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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73.9 164.2 233 it is the complementary color RGB 181.1 90.8 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73.9 164.2 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73.9 164.2 233 shade: RGB 78.9 164.2 228, RGB 95.9 182.2 247, RGB 112.9 200.2 255, RGB 129.9 218.2 255 and RGB 146.9 236.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73.9 164.2 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73.9 164.2 233 shade: RGB 73.9 164.2 233, RGB 56.9 146.2 214, RGB 39.9 128.2 195, RGB 22.9 110.2 176 and RGB 5.9 92.2 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73.9 164.2 233 shade: RGB 73 163 232, RGB 73 120 232, RGB 73 77 232, RGB 111 73 232 and RGB 154 73 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73.9 164.2 233 shade: RGB 73 163 232, RGB 73 120 232, RGB 73 77 232 and RGB 73 73 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73.9 164.2 233 shade matches the following richer shades: RGB 73 163 232 and RGB 56 165 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73.9 164.2 233 shade: RGB 73 163 232, RGB 89 161 216, RGB 106 159 199, RGB 122 157 183 and RGB 139 154 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73.9 164.2 233 shade: RGB 73 232 213, RGB 73 208 232, RGB 73 166 232, RGB 73 123 232 and RGB 73 81 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73.9 164.2 233 shade: RGB 24 123 198, RGB 36 145 228, RGB 73 163 232, RGB 110 182 237 and RGB 146 200 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73.9 164.2 233 shade: RGB 73.9 164.2 233, RGB 171 73 232 and RGB 229 232 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73.9 164.2 233 shade: RGB 73.9 164.2 233, RGB 232 73 166 and RGB 166 232 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73.9 164.2 233 shade: RGB 73.9 164.2 233, RGB 171 73 232, RGB 232 139 73 and RGB 134 232 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73.9 164.2 233 shade: RGB 73.9 164.2 233, RGB 219 73 232, RGB 232 139 73 and RGB 86 232 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 30 / 0 / 9

HEX #49A4E9

RGB 73.9 164.2 233

HSL 205.95, 0.78%, 0.6%

LAB 64.93, -5.27, -42.44

 

Complementary color

CMYK 0 / 50 / 88 / 29

HEX #B55A16

RGB 181.1 90.8 22

HSL 25.95, 0.78%, 0.4%

LAB 48.69, 32.52, 51.82

 

CMYK 65 / 28 / 0 / 11

HEX #4EA4E4

RGB 78.9 164.2 228

HSL 205.67, 0.73%, 0.6%

LAB 64.87, -6.14, -39.78

 

CMYK 61 / 26 / 0 / 3

HEX #5FB6F7

RGB 95.9 182.2 247

HSL 205.73, 0.9%, 0.67%

LAB 71.37, -7.08, -39.94

 

CMYK 56 / 21 / 0 / 0

HEX #70C8FF

RGB 112.9 200.2 255

HSL 203.14, 1%, 0.72%

LAB 77.36, -11.12, -34.91

 

CMYK 49 / 14 / 0 / 0

HEX #81DAFF

RGB 129.9 218.2 255

HSL 197.65, 1%, 0.75%

LAB 83.02, -16.93, -26.14

 

CMYK 42 / 7 / 0 / 0

HEX #92ECFF

RGB 146.9 236.2 255

HSL 190.43, 1%, 0.79%

LAB 88.7, -22.07, -17.48

 

CMYK 68 / 30 / 0 / 9

HEX #49A4E9

RGB 73.9 164.2 233

HSL 205.95, 0.78%, 0.6%

LAB 64.93, -5.27, -42.44

 

CMYK 73 / 32 / 0 / 16

HEX #3892D6

RGB 56.9 146.2 214

HSL 205.89, 0.66%, 0.53%

LAB 58.36, -3.92, -42.27

 

CMYK 80 / 34 / 0 / 24

HEX #2780C3

RGB 39.9 128.2 195

HSL 205.84, 0.66%, 0.46%

LAB 51.7, -2.22, -42.06

 

CMYK 87 / 37 / 0 / 31

HEX #166EB0

RGB 22.9 110.2 176

HSL 205.79, 0.77%, 0.39%

LAB 44.96, -0.04, -41.81

 

CMYK 96 / 41 / 0 / 38

HEX #055C9D

RGB 5.9 92.2 157

HSL 205.73, 0.93%, 0.32%

LAB 38.13, 2.75, -41.46

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 69 / 48 / 0 / 9

HEX #4978E8

RGB 73 120 232

HSL 222.26, 0.78%, 0.6%

LAB 52.59, 20.5, -61.5

 

CMYK 69 / 67 / 0 / 9

HEX #494DE8

RGB 73 77 232

HSL 238.49, 0.78%, 0.6%

LAB 42.08, 46.9, -78.6

 

CMYK 52 / 69 / 0 / 9

HEX #6F49E8

RGB 111 73 232

HSL 254.34, 0.78%, 0.6%

LAB 44.19, 54.39, -75.02

 

CMYK 34 / 69 / 0 / 9

HEX #9A49E8

RGB 154 73 232

HSL 270.57, 0.78%, 0.6%

LAB 48.84, 62, -67.26

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 69 / 48 / 0 / 9

HEX #4978E8

RGB 73 120 232

HSL 222.26, 0.78%, 0.6%

LAB 52.59, 20.5, -61.5

 

CMYK 69 / 67 / 0 / 9

HEX #494DE8

RGB 73 77 232

HSL 238.49, 0.78%, 0.6%

LAB 42.08, 46.9, -78.6

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 78 / 34 / 0 / 2

HEX #38A5F9

RGB 56 165 249

HSL 206.11, 0.94%, 0.6%

LAB 65.43, -2.48, -50.45

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 59 / 25 / 0 / 15

HEX #59A1D8

RGB 89 161 216

HSL 205.98, 0.62%, 0.6%

LAB 63.81, -6.41, -34.77

 

CMYK 47 / 20 / 0 / 22

HEX #6A9FC7

RGB 106 159 199

HSL 205.81, 0.45%, 0.6%

LAB 63.33, -6.69, -26

 

CMYK 33 / 14 / 0 / 28

HEX #7A9DB7

RGB 122 157 183

HSL 205.57, 0.3%, 0.6%

LAB 63.07, -5.65, -17.36

 

CMYK 16 / 7 / 0 / 35

HEX #8B9AA6

RGB 139 154 166

HSL 206.67, 0.13%, 0.6%

LAB 62.8, -2.74, -8.08

 

CMYK 69 / 0 / 8 / 9

HEX #49E8D5

RGB 73 232 213

HSL 172.83, 0.78%, 0.6%

LAB 83.93, -45.08, -2.74

 

CMYK 69 / 10 / 0 / 9

HEX #49D0E8

RGB 73 208 232

HSL 189.06, 0.78%, 0.6%

LAB 77.49, -28.7, -22.49

 

CMYK 69 / 28 / 0 / 9

HEX #49A6E8

RGB 73 166 232

HSL 204.91, 0.78%, 0.6%

LAB 65.37, -6.74, -41.21

 

CMYK 69 / 47 / 0 / 9

HEX #497BE8

RGB 73 123 232

HSL 221.13, 0.78%, 0.6%

LAB 53.39, 18.65, -60.22

 

CMYK 69 / 65 / 0 / 9

HEX #4951E8

RGB 73 81 232

HSL 236.98, 0.78%, 0.6%

LAB 42.95, 44.54, -77.16

 

CMYK 88 / 38 / 0 / 22

HEX #187BC6

RGB 24 123 198

HSL 205.86, 0.78%, 0.44%

LAB 50.02, 0.69, -46.46

 

CMYK 84 / 36 / 0 / 11

HEX #2491E4

RGB 36 145 228

HSL 205.94, 0.78%, 0.52%

LAB 58.25, -0.31, -50.28

 

CMYK 69 / 30 / 0 / 9

HEX #49A3E8

RGB 73 163 232

HSL 206.04, 0.78%, 0.6%

LAB 64.51, -5.06, -42.55

 

CMYK 54 / 23 / 0 / 7

HEX #6EB6ED

RGB 110 182 237

HSL 205.98, 0.78%, 0.68%

LAB 71.48, -7.28, -34.32

 

CMYK 39 / 17 / 0 / 5

HEX #92C8F1

RGB 146 200 241

HSL 205.89, 0.77%, 0.76%

LAB 78.33, -7.35, -25.79

 

CMYK 68 / 30 / 0 / 9

HEX #49A4E9

RGB 73.9 164.2 233

HSL 205.95, 0.78%, 0.6%

LAB 64.93, -5.27, -42.44

 

CMYK 26 / 69 / 0 / 9

HEX #AB49E8

RGB 171 73 232

HSL 276.98, 0.78%, 0.6%

LAB 50.98, 65.34, -63.69

 

CMYK 1 / 0 / 69 / 9

HEX #E5E849

RGB 229 232 73

HSL 61.13, 0.78%, 0.6%

LAB 89.32, -19.48, 72.93

 

CMYK 68 / 30 / 0 / 9

HEX #49A4E9

RGB 73.9 164.2 233

HSL 205.95, 0.78%, 0.6%

LAB 64.93, -5.27, -42.44

 

CMYK 0 / 69 / 28 / 9

HEX #E849A6

RGB 232 73 166

HSL 324.91, 0.78%, 0.6%

LAB 56.76, 68.87, -16.1

 

CMYK 28 / 0 / 69 / 9

HEX #A6E849

RGB 166 232 73

HSL 84.91, 0.78%, 0.6%

LAB 85.15, -44.04, 67.37

 

CMYK 68 / 30 / 0 / 9

HEX #49A4E9

RGB 73.9 164.2 233

HSL 205.95, 0.78%, 0.6%

LAB 64.93, -5.27, -42.44

 

CMYK 26 / 69 / 0 / 9

HEX #AB49E8

RGB 171 73 232

HSL 276.98, 0.78%, 0.6%

LAB 50.98, 65.34, -63.69

 

CMYK 0 / 40 / 69 / 9

HEX #E88B49

RGB 232 139 73

HSL 24.91, 0.78%, 0.6%

LAB 66.6, 29.92, 49.35

 

CMYK 42 / 0 / 69 / 9

HEX #86E849

RGB 134 232 73

HSL 96.98, 0.78%, 0.6%

LAB 83.58, -54.87, 65.25

 

CMYK 68 / 30 / 0 / 9

HEX #49A4E9

RGB 73.9 164.2 233

HSL 205.95, 0.78%, 0.6%

LAB 64.93, -5.27, -42.44

 

CMYK 6 / 69 / 0 / 9

HEX #DB49E8

RGB 219 73 232

HSL 295.09, 0.78%, 0.6%

LAB 57.7, 75.33, -52.53

 

CMYK 0 / 40 / 69 / 9

HEX #E88B49

RGB 232 139 73

HSL 24.91, 0.78%, 0.6%

LAB 66.6, 29.92, 49.35

 

CMYK 63 / 0 / 69 / 9

HEX #56E849

RGB 86 232 73

HSL 115.09, 0.78%, 0.6%

LAB 81.93, -67.54, 63.02

 

Description

Color code: RGB 73.9 164.2 233 | qconv.com Color code: RGB 73.9 164.2 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73.9 red, 164.2 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73.9 164.2 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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