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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 105 21 it is the complementary color RGB 181 150 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 105 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 105 21 shade: RGB 79 105 16, RGB 96 123 35, RGB 113 141 54, RGB 130 159 73 and RGB 147 177 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 105 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 105 21 shade: RGB 74 105 21, RGB 57 87 2, RGB 40 69 0, RGB 23 51 0 and RGB 6 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 105 21 shade: RGB 74 106 21, RGB 97 106 21, RGB 106 91 21, RGB 106 68 21 and RGB 106 45 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 105 21 shade: RGB 74 106 21, RGB 51 106 21, RGB 28 106 21, RGB 21 106 36 and RGB 21 106 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 105 21 shade matches the following richer shades: RGB 74 106 21, RGB 77 116 10 and RGB 80 127 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 105 21 shade: RGB 74 106 21, RGB 72 96 31, RGB 69 85 41, RGB 66 75 51 and RGB 64 65 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 105 21 shade: RGB 106 92 21, RGB 97 106 21, RGB 75 106 21, RGB 52 106 21 and RGB 29 106 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 105 21 shade: RGB 26 37 7, RGB 50 72 14, RGB 74 106 21, RGB 99 140 27 and RGB 123 175 34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 105 21 shade: RGB 74 105 21, RGB 21 106 69 and RGB 103 21 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 105 21 shade: RGB 74 105 21, RGB 21 75 106 and RGB 106 21 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 105 21 shade: RGB 74 105 21, RGB 21 106 69, RGB 52 21 106 and RGB 106 21 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 105 21 shade: RGB 74 105 21, RGB 21 106 95, RGB 52 21 106 and RGB 106 21 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 80 / 59

HEX #4A6915

RGB 74 105 21

HSL 82.14, 0.67%, 0.25%

LAB 40.59, -24.72, 40.51

 

Complementary color

CMYK 23 / 36 / 0 / 8

HEX #B596EA

RGB 181 150 234

HSL 262.14, 0.67%, 0.75%

LAB 67.71, 28.35, -38.18

 

CMYK 25 / 0 / 85 / 59

HEX #4F6910

RGB 79 105 16

HSL 77.53, 0.74%, 0.24%

LAB 40.9, -22.82, 42.6

 

CMYK 22 / 0 / 72 / 52

HEX #607B23

RGB 96 123 35

HSL 78.41, 0.56%, 0.31%

LAB 47.97, -23.46, 42.81

 

CMYK 20 / 0 / 62 / 45

HEX #718D36

RGB 113 141 54

HSL 79.31, 0.45%, 0.38%

LAB 54.89, -23.86, 42.11

 

CMYK 18 / 0 / 54 / 38

HEX #829F49

RGB 130 159 73

HSL 80.23, 0.37%, 0.45%

LAB 61.67, -24.1, 41.07

 

CMYK 17 / 0 / 48 / 31

HEX #93B15C

RGB 147 177 92

HSL 81.18, 0.35%, 0.53%

LAB 68.33, -24.24, 39.91

 

CMYK 30 / 0 / 80 / 59

HEX #4A6915

RGB 74 105 21

HSL 82.14, 0.67%, 0.25%

LAB 40.59, -24.72, 40.51

 

CMYK 34 / 0 / 98 / 66

HEX #395702

RGB 57 87 2

HSL 81.18, 0.96%, 0.17%

LAB 33.33, -23.96, 39.66

 

CMYK 42 / 0 / 100 / 73

HEX #284500

RGB 40 69 0

HSL 85.22, 1%, 0.14%

LAB 25.88, -22.46, 33.9

 

CMYK 55 / 0 / 100 / 80

HEX #173300

RGB 23 51 0

HSL 92.94, 1%, 0.1%

LAB 18.14, -20.72, 25.4

 

CMYK 82 / 0 / 100 / 87

HEX #062100

RGB 6 33 0

HSL 109.09, 1%, 0.06%

LAB 10, -17.76, 14.6

 

CMYK 30 / 0 / 80 / 58

HEX #4A6A15

RGB 74 106 21

HSL 82.59, 0.67%, 0.25%

LAB 40.93, -25.22, 40.83

 

CMYK 8 / 0 / 80 / 58

HEX #616A15

RGB 97 106 21

HSL 66.35, 0.67%, 0.25%

LAB 42.62, -14.91, 43.02

 

CMYK 0 / 14 / 80 / 58

HEX #6A5B15

RGB 106 91 21

HSL 49.41, 0.67%, 0.25%

LAB 38.9, -2.01, 39.87

 

CMYK 0 / 36 / 80 / 58

HEX #6A4415

RGB 106 68 21

HSL 33.18, 0.67%, 0.25%

LAB 32.38, 11.94, 33.61

 

CMYK 0 / 58 / 80 / 58

HEX #6A2D15

RGB 106 45 21

HSL 16.94, 0.67%, 0.25%

LAB 26.72, 25.62, 27.9

 

CMYK 30 / 0 / 80 / 58

HEX #4A6A15

RGB 74 106 21

HSL 82.59, 0.67%, 0.25%

LAB 40.93, -25.22, 40.83

 

CMYK 52 / 0 / 80 / 58

HEX #336A15

RGB 51 106 21

HSL 98.82, 0.67%, 0.25%

LAB 39.69, -33.97, 39.22

 

CMYK 74 / 0 / 80 / 58

HEX #1C6A15

RGB 28 106 21

HSL 115.06, 0.67%, 0.25%

LAB 38.91, -40.21, 38.19

 

CMYK 80 / 0 / 66 / 58

HEX #156A24

RGB 21 106 36

HSL 130.59, 0.67%, 0.25%

LAB 38.89, -39.95, 31.6

 

CMYK 80 / 0 / 44 / 58

HEX #156A3B

RGB 21 106 59

HSL 146.82, 0.67%, 0.25%

LAB 39.21, -36.14, 19.56

 

CMYK 30 / 0 / 80 / 58

HEX #4A6A15

RGB 74 106 21

HSL 82.59, 0.67%, 0.25%

LAB 40.93, -25.22, 40.83

 

CMYK 34 / 0 / 91 / 55

HEX #4D740A

RGB 77 116 10

HSL 82.08, 0.84%, 0.25%

LAB 44.36, -29.28, 47.13

 

CMYK 37 / 0 / 100 / 50

HEX #507F00

RGB 80 127 0

HSL 82.2, 1%, 0.25%

LAB 48.11, -33.45, 52.33

 

CMYK 30 / 0 / 80 / 58

HEX #4A6A15

RGB 74 106 21

HSL 82.59, 0.67%, 0.25%

LAB 40.93, -25.22, 40.83

 

CMYK 25 / 0 / 68 / 62

HEX #48601F

RGB 72 96 31

HSL 82.15, 0.51%, 0.25%

LAB 37.56, -20.25, 33.16

 

CMYK 19 / 0 / 52 / 67

HEX #455529

RGB 69 85 41

HSL 81.82, 0.35%, 0.25%

LAB 33.82, -14.53, 23.51

 

CMYK 12 / 0 / 32 / 71

HEX #424B33

RGB 66 75 51

HSL 82.5, 0.19%, 0.25%

LAB 30.47, -8.56, 13.14

 

CMYK 2 / 0 / 5 / 75

HEX #40413E

RGB 64 65 62

HSL 80, 0.02%, 0.25%

LAB 27.35, -1.08, 1.68

 

CMYK 0 / 13 / 80 / 58

HEX #6A5C15

RGB 106 92 21

HSL 50.12, 0.67%, 0.25%

LAB 39.19, -2.61, 40.15

 

CMYK 8 / 0 / 80 / 58

HEX #616A15

RGB 97 106 21

HSL 66.35, 0.67%, 0.25%

LAB 42.62, -14.91, 43.02

 

CMYK 29 / 0 / 80 / 58

HEX #4B6A15

RGB 75 106 21

HSL 81.88, 0.67%, 0.25%

LAB 40.99, -24.79, 40.91

 

CMYK 51 / 0 / 80 / 58

HEX #346A15

RGB 52 106 21

HSL 98.12, 0.67%, 0.25%

LAB 39.74, -33.64, 39.27

 

CMYK 73 / 0 / 80 / 58

HEX #1D6A15

RGB 29 106 21

HSL 114.35, 0.67%, 0.25%

LAB 38.94, -40, 38.22

 

CMYK 30 / 0 / 81 / 85

HEX #1A2507

RGB 26 37 7

HSL 82, 0.68%, 0.09%

LAB 12.97, -10.9, 16.04

 

CMYK 31 / 0 / 81 / 72

HEX #32480E

RGB 50 72 14

HSL 82.76, 0.67%, 0.17%

LAB 27.69, -18.7, 30.2

 

CMYK 30 / 0 / 80 / 58

HEX #4A6A15

RGB 74 106 21

HSL 82.59, 0.67%, 0.25%

LAB 40.93, -25.22, 40.83

 

CMYK 29 / 0 / 81 / 45

HEX #638C1B

RGB 99 140 27

HSL 81.77, 0.68%, 0.33%

LAB 53.48, -30.96, 51.12

 

CMYK 30 / 0 / 81 / 31

HEX #7BAF22

RGB 123 175 34

HSL 82.13, 0.67%, 0.41%

LAB 65.74, -37.23, 60.76

 

CMYK 30 / 0 / 80 / 59

HEX #4A6915

RGB 74 105 21

HSL 82.14, 0.67%, 0.25%

LAB 40.59, -24.72, 40.51

 

CMYK 80 / 0 / 35 / 58

HEX #156A45

RGB 21 106 69

HSL 153.88, 0.67%, 0.25%

LAB 39.41, -33.96, 13.95

 

CMYK 3 / 80 / 0 / 58

HEX #67156A

RGB 103 21 106

HSL 297.88, 0.67%, 0.25%

LAB 25.14, 45.95, -30.14

 

CMYK 30 / 0 / 80 / 59

HEX #4A6915

RGB 74 105 21

HSL 82.14, 0.67%, 0.25%

LAB 40.59, -24.72, 40.51

 

CMYK 80 / 29 / 0 / 58

HEX #154B6A

RGB 21 75 106

HSL 201.88, 0.67%, 0.25%

LAB 29.99, -5.7, -22.96

 

CMYK 0 / 80 / 29 / 58

HEX #6A154B

RGB 106 21 75

HSL 321.88, 0.67%, 0.25%

LAB 24.03, 41.76, -11.32

 

CMYK 30 / 0 / 80 / 59

HEX #4A6915

RGB 74 105 21

HSL 82.14, 0.67%, 0.25%

LAB 40.59, -24.72, 40.51

 

CMYK 80 / 0 / 35 / 58

HEX #156A45

RGB 21 106 69

HSL 153.88, 0.67%, 0.25%

LAB 39.41, -33.96, 13.95

 

CMYK 51 / 80 / 0 / 58

HEX #34156A

RGB 52 21 106

HSL 261.88, 0.67%, 0.25%

LAB 17.02, 35.63, -43.66

 

CMYK 0 / 80 / 45 / 58

HEX #6A153A

RGB 106 21 58

HSL 333.88, 0.67%, 0.25%

LAB 23.36, 39.69, -0.72

 

CMYK 30 / 0 / 80 / 59

HEX #4A6915

RGB 74 105 21

HSL 82.14, 0.67%, 0.25%

LAB 40.59, -24.72, 40.51

 

CMYK 80 / 0 / 10 / 58

HEX #156A5F

RGB 21 106 95

HSL 172.24, 0.67%, 0.25%

LAB 40.07, -26.95, -0.81

 

CMYK 51 / 80 / 0 / 58

HEX #34156A

RGB 52 21 106

HSL 261.88, 0.67%, 0.25%

LAB 17.02, 35.63, -43.66

 

CMYK 0 / 80 / 70 / 58

HEX #6A1520

RGB 106 21 32

HSL 352.24, 0.67%, 0.25%

LAB 22.67, 37.5, 16.29

 

Description

Color code: RGB 74 105 21 | qconv.com Color code: RGB 74 105 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 105 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 105 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 80 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 80% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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