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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74.9 218.2 162 it is the complementary color RGB 180.1 36.8 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74.9 218.2 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74.9 218.2 162 shade: RGB 79.9 218.2 157, RGB 96.9 236.2 176, RGB 113.9 254.2 195, RGB 130.9 255 214 and RGB 147.9 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74.9 218.2 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74.9 218.2 162 shade: RGB 74.9 218.2 162, RGB 57.9 200.2 143, RGB 40.9 182.2 124, RGB 23.9 164.2 105 and RGB 6.9 146.2 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74.9 218.2 162 shade: RGB 73 218 161, RGB 73 218 122, RGB 73 218 83, RGB 102 218 73 and RGB 141 218 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74.9 218.2 162 shade: RGB 73 218 161, RGB 73 218 200, RGB 73 196 218, RGB 73 157 218 and RGB 73 118 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74.9 218.2 162 shade matches the following richer shades: RGB 73 218 161, RGB 55 235 165 and RGB 37 253 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74.9 218.2 162 shade: RGB 73 218 161, RGB 91 200 157, RGB 108 182 153, RGB 126 164 149 and RGB 144 147 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74.9 218.2 162 shade: RGB 73 218 83, RGB 73 218 121, RGB 73 218 160, RGB 73 218 198 and RGB 73 198 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74.9 218.2 162 shade: RGB 35 173 119, RGB 42 207 142, RGB 73 218 161, RGB 107 225 179 and RGB 141 232 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74.9 218.2 162 shade: RGB 74.9 218.2 162, RGB 73 102 218 and RGB 218 102 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74.9 218.2 162 shade: RGB 74.9 218.2 162, RGB 160 73 218 and RGB 218 160 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74.9 218.2 162 shade: RGB 74.9 218.2 162, RGB 73 102 218, RGB 218 73 131 and RGB 218 189 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74.9 218.2 162 shade: RGB 74.9 218.2 162, RGB 87 73 218, RGB 218 73 131 and RGB 203 218 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 26 / 14

HEX #4ADAA2

RGB 74.9 218.2 162

HSL 156.47, 0.66%, 0.57%

LAB 78.66, -51.23, 16.65

 

Complementary color

CMYK 0 / 80 / 48 / 29

HEX #B4245D

RGB 180.1 36.8 93

HSL 336.47, 0.66%, 0.43%

LAB 40.92, 59.19, 3.59

 

CMYK 63 / 0 / 28 / 14

HEX #4FDA9D

RGB 79.9 218.2 157

HSL 153.45, 0.65%, 0.58%

LAB 78.68, -51.42, 19.32

 

CMYK 59 / 0 / 25 / 7

HEX #60ECB0

RGB 96.9 236.2 176

HSL 154.07, 0.79%, 0.65%

LAB 84.88, -51.57, 18.09

 

CMYK 55 / 0 / 23 / 0

HEX #71FEC3

RGB 113.9 254.2 195

HSL 154.68, 0.99%, 0.72%

LAB 91.02, -51.6, 16.95

 

CMYK 49 / 0 / 16 / 0

HEX #82FFD6

RGB 130.9 255 214

HSL 160.18, 1%, 0.76%

LAB 92.22, -44.21, 8.96

 

CMYK 42 / 0 / 9 / 0

HEX #93FFE9

RGB 147.9 255 233

HSL 167.68, 1%, 0.79%

LAB 93.32, -36.02, 0.82

 

CMYK 66 / 0 / 26 / 14

HEX #4ADAA2

RGB 74.9 218.2 162

HSL 156.47, 0.66%, 0.57%

LAB 78.66, -51.23, 16.65

 

CMYK 71 / 0 / 29 / 21

HEX #39C88F

RGB 57.9 200.2 143

HSL 155.88, 0.56%, 0.51%

LAB 72.42, -50.81, 17.98

 

CMYK 78 / 0 / 32 / 29

HEX #28B67C

RGB 40.9 182.2 124

HSL 155.29, 0.63%, 0.44%

LAB 66.11, -50.12, 19.44

 

CMYK 85 / 0 / 36 / 36

HEX #17A469

RGB 23.9 164.2 105

HSL 154.68, 0.75%, 0.37%

LAB 59.74, -49.04, 21.06

 

CMYK 95 / 0 / 41 / 43

HEX #069256

RGB 6.9 146.2 86

HSL 154.07, 0.91%, 0.3%

LAB 53.32, -47.41, 22.86

 

CMYK 67 / 0 / 26 / 15

HEX #49DAA1

RGB 73 218 161

HSL 156.41, 0.66%, 0.57%

LAB 78.54, -51.68, 16.99

 

CMYK 67 / 0 / 44 / 15

HEX #49DA7A

RGB 73 218 122

HSL 140.28, 0.66%, 0.57%

LAB 77.85, -59.15, 36.19

 

CMYK 67 / 0 / 62 / 15

HEX #49DA53

RGB 73 218 83

HSL 124.14, 0.66%, 0.57%

LAB 77.39, -64.47, 53.94

 

CMYK 53 / 0 / 67 / 15

HEX #66DA49

RGB 102 218 73

HSL 108, 0.66%, 0.57%

LAB 78.14, -58.83, 59.14

 

CMYK 35 / 0 / 67 / 15

HEX #8DDA49

RGB 141 218 73

HSL 91.86, 0.66%, 0.57%

LAB 79.78, -46.9, 61.37

 

CMYK 67 / 0 / 26 / 15

HEX #49DAA1

RGB 73 218 161

HSL 156.41, 0.66%, 0.57%

LAB 78.54, -51.68, 16.99

 

CMYK 67 / 0 / 8 / 15

HEX #49DAC8

RGB 73 218 200

HSL 172.55, 0.66%, 0.57%

LAB 79.46, -42.33, -2.41

 

CMYK 67 / 10 / 0 / 15

HEX #49C4DA

RGB 73 196 218

HSL 189.1, 0.66%, 0.57%

LAB 73.52, -26.99, -20.98

 

CMYK 67 / 28 / 0 / 15

HEX #499DDA

RGB 73 157 218

HSL 205.24, 0.66%, 0.57%

LAB 62.16, -6.37, -38.5

 

CMYK 67 / 46 / 0 / 15

HEX #4976DA

RGB 73 118 218

HSL 221.38, 0.66%, 0.57%

LAB 51.19, 16.82, -55.88

 

CMYK 67 / 0 / 26 / 15

HEX #49DAA1

RGB 73 218 161

HSL 156.41, 0.66%, 0.57%

LAB 78.54, -51.68, 16.99

 

CMYK 77 / 0 / 30 / 8

HEX #37EBA5

RGB 55 235 165

HSL 156.67, 0.82%, 0.57%

LAB 83.41, -59.92, 21.62

 

CMYK 85 / 0 / 33 / 1

HEX #25FDA9

RGB 37 253 169

HSL 156.67, 0.98%, 0.57%

LAB 88.69, -67.26, 26.76

 

CMYK 67 / 0 / 26 / 15

HEX #49DAA1

RGB 73 218 161

HSL 156.41, 0.66%, 0.57%

LAB 78.54, -51.68, 16.99

 

CMYK 55 / 0 / 22 / 22

HEX #5BC89D

RGB 91 200 157

HSL 156.33, 0.5%, 0.57%

LAB 73.52, -41.5, 12.15

 

CMYK 41 / 0 / 16 / 29

HEX #6CB699

RGB 108 182 153

HSL 156.49, 0.34%, 0.57%

LAB 68.71, -29.84, 7.57

 

CMYK 23 / 0 / 9 / 36

HEX #7EA495

RGB 126 164 149

HSL 156.32, 0.17%, 0.57%

LAB 64.29, -16.15, 3.55

 

CMYK 2 / 0 / 1 / 42

HEX #909392

RGB 144 147 146

HSL 160, 0.01%, 0.57%

LAB 60.67, -1.28, 0.14

 

CMYK 67 / 0 / 62 / 15

HEX #49DA53

RGB 73 218 83

HSL 124.14, 0.66%, 0.57%

LAB 77.39, -64.47, 53.94

 

CMYK 67 / 0 / 44 / 15

HEX #49DA79

RGB 73 218 121

HSL 139.86, 0.66%, 0.57%

LAB 77.84, -59.31, 36.67

 

CMYK 67 / 0 / 27 / 15

HEX #49DAA0

RGB 73 218 160

HSL 156, 0.66%, 0.57%

LAB 78.52, -51.9, 17.49

 

CMYK 67 / 0 / 9 / 15

HEX #49DAC6

RGB 73 218 198

HSL 171.72, 0.66%, 0.57%

LAB 79.41, -42.85, -1.42

 

CMYK 67 / 9 / 0 / 15

HEX #49C6DA

RGB 73 198 218

HSL 188.28, 0.66%, 0.57%

LAB 74.1, -27.97, -20.09

 

CMYK 80 / 0 / 31 / 32

HEX #23AD77

RGB 35 173 119

HSL 156.52, 0.66%, 0.41%

LAB 62.99, -48.3, 17.87

 

CMYK 80 / 0 / 31 / 19

HEX #2ACF8E

RGB 42 207 142

HSL 156.36, 0.66%, 0.49%

LAB 74.24, -55.66, 20.97

 

CMYK 67 / 0 / 26 / 15

HEX #49DAA1

RGB 73 218 161

HSL 156.41, 0.66%, 0.57%

LAB 78.54, -51.68, 16.99

 

CMYK 52 / 0 / 20 / 12

HEX #6BE1B3

RGB 107 225 179

HSL 156.61, 0.66%, 0.65%

LAB 81.96, -44.08, 12.47

 

CMYK 39 / 0 / 16 / 9

HEX #8DE8C4

RGB 141 232 196

HSL 156.26, 0.66%, 0.73%

LAB 85.69, -35.2, 9.02

 

CMYK 66 / 0 / 26 / 14

HEX #4ADAA2

RGB 74.9 218.2 162

HSL 156.47, 0.66%, 0.57%

LAB 78.66, -51.23, 16.65

 

CMYK 67 / 53 / 0 / 15

HEX #4966DA

RGB 73 102 218

HSL 228, 0.66%, 0.57%

LAB 46.95, 26.82, -62.71

 

CMYK 0 / 53 / 67 / 15

HEX #DA6649

RGB 218 102 73

HSL 12, 0.66%, 0.57%

LAB 56.97, 43.41, 37.82

 

CMYK 66 / 0 / 26 / 14

HEX #4ADAA2

RGB 74.9 218.2 162

HSL 156.47, 0.66%, 0.57%

LAB 78.66, -51.23, 16.65

 

CMYK 27 / 67 / 0 / 15

HEX #A049DA

RGB 160 73 218

HSL 276, 0.66%, 0.57%

LAB 48.64, 60.06, -59.61

 

CMYK 0 / 27 / 67 / 15

HEX #DAA049

RGB 218 160 73

HSL 36, 0.66%, 0.57%

LAB 69.84, 12.89, 52.45

 

CMYK 66 / 0 / 26 / 14

HEX #4ADAA2

RGB 74.9 218.2 162

HSL 156.47, 0.66%, 0.57%

LAB 78.66, -51.23, 16.65

 

CMYK 67 / 53 / 0 / 15

HEX #4966DA

RGB 73 102 218

HSL 228, 0.66%, 0.57%

LAB 46.95, 26.82, -62.71

 

CMYK 0 / 67 / 40 / 15

HEX #DA4983

RGB 218 73 131

HSL 336, 0.66%, 0.57%

LAB 53.29, 61.07, -0.88

 

CMYK 0 / 13 / 67 / 15

HEX #DABD49

RGB 218 189 73

HSL 48, 0.66%, 0.57%

LAB 77.15, -2.47, 60.26

 

CMYK 66 / 0 / 26 / 14

HEX #4ADAA2

RGB 74.9 218.2 162

HSL 156.47, 0.66%, 0.57%

LAB 78.66, -51.23, 16.65

 

CMYK 60 / 67 / 0 / 15

HEX #5749DA

RGB 87 73 218

HSL 245.79, 0.66%, 0.57%

LAB 40.98, 46.58, -72.39

 

CMYK 0 / 67 / 40 / 15

HEX #DA4983

RGB 218 73 131

HSL 336, 0.66%, 0.57%

LAB 53.29, 61.07, -0.88

 

CMYK 7 / 0 / 67 / 15

HEX #CBDA49

RGB 203 218 73

HSL 66.21, 0.66%, 0.57%

LAB 83.61, -23.31, 66.55

 

Description

Color code: RGB 74.9 218.2 162 | qconv.com Color code: RGB 74.9 218.2 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74.9 red, 218.2 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74.9 218.2 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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