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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 63 127 it is the complementary color RGB 184 192 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 63 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 63 127 shade: RGB 76 63 122, RGB 93 81 141, RGB 110 99 160, RGB 127 117 179 and RGB 144 135 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 63 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 63 127 shade: RGB 71 63 127, RGB 54 45 108, RGB 37 27 89, RGB 20 9 70 and RGB 3 0 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 63 127 shade: RGB 70 62 126, RGB 87 62 126, RGB 104 62 126, RGB 122 62 126 and RGB 126 62 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 63 127 shade: RGB 70 62 126 and RGB 62 62 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 63 127 shade matches the following richer shades: RGB 70 62 126, RGB 58 47 141, RGB 47 31 156, RGB 35 16 172 and RGB 24 1 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 63 127 shade: RGB 70 62 126, RGB 81 77 111, RGB 93 92 95, RGB 104 108 80 and RGB 116 123 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 63 127 shade: RGB 62 89 126, RGB 62 71 126, RGB 69 62 126, RGB 86 62 126 and RGB 103 62 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 63 127 shade: RGB 39 35 71, RGB 54 48 98, RGB 70 62 126, RGB 85 75 154 and RGB 105 95 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 63 127 shade: RGB 71 63 127, RGB 126 62 106 and RGB 80 126 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 63 127 shade: RGB 71 63 127, RGB 126 69 62 and RGB 62 126 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 63 127 shade: RGB 71 63 127, RGB 126 62 106, RGB 118 126 62 and RGB 62 126 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 63 127 shade: RGB 71 63 127, RGB 126 62 86, RGB 118 126 62 and RGB 62 126 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 50 / 0 / 50

HEX #473F7F

RGB 71 63 127

HSL 247.5, 0.34%, 0.37%

LAB 30.46, 20.71, -35.23

 

Complementary color

CMYK 4 / 0 / 33 / 25

HEX #B8C080

RGB 184 192 128

HSL 67.5, 0.34%, 0.63%

LAB 75.73, -13, 31.39

 

CMYK 38 / 48 / 0 / 52

HEX #4C3F7A

RGB 76 63 122

HSL 253.22, 0.32%, 0.36%

LAB 30.63, 20.57, -31.81

 

CMYK 34 / 43 / 0 / 45

HEX #5D518D

RGB 93 81 141

HSL 252, 0.27%, 0.44%

LAB 38.08, 19.54, -31.64

 

CMYK 31 / 38 / 0 / 37

HEX #6E63A0

RGB 110 99 160

HSL 250.82, 0.24%, 0.51%

LAB 45.33, 18.68, -31.53

 

CMYK 29 / 35 / 0 / 30

HEX #7F75B3

RGB 127 117 179

HSL 249.68, 0.29%, 0.58%

LAB 52.39, 17.94, -31.48

 

CMYK 27 / 32 / 0 / 22

HEX #9087C6

RGB 144 135 198

HSL 248.57, 0.36%, 0.65%

LAB 59.28, 17.29, -31.49

 

CMYK 44 / 50 / 0 / 50

HEX #473F7F

RGB 71 63 127

HSL 247.5, 0.34%, 0.37%

LAB 30.46, 20.71, -35.23

 

CMYK 50 / 58 / 0 / 58

HEX #362D6C

RGB 54 45 108

HSL 248.57, 0.41%, 0.3%

LAB 22.81, 22.14, -35.55

 

CMYK 58 / 70 / 0 / 65

HEX #251B59

RGB 37 27 89

HSL 249.68, 0.53%, 0.23%

LAB 14.95, 23.89, -35.85

 

CMYK 71 / 87 / 0 / 73

HEX #140946

RGB 20 9 70

HSL 250.82, 0.77%, 0.15%

LAB 7.1, 25.6, -35.71

 

CMYK 94 / 100 / 0 / 80

HEX #030033

RGB 3 0 51

HSL 243.53, 1%, 0.1%

LAB 2.33, 15.96, -29.78

 

CMYK 44 / 51 / 0 / 51

HEX #463E7E

RGB 70 62 126

HSL 247.5, 0.34%, 0.37%

LAB 30.04, 20.79, -35.29

 

CMYK 31 / 51 / 0 / 51

HEX #573E7E

RGB 87 62 126

HSL 263.44, 0.34%, 0.37%

LAB 31.76, 25.53, -32.46

 

CMYK 17 / 51 / 0 / 51

HEX #683E7E

RGB 104 62 126

HSL 279.38, 0.34%, 0.37%

LAB 33.76, 30.62, -29.15

 

CMYK 3 / 51 / 0 / 51

HEX #7A3E7E

RGB 122 62 126

HSL 296.25, 0.34%, 0.37%

LAB 36.16, 36.16, -25.23

 

CMYK 0 / 51 / 10 / 51

HEX #7E3E71

RGB 126 62 113

HSL 312.19, 0.34%, 0.37%

LAB 36.12, 34.95, -17.13

 

CMYK 44 / 51 / 0 / 51

HEX #463E7E

RGB 70 62 126

HSL 247.5, 0.34%, 0.37%

LAB 30.04, 20.79, -35.29

 

CMYK 51 / 51 / 0 / 51

HEX #3E3E7E

RGB 62 62 126

HSL 240, 0.34%, 0.37%

LAB 29.35, 18.74, -36.43

 

CMYK 44 / 51 / 0 / 51

HEX #463E7E

RGB 70 62 126

HSL 247.5, 0.34%, 0.37%

LAB 30.04, 20.79, -35.29

 

CMYK 59 / 67 / 0 / 45

HEX #3A2F8D

RGB 58 47 141

HSL 247.02, 0.5%, 0.37%

LAB 26.32, 32.7, -50.7

 

CMYK 70 / 80 / 0 / 39

HEX #2F1F9C

RGB 47 31 156

HSL 247.68, 0.67%, 0.37%

LAB 23.62, 45.22, -64.41

 

CMYK 80 / 91 / 0 / 33

HEX #2310AC

RGB 35 16 172

HSL 247.31, 0.83%, 0.37%

LAB 22.68, 55.34, -75.72

 

CMYK 87 / 99 / 0 / 27

HEX #1801BB

RGB 24 1 187

HSL 247.42, 0.99%, 0.37%

LAB 23.01, 62.72, -84.16

 

CMYK 44 / 51 / 0 / 51

HEX #463E7E

RGB 70 62 126

HSL 247.5, 0.34%, 0.37%

LAB 30.04, 20.79, -35.29

 

CMYK 27 / 31 / 0 / 56

HEX #514D6F

RGB 81 77 111

HSL 247.06, 0.18%, 0.37%

LAB 34.41, 9.92, -18.97

 

CMYK 2 / 3 / 0 / 63

HEX #5D5C5F

RGB 93 92 95

HSL 260, 0.02%, 0.37%

LAB 39.25, 1.04, -1.58

 

CMYK 4 / 0 / 26 / 58

HEX #686C50

RGB 104 108 80

HSL 68.57, 0.15%, 0.37%

LAB 44.59, -6.74, 15.2

 

CMYK 6 / 0 / 47 / 52

HEX #747B41

RGB 116 123 65

HSL 67.24, 0.31%, 0.37%

LAB 49.81, -12.03, 30.68

 

CMYK 51 / 29 / 0 / 51

HEX #3E597E

RGB 62 89 126

HSL 214.69, 0.34%, 0.37%

LAB 37.25, 1.07, -23.95

 

CMYK 51 / 44 / 0 / 51

HEX #3E477E

RGB 62 71 126

HSL 231.56, 0.34%, 0.37%

LAB 31.89, 12.75, -32.38

 

CMYK 45 / 51 / 0 / 51

HEX #453E7E

RGB 69 62 126

HSL 246.56, 0.34%, 0.37%

LAB 29.95, 20.53, -35.44

 

CMYK 32 / 51 / 0 / 51

HEX #563E7E

RGB 86 62 126

HSL 262.5, 0.34%, 0.37%

LAB 31.65, 25.24, -32.64

 

CMYK 18 / 51 / 0 / 51

HEX #673E7E

RGB 103 62 126

HSL 278.44, 0.34%, 0.37%

LAB 33.64, 30.31, -29.36

 

CMYK 45 / 51 / 0 / 72

HEX #272347

RGB 39 35 71

HSL 246.67, 0.34%, 0.21%

LAB 15.94, 12.48, -21.99

 

CMYK 45 / 51 / 0 / 62

HEX #363062

RGB 54 48 98

HSL 247.2, 0.34%, 0.29%

LAB 22.93, 16.79, -28.86

 

CMYK 44 / 51 / 0 / 51

HEX #463E7E

RGB 70 62 126

HSL 247.5, 0.34%, 0.37%

LAB 30.04, 20.79, -35.29

 

CMYK 45 / 51 / 0 / 40

HEX #554B9A

RGB 85 75 154

HSL 247.59, 0.34%, 0.45%

LAB 36.55, 24.99, -41.99

 

CMYK 40 / 46 / 0 / 31

HEX #695FB0

RGB 105 95 176

HSL 247.41, 0.34%, 0.53%

LAB 44.69, 24.22, -41.98

 

CMYK 44 / 50 / 0 / 50

HEX #473F7F

RGB 71 63 127

HSL 247.5, 0.34%, 0.37%

LAB 30.46, 20.71, -35.23

 

CMYK 0 / 51 / 16 / 51

HEX #7E3E6A

RGB 126 62 106

HSL 318.75, 0.34%, 0.37%

LAB 35.83, 33.72, -13.18

 

CMYK 37 / 0 / 51 / 51

HEX #507E3E

RGB 80 126 62

HSL 103.13, 0.34%, 0.37%

LAB 48.23, -28.56, 29.79

 

CMYK 44 / 50 / 0 / 50

HEX #473F7F

RGB 71 63 127

HSL 247.5, 0.34%, 0.37%

LAB 30.46, 20.71, -35.23

 

CMYK 0 / 45 / 51 / 51

HEX #7E453E

RGB 126 69 62

HSL 6.56, 0.34%, 0.37%

LAB 36.06, 23.63, 14.98

 

CMYK 51 / 0 / 45 / 51

HEX #3E7E45

RGB 62 126 69

HSL 126.56, 0.34%, 0.37%

LAB 47.46, -33.47, 24.84

 

CMYK 44 / 50 / 0 / 50

HEX #473F7F

RGB 71 63 127

HSL 247.5, 0.34%, 0.37%

LAB 30.46, 20.71, -35.23

 

CMYK 0 / 51 / 16 / 51

HEX #7E3E6A

RGB 126 62 106

HSL 318.75, 0.34%, 0.37%

LAB 35.83, 33.72, -13.18

 

CMYK 6 / 0 / 51 / 51

HEX #767E3E

RGB 118 126 62

HSL 67.5, 0.34%, 0.37%

LAB 50.83, -13.12, 33.55

 

CMYK 51 / 0 / 35 / 51

HEX #3E7E52

RGB 62 126 82

HSL 138.75, 0.34%, 0.37%

LAB 47.69, -31.1, 17.81

 

CMYK 44 / 50 / 0 / 50

HEX #473F7F

RGB 71 63 127

HSL 247.5, 0.34%, 0.37%

LAB 30.46, 20.71, -35.23

 

CMYK 0 / 51 / 32 / 51

HEX #7E3E56

RGB 126 62 86

HSL 337.5, 0.34%, 0.37%

LAB 35.11, 30.58, -1.58

 

CMYK 6 / 0 / 51 / 51

HEX #767E3E

RGB 118 126 62

HSL 67.5, 0.34%, 0.37%

LAB 50.83, -13.12, 33.55

 

CMYK 51 / 0 / 20 / 51

HEX #3E7E65

RGB 62 126 101

HSL 156.56, 0.34%, 0.37%

LAB 48.12, -26.95, 7.37

 

Description

Color code: RGB 71 63 127 | qconv.com Color code: RGB 71 63 127 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 63 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 63 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 50 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 50% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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