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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 128 238 it is the complementary color RGB 182 127 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 128 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 128 238 shade: RGB 78 128 233, RGB 95 146 252, RGB 112 164 255, RGB 129 182 255 and RGB 146 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 128 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 128 238 shade: RGB 73 128 238, RGB 56 110 219, RGB 39 92 200, RGB 22 74 181 and RGB 5 56 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 128 238 shade: RGB 73 128 238, RGB 73 83 238, RGB 107 73 238, RGB 151 73 238 and RGB 196 73 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 128 238 shade: RGB 73 128 238, RGB 73 83 238 and RGB 73 73 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 128 238 shade matches the following richer shades: RGB 73 128 238 and RGB 56 122 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 128 238 shade: RGB 73 128 238, RGB 89 133 222, RGB 105 138 205, RGB 121 144 189 and RGB 137 149 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 128 238 shade: RGB 73 216 238, RGB 73 172 238, RGB 73 128 238, RGB 73 84 238 and RGB 106 73 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 128 238 shade: RGB 19 82 209, RGB 35 101 234, RGB 73 128 238, RGB 110 154 241 and RGB 148 180 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 128 238 shade: RGB 73 128 238, RGB 216 73 238 and RGB 194 238 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 128 238 shade: RGB 73 128 238, RGB 238 73 128 and RGB 128 238 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 128 238 shade: RGB 73 128 238, RGB 216 73 238, RGB 238 183 73 and RGB 95 238 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 128 238 shade: RGB 73 128 238, RGB 238 73 210, RGB 238 183 73 and RGB 73 238 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

Complementary color

CMYK 0 / 30 / 91 / 29

HEX #B67F11

RGB 182 127 17

HSL 40, 0.83%, 0.39%

LAB 57.24, 12.94, 59.97

 

CMYK 67 / 45 / 0 / 9

HEX #4E80E9

RGB 78 128 233

HSL 220.65, 0.78%, 0.61%

LAB 55.01, 16.69, -58.17

 

CMYK 62 / 42 / 0 / 1

HEX #5F92FC

RGB 95 146 252

HSL 220.51, 0.96%, 0.68%

LAB 61.67, 15.1, -57.98

 

CMYK 56 / 36 / 0 / 0

HEX #70A4FF

RGB 112 164 255

HSL 218.18, 1%, 0.72%

LAB 67.44, 8.72, -50.41

 

CMYK 49 / 29 / 0 / 0

HEX #81B6FF

RGB 129 182 255

HSL 214.76, 1%, 0.75%

LAB 73.12, 2.17, -41.43

 

CMYK 43 / 22 / 0 / 0

HEX #92C8FF

RGB 146 200 255

HSL 210.28, 1%, 0.79%

LAB 78.83, -3.64, -32.5

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 74 / 50 / 0 / 14

HEX #386EDB

RGB 56 110 219

HSL 220.12, 0.69%, 0.54%

LAB 48.39, 19.8, -60.98

 

CMYK 81 / 54 / 0 / 22

HEX #275CC8

RGB 39 92 200

HSL 220.25, 0.67%, 0.47%

LAB 41.62, 22.37, -61.1

 

CMYK 88 / 59 / 0 / 29

HEX #164AB5

RGB 22 74 181

HSL 220.38, 0.78%, 0.4%

LAB 34.81, 25.53, -61.1

 

CMYK 97 / 65 / 0 / 36

HEX #0538A2

RGB 5 56 162

HSL 220.51, 0.94%, 0.33%

LAB 28.03, 29.31, -60.85

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 69 / 65 / 0 / 7

HEX #4953EE

RGB 73 83 238

HSL 236.36, 0.83%, 0.61%

LAB 43.91, 45.35, -78.98

 

CMYK 55 / 69 / 0 / 7

HEX #6B49EE

RGB 107 73 238

HSL 252.36, 0.83%, 0.61%

LAB 44.32, 55.48, -78.21

 

CMYK 37 / 69 / 0 / 7

HEX #9749EE

RGB 151 73 238

HSL 268.36, 0.83%, 0.61%

LAB 48.91, 62.84, -70.54

 

CMYK 18 / 69 / 0 / 7

HEX #C449EE

RGB 196 73 238

HSL 284.73, 0.83%, 0.61%

LAB 54.73, 71.61, -60.84

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 69 / 65 / 0 / 7

HEX #4953EE

RGB 73 83 238

HSL 236.36, 0.83%, 0.61%

LAB 43.91, 45.35, -78.98

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 78 / 52 / 0 / 0

HEX #387AFE

RGB 56 122 254

HSL 220, 0.99%, 0.61%

LAB 53.94, 25.11, -71.6

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 60 / 40 / 0 / 13

HEX #5985DE

RGB 89 133 222

HSL 220.15, 0.67%, 0.61%

LAB 56.26, 11.82, -49.99

 

CMYK 49 / 33 / 0 / 20

HEX #698ACD

RGB 105 138 205

HSL 220.2, 0.5%, 0.61%

LAB 57.64, 6.87, -38.2

 

CMYK 36 / 24 / 0 / 26

HEX #7990BD

RGB 121 144 189

HSL 219.71, 0.34%, 0.61%

LAB 59.6, 2.98, -26.04

 

CMYK 21 / 14 / 0 / 32

HEX #8995AD

RGB 137 149 173

HSL 220, 0.18%, 0.61%

LAB 61.51, 0.99, -13.99

 

CMYK 69 / 9 / 0 / 7

HEX #49D8EE

RGB 73 216 238

HSL 188, 0.83%, 0.61%

LAB 80.01, -30.79, -21.87

 

CMYK 69 / 28 / 0 / 7

HEX #49ACEE

RGB 73 172 238

HSL 204, 0.83%, 0.61%

LAB 67.35, -8.08, -41.39

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 69 / 65 / 0 / 7

HEX #4954EE

RGB 73 84 238

HSL 236, 0.83%, 0.61%

LAB 44.13, 44.75, -78.62

 

CMYK 55 / 69 / 0 / 7

HEX #6A49EE

RGB 106 73 238

HSL 252, 0.83%, 0.61%

LAB 44.24, 55.33, -78.36

 

CMYK 91 / 61 / 0 / 18

HEX #1352D1

RGB 19 82 209

HSL 220.11, 0.83%, 0.45%

LAB 39.2, 31.02, -70.26

 

CMYK 85 / 57 / 0 / 8

HEX #2365EA

RGB 35 101 234

HSL 220.1, 0.83%, 0.53%

LAB 46.45, 29.18, -72.64

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 54 / 36 / 0 / 5

HEX #6E9AF1

RGB 110 154 241

HSL 219.85, 0.82%, 0.69%

LAB 63.98, 9.72, -48.23

 

CMYK 40 / 27 / 0 / 4

HEX #94B4F5

RGB 148 180 245

HSL 220.21, 0.83%, 0.77%

LAB 73.24, 5.09, -35.76

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 9 / 69 / 0 / 7

HEX #D849EE

RGB 216 73 238

HSL 292, 0.83%, 0.61%

LAB 57.59, 75.72, -56.09

 

CMYK 18 / 0 / 69 / 7

HEX #C2EE49

RGB 194 238 73

HSL 76, 0.83%, 0.61%

LAB 88.5, -36.23, 71.29

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 0 / 69 / 46 / 7

HEX #EE4980

RGB 238 73 128

HSL 340, 0.83%, 0.61%

LAB 56.59, 66.57, 6.1

 

CMYK 46 / 0 / 69 / 7

HEX #80EE49

RGB 128 238 73

HSL 100, 0.83%, 0.61%

LAB 85.11, -59.01, 66.75

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 9 / 69 / 0 / 7

HEX #D849EE

RGB 216 73 238

HSL 292, 0.83%, 0.61%

LAB 57.59, 75.72, -56.09

 

CMYK 0 / 23 / 69 / 7

HEX #EEB749

RGB 238 183 73

HSL 40, 0.83%, 0.61%

LAB 77.59, 9.14, 61.33

 

CMYK 60 / 0 / 69 / 7

HEX #5FEE49

RGB 95 238 73

HSL 112, 0.83%, 0.61%

LAB 84, -67.61, 65.26

 

CMYK 69 / 46 / 0 / 7

HEX #4980EE

RGB 73 128 238

HSL 220, 0.83%, 0.61%

LAB 55.1, 17.69, -60.82

 

CMYK 0 / 69 / 12 / 7

HEX #EE49D2

RGB 238 73 210

HSL 310.18, 0.83%, 0.61%

LAB 59.52, 76.14, -37.06

 

CMYK 0 / 23 / 69 / 7

HEX #EEB749

RGB 238 183 73

HSL 40, 0.83%, 0.61%

LAB 77.59, 9.14, 61.33

 

CMYK 69 / 0 / 58 / 7

HEX #49EE64

RGB 73 238 100

HSL 129.82, 0.83%, 0.61%

LAB 83.7, -69.24, 53.77

 

Description

Color code: RGB 73 128 238 | qconv.com Color code: RGB 73 128 238 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 128 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 128 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 46 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 46% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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