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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 162 161 it is the complementary color RGB 181 93 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 162 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 162 161 shade: RGB 79 162 156, RGB 96 180 175, RGB 113 198 194, RGB 130 216 213 and RGB 147 234 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 162 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 162 161 shade: RGB 74 162 161, RGB 57 144 142, RGB 40 126 123, RGB 23 108 104 and RGB 6 90 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 162 161 shade: RGB 73 160 159, RGB 73 160 136, RGB 73 160 112, RGB 73 160 89 and RGB 81 160 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 162 161 shade: RGB 73 160 159, RGB 73 138 160, RGB 73 114 160, RGB 73 91 160 and RGB 73 73 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 162 161 shade matches the following richer shades: RGB 73 160 159, RGB 54 179 178, RGB 35 198 196 and RGB 16 217 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 162 161 shade: RGB 73 160 159, RGB 92 141 141, RGB 111 122 122, RGB 130 103 104 and RGB 149 84 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 162 161 shade: RGB 73 160 112, RGB 73 160 136, RGB 73 160 159, RGB 73 139 160 and RGB 73 115 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 162 161 shade: RGB 47 104 103, RGB 60 132 131, RGB 73 160 159, RGB 94 181 180 and RGB 122 194 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 162 161 shade: RGB 74 162 161, RGB 89 73 160 and RGB 160 124 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 162 161 shade: RGB 74 162 161, RGB 159 73 160 and RGB 160 159 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 162 161 shade: RGB 74 162 161, RGB 89 73 160, RGB 160 73 75 and RGB 144 160 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 162 161 shade: RGB 74 162 161, RGB 115 73 160, RGB 160 73 75 and RGB 118 160 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 1 / 36

HEX #4AA2A1

RGB 74 162 161

HSL 179.32, 0.37%, 0.46%

LAB 61.54, -26.41, -7.51

 

Complementary color

CMYK 0 / 49 / 48 / 29

HEX #B55D5E

RGB 181 93 94

HSL 359.32, 0.37%, 0.54%

LAB 50.05, 35.62, 15.81

 

CMYK 51 / 0 / 4 / 36

HEX #4FA29C

RGB 79 162 156

HSL 175.66, 0.34%, 0.47%

LAB 61.57, -26.69, -4.63

 

CMYK 47 / 0 / 3 / 29

HEX #60B4AF

RGB 96 180 175

HSL 176.43, 0.36%, 0.54%

LAB 68.19, -26.72, -5.37

 

CMYK 43 / 0 / 2 / 22

HEX #71C6C2

RGB 113 198 194

HSL 177.18, 0.43%, 0.61%

LAB 74.69, -26.69, -6.06

 

CMYK 40 / 0 / 1 / 15

HEX #82D8D5

RGB 130 216 213

HSL 177.91, 0.52%, 0.68%

LAB 81.11, -26.64, -6.71

 

CMYK 37 / 0 / 1 / 8

HEX #93EAE8

RGB 147 234 232

HSL 178.62, 0.67%, 0.75%

LAB 87.42, -26.58, -7.32

 

CMYK 54 / 0 / 1 / 36

HEX #4AA2A1

RGB 74 162 161

HSL 179.32, 0.37%, 0.46%

LAB 61.54, -26.41, -7.51

 

CMYK 60 / 0 / 1 / 44

HEX #39908E

RGB 57 144 142

HSL 178.62, 0.43%, 0.39%

LAB 54.83, -26.15, -6.72

 

CMYK 68 / 0 / 2 / 51

HEX #287E7B

RGB 40 126 123

HSL 177.91, 0.52%, 0.33%

LAB 48.01, -25.7, -5.84

 

CMYK 79 / 0 / 4 / 58

HEX #176C68

RGB 23 108 104

HSL 177.18, 0.65%, 0.26%

LAB 41.07, -24.92, -4.81

 

CMYK 93 / 0 / 6 / 65

HEX #065A55

RGB 6 90 85

HSL 176.43, 0.88%, 0.19%

LAB 34, -23.64, -3.6

 

CMYK 54 / 0 / 1 / 37

HEX #49A09F

RGB 73 160 159

HSL 179.31, 0.37%, 0.46%

LAB 60.84, -26.18, -7.43

 

CMYK 54 / 0 / 15 / 37

HEX #49A088

RGB 73 160 136

HSL 163.45, 0.37%, 0.46%

LAB 60.19, -32.2, 4.61

 

CMYK 54 / 0 / 30 / 37

HEX #49A070

RGB 73 160 112

HSL 146.9, 0.37%, 0.46%

LAB 59.64, -37.63, 17.26

 

CMYK 54 / 0 / 44 / 37

HEX #49A059

RGB 73 160 89

HSL 131.03, 0.37%, 0.46%

LAB 59.23, -41.89, 29.21

 

CMYK 49 / 0 / 54 / 37

HEX #51A049

RGB 81 160 73

HSL 114.48, 0.37%, 0.46%

LAB 59.32, -42.01, 37.62

 

CMYK 54 / 0 / 1 / 37

HEX #49A09F

RGB 73 160 159

HSL 179.31, 0.37%, 0.46%

LAB 60.84, -26.18, -7.43

 

CMYK 54 / 14 / 0 / 37

HEX #498AA0

RGB 73 138 160

HSL 195.17, 0.37%, 0.46%

LAB 54.17, -14.35, -18.05

 

CMYK 54 / 29 / 0 / 37

HEX #4972A0

RGB 73 114 160

HSL 211.72, 0.37%, 0.46%

LAB 46.96, -0.52, -29.16

 

CMYK 54 / 43 / 0 / 37

HEX #495BA0

RGB 73 91 160

HSL 227.59, 0.37%, 0.46%

LAB 40.31, 13.81, -39.65

 

CMYK 54 / 54 / 0 / 37

HEX #4949A0

RGB 73 73 160

HSL 240, 0.37%, 0.46%

LAB 35.44, 25.4, -47.44

 

CMYK 54 / 0 / 1 / 37

HEX #49A09F

RGB 73 160 159

HSL 179.31, 0.37%, 0.46%

LAB 60.84, -26.18, -7.43

 

CMYK 70 / 0 / 1 / 30

HEX #36B3B2

RGB 54 179 178

HSL 179.52, 0.54%, 0.46%

LAB 66.7, -33.25, -9.37

 

CMYK 82 / 0 / 1 / 22

HEX #23C6C4

RGB 35 198 196

HSL 179.26, 0.7%, 0.46%

LAB 72.71, -38.77, -10.31

 

CMYK 93 / 0 / 1 / 15

HEX #10D9D7

RGB 16 217 215

HSL 179.4, 0.86%, 0.46%

LAB 78.83, -42.73, -11.43

 

CMYK 54 / 0 / 1 / 37

HEX #49A09F

RGB 73 160 159

HSL 179.31, 0.37%, 0.46%

LAB 60.84, -26.18, -7.43

 

CMYK 35 / 0 / 0 / 45

HEX #5C8D8D

RGB 92 141 141

HSL 180, 0.21%, 0.46%

LAB 55.33, -16.4, -5.25

 

CMYK 9 / 0 / 0 / 52

HEX #6F7A7A

RGB 111 122 122

HSL 180, 0.05%, 0.46%

LAB 50.34, -4.08, -1.41

 

CMYK 0 / 21 / 20 / 49

HEX #826768

RGB 130 103 104

HSL 357.78, 0.12%, 0.46%

LAB 46.24, 10.96, 3.55

 

CMYK 0 / 44 / 43 / 42

HEX #955455

RGB 149 84 85

HSL 359.08, 0.28%, 0.46%

LAB 43.34, 27.06, 11.26

 

CMYK 54 / 0 / 30 / 37

HEX #49A070

RGB 73 160 112

HSL 146.9, 0.37%, 0.46%

LAB 59.64, -37.63, 17.26

 

CMYK 54 / 0 / 15 / 37

HEX #49A088

RGB 73 160 136

HSL 163.45, 0.37%, 0.46%

LAB 60.19, -32.2, 4.61

 

CMYK 54 / 0 / 1 / 37

HEX #49A09F

RGB 73 160 159

HSL 179.31, 0.37%, 0.46%

LAB 60.84, -26.18, -7.43

 

CMYK 54 / 13 / 0 / 37

HEX #498BA0

RGB 73 139 160

HSL 194.48, 0.37%, 0.46%

LAB 54.47, -14.9, -17.59

 

CMYK 54 / 28 / 0 / 37

HEX #4973A0

RGB 73 115 160

HSL 211.03, 0.37%, 0.46%

LAB 47.26, -1.12, -28.7

 

CMYK 55 / 0 / 1 / 59

HEX #2F6867

RGB 47 104 103

HSL 178.95, 0.38%, 0.3%

LAB 40.38, -18.82, -5.15

 

CMYK 55 / 0 / 1 / 48

HEX #3C8483

RGB 60 132 131

HSL 179.17, 0.38%, 0.38%

LAB 50.81, -22.58, -6.32

 

CMYK 54 / 0 / 1 / 37

HEX #49A09F

RGB 73 160 159

HSL 179.31, 0.37%, 0.46%

LAB 60.84, -26.18, -7.43

 

CMYK 48 / 0 / 1 / 29

HEX #5EB5B4

RGB 94 181 180

HSL 179.31, 0.37%, 0.54%

LAB 68.55, -26.38, -7.6

 

CMYK 37 / 0 / 1 / 24

HEX #7AC2C1

RGB 122 194 193

HSL 179.17, 0.37%, 0.62%

LAB 73.91, -22.67, -6.63

 

CMYK 54 / 0 / 1 / 36

HEX #4AA2A1

RGB 74 162 161

HSL 179.32, 0.37%, 0.46%

LAB 61.54, -26.41, -7.51

 

CMYK 44 / 54 / 0 / 37

HEX #5949A0

RGB 89 73 160

HSL 251.03, 0.37%, 0.46%

LAB 36.79, 29.04, -45.19

 

CMYK 0 / 23 / 54 / 37

HEX #A07C49

RGB 160 124 73

HSL 35.17, 0.37%, 0.46%

LAB 54.42, 7.64, 32.97

 

CMYK 54 / 0 / 1 / 36

HEX #4AA2A1

RGB 74 162 161

HSL 179.32, 0.37%, 0.46%

LAB 61.54, -26.41, -7.51

 

CMYK 1 / 54 / 0 / 37

HEX #9F49A0

RGB 159 73 160

HSL 299.31, 0.37%, 0.46%

LAB 45.18, 47.97, -31.35

 

CMYK 0 / 1 / 54 / 37

HEX #A09F49

RGB 160 159 73

HSL 59.31, 0.37%, 0.46%

LAB 63.96, -11.57, 44.31

 

CMYK 54 / 0 / 1 / 36

HEX #4AA2A1

RGB 74 162 161

HSL 179.32, 0.37%, 0.46%

LAB 61.54, -26.41, -7.51

 

CMYK 44 / 54 / 0 / 37

HEX #5949A0

RGB 89 73 160

HSL 251.03, 0.37%, 0.46%

LAB 36.79, 29.04, -45.19

 

CMYK 0 / 54 / 53 / 37

HEX #A0494B

RGB 160 73 75

HSL 358.62, 0.37%, 0.46%

LAB 42.38, 36.29, 16.33

 

CMYK 10 / 0 / 54 / 37

HEX #90A049

RGB 144 160 73

HSL 71.03, 0.37%, 0.46%

LAB 62.97, -18.86, 42.84

 

CMYK 54 / 0 / 1 / 36

HEX #4AA2A1

RGB 74 162 161

HSL 179.32, 0.37%, 0.46%

LAB 61.54, -26.41, -7.51

 

CMYK 28 / 54 / 0 / 37

HEX #7349A0

RGB 115 73 160

HSL 268.97, 0.37%, 0.46%

LAB 39.49, 35.72, -40.72

 

CMYK 0 / 54 / 53 / 37

HEX #A0494B

RGB 160 73 75

HSL 358.62, 0.37%, 0.46%

LAB 42.38, 36.29, 16.33

 

CMYK 26 / 0 / 54 / 37

HEX #76A049

RGB 118 160 73

HSL 88.97, 0.37%, 0.46%

LAB 61.2, -29.31, 40.31

 

Description

Color code: RGB 74 162 161 | qconv.com Color code: RGB 74 162 161 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 162 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 162 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 1 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 1% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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