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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 31 246 it is the complementary color RGB 181 224 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 31 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 31 246 shade: RGB 79 31 241, RGB 96 49 255, RGB 113 67 255, RGB 130 85 255 and RGB 147 103 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 31 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 31 246 shade: RGB 74 31 246, RGB 57 13 227, RGB 40 0 208, RGB 23 0 189 and RGB 6 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 31 246 shade: RGB 72 29 245, RGB 131 29 245, RGB 189 29 245, RGB 245 29 243 and RGB 245 29 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 31 246 shade: RGB 72 29 245 and RGB 29 29 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 31 246 shade matches the following richer shades: RGB 72 29 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 31 246 shade: RGB 72 29 245, RGB 84 48 226, RGB 95 67 207, RGB 107 86 188 and RGB 118 105 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 31 246 shade: RGB 29 101 245, RGB 29 44 245, RGB 72 29 245, RGB 130 29 245 and RGB 188 29 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 31 246 shade: RGB 43 7 185, RGB 52 9 224, RGB 72 29 245, RGB 104 69 247 and RGB 136 109 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 31 246 shade: RGB 74 31 246, RGB 245 29 159 and RGB 72 245 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 31 246 shade: RGB 74 31 246, RGB 245 72 29 and RGB 29 245 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 31 246 shade: RGB 74 31 246, RGB 245 29 159, RGB 202 245 29 and RGB 29 245 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 31 246 shade: RGB 74 31 246, RGB 245 29 94, RGB 202 245 29 and RGB 29 245 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 87 / 0 / 4

HEX #4A1FF6

RGB 74 31 246

HSL 252, 0.92%, 0.54%

LAB 36.16, 72.33, -96.3

 

Complementary color

CMYK 19 / 0 / 96 / 12

HEX #B5E009

RGB 181 224 9

HSL 72, 0.92%, 0.46%

LAB 83.52, -37.1, 81.25

 

CMYK 67 / 87 / 0 / 5

HEX #4F1FF1

RGB 79 31 241

HSL 253.71, 0.88%, 0.53%

LAB 35.97, 71.34, -93.77

 

CMYK 62 / 81 / 0 / 0

HEX #6031FF

RGB 96 49 255

HSL 253.69, 1%, 0.6%

LAB 41.06, 69.95, -93.16

 

CMYK 56 / 74 / 0 / 0

HEX #7143FF

RGB 113 67 255

HSL 254.68, 1%, 0.63%

LAB 45.28, 63.99, -86.14

 

CMYK 49 / 67 / 0 / 0

HEX #8255FF

RGB 130 85 255

HSL 255.88, 1%, 0.67%

LAB 50.05, 57.62, -78.27

 

CMYK 42 / 60 / 0 / 0

HEX #9367FF

RGB 147 103 255

HSL 257.37, 1%, 0.7%

LAB 55.2, 51.26, -69.84

 

CMYK 70 / 87 / 0 / 4

HEX #4A1FF6

RGB 74 31 246

HSL 252, 0.92%, 0.54%

LAB 36.16, 72.33, -96.3

 

CMYK 75 / 94 / 0 / 11

HEX #390DE3

RGB 57 13 227

HSL 252.34, 0.89%, 0.47%

LAB 31.12, 71.2, -93.91

 

CMYK 81 / 100 / 0 / 18

HEX #2800D0

RGB 40 0 208

HSL 251.54, 1%, 0.41%

LAB 26.75, 68.37, -90.26

 

CMYK 88 / 100 / 0 / 26

HEX #1700BD

RGB 23 0 189

HSL 247.3, 1%, 0.37%

LAB 23.19, 63.43, -85.05

 

CMYK 96 / 100 / 0 / 33

HEX #0600AA

RGB 6 0 170

HSL 242.12, 1%, 0.33%

LAB 19.81, 58.5, -79.34

 

CMYK 71 / 88 / 0 / 4

HEX #481DF5

RGB 72 29 245

HSL 251.94, 0.92%, 0.54%

LAB 35.69, 72.56, -96.51

 

CMYK 47 / 88 / 0 / 4

HEX #831DF5

RGB 131 29 245

HSL 268.33, 0.92%, 0.54%

LAB 41.68, 77.1, -86.4

 

CMYK 23 / 88 / 0 / 4

HEX #BD1DF5

RGB 189 29 245

HSL 284.44, 0.92%, 0.54%

LAB 49.85, 84.22, -72.71

 

CMYK 0 / 88 / 1 / 4

HEX #F51DF3

RGB 245 29 243

HSL 300.56, 0.92%, 0.54%

LAB 58.75, 92.6, -56.77

 

CMYK 0 / 88 / 24 / 4

HEX #F51DB9

RGB 245 29 185

HSL 316.67, 0.92%, 0.54%

LAB 55.88, 85.14, -28.31

 

CMYK 71 / 88 / 0 / 4

HEX #481DF5

RGB 72 29 245

HSL 251.94, 0.92%, 0.54%

LAB 35.69, 72.56, -96.51

 

CMYK 88 / 88 / 0 / 4

HEX #1D1DF5

RGB 29 29 245

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.04, -100.35

 

CMYK 71 / 88 / 0 / 4

HEX #481DF5

RGB 72 29 245

HSL 251.94, 0.92%, 0.54%

LAB 35.69, 72.56, -96.51

 

CMYK 71 / 88 / 0 / 4

HEX #481DF5

RGB 72 29 245

HSL 251.94, 0.92%, 0.54%

LAB 35.69, 72.56, -96.51

 

CMYK 63 / 79 / 0 / 11

HEX #5430E2

RGB 84 48 226

HSL 252.13, 0.75%, 0.54%

LAB 36.91, 61.39, -83.67

 

CMYK 54 / 68 / 0 / 19

HEX #5F43CF

RGB 95 67 207

HSL 252, 0.59%, 0.54%

LAB 39.5, 47.85, -68.46

 

CMYK 43 / 54 / 0 / 26

HEX #6B56BC

RGB 107 86 188

HSL 252.35, 0.43%, 0.54%

LAB 43.38, 33.66, -51.09

 

CMYK 30 / 38 / 0 / 34

HEX #7669A9

RGB 118 105 169

HSL 252.19, 0.27%, 0.54%

LAB 48.03, 19.82, -32.54

 

CMYK 88 / 59 / 0 / 4

HEX #1D65F5

RGB 29 101 245

HSL 220, 0.92%, 0.54%

LAB 47.19, 32.97, -77.61

 

CMYK 88 / 82 / 0 / 4

HEX #1D2CF5

RGB 29 44 245

HSL 235.83, 0.92%, 0.54%

LAB 35.31, 65.37, -97.2

 

CMYK 71 / 88 / 0 / 4

HEX #481DF5

RGB 72 29 245

HSL 251.94, 0.92%, 0.54%

LAB 35.69, 72.56, -96.51

 

CMYK 47 / 88 / 0 / 4

HEX #821DF5

RGB 130 29 245

HSL 268.06, 0.92%, 0.54%

LAB 41.56, 77, -86.61

 

CMYK 23 / 88 / 0 / 4

HEX #BC1DF5

RGB 188 29 245

HSL 284.17, 0.92%, 0.54%

LAB 49.69, 84.08, -72.97

 

CMYK 77 / 96 / 0 / 27

HEX #2B07B9

RGB 43 7 185

HSL 252.13, 0.93%, 0.38%

LAB 24.22, 61.33, -80.93

 

CMYK 77 / 96 / 0 / 12

HEX #3409E0

RGB 52 9 224

HSL 252, 0.92%, 0.46%

LAB 30.17, 70.98, -93.78

 

CMYK 71 / 88 / 0 / 4

HEX #481DF5

RGB 72 29 245

HSL 251.94, 0.92%, 0.54%

LAB 35.69, 72.56, -96.51

 

CMYK 58 / 72 / 0 / 3

HEX #6845F7

RGB 104 69 247

HSL 251.8, 0.92%, 0.62%

LAB 44.11, 59.66, -83.63

 

CMYK 45 / 56 / 0 / 3

HEX #886DF8

RGB 136 109 248

HSL 251.65, 0.91%, 0.7%

LAB 55.02, 43.75, -66.3

 

CMYK 70 / 87 / 0 / 4

HEX #4A1FF6

RGB 74 31 246

HSL 252, 0.92%, 0.54%

LAB 36.16, 72.33, -96.3

 

CMYK 0 / 88 / 35 / 4

HEX #F51D9F

RGB 245 29 159

HSL 323.89, 0.92%, 0.54%

LAB 54.86, 82.39, -14.65

 

CMYK 71 / 0 / 88 / 4

HEX #48F51D

RGB 72 245 29

HSL 108.06, 0.92%, 0.54%

LAB 85.39, -76.78, 78.45

 

CMYK 70 / 87 / 0 / 4

HEX #4A1FF6

RGB 74 31 246

HSL 252, 0.92%, 0.54%

LAB 36.16, 72.33, -96.3

 

CMYK 0 / 71 / 88 / 4

HEX #F5481D

RGB 245 72 29

HSL 11.94, 0.92%, 0.54%

LAB 56.22, 63.99, 59.73

 

CMYK 88 / 0 / 71 / 4

HEX #1DF548

RGB 29 245 72

HSL 131.94, 0.92%, 0.54%

LAB 85.01, -79.33, 66.33

 

CMYK 70 / 87 / 0 / 4

HEX #4A1FF6

RGB 74 31 246

HSL 252, 0.92%, 0.54%

LAB 36.16, 72.33, -96.3

 

CMYK 0 / 88 / 35 / 4

HEX #F51D9F

RGB 245 29 159

HSL 323.89, 0.92%, 0.54%

LAB 54.86, 82.39, -14.65

 

CMYK 18 / 0 / 88 / 4

HEX #CAF51D

RGB 202 245 29

HSL 71.94, 0.92%, 0.54%

LAB 90.76, -37.94, 85.1

 

CMYK 88 / 0 / 53 / 4

HEX #1DF574

RGB 29 245 116

HSL 144.17, 0.92%, 0.54%

LAB 85.42, -74.34, 48.42

 

CMYK 70 / 87 / 0 / 4

HEX #4A1FF6

RGB 74 31 246

HSL 252, 0.92%, 0.54%

LAB 36.16, 72.33, -96.3

 

CMYK 0 / 88 / 62 / 4

HEX #F51D5E

RGB 245 29 94

HSL 341.94, 0.92%, 0.54%

LAB 53.06, 77.39, 21.74

 

CMYK 18 / 0 / 88 / 4

HEX #CAF51D

RGB 202 245 29

HSL 71.94, 0.92%, 0.54%

LAB 90.76, -37.94, 85.1

 

CMYK 88 / 0 / 27 / 4

HEX #1DF5B4

RGB 29 245 180

HSL 161.94, 0.92%, 0.54%

LAB 86.44, -62.52, 18.02

 

Description

Color code: RGB 74 31 246 | qconv.com Color code: RGB 74 31 246 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 31 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 31 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 87 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 87% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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