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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 114 132 it is the complementary color RGB 183 141 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 114 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 114 132 shade: RGB 77 114 127, RGB 94 132 146, RGB 111 150 165, RGB 128 168 184 and RGB 145 186 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 114 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 114 132 shade: RGB 72 114 132, RGB 55 96 113, RGB 38 78 94, RGB 21 60 75 and RGB 4 42 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 114 132 shade: RGB 72 114 132, RGB 72 98 132, RGB 72 82 132, RGB 79 72 132 and RGB 95 72 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 114 132 shade: RGB 72 114 132, RGB 72 98 132, RGB 72 82 132 and RGB 72 72 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 114 132 shade matches the following richer shades: RGB 72 114 132, RGB 56 120 148, RGB 39 127 165, RGB 23 134 181 and RGB 6 140 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 114 132 shade: RGB 72 114 132, RGB 89 107 115, RGB 105 101 99, RGB 122 94 82 and RGB 138 87 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 114 132 shade: RGB 72 132 118, RGB 72 130 132, RGB 72 114 132, RGB 72 98 132 and RGB 72 82 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 114 132 shade: RGB 43 68 78, RGB 58 91 105, RGB 72 114 132, RGB 87 137 158 and RGB 111 156 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 114 132 shade: RGB 72 114 132, RGB 102 72 132 and RGB 132 126 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 114 132 shade: RGB 72 114 132, RGB 132 72 114 and RGB 114 132 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 114 132 shade: RGB 72 114 132, RGB 102 72 132, RGB 132 90 72 and RGB 102 132 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 114 132 shade: RGB 72 114 132, RGB 120 72 132, RGB 132 90 72 and RGB 84 132 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

Complementary color

CMYK 0 / 23 / 33 / 28

HEX #B78D7B

RGB 183 141 123

HSL 18, 0.29%, 0.6%

LAB 62.12, 13.36, 15.73

 

CMYK 39 / 10 / 0 / 50

HEX #4D727F

RGB 77 114 127

HSL 195.6, 0.25%, 0.4%

LAB 45.83, -9.51, -11.32

 

CMYK 36 / 10 / 0 / 43

HEX #5E8492

RGB 94 132 146

HSL 196.15, 0.22%, 0.47%

LAB 52.9, -9.57, -11.76

 

CMYK 33 / 9 / 0 / 35

HEX #6F96A5

RGB 111 150 165

HSL 196.67, 0.23%, 0.54%

LAB 59.81, -9.61, -12.19

 

CMYK 30 / 9 / 0 / 28

HEX #80A8B8

RGB 128 168 184

HSL 197.14, 0.28%, 0.61%

LAB 66.56, -9.65, -12.61

 

CMYK 29 / 8 / 0 / 20

HEX #91BACB

RGB 145 186 203

HSL 197.59, 0.36%, 0.68%

LAB 73.19, -9.68, -13.03

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 51 / 15 / 0 / 56

HEX #376071

RGB 55 96 113

HSL 197.59, 0.35%, 0.33%

LAB 38.5, -9.24, -14.08

 

CMYK 60 / 17 / 0 / 63

HEX #264E5E

RGB 38 78 94

HSL 197.14, 0.42%, 0.26%

LAB 31.04, -8.85, -13.66

 

CMYK 72 / 20 / 0 / 71

HEX #153C4B

RGB 21 60 75

HSL 196.67, 0.56%, 0.19%

LAB 23.34, -8.18, -13.21

 

CMYK 93 / 25 / 0 / 78

HEX #042A38

RGB 4 42 56

HSL 196.15, 0.87%, 0.12%

LAB 15.31, -7.05, -12.7

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 45 / 26 / 0 / 48

HEX #486284

RGB 72 98 132

HSL 214, 0.29%, 0.4%

LAB 40.86, 0.07, -21.95

 

CMYK 45 / 38 / 0 / 48

HEX #485284

RGB 72 82 132

HSL 230, 0.29%, 0.4%

LAB 36.13, 10.18, -29.33

 

CMYK 40 / 45 / 0 / 48

HEX #4F4884

RGB 79 72 132

HSL 247, 0.29%, 0.4%

LAB 33.91, 18.6, -32.82

 

CMYK 28 / 45 / 0 / 48

HEX #5F4884

RGB 95 72 132

HSL 263, 0.29%, 0.4%

LAB 35.47, 23.3, -30.25

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 45 / 26 / 0 / 48

HEX #486284

RGB 72 98 132

HSL 214, 0.29%, 0.4%

LAB 40.86, 0.07, -21.95

 

CMYK 45 / 38 / 0 / 48

HEX #485284

RGB 72 82 132

HSL 230, 0.29%, 0.4%

LAB 36.13, 10.18, -29.33

 

CMYK 45 / 45 / 0 / 48

HEX #484884

RGB 72 72 132

HSL 240, 0.29%, 0.4%

LAB 33.3, 16.68, -33.81

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 62 / 19 / 0 / 42

HEX #387894

RGB 56 120 148

HSL 198.26, 0.45%, 0.4%

LAB 47.51, -11.64, -21.31

 

CMYK 76 / 23 / 0 / 35

HEX #277FA5

RGB 39 127 165

HSL 198.1, 0.62%, 0.4%

LAB 49.89, -12.51, -27.62

 

CMYK 87 / 26 / 0 / 29

HEX #1786B5

RGB 23 134 181

HSL 197.85, 0.77%, 0.4%

LAB 52.47, -12.23, -32.85

 

CMYK 97 / 29 / 0 / 22

HEX #068CC6

RGB 6 140 198

HSL 198.13, 0.94%, 0.4%

LAB 54.94, -10.15, -38.69

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 23 / 7 / 0 / 55

HEX #596B73

RGB 89 107 115

HSL 198.46, 0.13%, 0.4%

LAB 44.06, -4.78, -6.71

 

CMYK 0 / 4 / 6 / 59

HEX #696563

RGB 105 101 99

HSL 20, 0.03%, 0.4%

LAB 43.08, 1.17, 1.68

 

CMYK 0 / 23 / 33 / 52

HEX #7A5E52

RGB 122 94 82

HSL 18, 0.2%, 0.4%

LAB 42.39, 9.54, 11.25

 

CMYK 0 / 37 / 52 / 46

HEX #8A5742

RGB 138 87 66

HSL 17.5, 0.35%, 0.4%

LAB 42.17, 18.68, 20.93

 

CMYK 45 / 0 / 11 / 48

HEX #488476

RGB 72 132 118

HSL 166, 0.29%, 0.4%

LAB 50.91, -23.12, 1.49

 

CMYK 45 / 2 / 0 / 48

HEX #488284

RGB 72 130 132

HSL 182, 0.29%, 0.4%

LAB 50.7, -18.37, -7.01

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 45 / 26 / 0 / 48

HEX #486284

RGB 72 98 132

HSL 214, 0.29%, 0.4%

LAB 40.86, 0.07, -21.95

 

CMYK 45 / 38 / 0 / 48

HEX #485284

RGB 72 82 132

HSL 230, 0.29%, 0.4%

LAB 36.13, 10.18, -29.33

 

CMYK 45 / 13 / 0 / 69

HEX #2B444E

RGB 43 68 78

HSL 197.14, 0.29%, 0.24%

LAB 27.29, -6.55, -9.05

 

CMYK 45 / 13 / 0 / 59

HEX #3A5B69

RGB 58 91 105

HSL 197.87, 0.29%, 0.32%

LAB 36.75, -7.91, -11.79

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 45 / 13 / 0 / 38

HEX #57899E

RGB 87 137 158

HSL 197.75, 0.29%, 0.48%

LAB 54.43, -11, -16.43

 

CMYK 37 / 11 / 0 / 31

HEX #6F9CB0

RGB 111 156 176

HSL 198.46, 0.29%, 0.56%

LAB 61.9, -10.06, -15.25

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 23 / 45 / 0 / 48

HEX #664884

RGB 102 72 132

HSL 270, 0.29%, 0.4%

LAB 36.22, 25.46, -29

 

CMYK 0 / 5 / 45 / 48

HEX #847E48

RGB 132 126 72

HSL 54, 0.29%, 0.4%

LAB 52.17, -5.93, 30.12

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 0 / 45 / 14 / 48

HEX #844872

RGB 132 72 114

HSL 318, 0.29%, 0.4%

LAB 39.17, 31.64, -13.03

 

CMYK 14 / 0 / 45 / 48

HEX #728448

RGB 114 132 72

HSL 78, 0.29%, 0.4%

LAB 52.45, -16.91, 30.15

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 23 / 45 / 0 / 48

HEX #664884

RGB 102 72 132

HSL 270, 0.29%, 0.4%

LAB 36.22, 25.46, -29

 

CMYK 0 / 32 / 45 / 48

HEX #845A48

RGB 132 90 72

HSL 18, 0.29%, 0.4%

LAB 42.29, 14.96, 17.35

 

CMYK 23 / 0 / 45 / 48

HEX #668448

RGB 102 132 72

HSL 90, 0.29%, 0.4%

LAB 51.6, -21.8, 28.91

 

CMYK 45 / 14 / 0 / 48

HEX #487284

RGB 72 114 132

HSL 198, 0.29%, 0.4%

LAB 45.74, -9.47, -14.47

 

CMYK 9 / 45 / 0 / 48

HEX #784884

RGB 120 72 132

HSL 288, 0.29%, 0.4%

LAB 38.36, 31.15, -25.49

 

CMYK 0 / 32 / 45 / 48

HEX #845A48

RGB 132 90 72

HSL 18, 0.29%, 0.4%

LAB 42.29, 14.96, 17.35

 

CMYK 36 / 0 / 45 / 48

HEX #548448

RGB 84 132 72

HSL 108, 0.29%, 0.4%

LAB 50.52, -28.59, 27.3

 

Description

Color code: RGB 72 114 132 | qconv.com Color code: RGB 72 114 132 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 114 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 114 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 14 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 14% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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