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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 74.2 4.6 it is the complementary color RGB 182 180.8 250.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 74.2 4.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 74.2 4.6 shade: RGB 78 74.2 0, RGB 95 92.2 18.6, RGB 112 110.2 37.6, RGB 129 128.2 56.6 and RGB 146 146.2 75.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 74.2 4.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 74.2 4.6 shade: RGB 73 74.2 4.6, RGB 56 56.2 0, RGB 39 38.2 0, RGB 22 20.2 0 and RGB 5 2.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 74.2 4.6 shade: RGB 71 72 5, RGB 72 55 5, RGB 72 37 5, RGB 72 19 5 and RGB 72 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 74.2 4.6 shade: RGB 71 72 5, RGB 53 72 5, RGB 34 72 5, RGB 16 72 5 and RGB 5 72 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 74.2 4.6 shade matches the following richer shades: RGB 71 72 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 74.2 4.6 shade: RGB 71 72 5, RGB 65 66 11, RGB 59 60 17, RGB 53 53 23 and RGB 47 47 29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 74.2 4.6 shade: RGB 72 37 5, RGB 72 55 5, RGB 71 72 5, RGB 53 72 5 and RGB 35 72 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 74.2 4.6 shade: RGB 0 0 0, RGB 33 33 2, RGB 71 72 5, RGB 109 111 7 and RGB 147 149 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 74.2 4.6 shade: RGB 73 74.2 4.6, RGB 5 72 19 and RGB 46 5 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 74.2 4.6 shade: RGB 73 74.2 4.6, RGB 5 71 72 and RGB 72 5 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 74.2 4.6 shade: RGB 73 74.2 4.6, RGB 5 72 19, RGB 6 5 72 and RGB 72 5 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 74.2 4.6 shade: RGB 73 74.2 4.6, RGB 5 72 39, RGB 6 5 72 and RGB 72 5 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 94 / 71

HEX #494A04

RGB 73 74.2 4.6

HSL 61.03, 0.88%, 0.15%

LAB 30.28, -9.25, 36.8

 

Complementary color

CMYK 27 / 28 / 0 / 2

HEX #B6B4FA

RGB 182 180.8 250.4

HSL 241.03, 0.88%, 0.85%

LAB 75.97, 15.36, -34.26

 

CMYK 0 / 5 / 100 / 69

HEX #4E4A00

RGB 78 74.2 0

HSL 57.08, 1%, 0.15%

LAB 30.75, -6.88, 39.17

 

CMYK 0 / 3 / 80 / 63

HEX #5F5C12

RGB 95 92.2 18.6

HSL 57.8, 0.67%, 0.22%

LAB 38.14, -8.22, 39.68

 

CMYK 0 / 2 / 66 / 56

HEX #706E25

RGB 112 110.2 37.6

HSL 58.55, 0.5%, 0.29%

LAB 45.33, -9.24, 39.32

 

CMYK 0 / 1 / 56 / 49

HEX #818038

RGB 129 128.2 56.6

HSL 59.34, 0.39%, 0.36%

LAB 52.34, -9.98, 38.32

 

CMYK 0 / 0 / 48 / 43

HEX #92924B

RGB 146 146.2 75.6

HSL 60.17, 0.32%, 0.43%

LAB 59.2, -10.53, 37.11

 

CMYK 2 / 0 / 94 / 71

HEX #494A04

RGB 73 74.2 4.6

HSL 61.03, 0.88%, 0.15%

LAB 30.28, -9.25, 36.8

 

CMYK 0 / 0 / 100 / 78

HEX #383800

RGB 56 56.2 0

HSL 60.21, 1%, 0.11%

LAB 22.61, -7.47, 31.11

 

CMYK 0 / 2 / 100 / 85

HEX #272600

RGB 39 38.2 0

HSL 58.77, 1%, 0.08%

LAB 14.57, -5.35, 21.23

 

CMYK 0 / 8 / 100 / 91

HEX #161400

RGB 22 20.2 0

HSL 55.09, 1%, 0.04%

LAB 6.12, -2.45, 9.13

 

CMYK 0 / 56 / 100 / 98

HEX #050200

RGB 5 2.2 0

HSL 26.4, 1%, 0.01%

LAB 0.72, 0.43, 1.09

 

CMYK 1 / 0 / 93 / 72

HEX #474805

RGB 71 72 5

HSL 60.9, 0.87%, 0.15%

LAB 29.38, -8.95, 35.82

 

CMYK 0 / 24 / 93 / 72

HEX #483705

RGB 72 55 5

HSL 44.78, 0.87%, 0.15%

LAB 24.07, 2.16, 31.13

 

CMYK 0 / 49 / 93 / 72

HEX #482505

RGB 72 37 5

HSL 28.66, 0.87%, 0.15%

LAB 18.85, 13.9, 25.49

 

CMYK 0 / 74 / 93 / 72

HEX #481305

RGB 72 19 5

HSL 12.54, 0.87%, 0.15%

LAB 14.7, 24.48, 20.39

 

CMYK 0 / 93 / 93 / 72

HEX #480505

RGB 72 5 5

HSL 0, 0.87%, 0.15%

LAB 12.59, 30.34, 17.6

 

CMYK 1 / 0 / 93 / 72

HEX #474805

RGB 71 72 5

HSL 60.9, 0.87%, 0.15%

LAB 29.38, -8.95, 35.82

 

CMYK 26 / 0 / 93 / 72

HEX #354805

RGB 53 72 5

HSL 77.01, 0.87%, 0.15%

LAB 27.85, -17.85, 33.93

 

CMYK 53 / 0 / 93 / 72

HEX #224805

RGB 34 72 5

HSL 94.03, 0.87%, 0.15%

LAB 26.69, -25.93, 32.47

 

CMYK 78 / 0 / 93 / 72

HEX #104805

RGB 16 72 5

HSL 110.15, 0.87%, 0.15%

LAB 26.03, -31.31, 31.62

 

CMYK 93 / 0 / 85 / 72

HEX #05480B

RGB 5 72 11

HSL 125.37, 0.87%, 0.15%

LAB 25.84, -32.82, 28.98

 

CMYK 1 / 0 / 93 / 72

HEX #474805

RGB 71 72 5

HSL 60.9, 0.87%, 0.15%

LAB 29.38, -8.95, 35.82

 

CMYK 1 / 0 / 93 / 72

HEX #474805

RGB 71 72 5

HSL 60.9, 0.87%, 0.15%

LAB 29.38, -8.95, 35.82

 

CMYK 2 / 0 / 83 / 74

HEX #41420B

RGB 65 66 11

HSL 61.09, 0.71%, 0.15%

LAB 26.86, -8.14, 31.07

 

CMYK 2 / 0 / 72 / 76

HEX #3B3C11

RGB 59 60 17

HSL 61.4, 0.56%, 0.15%

LAB 24.33, -7.16, 25.58

 

CMYK 0 / 0 / 57 / 79

HEX #353517

RGB 53 53 23

HSL 60, 0.39%, 0.15%

LAB 21.45, -5.26, 18.77

 

CMYK 0 / 0 / 38 / 82

HEX #2F2F1D

RGB 47 47 29

HSL 60, 0.24%, 0.15%

LAB 18.91, -3.58, 11.6

 

CMYK 0 / 49 / 93 / 72

HEX #482505

RGB 72 37 5

HSL 28.66, 0.87%, 0.15%

LAB 18.85, 13.9, 25.49

 

CMYK 0 / 24 / 93 / 72

HEX #483705

RGB 72 55 5

HSL 44.78, 0.87%, 0.15%

LAB 24.07, 2.16, 31.13

 

CMYK 1 / 0 / 93 / 72

HEX #474805

RGB 71 72 5

HSL 60.9, 0.87%, 0.15%

LAB 29.38, -8.95, 35.82

 

CMYK 26 / 0 / 93 / 72

HEX #354805

RGB 53 72 5

HSL 77.01, 0.87%, 0.15%

LAB 27.85, -17.85, 33.93

 

CMYK 51 / 0 / 93 / 72

HEX #234805

RGB 35 72 5

HSL 93.13, 0.87%, 0.15%

LAB 26.74, -25.56, 32.53

 

CMYK 0 / 0 / 94 / 87

HEX #212102

RGB 33 33 2

HSL 60, 0.89%, 0.07%

LAB 12.06, -5.11, 16.95

 

CMYK 1 / 0 / 93 / 72

HEX #474805

RGB 71 72 5

HSL 60.9, 0.87%, 0.15%

LAB 29.38, -8.95, 35.82

 

CMYK 2 / 0 / 94 / 56

HEX #6D6F07

RGB 109 111 7

HSL 61.15, 0.88%, 0.23%

LAB 45.13, -12.46, 49.38

 

CMYK 1 / 0 / 93 / 42

HEX #93950A

RGB 147 149 10

HSL 60.86, 0.87%, 0.31%

LAB 59.63, -15.18, 61.6

 

CMYK 2 / 0 / 94 / 71

HEX #494A04

RGB 73 74.2 4.6

HSL 61.03, 0.88%, 0.15%

LAB 30.28, -9.25, 36.8

 

CMYK 93 / 0 / 74 / 72

HEX #054813

RGB 5 72 19

HSL 132.54, 0.87%, 0.15%

LAB 25.9, -31.97, 25.46

 

CMYK 36 / 93 / 0 / 72

HEX #2E0548

RGB 46 5 72

HSL 276.72, 0.87%, 0.15%

LAB 10.24, 32.58, -31.83

 

CMYK 2 / 0 / 94 / 71

HEX #494A04

RGB 73 74.2 4.6

HSL 61.03, 0.88%, 0.15%

LAB 30.28, -9.25, 36.8

 

CMYK 93 / 1 / 0 / 72

HEX #054748

RGB 5 71 72

HSL 180.9, 0.87%, 0.15%

LAB 26.75, -18.17, -6.08

 

CMYK 0 / 93 / 1 / 72

HEX #480547

RGB 72 5 71

HSL 300.9, 0.87%, 0.15%

LAB 15.18, 37.55, -22.91

 

CMYK 2 / 0 / 94 / 71

HEX #494A04

RGB 73 74.2 4.6

HSL 61.03, 0.88%, 0.15%

LAB 30.28, -9.25, 36.8

 

CMYK 93 / 0 / 74 / 72

HEX #054813

RGB 5 72 19

HSL 132.54, 0.87%, 0.15%

LAB 25.9, -31.97, 25.46

 

CMYK 92 / 93 / 0 / 72

HEX #060548

RGB 6 5 72

HSL 240.9, 0.87%, 0.15%

LAB 5.56, 26.63, -39.7

 

CMYK 0 / 93 / 21 / 72

HEX #480539

RGB 72 5 57

HSL 313.43, 0.87%, 0.15%

LAB 14.3, 35.2, -14.43

 

CMYK 2 / 0 / 94 / 71

HEX #494A04

RGB 73 74.2 4.6

HSL 61.03, 0.88%, 0.15%

LAB 30.28, -9.25, 36.8

 

CMYK 93 / 0 / 46 / 72

HEX #054827

RGB 5 72 39

HSL 150.45, 0.87%, 0.15%

LAB 26.2, -28.46, 14.4

 

CMYK 92 / 93 / 0 / 72

HEX #060548

RGB 6 5 72

HSL 240.9, 0.87%, 0.15%

LAB 5.56, 26.63, -39.7

 

CMYK 0 / 93 / 49 / 72

HEX #480525

RGB 72 5 37

HSL 331.34, 0.87%, 0.15%

LAB 13.35, 32.56, -1.29

 

Description

Color code: RGB 73 74.2 4.6 | qconv.com Color code: RGB 73 74.2 4.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 74.2 green and 4.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 74.2 4.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 94 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 94% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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