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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72.1 54.8 183 it is the complementary color RGB 182.9 200.2 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72.1 54.8 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72.1 54.8 183 shade: RGB 77.1 54.8 178, RGB 94.1 72.8 197, RGB 111.1 90.8 216, RGB 128.1 108.8 235 and RGB 145.1 126.8 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72.1 54.8 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72.1 54.8 183 shade: RGB 72.1 54.8 183, RGB 55.1 36.8 164, RGB 38.1 18.8 145, RGB 21.1 0.8 126 and RGB 4.1 0 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72.1 54.8 183 shade: RGB 73 55 185, RGB 108 55 185, RGB 142 55 185, RGB 177 55 185 and RGB 185 55 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72.1 54.8 183 shade: RGB 73 55 185 and RGB 55 55 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72.1 54.8 183 shade matches the following richer shades: RGB 73 55 185, RGB 58 36 204 and RGB 44 16 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72.1 54.8 183 shade: RGB 73 55 185, RGB 87 75 165, RGB 101 94 146, RGB 115 113 126 and RGB 129 133 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72.1 54.8 183 shade: RGB 55 107 185, RGB 55 72 185, RGB 72 55 185, RGB 107 55 185 and RGB 141 55 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72.1 54.8 183 shade: RGB 48 36 121, RGB 60 46 153, RGB 73 55 185, RGB 95 79 202 and RGB 124 110 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72.1 54.8 183 shade: RGB 72.1 54.8 183, RGB 185 55 141 and RGB 90 185 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72.1 54.8 183 shade: RGB 72.1 54.8 183, RGB 185 72 55 and RGB 55 185 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72.1 54.8 183 shade: RGB 72.1 54.8 183, RGB 185 55 141, RGB 167 185 55 and RGB 55 185 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72.1 54.8 183 shade: RGB 72.1 54.8 183, RGB 185 55 103, RGB 167 185 55 and RGB 55 185 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 70 / 0 / 28

HEX #4836B7

RGB 72.1 54.8 183

HSL 248.1, 0.54%, 0.47%

LAB 32.95, 43.85, -65.22

 

Complementary color

CMYK 9 / 0 / 64 / 21

HEX #B6C848

RGB 182.9 200.2 72

HSL 68.1, 0.54%, 0.53%

LAB 77.24, -22.94, 59.87

 

CMYK 57 / 69 / 0 / 30

HEX #4D36B2

RGB 77.1 54.8 178

HSL 250.86, 0.53%, 0.46%

LAB 32.94, 43.06, -62.26

 

CMYK 52 / 63 / 0 / 23

HEX #5E48C5

RGB 94.1 72.8 197

HSL 250.29, 0.52%, 0.53%

LAB 39.84, 41.43, -62.11

 

CMYK 49 / 58 / 0 / 15

HEX #6F5AD8

RGB 111.1 90.8 216

HSL 249.73, 0.62%, 0.6%

LAB 46.7, 39.9, -61.85

 

CMYK 45 / 54 / 0 / 8

HEX #806CEB

RGB 128.1 108.8 235

HSL 249.18, 0.76%, 0.67%

LAB 53.48, 38.5, -61.57

 

CMYK 43 / 50 / 0 / 0

HEX #917EFE

RGB 145.1 126.8 254

HSL 248.63, 0.98%, 0.75%

LAB 60.17, 37.25, -61.3

 

CMYK 61 / 70 / 0 / 28

HEX #4836B7

RGB 72.1 54.8 183

HSL 248.1, 0.54%, 0.47%

LAB 32.95, 43.85, -65.22

 

CMYK 66 / 78 / 0 / 36

HEX #3724A4

RGB 55.1 36.8 164

HSL 248.63, 0.63%, 0.39%

LAB 26.18, 45.58, -65.04

 

CMYK 74 / 87 / 0 / 43

HEX #261291

RGB 38.1 18.8 145

HSL 249.18, 0.77%, 0.32%

LAB 19.71, 46.74, -64.12

 

CMYK 83 / 99 / 0 / 51

HEX #15007E

RGB 21.1 0.8 126

HSL 249.73, 0.99%, 0.25%

LAB 13.73, 46.99, -62.14

 

CMYK 96 / 100 / 0 / 58

HEX #04006B

RGB 4.1 0 107

HSL 242.3, 1%, 0.21%

LAB 9.7, 41.87, -56.57

 

CMYK 61 / 70 / 0 / 27

HEX #4937B9

RGB 73 55 185

HSL 248.31, 0.54%, 0.47%

LAB 33.25, 44.49, -65.92

 

CMYK 42 / 70 / 0 / 27

HEX #6C37B9

RGB 108 55 185

HSL 264.46, 0.54%, 0.47%

LAB 36.79, 50.31, -59.99

 

CMYK 23 / 70 / 0 / 27

HEX #8E37B9

RGB 142 55 185

HSL 280.15, 0.54%, 0.47%

LAB 41.19, 57.08, -52.64

 

CMYK 4 / 70 / 0 / 27

HEX #B137B9

RGB 177 55 185

HSL 296.31, 0.54%, 0.47%

LAB 46.42, 64.64, -43.97

 

CMYK 0 / 70 / 15 / 27

HEX #B9379D

RGB 185 55 157

HSL 312.92, 0.54%, 0.47%

LAB 46.29, 62.06, -27.55

 

CMYK 61 / 70 / 0 / 27

HEX #4937B9

RGB 73 55 185

HSL 248.31, 0.54%, 0.47%

LAB 33.25, 44.49, -65.92

 

CMYK 70 / 70 / 0 / 27

HEX #3737B9

RGB 55 55 185

HSL 240, 0.54%, 0.47%

LAB 31.91, 42.19, -68.16

 

CMYK 61 / 70 / 0 / 27

HEX #4937B9

RGB 73 55 185

HSL 248.31, 0.54%, 0.47%

LAB 33.25, 44.49, -65.92

 

CMYK 72 / 82 / 0 / 20

HEX #3A24CC

RGB 58 36 204

HSL 247.86, 0.7%, 0.47%

LAB 30.69, 58.17, -81.33

 

CMYK 80 / 93 / 0 / 13

HEX #2C10DF

RGB 44 16 223

HSL 248.12, 0.87%, 0.47%

LAB 29.99, 69.18, -93.52

 

CMYK 61 / 70 / 0 / 27

HEX #4937B9

RGB 73 55 185

HSL 248.31, 0.54%, 0.47%

LAB 33.25, 44.49, -65.92

 

CMYK 47 / 55 / 0 / 35

HEX #574BA5

RGB 87 75 165

HSL 248, 0.38%, 0.47%

LAB 37.44, 28.85, -47.17

 

CMYK 31 / 36 / 0 / 43

HEX #655E92

RGB 101 94 146

HSL 248.08, 0.22%, 0.47%

LAB 42.53, 15.22, -27.62

 

CMYK 9 / 10 / 0 / 51

HEX #73717E

RGB 115 113 126

HSL 249.23, 0.05%, 0.47%

LAB 48.21, 3.5, -6.88

 

CMYK 3 / 0 / 20 / 48

HEX #81856B

RGB 129 133 107

HSL 69.23, 0.11%, 0.47%

LAB 54.56, -6.26, 13.55

 

CMYK 70 / 42 / 0 / 27

HEX #376BB9

RGB 55 107 185

HSL 216, 0.54%, 0.47%

LAB 45.4, 9.04, -46.29

 

CMYK 70 / 61 / 0 / 27

HEX #3748B9

RGB 55 72 185

HSL 232.15, 0.54%, 0.47%

LAB 35.89, 31.63, -61.65

 

CMYK 61 / 70 / 0 / 27

HEX #4837B9

RGB 72 55 185

HSL 247.85, 0.54%, 0.47%

LAB 33.16, 44.35, -66.06

 

CMYK 42 / 70 / 0 / 27

HEX #6B37B9

RGB 107 55 185

HSL 264, 0.54%, 0.47%

LAB 36.67, 50.12, -60.18

 

CMYK 24 / 70 / 0 / 27

HEX #8D37B9

RGB 141 55 185

HSL 279.69, 0.54%, 0.47%

LAB 41.05, 56.87, -52.87

 

CMYK 60 / 70 / 0 / 53

HEX #302479

RGB 48 36 121

HSL 248.47, 0.54%, 0.31%

LAB 21.1, 31.13, -46.7

 

CMYK 61 / 70 / 0 / 40

HEX #3C2E99

RGB 60 46 153

HSL 247.85, 0.54%, 0.39%

LAB 27.34, 37.58, -56.41

 

CMYK 61 / 70 / 0 / 27

HEX #4937B9

RGB 73 55 185

HSL 248.31, 0.54%, 0.47%

LAB 33.25, 44.49, -65.92

 

CMYK 53 / 61 / 0 / 21

HEX #5F4FCA

RGB 95 79 202

HSL 247.8, 0.54%, 0.55%

LAB 41.67, 39.48, -62.03

 

CMYK 42 / 48 / 0 / 17

HEX #7C6ED4

RGB 124 110 212

HSL 248.24, 0.54%, 0.63%

LAB 52.05, 30.3, -50.92

 

CMYK 61 / 70 / 0 / 28

HEX #4836B7

RGB 72.1 54.8 183

HSL 248.1, 0.54%, 0.47%

LAB 32.95, 43.85, -65.22

 

CMYK 0 / 70 / 24 / 27

HEX #B9378D

RGB 185 55 141

HSL 320.31, 0.54%, 0.47%

LAB 45.59, 59.84, -19

 

CMYK 51 / 0 / 70 / 27

HEX #5AB937

RGB 90 185 55

HSL 103.85, 0.54%, 0.47%

LAB 67.39, -51.25, 54.72

 

CMYK 61 / 70 / 0 / 28

HEX #4836B7

RGB 72.1 54.8 183

HSL 248.1, 0.54%, 0.47%

LAB 32.95, 43.85, -65.22

 

CMYK 0 / 61 / 70 / 27

HEX #B94837

RGB 185 72 55

HSL 7.85, 0.54%, 0.47%

LAB 45.94, 44.66, 33.59

 

CMYK 70 / 0 / 61 / 27

HEX #37B948

RGB 55 185 72

HSL 127.85, 0.54%, 0.47%

LAB 66.5, -57.76, 46.31

 

CMYK 61 / 70 / 0 / 28

HEX #4836B7

RGB 72.1 54.8 183

HSL 248.1, 0.54%, 0.47%

LAB 32.95, 43.85, -65.22

 

CMYK 0 / 70 / 24 / 27

HEX #B9378D

RGB 185 55 141

HSL 320.31, 0.54%, 0.47%

LAB 45.59, 59.84, -19

 

CMYK 10 / 0 / 70 / 27

HEX #A7B937

RGB 167 185 55

HSL 68.31, 0.54%, 0.47%

LAB 71.68, -23.1, 60.46

 

CMYK 70 / 0 / 47 / 27

HEX #37B962

RGB 55 185 98

HSL 139.85, 0.54%, 0.47%

LAB 66.82, -54.09, 34.12

 

CMYK 61 / 70 / 0 / 28

HEX #4836B7

RGB 72.1 54.8 183

HSL 248.1, 0.54%, 0.47%

LAB 32.95, 43.85, -65.22

 

CMYK 0 / 70 / 44 / 27

HEX #B93767

RGB 185 55 103

HSL 337.85, 0.54%, 0.47%

LAB 44.27, 55.46, 2.29

 

CMYK 10 / 0 / 70 / 27

HEX #A7B937

RGB 167 185 55

HSL 68.31, 0.54%, 0.47%

LAB 71.68, -23.1, 60.46

 

CMYK 70 / 0 / 26 / 27

HEX #37B989

RGB 55 185 137

HSL 157.85, 0.54%, 0.47%

LAB 67.51, -46.42, 14.38

 

Description

Color code: RGB 72.1 54.8 183 | qconv.com Color code: RGB 72.1 54.8 183 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72.1 red, 54.8 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72.1 54.8 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 70 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 70% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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