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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 255 163 it is the complementary color RGB 184 0 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 255 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 71 255 163: RGB 76 255 158, RGB 93 255 177, RGB 110 255 196, RGB 127 255 215 and RGB 144 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 255 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 71 255 163: RGB 71 255 163, RGB 54 237 144, RGB 37 219 125, RGB 20 201 106 and RGB 3 183 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 36 / 0

HEX #47FFA3

RGB 71 255 163

HSL 150, 1%, 0.64%

LAB 89.63, -65.69, 31.12

 

Complementary color

CMYK 0 / 100 / 50 / 28

HEX #B8005C

RGB 184 0 92

HSL 330, 1%, 0.36%

LAB 39.52, 66.29, 2.3

 

CMYK 70 / 0 / 38 / 0

HEX #4CFF9E

RGB 76 255 158

HSL 147.49, 1%, 0.65%

LAB 89.64, -65.89, 33.65

 

CMYK 64 / 0 / 31 / 0

HEX #5DFFB1

RGB 93 255 177

HSL 151.11, 1%, 0.68%

LAB 90.33, -59.57, 25.1

 

CMYK 57 / 0 / 23 / 0

HEX #6EFFC4

RGB 110 255 196

HSL 155.59, 1%, 0.72%

LAB 91.15, -52.52, 16.61

 

CMYK 50 / 0 / 16 / 0

HEX #7FFFD7

RGB 127 255 215

HSL 161.25, 1%, 0.75%

LAB 92.1, -44.87, 8.26

 

CMYK 44 / 0 / 8 / 0

HEX #90FFEA

RGB 144 255 234

HSL 168.65, 1%, 0.78%

LAB 93.18, -36.73, 0.09

 

CMYK 72 / 0 / 36 / 0

HEX #47FFA3

RGB 71 255 163

HSL 150, 1%, 0.64%

LAB 89.63, -65.69, 31.12

 

CMYK 77 / 0 / 39 / 7

HEX #36ED90

RGB 54 237 144

HSL 149.51, 0.84%, 0.57%

LAB 83.63, -64.91, 32.63

 

CMYK 83 / 0 / 43 / 14

HEX #25DB7D

RGB 37 219 125

HSL 149.01, 0.72%, 0.5%

LAB 77.6, -63.79, 34.24

 

CMYK 90 / 0 / 47 / 21

HEX #14C96A

RGB 20 201 106

HSL 148.51, 0.82%, 0.43%

LAB 71.53, -62.24, 35.96

 

CMYK 98 / 0 / 52 / 28

HEX #03B757

RGB 3 183 87

HSL 148, 0.97%, 0.36%

LAB 65.42, -60.17, 37.76

 

CMYK 72 / 0 / 36 / 0

HEX #47FFA3

RGB 71 255 163

HSL 150, 1%, 0.64%

LAB 89.63, -65.69, 31.12

 

CMYK 72 / 0 / 24 / 0

HEX #47FFC1

RGB 71 255 193

HSL 159.78, 1%, 0.64%

LAB 90.19, -59.58, 16.66

 

CMYK 72 / 0 / 12 / 0

HEX #47FFE0

RGB 71 255 224

HSL 169.89, 1%, 0.64%

LAB 90.89, -52.28, 1.67

 

CMYK 72 / 0 / 0 / 0

HEX #47FFFF

RGB 71 255 255

HSL 180, 1%, 0.64%

LAB 91.72, -44.13, -13.17

 

CMYK 72 / 12 / 0 / 0

HEX #47E0FF

RGB 71 224 255

HSL 190.11, 1%, 0.64%

LAB 82.84, -29.82, -26.58

 

CMYK 72 / 0 / 36 / 0

HEX #47FFA3

RGB 71 255 163

HSL 150, 1%, 0.64%

LAB 89.63, -65.69, 31.12

 

CMYK 73 / 0 / 35 / 80

HEX #0E3321

RGB 14 51 33

HSL 150.81, 0.57%, 0.13%

LAB 18.24, -18.38, 7.62

 

CMYK 73 / 0 / 36 / 60

HEX #1C6641

RGB 28 102 65

HSL 150, 0.57%, 0.25%

LAB 38.08, -31.99, 14.55

 

CMYK 72 / 0 / 36 / 40

HEX #2B9962

RGB 43 153 98

HSL 150, 0.56%, 0.38%

LAB 56.27, -43.76, 20.27

 

CMYK 72 / 0 / 36 / 20

HEX #39CC82

RGB 57 204 130

HSL 149.8, 0.59%, 0.51%

LAB 73.33, -55.1, 26.09

 

CMYK 72 / 0 / 36 / 0

HEX #47FFA3

RGB 71 255 163

HSL 150, 1%, 0.64%

LAB 89.63, -65.69, 31.12

 

CMYK 72 / 51 / 0 / 0

HEX #477EFF

RGB 71 126 255

HSL 222.07, 1%, 0.64%

LAB 55.56, 24.66, -69.49

 

CMYK 0 / 65 / 72 / 0

HEX #FF5947

RGB 255 89 71

HSL 5.87, 1%, 0.64%

LAB 60.66, 62, 44.69

 

CMYK 72 / 0 / 36 / 0

HEX #47FFA3

RGB 71 255 163

HSL 150, 1%, 0.64%

LAB 89.63, -65.69, 31.12

 

CMYK 36 / 72 / 0 / 0

HEX #A347FF

RGB 163 71 255

HSL 270, 1%, 0.64%

LAB 51.28, 69.76, -76.11

 

CMYK 0 / 36 / 72 / 0

HEX #FFA347

RGB 255 163 71

HSL 30, 1%, 0.64%

LAB 74.77, 26.61, 59.85

 

CMYK 72 / 0 / 36 / 0

HEX #47FFA3

RGB 71 255 163

HSL 150, 1%, 0.64%

LAB 89.63, -65.69, 31.12

 

CMYK 72 / 51 / 0 / 0

HEX #477EFF

RGB 71 126 255

HSL 222.07, 1%, 0.64%

LAB 55.56, 24.66, -69.49

 

CMYK 0 / 72 / 36 / 0

HEX #FF47A3

RGB 255 71 163

HSL 330, 1%, 0.64%

LAB 60.26, 75.21, -8.7

 

CMYK 0 / 22 / 72 / 0

HEX #FFC747

RGB 255 199 71

HSL 41.74, 1%, 0.64%

LAB 83.21, 7.86, 68.39

 

CMYK 72 / 0 / 36 / 0

HEX #47FFA3

RGB 71 255 163

HSL 150, 1%, 0.64%

LAB 89.63, -65.69, 31.12

 

CMYK 72 / 72 / 0 / 0

HEX #4747FF

RGB 71 71 255

HSL 240, 1%, 0.64%

LAB 42.86, 57.42, -90.24

 

CMYK 0 / 72 / 36 / 0

HEX #FF47A3

RGB 255 71 163

HSL 330, 1%, 0.64%

LAB 60.26, 75.21, -8.7

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

Description

Color code: RGB 71 255 163 | qconv.com Color code: RGB 71 255 163 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 255 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 255 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 36 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 36% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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