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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 238 106 it is the complementary color RGB 182 17 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 238 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 238 106: RGB 78 238 101, RGB 95 255 120, RGB 112 255 139, RGB 129 255 158 and RGB 146 255 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 238 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 238 106: RGB 73 238 106, RGB 56 220 87, RGB 39 202 68, RGB 22 184 49 and RGB 5 166 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

Complementary color

CMYK 0 / 91 / 18 / 29

HEX #B61195

RGB 182 17 149

HSL 312, 0.83%, 0.39%

LAB 42.02, 69.9, -29.43

 

CMYK 67 / 0 / 58 / 7

HEX #4EEE65

RGB 78 238 101

HSL 128.63, 0.82%, 0.62%

LAB 83.81, -68.25, 53.49

 

CMYK 63 / 0 / 53 / 0

HEX #5FFF78

RGB 95 255 120

HSL 129.38, 1%, 0.69%

LAB 89.54, -68.5, 51.83

 

CMYK 56 / 0 / 45 / 0

HEX #70FF8B

RGB 112 255 139

HSL 131.33, 1%, 0.72%

LAB 90.24, -62.27, 43.9

 

CMYK 49 / 0 / 38 / 0

HEX #81FF9E

RGB 129 255 158

HSL 133.81, 1%, 0.75%

LAB 91.08, -55.28, 35.82

 

CMYK 43 / 0 / 31 / 0

HEX #92FFB1

RGB 146 255 177

HSL 137.06, 1%, 0.79%

LAB 92.04, -47.67, 27.72

 

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

CMYK 75 / 0 / 60 / 14

HEX #38DC57

RGB 56 220 87

HSL 131.34, 0.7%, 0.54%

LAB 77.71, -67.52, 52.48

 

CMYK 81 / 0 / 66 / 21

HEX #27CA44

RGB 39 202 68

HSL 130.67, 0.68%, 0.47%

LAB 71.62, -66.07, 53.67

 

CMYK 88 / 0 / 73 / 28

HEX #16B831

RGB 22 184 49

HSL 130, 0.79%, 0.4%

LAB 65.49, -64, 54.53

 

CMYK 97 / 0 / 82 / 35

HEX #05A61E

RGB 5 166 30

HSL 129.32, 0.94%, 0.34%

LAB 59.34, -61.11, 54.72

 

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

CMYK 69 / 0 / 44 / 7

HEX #49EE85

RGB 73 238 133

HSL 141.82, 0.83%, 0.61%

LAB 84.1, -64.57, 38.77

 

CMYK 69 / 0 / 32 / 7

HEX #49EEA1

RGB 73 238 161

HSL 152, 0.83%, 0.61%

LAB 84.56, -59.5, 25.29

 

CMYK 69 / 0 / 21 / 7

HEX #49EEBC

RGB 73 238 188

HSL 161.82, 0.83%, 0.61%

LAB 85.1, -53.72, 12.07

 

CMYK 69 / 0 / 9 / 7

HEX #49EED8

RGB 73 238 216

HSL 172, 0.83%, 0.61%

LAB 85.77, -46.9, -1.63

 

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

CMYK 71 / 0 / 56 / 87

HEX #0A220F

RGB 10 34 15

HSL 132.5, 0.55%, 0.09%

LAB 10.87, -14.77, 9.44

 

CMYK 69 / 0 / 55 / 67

HEX #1A5526

RGB 26 85 38

HSL 132.2, 0.53%, 0.22%

LAB 31.48, -30.38, 21.82

 

CMYK 69 / 0 / 55 / 47

HEX #2A883D

RGB 42 136 61

HSL 132.13, 0.53%, 0.35%

LAB 50.02, -43.9, 32.16

 

CMYK 70 / 0 / 56 / 27

HEX #39BB53

RGB 57 187 83

HSL 132, 0.53%, 0.48%

LAB 67.3, -56.7, 42.14

 

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

CMYK 69 / 28 / 0 / 7

HEX #49ACEE

RGB 73 172 238

HSL 204, 0.83%, 0.61%

LAB 67.35, -8.08, -41.39

 

CMYK 0 / 69 / 55 / 7

HEX #EE496A

RGB 238 73 106

HSL 348, 0.83%, 0.61%

LAB 56.07, 64.81, 18.4

 

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

CMYK 55 / 69 / 0 / 7

HEX #6A49EE

RGB 106 73 238

HSL 252, 0.83%, 0.61%

LAB 44.24, 55.33, -78.36

 

CMYK 0 / 55 / 69 / 7

HEX #EE6A49

RGB 238 106 73

HSL 12, 0.83%, 0.61%

LAB 60.75, 48.85, 43

 

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

CMYK 69 / 28 / 0 / 7

HEX #49ACEE

RGB 73 172 238

HSL 204, 0.83%, 0.61%

LAB 67.35, -8.08, -41.39

 

CMYK 0 / 69 / 14 / 7

HEX #EE49CD

RGB 238 73 205

HSL 312, 0.83%, 0.61%

LAB 59.3, 75.44, -34.57

 

CMYK 0 / 42 / 69 / 7

HEX #EE8B49

RGB 238 139 73

HSL 24, 0.83%, 0.61%

LAB 67.37, 32.34, 50.42

 

CMYK 69 / 0 / 55 / 7

HEX #49EE6A

RGB 73 238 106

HSL 132, 0.83%, 0.61%

LAB 83.76, -68.49, 51.15

 

CMYK 69 / 49 / 0 / 7

HEX #497AEE

RGB 73 122 238

HSL 222.18, 0.83%, 0.61%

LAB 53.5, 21.38, -63.39

 

CMYK 0 / 69 / 14 / 7

HEX #EE49CD

RGB 238 73 205

HSL 312, 0.83%, 0.61%

LAB 59.3, 75.44, -34.57

 

CMYK 0 / 21 / 69 / 7

HEX #EEBC49

RGB 238 188 73

HSL 41.82, 0.83%, 0.61%

LAB 78.82, 6.53, 62.6

 

Description

Color code: RGB 73 238 106 | qconv.com Color code: RGB 73 238 106 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 238 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 238 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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