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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 199 162 it is the complementary color RGB 184 56 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 199 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 199 162 shade: RGB 76 199 157, RGB 93 217 176, RGB 110 235 195, RGB 127 253 214 and RGB 144 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 199 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 199 162 shade: RGB 71 199 162, RGB 54 181 143, RGB 37 163 124, RGB 20 145 105 and RGB 3 127 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 199 162 shade: RGB 72 199 162, RGB 72 199 128, RGB 72 199 93, RGB 84 199 72 and RGB 118 199 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 199 162 shade: RGB 72 199 162, RGB 72 199 196, RGB 72 167 199, RGB 72 133 199 and RGB 72 98 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 199 162 shade matches the following richer shades: RGB 72 199 162, RGB 52 218 170 and RGB 33 237 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 199 162 shade: RGB 72 199 162, RGB 91 179 154, RGB 110 160 146, RGB 130 140 137 and RGB 149 121 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 199 162 shade: RGB 72 199 93, RGB 72 199 127, RGB 72 199 161, RGB 72 199 194 and RGB 72 169 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 199 162 shade: RGB 44 144 115, RGB 54 175 140, RGB 72 199 162, RGB 103 208 178 and RGB 135 218 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 199 162 shade: RGB 71 199 162, RGB 72 84 199 and RGB 199 110 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 199 162 shade: RGB 71 199 162, RGB 161 72 199 and RGB 199 161 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 199 162 shade: RGB 71 199 162, RGB 72 84 199, RGB 199 72 110 and RGB 199 186 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 199 162 shade: RGB 71 199 162, RGB 97 72 199, RGB 199 72 110 and RGB 173 199 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 19 / 22

HEX #47C7A2

RGB 71 199 162

HSL 162.66, 0.53%, 0.53%

LAB 72.76, -43.88, 8.29

 

Complementary color

CMYK 0 / 70 / 49 / 28

HEX #B8385D

RGB 184 56 93

HSL 342.66, 0.53%, 0.47%

LAB 43.96, 53.85, 8.02

 

CMYK 62 / 0 / 21 / 22

HEX #4CC79D

RGB 76 199 157

HSL 159.51, 0.52%, 0.54%

LAB 72.77, -44.15, 11.03

 

CMYK 57 / 0 / 19 / 15

HEX #5DD9B0

RGB 93 217 176

HSL 160.16, 0.62%, 0.61%

LAB 79.09, -44.26, 9.91

 

CMYK 53 / 0 / 17 / 8

HEX #6EEBC3

RGB 110 235 195

HSL 160.8, 0.76%, 0.68%

LAB 85.34, -44.27, 8.88

 

CMYK 50 / 0 / 15 / 1

HEX #7FFDD6

RGB 127 253 214

HSL 161.43, 0.97%, 0.75%

LAB 91.51, -44.21, 7.93

 

CMYK 44 / 0 / 9 / 0

HEX #90FFE9

RGB 144 255 233

HSL 168.11, 1%, 0.78%

LAB 93.16, -36.96, 0.57

 

CMYK 64 / 0 / 19 / 22

HEX #47C7A2

RGB 71 199 162

HSL 162.66, 0.53%, 0.53%

LAB 72.76, -43.88, 8.29

 

CMYK 70 / 0 / 21 / 29

HEX #36B58F

RGB 54 181 143

HSL 162.05, 0.54%, 0.46%

LAB 66.38, -43.49, 9.49

 

CMYK 77 / 0 / 24 / 36

HEX #25A37C

RGB 37 163 124

HSL 161.43, 0.63%, 0.39%

LAB 59.93, -42.84, 10.84

 

CMYK 86 / 0 / 28 / 43

HEX #149169

RGB 20 145 105

HSL 160.8, 0.76%, 0.32%

LAB 53.41, -41.79, 12.36

 

CMYK 98 / 0 / 32 / 50

HEX #037F56

RGB 3 127 86

HSL 160.16, 0.95%, 0.25%

LAB 46.8, -40.25, 14.08

 

CMYK 64 / 0 / 19 / 22

HEX #48C7A2

RGB 72 199 162

HSL 162.52, 0.53%, 0.53%

LAB 72.78, -43.7, 8.33

 

CMYK 64 / 0 / 36 / 22

HEX #48C780

RGB 72 199 128

HSL 146.46, 0.53%, 0.53%

LAB 72.08, -51.02, 25.52

 

CMYK 64 / 0 / 53 / 22

HEX #48C75D

RGB 72 199 93

HSL 129.92, 0.53%, 0.53%

LAB 71.57, -56.77, 42.57

 

CMYK 58 / 0 / 64 / 22

HEX #54C748

RGB 84 199 72

HSL 114.33, 0.53%, 0.53%

LAB 71.69, -56.55, 52.36

 

CMYK 41 / 0 / 64 / 22

HEX #76C748

RGB 118 199 72

HSL 98.27, 0.53%, 0.53%

LAB 73, -46.77, 54.17

 

CMYK 64 / 0 / 19 / 22

HEX #48C7A2

RGB 72 199 162

HSL 162.52, 0.53%, 0.53%

LAB 72.78, -43.7, 8.33

 

CMYK 64 / 0 / 2 / 22

HEX #48C7C4

RGB 72 199 196

HSL 178.58, 0.53%, 0.53%

LAB 73.68, -34.93, -8.8

 

CMYK 64 / 16 / 0 / 22

HEX #48A7C7

RGB 72 167 199

HSL 195.12, 0.53%, 0.53%

LAB 64.27, -18.13, -24.67

 

CMYK 64 / 33 / 0 / 22

HEX #4885C7

RGB 72 133 199

HSL 211.18, 0.53%, 0.53%

LAB 54.32, 0.93, -40.14

 

CMYK 64 / 51 / 0 / 22

HEX #4862C7

RGB 72 98 199

HSL 227.72, 0.53%, 0.53%

LAB 44.57, 22.55, -55.68

 

CMYK 64 / 0 / 19 / 22

HEX #48C7A2

RGB 72 199 162

HSL 162.52, 0.53%, 0.53%

LAB 72.78, -43.7, 8.33

 

CMYK 76 / 0 / 22 / 15

HEX #34DAAA

RGB 52 218 170

HSL 162.65, 0.69%, 0.53%

LAB 78.33, -52.56, 11.88

 

CMYK 86 / 0 / 25 / 7

HEX #21EDB2

RGB 33 237 178

HSL 162.65, 0.85%, 0.53%

LAB 84.02, -59.75, 15.68

 

CMYK 64 / 0 / 19 / 22

HEX #48C7A2

RGB 72 199 162

HSL 162.52, 0.53%, 0.53%

LAB 72.78, -43.7, 8.33

 

CMYK 49 / 0 / 14 / 30

HEX #5BB39A

RGB 91 179 154

HSL 162.95, 0.37%, 0.53%

LAB 67.12, -32.61, 4.65

 

CMYK 31 / 0 / 9 / 37

HEX #6EA092

RGB 110 160 146

HSL 163.2, 0.21%, 0.53%

LAB 62.11, -19.82, 1.96

 

CMYK 7 / 0 / 2 / 45

HEX #828C89

RGB 130 140 137

HSL 162, 0.04%, 0.53%

LAB 57.37, -4.24, 0.34

 

CMYK 0 / 19 / 13 / 42

HEX #957981

RGB 149 121 129

HSL 342.86, 0.12%, 0.53%

LAB 53.65, 12.22, -0.26

 

CMYK 64 / 0 / 53 / 22

HEX #48C75D

RGB 72 199 93

HSL 129.92, 0.53%, 0.53%

LAB 71.57, -56.77, 42.57

 

CMYK 64 / 0 / 36 / 22

HEX #48C77F

RGB 72 199 127

HSL 145.98, 0.53%, 0.53%

LAB 72.07, -51.21, 26.02

 

CMYK 64 / 0 / 19 / 22

HEX #48C7A1

RGB 72 199 161

HSL 162.05, 0.53%, 0.53%

LAB 72.76, -43.94, 8.83

 

CMYK 64 / 0 / 3 / 22

HEX #48C7C2

RGB 72 199 194

HSL 177.64, 0.53%, 0.53%

LAB 73.62, -35.48, -7.8

 

CMYK 64 / 15 / 0 / 22

HEX #48A9C7

RGB 72 169 199

HSL 194.17, 0.53%, 0.53%

LAB 64.86, -19.19, -23.76

 

CMYK 69 / 0 / 20 / 44

HEX #2C9073

RGB 44 144 115

HSL 162.6, 0.53%, 0.37%

LAB 53.73, -35.83, 7.16

 

CMYK 69 / 0 / 20 / 31

HEX #36AF8C

RGB 54 175 140

HSL 162.64, 0.53%, 0.45%

LAB 64.43, -41.64, 8.38

 

CMYK 64 / 0 / 19 / 22

HEX #48C7A2

RGB 72 199 162

HSL 162.52, 0.53%, 0.53%

LAB 72.78, -43.7, 8.33

 

CMYK 50 / 0 / 14 / 18

HEX #67D0B2

RGB 103 208 178

HSL 162.86, 0.53%, 0.61%

LAB 76.81, -37.64, 5.61

 

CMYK 38 / 0 / 11 / 15

HEX #87DAC2

RGB 135 218 194

HSL 162.65, 0.53%, 0.69%

LAB 81.4, -30.69, 3.86

 

CMYK 64 / 0 / 19 / 22

HEX #47C7A2

RGB 71 199 162

HSL 162.66, 0.53%, 0.53%

LAB 72.76, -43.88, 8.29

 

CMYK 64 / 58 / 0 / 22

HEX #4854C7

RGB 72 84 199

HSL 234.33, 0.53%, 0.53%

LAB 40.96, 31.41, -61.52

 

CMYK 0 / 45 / 64 / 22

HEX #C76E48

RGB 199 110 72

HSL 17.95, 0.53%, 0.53%

LAB 55.85, 31.87, 36.37

 

CMYK 64 / 0 / 19 / 22

HEX #47C7A2

RGB 71 199 162

HSL 162.66, 0.53%, 0.53%

LAB 72.76, -43.88, 8.29

 

CMYK 19 / 64 / 0 / 22

HEX #A148C7

RGB 161 72 199

HSL 282.05, 0.53%, 0.53%

LAB 47.41, 56.67, -50.67

 

CMYK 0 / 19 / 64 / 22

HEX #C7A148

RGB 199 161 72

HSL 42.05, 0.53%, 0.53%

LAB 68.09, 4.14, 50.42

 

CMYK 64 / 0 / 19 / 22

HEX #47C7A2

RGB 71 199 162

HSL 162.66, 0.53%, 0.53%

LAB 72.76, -43.88, 8.29

 

CMYK 64 / 58 / 0 / 22

HEX #4854C7

RGB 72 84 199

HSL 234.33, 0.53%, 0.53%

LAB 40.96, 31.41, -61.52

 

CMYK 0 / 64 / 45 / 22

HEX #C7486E

RGB 199 72 110

HSL 342.05, 0.53%, 0.53%

LAB 49.38, 53.58, 5.67

 

CMYK 0 / 7 / 64 / 22

HEX #C7BA48

RGB 199 186 72

HSL 53.86, 0.53%, 0.53%

LAB 74.65, -9.06, 57.53

 

CMYK 64 / 0 / 19 / 22

HEX #47C7A2

RGB 71 199 162

HSL 162.66, 0.53%, 0.53%

LAB 72.76, -43.88, 8.29

 

CMYK 51 / 64 / 0 / 22

HEX #6148C7

RGB 97 72 199

HSL 251.81, 0.53%, 0.53%

LAB 40.08, 43.02, -62.87

 

CMYK 0 / 64 / 45 / 22

HEX #C7486E

RGB 199 72 110

HSL 342.05, 0.53%, 0.53%

LAB 49.38, 53.58, 5.67

 

CMYK 13 / 0 / 64 / 22

HEX #ADC748

RGB 173 199 72

HSL 72.28, 0.53%, 0.53%

LAB 76.19, -26.38, 58.55

 

Description

Color code: RGB 71 199 162 | qconv.com Color code: RGB 71 199 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 199 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 199 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 19% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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