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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 120 187 it is the complementary color RGB 182 135 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 120 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 120 187: RGB 78 120 182, RGB 95 138 201, RGB 112 156 220, RGB 129 174 239 and RGB 146 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 120 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 120 187: RGB 73 120 187, RGB 56 102 168, RGB 39 84 149, RGB 22 66 130 and RGB 5 48 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

Complementary color

CMYK 0 / 26 / 63 / 29

HEX #B68744

RGB 182 135 68

HSL 35.26, 0.46%, 0.49%

LAB 59.61, 10.71, 42.33

 

CMYK 57 / 34 / 0 / 29

HEX #4E78B6

RGB 78 120 182

HSL 215.77, 0.42%, 0.51%

LAB 50.01, 4.19, -37.17

 

CMYK 53 / 31 / 0 / 21

HEX #5F8AC9

RGB 95 138 201

HSL 215.66, 0.5%, 0.58%

LAB 56.91, 3.31, -37.14

 

CMYK 49 / 29 / 0 / 14

HEX #709CDC

RGB 112 156 220

HSL 215.56, 0.61%, 0.65%

LAB 63.66, 2.6, -37.14

 

CMYK 46 / 27 / 0 / 6

HEX #81AEEF

RGB 129 174 239

HSL 215.45, 0.77%, 0.72%

LAB 70.3, 2.01, -37.17

 

CMYK 43 / 25 / 0 / 0

HEX #92C0FF

RGB 146 192 255

HSL 214.68, 1%, 0.79%

LAB 76.7, 0.69, -35.8

 

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

CMYK 67 / 39 / 0 / 34

HEX #3866A8

RGB 56 102 168

HSL 215.36, 0.5%, 0.44%

LAB 43.02, 6.16, -40.13

 

CMYK 74 / 44 / 0 / 42

HEX #275495

RGB 39 84 149

HSL 215.45, 0.59%, 0.37%

LAB 35.87, 7.9, -40.22

 

CMYK 83 / 49 / 0 / 49

HEX #164282

RGB 22 66 130

HSL 215.56, 0.71%, 0.3%

LAB 28.59, 10.25, -40.28

 

CMYK 95 / 57 / 0 / 56

HEX #05306F

RGB 5 48 111

HSL 215.66, 0.91%, 0.23%

LAB 21.18, 13.48, -40.24

 

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

CMYK 61 / 46 / 0 / 27

HEX #4865BB

RGB 72 101 187

HSL 224.87, 0.46%, 0.51%

LAB 44.62, 16.47, -48.65

 

CMYK 61 / 56 / 0 / 27

HEX #4852BB

RGB 72 82 187

HSL 234.78, 0.46%, 0.51%

LAB 39.58, 28.57, -56.77

 

CMYK 56 / 61 / 0 / 27

HEX #5248BB

RGB 82 72 187

HSL 245.22, 0.46%, 0.51%

LAB 37.87, 36.59, -59.51

 

CMYK 46 / 61 / 0 / 27

HEX #6548BB

RGB 101 72 187

HSL 255.13, 0.46%, 0.51%

LAB 39.56, 40.29, -56.69

 

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

CMYK 61 / 36 / 0 / 7

HEX #5D99EE

RGB 93 153 238

HSL 215.17, 0.81%, 0.65%

LAB 62.75, 6, -48.59

 

CMYK 62 / 35 / 0 / 87

HEX #0D1622

RGB 13 22 34

HSL 214.29, 0.45%, 0.09%

LAB 7, 0.21, -9.58

 

CMYK 61 / 35 / 0 / 67

HEX #213755

RGB 33 55 85

HSL 214.62, 0.44%, 0.23%

LAB 22.69, 1.64, -20.79

 

CMYK 61 / 36 / 0 / 47

HEX #355788

RGB 53 87 136

HSL 215.42, 0.44%, 0.37%

LAB 36.65, 3.62, -31.04

 

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

CMYK 13 / 61 / 0 / 27

HEX #A248BB

RGB 162 72 187

HSL 286.96, 0.46%, 0.51%

LAB 46.85, 54.45, -44.6

 

CMYK 11 / 0 / 61 / 27

HEX #A6BB48

RGB 166 187 72

HSL 70.96, 0.46%, 0.51%

LAB 72.31, -23.39, 54.23

 

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

CMYK 0 / 61 / 36 / 27

HEX #BB4878

RGB 187 72 120

HSL 334.96, 0.46%, 0.51%

LAB 47.7, 50.86, -3.08

 

CMYK 36 / 0 / 61 / 27

HEX #78BB48

RGB 120 187 72

HSL 94.96, 0.46%, 0.51%

LAB 69.47, -41, 50.3

 

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

CMYK 13 / 61 / 0 / 27

HEX #A248BB

RGB 162 72 187

HSL 286.96, 0.46%, 0.51%

LAB 46.85, 54.45, -44.6

 

CMYK 0 / 26 / 61 / 27

HEX #BB8B48

RGB 187 139 72

HSL 34.96, 0.46%, 0.51%

LAB 61.22, 10.95, 42.31

 

CMYK 48 / 0 / 61 / 27

HEX #61BB48

RGB 97 187 72

HSL 106.96, 0.46%, 0.51%

LAB 68.42, -48.44, 48.84

 

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

CMYK 0 / 61 / 5 / 27

HEX #BB48B1

RGB 187 72 177

HSL 305.22, 0.46%, 0.51%

LAB 49.95, 58.98, -33.62

 

CMYK 0 / 26 / 61 / 27

HEX #BB8B48

RGB 187 139 72

HSL 34.96, 0.46%, 0.51%

LAB 61.22, 10.95, 42.31

 

CMYK 61 / 0 / 56 / 27

HEX #48BB52

RGB 72 187 82

HSL 125.22, 0.46%, 0.51%

LAB 67.67, -53.81, 43.15

 

Description

Color code: RGB 73 120 187 | qconv.com Color code: RGB 73 120 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 120 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 120 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 36 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 36% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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