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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 211 172 it is the complementary color RGB 181 44 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 211 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 211 172 shade: RGB 79 211 167, RGB 96 229 186, RGB 113 247 205, RGB 130 255 224 and RGB 147 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 211 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 211 172 shade: RGB 74 211 172, RGB 57 193 153, RGB 40 175 134, RGB 23 157 115 and RGB 6 139 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 211 172 shade: RGB 74 211 172, RGB 74 211 135, RGB 74 211 98, RGB 87 211 74 and RGB 124 211 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 211 172 shade: RGB 74 211 172, RGB 74 211 209, RGB 74 176 211, RGB 74 139 211 and RGB 74 103 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 211 172 shade matches the following richer shades: RGB 74 211 172, RGB 56 229 180 and RGB 38 248 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 211 172 shade: RGB 74 211 172, RGB 93 193 164, RGB 111 175 157, RGB 129 157 149 and RGB 147 139 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 211 172 shade: RGB 74 211 97, RGB 74 211 134, RGB 74 211 170, RGB 74 211 207 and RGB 74 179 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 211 172 shade: RGB 40 163 128, RGB 48 197 154, RGB 74 211 172, RGB 108 219 187 and RGB 141 227 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 211 172 shade: RGB 74 211 172, RGB 74 88 211 and RGB 211 115 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 211 172 shade: RGB 74 211 172, RGB 170 74 211 and RGB 211 170 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 211 172 shade: RGB 74 211 172, RGB 74 88 211, RGB 211 74 115 and RGB 211 198 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 211 172 shade: RGB 74 211 172, RGB 102 74 211, RGB 211 74 115 and RGB 184 211 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

Complementary color

CMYK 0 / 76 / 54 / 29

HEX #B52C53

RGB 181 44 83

HSL 342.92, 0.61%, 0.44%

LAB 41.61, 56.42, 10.89

 

CMYK 63 / 0 / 21 / 17

HEX #4FD3A7

RGB 79 211 167

HSL 160, 0.6%, 0.57%

LAB 76.7, -46.42, 11.25

 

CMYK 58 / 0 / 19 / 10

HEX #60E5BA

RGB 96 229 186

HSL 160.6, 0.72%, 0.64%

LAB 82.95, -46.57, 10.14

 

CMYK 54 / 0 / 17 / 3

HEX #71F7CD

RGB 113 247 205

HSL 161.19, 0.89%, 0.71%

LAB 89.13, -46.61, 9.11

 

CMYK 49 / 0 / 12 / 0

HEX #82FFE0

RGB 130 255 224

HSL 165.12, 1%, 0.75%

LAB 92.42, -42.2, 4.08

 

CMYK 42 / 0 / 5 / 0

HEX #93FFF3

RGB 147 255 243

HSL 173.33, 1%, 0.79%

LAB 93.53, -33.96, -4.03

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 70 / 0 / 21 / 24

HEX #39C199

RGB 57 193 153

HSL 162.35, 0.54%, 0.49%

LAB 70.39, -45.71, 9.75

 

CMYK 77 / 0 / 23 / 31

HEX #28AF86

RGB 40 175 134

HSL 161.78, 0.63%, 0.42%

LAB 64.02, -45.04, 11.08

 

CMYK 85 / 0 / 27 / 38

HEX #179D73

RGB 23 157 115

HSL 161.19, 0.74%, 0.35%

LAB 57.59, -44.01, 12.57

 

CMYK 96 / 0 / 31 / 45

HEX #068B60

RGB 6 139 96

HSL 160.6, 0.92%, 0.28%

LAB 51.09, -42.47, 14.26

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 65 / 0 / 36 / 17

HEX #4AD387

RGB 74 211 135

HSL 146.72, 0.61%, 0.56%

LAB 75.94, -54.02, 27.05

 

CMYK 65 / 0 / 54 / 17

HEX #4AD362

RGB 74 211 98

HSL 130.51, 0.61%, 0.56%

LAB 75.41, -60.02, 44.85

 

CMYK 59 / 0 / 65 / 17

HEX #57D34A

RGB 87 211 74

HSL 114.31, 0.61%, 0.56%

LAB 75.52, -59.97, 55.76

 

CMYK 41 / 0 / 65 / 17

HEX #7CD34A

RGB 124 211 74

HSL 98.1, 0.61%, 0.56%

LAB 76.9, -49.58, 57.66

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 65 / 0 / 1 / 17

HEX #4AD3D1

RGB 74 211 209

HSL 179.12, 0.61%, 0.56%

LAB 77.67, -36.6, -9.88

 

CMYK 65 / 17 / 0 / 17

HEX #4AB0D3

RGB 74 176 211

HSL 195.33, 0.61%, 0.56%

LAB 67.43, -18.79, -26.45

 

CMYK 65 / 34 / 0 / 17

HEX #4A8BD3

RGB 74 139 211

HSL 211.53, 0.61%, 0.56%

LAB 56.71, 1.82, -43.15

 

CMYK 65 / 51 / 0 / 17

HEX #4A67D3

RGB 74 103 211

HSL 227.3, 0.61%, 0.56%

LAB 46.79, 23.91, -58.98

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 76 / 0 / 21 / 10

HEX #38E5B4

RGB 56 229 180

HSL 163.01, 0.77%, 0.56%

LAB 81.93, -54.14, 11.72

 

CMYK 85 / 0 / 24 / 3

HEX #26F8BC

RGB 38 248 188

HSL 162.86, 0.94%, 0.56%

LAB 87.57, -61.27, 15.49

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 52 / 0 / 15 / 24

HEX #5DC1A4

RGB 93 193 164

HSL 162.6, 0.45%, 0.56%

LAB 71.65, -36.32, 5.71

 

CMYK 37 / 0 / 10 / 31

HEX #6FAF9D

RGB 111 175 157

HSL 163.13, 0.29%, 0.56%

LAB 66.88, -24.66, 2.75

 

CMYK 18 / 0 / 5 / 38

HEX #819D95

RGB 129 157 149

HSL 162.86, 0.13%, 0.56%

LAB 62.47, -11.43, 0.93

 

CMYK 0 / 5 / 4 / 42

HEX #938B8D

RGB 147 139 141

HSL 345, 0.04%, 0.56%

LAB 58.59, 3.35, -0.01

 

CMYK 65 / 0 / 54 / 17

HEX #4AD361

RGB 74 211 97

HSL 130.07, 0.61%, 0.56%

LAB 75.39, -60.16, 45.31

 

CMYK 65 / 0 / 36 / 17

HEX #4AD386

RGB 74 211 134

HSL 146.28, 0.61%, 0.56%

LAB 75.93, -54.21, 27.55

 

CMYK 65 / 0 / 19 / 17

HEX #4AD3AA

RGB 74 211 170

HSL 162.04, 0.61%, 0.56%

LAB 76.65, -46.59, 9.55

 

CMYK 65 / 0 / 2 / 17

HEX #4AD3CF

RGB 74 211 207

HSL 178.25, 0.61%, 0.56%

LAB 77.61, -37.15, -8.89

 

CMYK 65 / 15 / 0 / 17

HEX #4AB3D3

RGB 74 179 211

HSL 194.01, 0.61%, 0.56%

LAB 68.31, -20.35, -25.1

 

CMYK 75 / 0 / 21 / 36

HEX #28A380

RGB 40 163 128

HSL 162.93, 0.61%, 0.4%

LAB 60.07, -41.47, 8.82

 

CMYK 76 / 0 / 22 / 23

HEX #30C59A

RGB 48 197 154

HSL 162.68, 0.61%, 0.48%

LAB 71.48, -48.33, 10.73

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 51 / 0 / 15 / 14

HEX #6CDBBB

RGB 108 219 187

HSL 162.7, 0.61%, 0.64%

LAB 80.43, -39.42, 6.04

 

CMYK 38 / 0 / 11 / 11

HEX #8DE3CB

RGB 141 227 203

HSL 163.26, 0.61%, 0.72%

LAB 84.44, -31.37, 3.54

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 65 / 58 / 0 / 17

HEX #4A58D3

RGB 74 88 211

HSL 233.87, 0.61%, 0.56%

LAB 42.97, 33.33, -65.17

 

CMYK 0 / 45 / 65 / 17

HEX #D3734A

RGB 211 115 74

HSL 17.96, 0.61%, 0.56%

LAB 58.61, 34.16, 38.97

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 19 / 65 / 0 / 17

HEX #AA4AD3

RGB 170 74 211

HSL 282.04, 0.61%, 0.56%

LAB 49.67, 60.3, -53.87

 

CMYK 0 / 19 / 65 / 17

HEX #D3AA4A

RGB 211 170 74

HSL 42.04, 0.61%, 0.56%

LAB 71.62, 4.6, 53.71

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 65 / 58 / 0 / 17

HEX #4A58D3

RGB 74 88 211

HSL 233.87, 0.61%, 0.56%

LAB 42.97, 33.33, -65.17

 

CMYK 0 / 65 / 45 / 17

HEX #D34A73

RGB 211 74 115

HSL 342.04, 0.61%, 0.56%

LAB 51.82, 56.98, 6.42

 

CMYK 0 / 6 / 65 / 17

HEX #D3C64A

RGB 211 198 74

HSL 54.31, 0.61%, 0.56%

LAB 78.89, -10.01, 61.47

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AC

RGB 74 211 172

HSL 162.92, 0.61%, 0.56%

LAB 76.69, -46.12, 8.55

 

CMYK 52 / 65 / 0 / 17

HEX #664AD3

RGB 102 74 211

HSL 252.26, 0.61%, 0.56%

LAB 41.88, 46.33, -66.85

 

CMYK 0 / 65 / 45 / 17

HEX #D34A73

RGB 211 74 115

HSL 342.04, 0.61%, 0.56%

LAB 51.82, 56.98, 6.42

 

CMYK 13 / 0 / 65 / 17

HEX #B8D34A

RGB 184 211 74

HSL 71.82, 0.61%, 0.56%

LAB 80.33, -27.57, 62.34

 

Description

Color code: RGB 74 211 172 | qconv.com Color code: RGB 74 211 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 211 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 211 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 18 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 18% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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