7292B9

RGB 114 146.2 185.6

HSL 213.02, 0.34%, 0.59%

LAB 59.64, -1.17, -24.1

 

CMYK 36 / 20 / 0 / 20

HEX #83A4CC

RGB 131 164.2 204.6

HSL 212.93, 0.42%, 0.66%

LAB 66.39, -1.46, -24.29

 

CMYK 34 / 19 / 0 / 12

HEX #94B6DF

RGB 148 182.2 223.6

HSL 212.86, 0.55%, 0.73%

LAB 73.02, -1.72, -24.49

 

CMYK 51 / 28 / 0 / 40

HEX #4B6E98

RGB 75 110.2 152.6

HSL 212.78, 0.34%, 0.45%

LAB 45.6, -0.12, -26.91

 

CMYK 57 / 31 / 0 / 48

HEX #3A5C85

RGB 58 92.2 133.6

HSL 212.86, 0.39%, 0.38%

LAB 38.37, 0.61, -26.86

 

CMYK 64 / 35 / 0 / 55

HEX #294A72

RGB 41 74.2 114.6

HSL 212.93, 0.47%, 0.31%

LAB 30.94, 1.61, -26.85

 

CMYK 75 / 41 / 0 / 63

HEX #18385F

RGB 24 56.2 95.6

HSL 213.02, 0.6%, 0.23%

LAB 23.27, 3.1, -26.87

 

CMYK 91 / 50 / 0 / 70

HEX #07264C

RGB 7 38.2 76.6

HSL 213.1, 0.83%, 0.16%

LAB 15.35, 5.44, -26.88

 

CMYK 51 / 28 / 0 / 40

HEX #4C6F9A

RGB 76 111 154

HSL 213.08, 0.34%, 0.45%

LAB 45.96, 0.09, -27.18

 

CMYK 51 / 42 / 0 / 40

HEX #4C5A9A

RGB 76 90 154

HSL 229.23, 0.34%, 0.45%

LAB 39.89, 13.18, -36.72

 

CMYK 47 / 51 / 0 / 40

HEX #524C9A

RGB 82 76 154

HSL 244.62, 0.34%, 0.45%

LAB 36.55, 23.61, -42.01

 

CMYK 33 / 51 / 0 / 40

HEX #674C9A

RGB 103 76 154

HSL 260.77, 0.34%, 0.45%

LAB 38.53, 29.1, -38.74

 

CMYK 19 / 51 / 0 / 40

HEX #7D4C9A

RGB 125 76 154

HSL 277.69, 0.34%, 0.45%

LAB 41, 35.35, -34.66

 

CMYK 51 / 28 / 0 / 40

HEX #4C6F9A

RGB 76 111 154

HSL 213.08, 0.34%, 0.45%

LAB 45.96, 0.09, -27.18

 

CMYK 51 / 42 / 0 / 40

HEX #4C5A9A

RGB 76 90 154

HSL 229.23, 0.34%, 0.45%

LAB 39.89, 13.18, -36.72

 

CMYK 51 / 51 / 0 / 40

HEX #4C4C9A

RGB 76 76 154

HSL 240, 0.34%, 0.45%

LAB 36.06, 22.17, -42.82

 

CMYK 51 / 28 / 0 / 40

HEX #4C6F9A

RGB 76 111 154

HSL 213.08, 0.34%, 0.45%

LAB 45.96, 0.09, -27.18

 

CMYK 67 / 37 / 0 / 33

HEX #396DAC

RGB 57 109 172

HSL 212.87, 0.5%, 0.45%

LAB 45.34, 3.4, -38.8

 

CMYK 80 / 43 / 0 / 25

HEX #276CBF

RGB 39 108 191

HSL 212.76, 0.66%, 0.45%

LAB 45.52, 8.6, -49.6

 

CMYK 90 / 49 / 0 / 18

HEX #146AD1

RGB 20 106 209

HSL 212.7, 0.83%, 0.45%

LAB 45.72, 15.42, -59.66

 

CMYK 100 / 54 / 0 / 11

HEX #0168E4

RGB 1 104 228

HSL 212.78, 0.99%, 0.45%

LAB 46.32, 23.55, -69.48

 

CMYK 51 / 28 / 0 / 40

HEX #4C6F9A

RGB 76 111 154

HSL 213.08, 0.34%, 0.45%

LAB 45.96, 0.09, -27.18

 

CMYK 30 / 16 / 0 / 47

HEX #5E7187

RGB 94 113 135

HSL 212.2, 0.18%, 0.45%

LAB 46.89, -1.53, -14.38

 

CMYK 3 / 2 / 0 / 54

HEX #717375

RGB 113 115 117

HSL 210, 0.02%, 0.45%

LAB 48.33, -0.34, -1.37

 

CMYK 0 / 11 / 25 / 49

HEX #837462

RGB 131 116 98

HSL 32.73, 0.14%, 0.45%

LAB 49.74, 2.78, 12.08

 

CMYK 0 / 21 / 47 / 41

HEX #96764F

RGB 150 118 79

HSL 32.96, 0.31%, 0.45%

LAB 51.84, 7.27, 26.2

 

CMYK 51 / 0 / 0 / 40

HEX #4C9A9A

RGB 76 154 154

HSL 180, 0.34%, 0.45%

LAB 58.96, -23.88, -7.38

 

CMYK 51 / 14 / 0 / 40

HEX #4C859A

RGB 76 133 154

HSL 196.15, 0.34%, 0.45%

LAB 52.56, -12.69, -17.02

 

CMYK 51 / 27 / 0 / 40

HEX #4C709A

RGB 76 112 154

HSL 212.31, 0.34%, 0.45%

LAB 46.26, -0.52, -26.71

 

CMYK 51 / 41 / 0 / 40

HEX #4C5B9A

RGB 76 91 154

HSL 228.46, 0.34%, 0.45%

LAB 40.17, 12.54, -36.27

 

CMYK 47 / 51 / 0 / 40

HEX #514C9A

RGB 81 76 154

HSL 243.85, 0.34%, 0.45%

LAB 36.46, 23.37, -42.15

 

CMYK 50 / 28 / 0 / 62

HEX #314762

RGB 49 71 98

HSL 213.06, 0.33%, 0.29%

LAB 29.52, -0.2, -18.52

 

CMYK 51 / 28 / 0 / 51

HEX #3E5B7E

RGB 62 91 126

HSL 212.81, 0.34%, 0.37%

LAB 37.87, -0.19, -23

 

CMYK 51 / 28 / 0 / 40

HEX #4C6F9A

RGB 76 111 154

HSL 213.08, 0.34%, 0.45%

LAB 45.96, 0.09, -27.18

 

CMYK 46 / 25 / 0 / 31

HEX #5F84B0

RGB 95 132 176

HSL 212.59, 0.34%, 0.53%

LAB 54.1, -0.82, -27.26

 

CMYK 36 / 19 / 0 / 25

HEX #7A99BE

RGB 122 153 190

HSL 212.65, 0.34%, 0.61%

LAB 62.2, -1.58, -22.61

 

CMYK 51 / 28 / 0 / 40

HEX #4B6E98

RGB 75 110.2 152.6

HSL 212.78, 0.34%, 0.45%

LAB 45.6, -0.12, -26.91

 

CMYK 14 / 51 / 0 / 40

HEX #854C9A

RGB 133 76 154

HSL 283.85, 0.34%, 0.45%

LAB 41.98, 37.69, -33.04

 

CMYK 7 / 0 / 51 / 40

HEX #8F9A4C

RGB 143 154 76

HSL 68.46, 0.34%, 0.45%

LAB 61.2, -15.89, 39.24

 

CMYK 51 / 28 / 0 / 40

HEX #4B6E98

RGB 75 110.2 152.6

HSL 212.78, 0.34%, 0.45%

LAB 45.6, -0.12, -26.91

 

CMYK 0 / 51 / 27 / 40

HEX #9A4C70

RGB 154 76 112

HSL 332.31, 0.34%, 0.45%

LAB 43.08, 36.87, -5.6

 

CMYK 27 / 0 / 51 / 40

HEX #709A4C

RGB 112 154 76

HSL 92.31, 0.34%, 0.45%

LAB 59.05, -28.37, 36.15

 

CMYK 51 / 28 / 0 / 40

HEX #4B6E98

RGB 75 110.2 152.6

HSL 212.78, 0.34%, 0.45%

LAB 45.6, -0.12, -26.91

 

CMYK 14 / 51 / 0 / 40

HEX #854C9A

RGB 133 76 154

HSL 283.85, 0.34%, 0.45%

LAB 41.98, 37.69, -33.04

 

CMYK 0 / 24 / 51 / 40

HEX #9A754C

RGB 154 117 76

HSL 31.54, 0.34%, 0.45%

LAB 51.97, 9.28, 28.13

 

CMYK 37 / 0 / 51 / 40

HEX #619A4C

RGB 97 154 76

HSL 103.85, 0.34%, 0.45%

LAB 58.2, -33.83, 34.92

 

CMYK 51 / 28 / 0 / 40

HEX #4B6E98

RGB 75 110.2 152.6

HSL 212.78, 0.34%, 0.45%

LAB 45.6, -0.12, -26.91

 

CMYK 0 / 51 / 2 / 40

HEX #9A4C97

RGB 154 76 151

HSL 302.31, 0.34%, 0.45%

LAB 44.62, 43.33, -26.91

 

CMYK 0 / 24 / 51 / 40

HEX #9A754C

RGB 154 117 76

HSL 31.54, 0.34%, 0.45%

LAB 51.97, 9.28, 28.13

 

CMYK 51 / 0 / 49 / 40

HEX #4C9A4E

RGB 76 154 78

HSL 121.54, 0.34%, 0.45%

LAB 57.27, -40.24, 32.52

 

Description

Color code: RGB 75 110.2 152.6 | qconv.com Color code: RGB 75 110.2 152.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 110.2 green and 152.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 110.2 152.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 28 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 28% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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