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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74.1 252.8 245 it is the complementary color RGB 180.9 2.2 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74.1 252.8 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74.1 252.8 245 shade: RGB 79.1 252.8 240, RGB 96.1 255 255, RGB 113.1 255 255, RGB 130.1 255 255 and RGB 147.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74.1 252.8 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74.1 252.8 245 shade: RGB 74.1 252.8 245, RGB 57.1 234.8 226, RGB 40.1 216.8 207, RGB 23.1 198.8 188 and RGB 6.1 180.8 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74.1 252.8 245 shade: RGB 73 253 245, RGB 73 253 197, RGB 73 253 148, RGB 73 253 100 and RGB 95 253 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74.1 252.8 245 shade: RGB 73 253 245, RGB 73 213 253, RGB 73 164 253, RGB 73 115 253 and RGB 73 73 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74.1 252.8 245 shade matches the following richer shades: RGB 73 253 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74.1 252.8 245 shade: RGB 73 253 245, RGB 88 238 232, RGB 103 223 218, RGB 118 209 205 and RGB 133 194 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74.1 252.8 245 shade: RGB 73 253 148, RGB 73 253 196, RGB 73 253 244, RGB 73 214 253 and RGB 73 166 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74.1 252.8 245 shade: RGB 2 241 231, RGB 32 253 243, RGB 73 253 245, RGB 114 254 247 and RGB 155 254 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74.1 252.8 245 shade: RGB 74.1 252.8 245, RGB 100 73 253 and RGB 253 172 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74.1 252.8 245 shade: RGB 74.1 252.8 245, RGB 244 73 253 and RGB 253 244 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74.1 252.8 245 shade: RGB 74.1 252.8 245, RGB 100 73 253, RGB 253 73 82 and RGB 226 253 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74.1 252.8 245 shade: RGB 74.1 252.8 245, RGB 154 73 253, RGB 253 73 82 and RGB 172 253 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 3 / 1

HEX #4AFCF5

RGB 74.1 252.8 245

HSL 177.38, 0.98%, 0.64%

LAB 90.86, -45.53, -9.26

 

Complementary color

CMYK 0 / 99 / 94 / 29

HEX #B4020A

RGB 180.9 2.2 10

HSL 357.38, 0.98%, 0.36%

LAB 37.63, 61.77, 48.11

 

CMYK 69 / 0 / 5 / 1

HEX #4FFCF0

RGB 79.1 252.8 240

HSL 175.58, 0.98%, 0.65%

LAB 90.82, -46.24, -6.72

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96.1 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.87, -12.35

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113.1 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.06, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130.1 255 255

HSL 180, 1%, 0.76%

LAB 93.23, -34.8, -10.76

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147.1 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.09, -9.75

 

CMYK 71 / 0 / 3 / 1

HEX #4AFCF5

RGB 74.1 252.8 245

HSL 177.38, 0.98%, 0.64%

LAB 90.86, -45.53, -9.26

 

CMYK 76 / 0 / 4 / 8

HEX #39EAE2

RGB 57.1 234.8 226

HSL 177.03, 0.81%, 0.57%

LAB 84.83, -44.69, -8.31

 

CMYK 82 / 0 / 5 / 15

HEX #28D8CF

RGB 40.1 216.8 207

HSL 176.67, 0.7%, 0.5%

LAB 78.74, -43.6, -7.27

 

CMYK 88 / 0 / 5 / 22

HEX #17C6BC

RGB 23.1 198.8 188

HSL 176.31, 0.79%, 0.44%

LAB 72.61, -42.21, -6.13

 

CMYK 97 / 0 / 7 / 29

HEX #06B4A9

RGB 6.1 180.8 169

HSL 175.95, 0.93%, 0.37%

LAB 66.42, -40.46, -4.87

 

CMYK 71 / 0 / 3 / 1

HEX #49FDF5

RGB 73 253 245

HSL 177.33, 0.98%, 0.64%

LAB 90.9, -45.75, -9.21

 

CMYK 71 / 0 / 22 / 1

HEX #49FDC5

RGB 73 253 197

HSL 161.33, 0.98%, 0.64%

LAB 89.72, -57.65, 13.95

 

CMYK 71 / 0 / 42 / 1

HEX #49FD94

RGB 73 253 148

HSL 145, 0.98%, 0.64%

LAB 88.83, -67.37, 37.52

 

CMYK 71 / 0 / 60 / 1

HEX #49FD64

RGB 73 253 100

HSL 129, 0.98%, 0.64%

LAB 88.25, -74.12, 59.01

 

CMYK 62 / 0 / 71 / 1

HEX #5FFD49

RGB 95 253 73

HSL 112.67, 0.98%, 0.64%

LAB 88.53, -72.61, 69.92

 

CMYK 71 / 0 / 3 / 1

HEX #49FDF5

RGB 73 253 245

HSL 177.33, 0.98%, 0.64%

LAB 90.9, -45.75, -9.21

 

CMYK 71 / 16 / 0 / 1

HEX #49D5FD

RGB 73 213 253

HSL 193.33, 0.98%, 0.64%

LAB 79.67, -24.78, -30.38

 

CMYK 71 / 35 / 0 / 1

HEX #49A4FD

RGB 73 164 253

HSL 209.67, 0.98%, 0.64%

LAB 65.79, 1.51, -52.02

 

CMYK 71 / 55 / 0 / 1

HEX #4973FD

RGB 73 115 253

HSL 226, 0.98%, 0.64%

LAB 52.7, 30.98, -73.03

 

CMYK 71 / 71 / 0 / 1

HEX #4949FD

RGB 73 73 253

HSL 240, 0.98%, 0.64%

LAB 43.17, 55.89, -88.61

 

CMYK 71 / 0 / 3 / 1

HEX #49FDF5

RGB 73 253 245

HSL 177.33, 0.98%, 0.64%

LAB 90.9, -45.75, -9.21

 

CMYK 71 / 0 / 3 / 1

HEX #49FDF5

RGB 73 253 245

HSL 177.33, 0.98%, 0.64%

LAB 90.9, -45.75, -9.21

 

CMYK 63 / 0 / 3 / 7

HEX #58EEE8

RGB 88 238 232

HSL 177.6, 0.82%, 0.64%

LAB 86.53, -40.57, -8.87

 

CMYK 54 / 0 / 2 / 13

HEX #67DFDA

RGB 103 223 218

HSL 177.5, 0.65%, 0.64%

LAB 82.23, -34.75, -7.82

 

CMYK 44 / 0 / 2 / 18

HEX #76D1CD

RGB 118 209 205

HSL 177.36, 0.5%, 0.64%

LAB 78.38, -28.13, -6.52

 

CMYK 31 / 0 / 2 / 24

HEX #85C2BF

RGB 133 194 191

HSL 177.05, 0.33%, 0.64%

LAB 74.4, -20.13, -4.76

 

CMYK 71 / 0 / 42 / 1

HEX #49FD94

RGB 73 253 148

HSL 145, 0.98%, 0.64%

LAB 88.83, -67.37, 37.52

 

CMYK 71 / 0 / 23 / 1

HEX #49FDC4

RGB 73 253 196

HSL 161, 0.98%, 0.64%

LAB 89.7, -57.87, 14.44

 

CMYK 71 / 0 / 4 / 1

HEX #49FDF4

RGB 73 253 244

HSL 177, 0.98%, 0.64%

LAB 90.87, -46.02, -8.73

 

CMYK 71 / 15 / 0 / 1

HEX #49D6FD

RGB 73 214 253

HSL 193, 0.98%, 0.64%

LAB 79.95, -25.28, -29.94

 

CMYK 71 / 34 / 0 / 1

HEX #49A6FD

RGB 73 166 253

HSL 209, 0.98%, 0.64%

LAB 66.35, 0.36, -51.14

 

CMYK 99 / 0 / 4 / 5

HEX #02F1E7

RGB 2 241 231

HSL 177.49, 0.98%, 0.48%

LAB 86.35, -48.88, -8.72

 

CMYK 87 / 0 / 4 / 1

HEX #20FDF3

RGB 32 253 243

HSL 177.29, 0.98%, 0.56%

LAB 90.33, -49.67, -9.06

 

CMYK 71 / 0 / 3 / 1

HEX #49FDF5

RGB 73 253 245

HSL 177.33, 0.98%, 0.64%

LAB 90.9, -45.75, -9.21

 

CMYK 55 / 0 / 3 / 0

HEX #72FEF7

RGB 114 254 247

HSL 177, 0.99%, 0.72%

LAB 92.21, -39.49, -8.19

 

CMYK 39 / 0 / 2 / 0

HEX #9BFEFA

RGB 155 254 250

HSL 177.58, 0.98%, 0.8%

LAB 93.78, -29.93, -7.26

 

CMYK 71 / 0 / 3 / 1

HEX #4AFCF5

RGB 74.1 252.8 245

HSL 177.38, 0.98%, 0.64%

LAB 90.86, -45.53, -9.26

 

CMYK 60 / 71 / 0 / 1

HEX #6449FD

RGB 100 73 253

HSL 249, 0.98%, 0.64%

LAB 45.03, 58.84, -85.48

 

CMYK 0 / 32 / 71 / 1

HEX #FDAC49

RGB 253 172 73

HSL 33, 0.98%, 0.64%

LAB 76.6, 21.18, 60.8

 

CMYK 71 / 0 / 3 / 1

HEX #4AFCF5

RGB 74.1 252.8 245

HSL 177.38, 0.98%, 0.64%

LAB 90.86, -45.53, -9.26

 

CMYK 4 / 71 / 0 / 1

HEX #F449FD

RGB 244 73 253

HSL 297, 0.98%, 0.64%

LAB 62.58, 83.96, -56.23

 

CMYK 0 / 4 / 71 / 1

HEX #FDF449

RGB 253 244 73

HSL 57, 0.98%, 0.64%

LAB 94.34, -15.5, 78.46

 

CMYK 71 / 0 / 3 / 1

HEX #4AFCF5

RGB 74.1 252.8 245

HSL 177.38, 0.98%, 0.64%

LAB 90.86, -45.53, -9.26

 

CMYK 60 / 71 / 0 / 1

HEX #6449FD

RGB 100 73 253

HSL 249, 0.98%, 0.64%

LAB 45.03, 58.84, -85.48

 

CMYK 0 / 71 / 68 / 1

HEX #FD4952

RGB 253 73 82

HSL 357, 0.98%, 0.64%

LAB 58.28, 67.82, 35.75

 

CMYK 11 / 0 / 71 / 1

HEX #E2FD49

RGB 226 253 73

HSL 69, 0.98%, 0.64%

LAB 94.7, -30.62, 78.1

 

CMYK 71 / 0 / 3 / 1

HEX #4AFCF5

RGB 74.1 252.8 245

HSL 177.38, 0.98%, 0.64%

LAB 90.86, -45.53, -9.26

 

CMYK 39 / 71 / 0 / 1

HEX #9A49FD

RGB 154 73 253

HSL 267, 0.98%, 0.64%

LAB 50.37, 66.91, -76.54

 

CMYK 0 / 71 / 68 / 1

HEX #FD4952

RGB 253 73 82

HSL 357, 0.98%, 0.64%

LAB 58.28, 67.82, 35.75

 

CMYK 32 / 0 / 71 / 1

HEX #ACFD49

RGB 172 253 73

HSL 87, 0.98%, 0.64%

LAB 91.46, -50.77, 73.84

 

Description

Color code: RGB 74.1 252.8 245 | qconv.com Color code: RGB 74.1 252.8 245 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74.1 red, 252.8 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74.1 252.8 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 3 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 3% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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