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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 197 46 it is the complementary color RGB 184 58 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 197 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 197 46 shade: RGB 76 197 41, RGB 93 215 60, RGB 110 233 79, RGB 127 251 98 and RGB 144 255 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 197 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 197 46 shade: RGB 71 197 46, RGB 54 179 27, RGB 37 161 8, RGB 20 143 0 and RGB 3 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 197 46 shade: RGB 72 198 47, RGB 113 198 47, RGB 153 198 47, RGB 194 198 47 and RGB 198 161 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 197 46 shade: RGB 72 198 47, RGB 47 198 62, RGB 47 198 103, RGB 47 198 144 and RGB 47 198 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 197 46 shade matches the following richer shades: RGB 72 198 47, RGB 58 218 27 and RGB 45 238 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 197 46 shade: RGB 72 198 47, RGB 85 178 66, RGB 98 159 86, RGB 111 139 106 and RGB 125 119 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 197 46 shade: RGB 153 198 47, RGB 112 198 47, RGB 72 198 47, RGB 47 198 62 and RGB 47 198 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 197 46 shade: RGB 47 131 31, RGB 60 165 39, RGB 72 198 47, RGB 97 212 74 and RGB 126 220 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 197 46 shade: RGB 71 197 46, RGB 47 193 198 and RGB 198 47 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 197 46 shade: RGB 71 197 46, RGB 47 72 198 and RGB 198 47 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 197 46 shade: RGB 71 197 46, RGB 47 193 198, RGB 173 47 198 and RGB 198 52 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 197 46 shade: RGB 71 197 46, RGB 47 148 198, RGB 173 47 198 and RGB 198 97 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 77 / 23

HEX #47C52E

RGB 71 197 46

HSL 110.07, 0.62%, 0.48%

LAB 70.5, -61.02, 60.83

 

Complementary color

CMYK 12 / 72 / 0 / 18

HEX #B83AD1

RGB 184 58 209

HSL 290.07, 0.62%, 0.52%

LAB 49.28, 69.3, -53.25

 

CMYK 61 / 0 / 79 / 23

HEX #4CC529

RGB 76 197 41

HSL 106.54, 0.66%, 0.47%

LAB 70.61, -60.2, 62.53

 

CMYK 57 / 0 / 72 / 16

HEX #5DD73C

RGB 93 215 60

HSL 107.23, 0.66%, 0.54%

LAB 76.83, -61.11, 62.58

 

CMYK 53 / 0 / 66 / 9

HEX #6EE94F

RGB 110 233 79

HSL 107.92, 0.78%, 0.61%

LAB 83, -61.69, 62.06

 

CMYK 49 / 0 / 61 / 2

HEX #7FFB62

RGB 127 251 98

HSL 108.63, 0.95%, 0.68%

LAB 89.11, -62.04, 61.22

 

CMYK 44 / 0 / 54 / 0

HEX #90FF75

RGB 144 255 117

HSL 108.26, 1%, 0.73%

LAB 91.11, -56.8, 55.46

 

CMYK 64 / 0 / 77 / 23

HEX #47C52E

RGB 71 197 46

HSL 110.07, 0.62%, 0.48%

LAB 70.5, -61.02, 60.83

 

CMYK 70 / 0 / 85 / 30

HEX #36B31B

RGB 54 179 27

HSL 109.34, 0.74%, 0.4%

LAB 64.24, -59.61, 60.24

 

CMYK 77 / 0 / 95 / 37

HEX #25A108

RGB 37 161 8

HSL 108.63, 0.91%, 0.33%

LAB 57.94, -57.51, 58.26

 

CMYK 86 / 0 / 100 / 44

HEX #148F00

RGB 20 143 0

HSL 111.61, 1%, 0.28%

LAB 51.6, -54.48, 54.28

 

CMYK 98 / 0 / 100 / 51

HEX #037D00

RGB 3 125 0

HSL 118.56, 1%, 0.25%

LAB 45.2, -50.58, 49.09

 

CMYK 64 / 0 / 76 / 22

HEX #48C62F

RGB 72 198 47

HSL 110.07, 0.62%, 0.48%

LAB 70.85, -61.07, 60.86

 

CMYK 43 / 0 / 76 / 22

HEX #71C62F

RGB 113 198 47

HSL 93.77, 0.62%, 0.48%

LAB 72.3, -49.83, 62.75

 

CMYK 23 / 0 / 76 / 22

HEX #99C62F

RGB 153 198 47

HSL 77.88, 0.62%, 0.48%

LAB 74.42, -35.36, 65.52

 

CMYK 2 / 0 / 76 / 22

HEX #C2C62F

RGB 194 198 47

HSL 61.59, 0.62%, 0.48%

LAB 77.32, -18.53, 69.25

 

CMYK 0 / 19 / 76 / 22

HEX #C6A12F

RGB 198 161 47

HSL 45.3, 0.62%, 0.48%

LAB 67.8, 2.38, 60.58

 

CMYK 64 / 0 / 76 / 22

HEX #48C62F

RGB 72 198 47

HSL 110.07, 0.62%, 0.48%

LAB 70.85, -61.07, 60.86

 

CMYK 76 / 0 / 69 / 22

HEX #2FC63E

RGB 47 198 62

HSL 125.96, 0.62%, 0.48%

LAB 70.41, -64.38, 54.82

 

CMYK 76 / 0 / 48 / 22

HEX #2FC667

RGB 47 198 103

HSL 142.25, 0.62%, 0.48%

LAB 70.85, -59.15, 36.67

 

CMYK 76 / 0 / 27 / 22

HEX #2FC690

RGB 47 198 144

HSL 158.54, 0.62%, 0.48%

LAB 71.56, -51.18, 16.22

 

CMYK 76 / 0 / 7 / 22

HEX #2FC6B9

RGB 47 198 185

HSL 174.83, 0.62%, 0.48%

LAB 72.56, -40.82, -4.54

 

CMYK 64 / 0 / 76 / 22

HEX #48C62F

RGB 72 198 47

HSL 110.07, 0.62%, 0.48%

LAB 70.85, -61.07, 60.86

 

CMYK 73 / 0 / 88 / 15

HEX #3ADA1B

RGB 58 218 27

HSL 110.26, 0.78%, 0.48%

LAB 76.75, -71.05, 71.27

 

CMYK 81 / 0 / 97 / 7

HEX #2DEE07

RGB 45 238 7

HSL 110.13, 0.94%, 0.48%

LAB 82.77, -78.99, 78.73

 

CMYK 64 / 0 / 76 / 22

HEX #48C62F

RGB 72 198 47

HSL 110.07, 0.62%, 0.48%

LAB 70.85, -61.07, 60.86

 

CMYK 52 / 0 / 63 / 30

HEX #55B242

RGB 85 178 66

HSL 109.82, 0.46%, 0.48%

LAB 65.09, -48.96, 47.64

 

CMYK 38 / 0 / 46 / 38

HEX #629F56

RGB 98 159 86

HSL 110.14, 0.3%, 0.48%

LAB 59.95, -34.42, 31.92

 

CMYK 20 / 0 / 24 / 45

HEX #6F8B6A

RGB 111 139 106

HSL 110.91, 0.13%, 0.48%

LAB 54.95, -16.65, 14.46

 

CMYK 1 / 6 / 0 / 51

HEX #7D777E

RGB 125 119 126

HSL 291.43, 0.03%, 0.48%

LAB 50.76, 3.68, -3.01

 

CMYK 23 / 0 / 76 / 22

HEX #99C62F

RGB 153 198 47

HSL 77.88, 0.62%, 0.48%

LAB 74.42, -35.36, 65.52

 

CMYK 43 / 0 / 76 / 22

HEX #70C62F

RGB 112 198 47

HSL 94.17, 0.62%, 0.48%

LAB 72.25, -50.15, 62.7

 

CMYK 64 / 0 / 76 / 22

HEX #48C62F

RGB 72 198 47

HSL 110.07, 0.62%, 0.48%

LAB 70.85, -61.07, 60.86

 

CMYK 76 / 0 / 69 / 22

HEX #2FC63E

RGB 47 198 62

HSL 125.96, 0.62%, 0.48%

LAB 70.41, -64.38, 54.82

 

CMYK 76 / 0 / 48 / 22

HEX #2FC666

RGB 47 198 102

HSL 141.85, 0.62%, 0.48%

LAB 70.84, -59.31, 37.15

 

CMYK 64 / 0 / 76 / 49

HEX #2F831F

RGB 47 131 31

HSL 110.4, 0.62%, 0.32%

LAB 48.18, -44.3, 43.82

 

CMYK 64 / 0 / 76 / 35

HEX #3CA527

RGB 60 165 39

HSL 110, 0.62%, 0.4%

LAB 59.9, -52.92, 52.7

 

CMYK 64 / 0 / 76 / 22

HEX #48C62F

RGB 72 198 47

HSL 110.07, 0.62%, 0.48%

LAB 70.85, -61.07, 60.86

 

CMYK 54 / 0 / 65 / 17

HEX #61D44A

RGB 97 212 74

HSL 110, 0.62%, 0.56%

LAB 76.14, -57.85, 56.53

 

CMYK 43 / 0 / 51 / 14

HEX #7EDC6B

RGB 126 220 107

HSL 109.91, 0.62%, 0.64%

LAB 80, -49.21, 46.57

 

CMYK 64 / 0 / 77 / 23

HEX #47C52E

RGB 71 197 46

HSL 110.07, 0.62%, 0.48%

LAB 70.5, -61.02, 60.83

 

CMYK 76 / 3 / 0 / 22

HEX #2FC1C6

RGB 47 193 198

HSL 181.99, 0.62%, 0.48%

LAB 71.43, -34.8, -13.3

 

CMYK 0 / 76 / 33 / 22

HEX #C62F85

RGB 198 47 133

HSL 325.83, 0.62%, 0.48%

LAB 46.62, 64.89, -12.38

 

CMYK 64 / 0 / 77 / 23

HEX #47C52E

RGB 71 197 46

HSL 110.07, 0.62%, 0.48%

LAB 70.5, -61.02, 60.83

 

CMYK 76 / 64 / 0 / 22

HEX #2F48C6

RGB 47 72 198

HSL 230.07, 0.62%, 0.48%

LAB 36.59, 35.38, -68.13

 

CMYK 0 / 76 / 64 / 22

HEX #C62F48

RGB 198 47 72

HSL 350.07, 0.62%, 0.48%

LAB 44.95, 59.66, 22.78

 

CMYK 64 / 0 / 77 / 23

HEX #47C52E

RGB 71 197 46

HSL 110.07, 0.62%, 0.48%

LAB 70.5, -61.02, 60.83

 

CMYK 76 / 3 / 0 / 22

HEX #2FC1C6

RGB 47 193 198

HSL 181.99, 0.62%, 0.48%

LAB 71.43, -34.8, -13.3

 

CMYK 13 / 76 / 0 / 22

HEX #AD2FC6

RGB 173 47 198

HSL 290.07, 0.62%, 0.48%

LAB 45.63, 68.81, -52.86

 

CMYK 0 / 74 / 76 / 22

HEX #C6342F

RGB 198 52 47

HSL 1.99, 0.62%, 0.48%

LAB 45.17, 56.8, 37.89

 

CMYK 64 / 0 / 77 / 23

HEX #47C52E

RGB 71 197 46

HSL 110.07, 0.62%, 0.48%

LAB 70.5, -61.02, 60.83

 

CMYK 76 / 25 / 0 / 22

HEX #2F94C6

RGB 47 148 198

HSL 199.87, 0.62%, 0.48%

LAB 57.91, -11.77, -34.01

 

CMYK 13 / 76 / 0 / 22

HEX #AD2FC6

RGB 173 47 198

HSL 290.07, 0.62%, 0.48%

LAB 45.63, 68.81, -52.86

 

CMYK 0 / 51 / 76 / 22

HEX #C6612F

RGB 198 97 47

HSL 19.87, 0.62%, 0.48%

LAB 52.69, 36.93, 45.78

 

Description

Color code: RGB 71 197 46 | qconv.com Color code: RGB 71 197 46 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 197 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 197 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 77 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 77% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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