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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 187 162 it is the complementary color RGB 182 68 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 187 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 187 162 shade: RGB 78 187 157, RGB 95 205 176, RGB 112 223 195, RGB 129 241 214 and RGB 146 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 187 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 187 162 shade: RGB 73 187 162, RGB 56 169 143, RGB 39 151 124, RGB 22 133 105 and RGB 5 115 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 187 162 shade: RGB 73 188 162, RGB 73 188 131, RGB 73 188 100, RGB 76 188 73 and RGB 107 188 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 187 162 shade: RGB 73 188 162, RGB 73 182 188, RGB 73 151 188, RGB 73 120 188 and RGB 73 89 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 187 162 shade matches the following richer shades: RGB 73 188 162, RGB 52 208 174, RGB 32 228 185 and RGB 12 248 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 187 162 shade: RGB 73 188 162, RGB 93 167 151, RGB 113 147 140, RGB 133 127 128 and RGB 153 107 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 187 162 shade: RGB 73 188 99, RGB 73 188 130, RGB 73 188 161, RGB 73 184 188 and RGB 73 153 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 187 162 shade: RGB 48 130 112, RGB 59 160 138, RGB 73 188 162, RGB 103 199 178 and RGB 133 210 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 187 162 shade: RGB 73 187 162, RGB 73 76 188 and RGB 188 115 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 187 162 shade: RGB 73 187 162, RGB 161 73 188 and RGB 188 161 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 187 162 shade: RGB 73 187 162, RGB 73 76 188, RGB 188 73 99 and RGB 188 184 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 187 162 shade: RGB 73 187 162, RGB 103 73 188, RGB 188 73 99 and RGB 157 188 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 13 / 27

HEX #49BBA2

RGB 73 187 162

HSL 166.84, 0.46%, 0.51%

LAB 69.16, -38.22, 3.12

 

Complementary color

CMYK 0 / 63 / 49 / 29

HEX #B6445D

RGB 182 68 93

HSL 346.84, 0.46%, 0.49%

LAB 45.46, 48.19, 10.08

 

CMYK 58 / 0 / 16 / 27

HEX #4EBB9D

RGB 78 187 157

HSL 163.49, 0.44%, 0.52%

LAB 69.18, -38.48, 5.9

 

CMYK 54 / 0 / 14 / 20

HEX #5FCDB0

RGB 95 205 176

HSL 164.18, 0.52%, 0.59%

LAB 75.59, -38.52, 4.9

 

CMYK 50 / 0 / 13 / 13

HEX #70DFC3

RGB 112 223 195

HSL 164.86, 0.63%, 0.66%

LAB 81.93, -38.49, 3.98

 

CMYK 46 / 0 / 11 / 5

HEX #81F1D6

RGB 129 241 214

HSL 165.54, 0.8%, 0.73%

LAB 88.18, -38.41, 3.12

 

CMYK 43 / 0 / 9 / 0

HEX #92FFE9

RGB 146 255 233

HSL 167.89, 1%, 0.79%

LAB 93.24, -36.48, 0.7

 

CMYK 61 / 0 / 13 / 27

HEX #49BBA2

RGB 73 187 162

HSL 166.84, 0.46%, 0.51%

LAB 69.16, -38.22, 3.12

 

CMYK 67 / 0 / 15 / 34

HEX #38A98F

RGB 56 169 143

HSL 166.19, 0.5%, 0.44%

LAB 62.68, -37.92, 4.2

 

CMYK 74 / 0 / 18 / 41

HEX #27977C

RGB 39 151 124

HSL 165.54, 0.59%, 0.37%

LAB 56.11, -37.39, 5.41

 

CMYK 83 / 0 / 21 / 48

HEX #168569

RGB 22 133 105

HSL 164.86, 0.72%, 0.3%

LAB 49.45, -36.5, 6.79

 

CMYK 96 / 0 / 25 / 55

HEX #057356

RGB 5 115 86

HSL 164.18, 0.92%, 0.24%

LAB 42.71, -35.11, 8.38

 

CMYK 61 / 0 / 14 / 26

HEX #49BCA2

RGB 73 188 162

HSL 166.43, 0.46%, 0.51%

LAB 69.46, -38.67, 3.56

 

CMYK 61 / 0 / 30 / 26

HEX #49BC83

RGB 73 188 131

HSL 150.26, 0.46%, 0.51%

LAB 68.77, -45.75, 19.43

 

CMYK 61 / 0 / 47 / 26

HEX #49BC64

RGB 73 188 100

HSL 134.09, 0.46%, 0.51%

LAB 68.24, -51.4, 35

 

CMYK 60 / 0 / 61 / 26

HEX #4CBC49

RGB 76 188 73

HSL 118.43, 0.46%, 0.51%

LAB 68.01, -54.34, 47.73

 

CMYK 43 / 0 / 61 / 26

HEX #6BBC49

RGB 107 188 73

HSL 102.26, 0.46%, 0.51%

LAB 69.16, -45.67, 49.35

 

CMYK 61 / 0 / 14 / 26

HEX #49BCA2

RGB 73 188 162

HSL 166.43, 0.46%, 0.51%

LAB 69.46, -38.67, 3.56

 

CMYK 61 / 3 / 0 / 26

HEX #49B6BC

RGB 73 182 188

HSL 183.13, 0.46%, 0.51%

LAB 68.39, -28.88, -12.32

 

CMYK 61 / 20 / 0 / 26

HEX #4997BC

RGB 73 151 188

HSL 199.3, 0.46%, 0.51%

LAB 59.14, -12.8, -26.39

 

CMYK 61 / 36 / 0 / 26

HEX #4978BC

RGB 73 120 188

HSL 215.48, 0.46%, 0.51%

LAB 50.07, 5.18, -40.55

 

CMYK 61 / 53 / 0 / 26

HEX #4959BC

RGB 73 89 188

HSL 231.65, 0.46%, 0.51%

LAB 41.52, 24.64, -54.22

 

CMYK 61 / 0 / 14 / 26

HEX #49BCA2

RGB 73 188 162

HSL 166.43, 0.46%, 0.51%

LAB 69.46, -38.67, 3.56

 

CMYK 75 / 0 / 16 / 18

HEX #34D0AE

RGB 52 208 174

HSL 166.92, 0.62%, 0.51%

LAB 75.39, -47.49, 5.54

 

CMYK 86 / 0 / 19 / 11

HEX #20E4B9

RGB 32 228 185

HSL 166.84, 0.78%, 0.51%

LAB 81.45, -54.66, 8.37

 

CMYK 95 / 0 / 21 / 3

HEX #0CF8C4

RGB 12 248 196

HSL 166.78, 0.94%, 0.51%

LAB 87.58, -60.61, 11.35

 

CMYK 61 / 0 / 14 / 26

HEX #49BCA2

RGB 73 188 162

HSL 166.43, 0.46%, 0.51%

LAB 69.46, -38.67, 3.56

 

CMYK 44 / 0 / 10 / 35

HEX #5DA797

RGB 93 167 151

HSL 167.03, 0.3%, 0.51%

LAB 63.51, -27.03, 1.09

 

CMYK 23 / 0 / 5 / 42

HEX #71938C

RGB 113 147 140

HSL 167.65, 0.14%, 0.51%

LAB 58.29, -13.34, -0.18

 

CMYK 0 / 5 / 4 / 48

HEX #857F80

RGB 133 127 128

HSL 350, 0.02%, 0.51%

LAB 53.73, 2.46, 0.26

 

CMYK 0 / 30 / 24 / 40

HEX #996B75

RGB 153 107 117

HSL 346.96, 0.18%, 0.51%

LAB 50.18, 19.88, 1.81

 

CMYK 61 / 0 / 47 / 26

HEX #49BC63

RGB 73 188 99

HSL 133.57, 0.46%, 0.51%

LAB 68.23, -51.56, 35.49

 

CMYK 61 / 0 / 31 / 26

HEX #49BC82

RGB 73 188 130

HSL 149.74, 0.46%, 0.51%

LAB 68.75, -45.96, 19.94

 

CMYK 61 / 0 / 14 / 26

HEX #49BCA1

RGB 73 188 161

HSL 165.91, 0.46%, 0.51%

LAB 69.44, -38.92, 4.07

 

CMYK 61 / 2 / 0 / 26

HEX #49B8BC

RGB 73 184 188

HSL 182.09, 0.46%, 0.51%

LAB 68.99, -29.86, -11.43

 

CMYK 61 / 19 / 0 / 26

HEX #4999BC

RGB 73 153 188

HSL 198.26, 0.46%, 0.51%

LAB 59.73, -13.89, -25.48

 

CMYK 63 / 0 / 14 / 49

HEX #308270

RGB 48 130 112

HSL 166.83, 0.46%, 0.35%

LAB 49.21, -29.36, 2.42

 

CMYK 63 / 0 / 14 / 37

HEX #3BA08A

RGB 59 160 138

HSL 166.93, 0.46%, 0.43%

LAB 59.8, -34.58, 2.86

 

CMYK 61 / 0 / 14 / 26

HEX #49BCA2

RGB 73 188 162

HSL 166.43, 0.46%, 0.51%

LAB 69.46, -38.67, 3.56

 

CMYK 48 / 0 / 11 / 22

HEX #67C7B2

RGB 103 199 178

HSL 166.88, 0.46%, 0.59%

LAB 74.15, -33.48, 1.77

 

CMYK 37 / 0 / 8 / 18

HEX #85D2C1

RGB 133 210 193

HSL 166.75, 0.46%, 0.67%

LAB 79, -27.61, 0.91

 

CMYK 61 / 0 / 13 / 27

HEX #49BBA2

RGB 73 187 162

HSL 166.84, 0.46%, 0.51%

LAB 69.16, -38.22, 3.12

 

CMYK 61 / 60 / 0 / 26

HEX #494CBC

RGB 73 76 188

HSL 238.43, 0.46%, 0.51%

LAB 38.23, 32.87, -59.55

 

CMYK 0 / 39 / 61 / 26

HEX #BC7349

RGB 188 115 73

HSL 21.91, 0.46%, 0.51%

LAB 55.52, 24.72, 35.08

 

CMYK 61 / 0 / 13 / 27

HEX #49BBA2

RGB 73 187 162

HSL 166.84, 0.46%, 0.51%

LAB 69.16, -38.22, 3.12

 

CMYK 14 / 61 / 0 / 26

HEX #A149BC

RGB 161 73 188

HSL 285.91, 0.46%, 0.51%

LAB 46.94, 53.94, -45.04

 

CMYK 0 / 14 / 61 / 26

HEX #BCA149

RGB 188 161 73

HSL 45.91, 0.46%, 0.51%

LAB 67.02, -0.55, 48.46

 

CMYK 61 / 0 / 13 / 27

HEX #49BBA2

RGB 73 187 162

HSL 166.84, 0.46%, 0.51%

LAB 69.16, -38.22, 3.12

 

CMYK 61 / 60 / 0 / 26

HEX #494CBC

RGB 73 76 188

HSL 238.43, 0.46%, 0.51%

LAB 38.23, 32.87, -59.55

 

CMYK 0 / 61 / 47 / 26

HEX #BC4963

RGB 188 73 99

HSL 346.43, 0.46%, 0.51%

LAB 47.44, 48.5, 9.34

 

CMYK 0 / 2 / 61 / 26

HEX #BCB849

RGB 188 184 73

HSL 57.91, 0.46%, 0.51%

LAB 73.19, -12.63, 55.25

 

CMYK 61 / 0 / 13 / 27

HEX #49BBA2

RGB 73 187 162

HSL 166.84, 0.46%, 0.51%

LAB 69.16, -38.22, 3.12

 

CMYK 45 / 61 / 0 / 26

HEX #6749BC

RGB 103 73 188

HSL 255.65, 0.46%, 0.51%

LAB 40.05, 40.42, -56.48

 

CMYK 0 / 61 / 47 / 26

HEX #BC4963

RGB 188 73 99

HSL 346.43, 0.46%, 0.51%

LAB 47.44, 48.5, 9.34

 

CMYK 16 / 0 / 61 / 26

HEX #9DBC49

RGB 157 188 73

HSL 76.17, 0.46%, 0.51%

LAB 71.97, -27.44, 53.25

 

Description

Color code: RGB 73 187 162 | qconv.com Color code: RGB 73 187 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 187 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 187 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 13 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 13% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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