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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 109 136 it is the complementary color RGB 181 146 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 109 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 109 136 shade: RGB 79 109 131, RGB 96 127 150, RGB 113 145 169, RGB 130 163 188 and RGB 147 181 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 109 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 109 136 shade: RGB 74 109 136, RGB 57 91 117, RGB 40 73 98, RGB 23 55 79 and RGB 6 37 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 109 136 shade: RGB 73 109 136, RGB 73 92 136, RGB 73 75 136, RGB 89 73 136 and RGB 105 73 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 109 136 shade: RGB 73 109 136, RGB 73 92 136, RGB 73 75 136 and RGB 73 73 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 109 136 shade matches the following richer shades: RGB 73 109 136, RGB 56 111 153, RGB 39 113 170, RGB 22 115 187 and RGB 6 117 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 109 136 shade: RGB 73 109 136, RGB 90 106 119, RGB 107 104 102, RGB 124 102 85 and RGB 141 100 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 109 136 shade: RGB 73 136 130, RGB 73 125 136, RGB 73 109 136, RGB 73 92 136 and RGB 73 75 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 109 136 shade: RGB 44 66 82, RGB 59 87 109, RGB 73 109 136, RGB 88 130 163 and RGB 113 150 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 109 136 shade: RGB 74 109 136, RGB 113 73 136 and RGB 134 136 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 109 136 shade: RGB 74 109 136, RGB 136 73 109 and RGB 109 136 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 109 136 shade: RGB 74 109 136, RGB 113 73 136, RGB 136 100 73 and RGB 96 136 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 109 136 shade: RGB 74 109 136, RGB 132 73 136, RGB 136 100 73 and RGB 77 136 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 20 / 0 / 47

HEX #4A6D88

RGB 74 109 136

HSL 206.13, 0.3%, 0.41%

LAB 44.48, -4.81, -18.78

 

Complementary color

CMYK 0 / 19 / 34 / 29

HEX #B59277

RGB 181 146 119

HSL 26.13, 0.3%, 0.59%

LAB 63.11, 9.26, 19.29

 

CMYK 40 / 17 / 0 / 49

HEX #4F6D83

RGB 79 109 131

HSL 205.38, 0.25%, 0.41%

LAB 44.57, -4.87, -15.61

 

CMYK 36 / 15 / 0 / 41

HEX #607F96

RGB 96 127 150

HSL 205.56, 0.22%, 0.48%

LAB 51.69, -5.06, -15.92

 

CMYK 33 / 14 / 0 / 34

HEX #7191A9

RGB 113 145 169

HSL 205.71, 0.25%, 0.55%

LAB 58.63, -5.21, -16.23

 

CMYK 31 / 13 / 0 / 26

HEX #82A3BC

RGB 130 163 188

HSL 205.86, 0.3%, 0.62%

LAB 65.41, -5.34, -16.56

 

CMYK 29 / 13 / 0 / 19

HEX #93B5CF

RGB 147 181 207

HSL 206, 0.38%, 0.69%

LAB 72.06, -5.46, -16.89

 

CMYK 46 / 20 / 0 / 47

HEX #4A6D88

RGB 74 109 136

HSL 206.13, 0.3%, 0.41%

LAB 44.48, -4.81, -18.78

 

CMYK 51 / 22 / 0 / 54

HEX #395B75

RGB 57 91 117

HSL 206, 0.34%, 0.34%

LAB 37.18, -4.42, -18.55

 

CMYK 59 / 26 / 0 / 62

HEX #284962

RGB 40 73 98

HSL 205.86, 0.42%, 0.27%

LAB 29.66, -3.85, -18.34

 

CMYK 71 / 30 / 0 / 69

HEX #17374F

RGB 23 55 79

HSL 205.71, 0.55%, 0.2%

LAB 21.87, -2.95, -18.14

 

CMYK 90 / 38 / 0 / 76

HEX #06253C

RGB 6 37 60

HSL 205.56, 0.82%, 0.13%

LAB 13.76, -1.41, -17.94

 

CMYK 46 / 20 / 0 / 47

HEX #496D88

RGB 73 109 136

HSL 205.71, 0.3%, 0.41%

LAB 44.42, -5.08, -18.87

 

CMYK 46 / 32 / 0 / 47

HEX #495C88

RGB 73 92 136

HSL 221.9, 0.3%, 0.41%

LAB 39.32, 5.34, -26.76

 

CMYK 46 / 45 / 0 / 47

HEX #494B88

RGB 73 75 136

HSL 238.1, 0.3%, 0.41%

LAB 34.45, 16.26, -34.45

 

CMYK 35 / 46 / 0 / 47

HEX #594988

RGB 89 73 136

HSL 255.24, 0.3%, 0.41%

LAB 35.33, 22, -32.95

 

CMYK 23 / 46 / 0 / 47

HEX #694988

RGB 105 73 136

HSL 270.48, 0.3%, 0.41%

LAB 37.01, 26.78, -30.19

 

CMYK 46 / 20 / 0 / 47

HEX #496D88

RGB 73 109 136

HSL 205.71, 0.3%, 0.41%

LAB 44.42, -5.08, -18.87

 

CMYK 46 / 32 / 0 / 47

HEX #495C88

RGB 73 92 136

HSL 221.9, 0.3%, 0.41%

LAB 39.32, 5.34, -26.76

 

CMYK 46 / 45 / 0 / 47

HEX #494B88

RGB 73 75 136

HSL 238.1, 0.3%, 0.41%

LAB 34.45, 16.26, -34.45

 

CMYK 46 / 46 / 0 / 47

HEX #494988

RGB 73 73 136

HSL 240, 0.3%, 0.41%

LAB 33.9, 17.57, -35.32

 

CMYK 46 / 20 / 0 / 47

HEX #496D88

RGB 73 109 136

HSL 205.71, 0.3%, 0.41%

LAB 44.42, -5.08, -18.87

 

CMYK 63 / 27 / 0 / 40

HEX #386F99

RGB 56 111 153

HSL 205.98, 0.46%, 0.41%

LAB 44.95, -4.69, -28.22

 

CMYK 77 / 34 / 0 / 33

HEX #2771AA

RGB 39 113 170

HSL 206.11, 0.63%, 0.41%

LAB 45.83, -2.47, -36.89

 

CMYK 88 / 39 / 0 / 27

HEX #1673BB

RGB 22 115 187

HSL 206.18, 0.79%, 0.41%

LAB 47, 1.21, -44.95

 

CMYK 97 / 43 / 0 / 20

HEX #0675CC

RGB 6 117 204

HSL 206.36, 0.94%, 0.41%

LAB 48.41, 5.92, -52.47

 

CMYK 46 / 20 / 0 / 47

HEX #496D88

RGB 73 109 136

HSL 205.71, 0.3%, 0.41%

LAB 44.42, -5.08, -18.87

 

CMYK 24 / 11 / 0 / 53

HEX #5A6A77

RGB 90 106 119

HSL 206.9, 0.14%, 0.41%

LAB 43.96, -2.85, -9.25

 

CMYK 0 / 3 / 5 / 58

HEX #6B6866

RGB 107 104 102

HSL 24, 0.02%, 0.41%

LAB 44.21, 0.77, 1.53

 

CMYK 0 / 18 / 31 / 51

HEX #7C6655

RGB 124 102 85

HSL 26.15, 0.19%, 0.41%

LAB 44.86, 6.07, 12.91

 

CMYK 0 / 29 / 52 / 45

HEX #8D6444

RGB 141 100 68

HSL 26.3, 0.35%, 0.41%

LAB 45.9, 12.59, 24.64

 

CMYK 46 / 0 / 4 / 47

HEX #498882

RGB 73 136 130

HSL 174.29, 0.3%, 0.41%

LAB 52.55, -21.82, -3.09

 

CMYK 46 / 8 / 0 / 47

HEX #497D88

RGB 73 125 136

HSL 190.48, 0.3%, 0.41%

LAB 49.33, -14.26, -11.41

 

CMYK 46 / 20 / 0 / 47

HEX #496D88

RGB 73 109 136

HSL 205.71, 0.3%, 0.41%

LAB 44.42, -5.08, -18.87

 

CMYK 46 / 32 / 0 / 47

HEX #495C88

RGB 73 92 136

HSL 221.9, 0.3%, 0.41%

LAB 39.32, 5.34, -26.76

 

CMYK 46 / 45 / 0 / 47

HEX #494B88

RGB 73 75 136

HSL 238.1, 0.3%, 0.41%

LAB 34.45, 16.26, -34.45

 

CMYK 46 / 20 / 0 / 68

HEX #2C4252

RGB 44 66 82

HSL 205.26, 0.3%, 0.25%

LAB 26.85, -3.69, -12.32

 

CMYK 46 / 20 / 0 / 57

HEX #3B576D

RGB 59 87 109

HSL 206.4, 0.3%, 0.33%

LAB 35.69, -3.95, -15.87

 

CMYK 46 / 20 / 0 / 47

HEX #496D88

RGB 73 109 136

HSL 205.71, 0.3%, 0.41%

LAB 44.42, -5.08, -18.87

 

CMYK 46 / 20 / 0 / 36

HEX #5882A3

RGB 88 130 163

HSL 206.4, 0.3%, 0.49%

LAB 52.6, -5.32, -22.11

 

CMYK 37 / 16 / 0 / 30

HEX #7196B3

RGB 113 150 179

HSL 206.36, 0.3%, 0.57%

LAB 60.41, -5.38, -19.2

 

CMYK 46 / 20 / 0 / 47

HEX #4A6D88

RGB 74 109 136

HSL 206.13, 0.3%, 0.41%

LAB 44.48, -4.81, -18.78

 

CMYK 17 / 46 / 0 / 47

HEX #714988

RGB 113 73 136

HSL 278.1, 0.3%, 0.41%

LAB 37.94, 29.26, -28.67

 

CMYK 1 / 0 / 46 / 47

HEX #868849

RGB 134 136 73

HSL 61.9, 0.3%, 0.41%

LAB 55.23, -10.45, 33.41

 

CMYK 46 / 20 / 0 / 47

HEX #4A6D88

RGB 74 109 136

HSL 206.13, 0.3%, 0.41%

LAB 44.48, -4.81, -18.78

 

CMYK 0 / 46 / 20 / 47

HEX #88496D

RGB 136 73 109

HSL 325.71, 0.3%, 0.41%

LAB 39.75, 31.65, -8.98

 

CMYK 20 / 0 / 46 / 47

HEX #6D8849

RGB 109 136 73

HSL 85.71, 0.3%, 0.41%

LAB 53.32, -20.93, 30.62

 

CMYK 46 / 20 / 0 / 47

HEX #4A6D88

RGB 74 109 136

HSL 206.13, 0.3%, 0.41%

LAB 44.48, -4.81, -18.78

 

CMYK 17 / 46 / 0 / 47

HEX #714988

RGB 113 73 136

HSL 278.1, 0.3%, 0.41%

LAB 37.94, 29.26, -28.67

 

CMYK 0 / 26 / 46 / 47

HEX #886449

RGB 136 100 73

HSL 25.71, 0.3%, 0.41%

LAB 45.4, 10.92, 20.97

 

CMYK 29 / 0 / 46 / 47

HEX #608849

RGB 96 136 73

HSL 98.1, 0.3%, 0.41%

LAB 52.48, -26, 29.39

 

CMYK 46 / 20 / 0 / 47

HEX #4A6D88

RGB 74 109 136

HSL 206.13, 0.3%, 0.41%

LAB 44.48, -4.81, -18.78

 

CMYK 3 / 46 / 0 / 47

HEX #844988

RGB 132 73 136

HSL 296.19, 0.3%, 0.41%

LAB 40.33, 35.25, -24.77

 

CMYK 0 / 26 / 46 / 47

HEX #886449

RGB 136 100 73

HSL 25.71, 0.3%, 0.41%

LAB 45.4, 10.92, 20.97

 

CMYK 43 / 0 / 46 / 47

HEX #4D8849

RGB 77 136 73

HSL 116.19, 0.3%, 0.41%

LAB 51.46, -32.71, 27.88

 

Description

Color code: RGB 74 109 136 | qconv.com Color code: RGB 74 109 136 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 109 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 109 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 20 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 20% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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