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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 160 72 it is the complementary color RGB 184 95 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 160 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 160 72 shade: RGB 76 160 67, RGB 93 178 86, RGB 110 196 105, RGB 127 214 124 and RGB 144 232 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 160 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 160 72 shade: RGB 71 160 72, RGB 54 142 53, RGB 37 124 34, RGB 20 106 15 and RGB 3 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 160 72 shade: RGB 70 160 71, RGB 93 160 70, RGB 117 160 70, RGB 141 160 70 and RGB 160 153 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 160 72 shade: RGB 70 160 71, RGB 70 160 95, RGB 70 160 119, RGB 70 160 143 and RGB 70 151 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 160 72 shade matches the following richer shades: RGB 70 160 71, RGB 51 178 53, RGB 33 197 35 and RGB 14 215 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 160 72 shade: RGB 70 160 71, RGB 89 141 89, RGB 107 122 107, RGB 126 104 125 and RGB 144 85 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 160 72 shade: RGB 118 160 70, RGB 94 160 70, RGB 70 160 70, RGB 70 160 94 and RGB 70 160 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 160 72 shade: RGB 45 102 45, RGB 57 131 58, RGB 70 160 71, RGB 89 182 90 and RGB 117 195 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 160 72 shade: RGB 71 160 72, RGB 70 142 160 and RGB 160 70 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 160 72 shade: RGB 71 160 72, RGB 70 70 160 and RGB 160 70 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 160 72 shade: RGB 71 160 72, RGB 70 142 160, RGB 160 70 160 and RGB 160 88 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 160 72 shade: RGB 71 160 72, RGB 70 115 160, RGB 160 70 160 and RGB 160 115 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 55 / 37

HEX #47A048

RGB 71 160 72

HSL 120.67, 0.39%, 0.45%

LAB 58.93, -44.95, 37.55

 

Complementary color

CMYK 0 / 48 / 1 / 28

HEX #B85FB7

RGB 184 95 183

HSL 300.67, 0.39%, 0.55%

LAB 53.81, 48.41, -31.11

 

CMYK 53 / 0 / 58 / 37

HEX #4CA043

RGB 76 160 67

HSL 114.19, 0.41%, 0.45%

LAB 59.05, -44.21, 40.18

 

CMYK 48 / 0 / 52 / 30

HEX #5DB256

RGB 93 178 86

HSL 115.43, 0.37%, 0.52%

LAB 65.62, -44.3, 38.92

 

CMYK 44 / 0 / 46 / 23

HEX #6EC469

RGB 110 196 105

HSL 116.7, 0.44%, 0.59%

LAB 72.1, -44.24, 37.63

 

CMYK 41 / 0 / 42 / 16

HEX #7FD67C

RGB 127 214 124

HSL 118, 0.52%, 0.66%

LAB 78.5, -44.09, 36.38

 

CMYK 38 / 0 / 38 / 9

HEX #90E88F

RGB 144 232 143

HSL 119.33, 0.66%, 0.74%

LAB 84.81, -43.9, 35.17

 

CMYK 56 / 0 / 55 / 37

HEX #47A048

RGB 71 160 72

HSL 120.67, 0.39%, 0.45%

LAB 58.93, -44.95, 37.55

 

CMYK 62 / 0 / 63 / 44

HEX #368E35

RGB 54 142 53

HSL 119.33, 0.46%, 0.38%

LAB 52.27, -44.59, 38.83

 

CMYK 70 / 0 / 73 / 51

HEX #257C22

RGB 37 124 34

HSL 118, 0.57%, 0.31%

LAB 45.53, -43.75, 39.83

 

CMYK 81 / 0 / 86 / 58

HEX #146A0F

RGB 20 106 15

HSL 116.7, 0.75%, 0.24%

LAB 38.71, -42.09, 39.97

 

CMYK 97 / 0 / 100 / 65

HEX #035800

RGB 3 88 0

HSL 117.95, 1%, 0.17%

LAB 31.8, -39.28, 38.35

 

CMYK 56 / 0 / 56 / 37

HEX #46A047

RGB 70 160 71

HSL 120.67, 0.39%, 0.45%

LAB 58.88, -45.34, 37.98

 

CMYK 42 / 0 / 56 / 37

HEX #5DA046

RGB 93 160 70

HSL 104.67, 0.39%, 0.45%

LAB 59.81, -38.62, 39.8

 

CMYK 27 / 0 / 56 / 37

HEX #75A046

RGB 117 160 70

HSL 88.67, 0.39%, 0.45%

LAB 61.1, -30.01, 41.65

 

CMYK 12 / 0 / 56 / 37

HEX #8DA046

RGB 141 160 70

HSL 72.67, 0.39%, 0.45%

LAB 62.72, -20.39, 43.93

 

CMYK 0 / 4 / 56 / 37

HEX #A09946

RGB 160 153 70

HSL 55.33, 0.39%, 0.45%

LAB 62.25, -8.63, 43.8

 

CMYK 56 / 0 / 56 / 37

HEX #46A047

RGB 70 160 71

HSL 120.67, 0.39%, 0.45%

LAB 58.88, -45.34, 37.98

 

CMYK 56 / 0 / 41 / 37

HEX #46A05F

RGB 70 160 95

HSL 136.67, 0.39%, 0.45%

LAB 59.22, -41.63, 25.98

 

CMYK 56 / 0 / 26 / 37

HEX #46A077

RGB 70 160 119

HSL 152.67, 0.39%, 0.45%

LAB 59.69, -36.85, 13.41

 

CMYK 56 / 0 / 11 / 37

HEX #46A08F

RGB 70 160 143

HSL 168.67, 0.39%, 0.45%

LAB 60.27, -31.1, 0.76

 

CMYK 56 / 6 / 0 / 37

HEX #4697A0

RGB 70 151 160

HSL 186, 0.39%, 0.45%

LAB 58.01, -21.93, -12.24

 

CMYK 56 / 0 / 56 / 37

HEX #46A047

RGB 70 160 71

HSL 120.67, 0.39%, 0.45%

LAB 58.88, -45.34, 37.98

 

CMYK 71 / 0 / 70 / 30

HEX #33B235

RGB 51 178 53

HSL 120.94, 0.55%, 0.45%

LAB 64, -58.08, 51.61

 

CMYK 83 / 0 / 82 / 23

HEX #21C523

RGB 33 197 35

HSL 120.73, 0.71%, 0.45%

LAB 69.74, -67.78, 63.08

 

CMYK 93 / 0 / 92 / 16

HEX #0ED711

RGB 14 215 17

HSL 120.9, 0.88%, 0.45%

LAB 75.29, -74.91, 71.44

 

CMYK 56 / 0 / 56 / 37

HEX #46A047

RGB 70 160 71

HSL 120.67, 0.39%, 0.45%

LAB 58.88, -45.34, 37.98

 

CMYK 37 / 0 / 37 / 45

HEX #598D59

RGB 89 141 89

HSL 120, 0.23%, 0.45%

LAB 53.92, -28.49, 22.41

 

CMYK 12 / 0 / 12 / 52

HEX #6B7A6B

RGB 107 122 107

HSL 120, 0.07%, 0.45%

LAB 49.62, -8.66, 6.35

 

CMYK 0 / 17 / 1 / 51

HEX #7E687D

RGB 126 104 125

HSL 302.73, 0.1%, 0.45%

LAB 46.73, 12.72, -8.38

 

CMYK 0 / 41 / 0 / 44

HEX #905590

RGB 144 85 144

HSL 300, 0.26%, 0.45%

LAB 44.86, 34.01, -22.45

 

CMYK 26 / 0 / 56 / 37

HEX #76A046

RGB 118 160 70

HSL 88, 0.39%, 0.45%

LAB 61.16, -29.63, 41.73

 

CMYK 41 / 0 / 56 / 37

HEX #5EA046

RGB 94 160 70

HSL 104, 0.39%, 0.45%

LAB 59.86, -38.29, 39.87

 

CMYK 56 / 0 / 56 / 37

HEX #46A046

RGB 70 160 70

HSL 120, 0.39%, 0.45%

LAB 58.87, -45.47, 38.46

 

CMYK 56 / 0 / 41 / 37

HEX #46A05E

RGB 70 160 94

HSL 136, 0.39%, 0.45%

LAB 59.21, -41.81, 26.49

 

CMYK 56 / 0 / 26 / 37

HEX #46A076

RGB 70 160 118

HSL 152, 0.39%, 0.45%

LAB 59.66, -37.07, 13.94

 

CMYK 56 / 0 / 56 / 60

HEX #2D662D

RGB 45 102 45

HSL 120, 0.39%, 0.29%

LAB 38.29, -31.57, 26.41

 

CMYK 56 / 0 / 56 / 49

HEX #39833A

RGB 57 131 58

HSL 120.81, 0.39%, 0.37%

LAB 48.77, -38.76, 32.3

 

CMYK 56 / 0 / 56 / 37

HEX #46A047

RGB 70 160 71

HSL 120.67, 0.39%, 0.45%

LAB 58.88, -45.34, 37.98

 

CMYK 51 / 0 / 51 / 29

HEX #59B65A

RGB 89 182 90

HSL 120.65, 0.39%, 0.53%

LAB 66.76, -46.55, 38.29

 

CMYK 40 / 0 / 39 / 24

HEX #75C376

RGB 117 195 118

HSL 120.77, 0.39%, 0.61%

LAB 72.31, -39.75, 31.33

 

CMYK 56 / 0 / 55 / 37

HEX #47A048

RGB 71 160 72

HSL 120.67, 0.39%, 0.45%

LAB 58.93, -44.95, 37.55

 

CMYK 56 / 11 / 0 / 37

HEX #468EA0

RGB 70 142 160

HSL 192, 0.39%, 0.45%

LAB 55.26, -17.18, -16.39

 

CMYK 0 / 56 / 34 / 37

HEX #A0466A

RGB 160 70 106

HSL 336, 0.39%, 0.45%

LAB 42.6, 41.22, -2.5

 

CMYK 56 / 0 / 55 / 37

HEX #47A048

RGB 71 160 72

HSL 120.67, 0.39%, 0.45%

LAB 58.93, -44.95, 37.55

 

CMYK 56 / 56 / 0 / 37

HEX #4646A0

RGB 70 70 160

HSL 240, 0.39%, 0.45%

LAB 34.44, 26.71, -49.07

 

CMYK 0 / 56 / 56 / 37

HEX #A04646

RGB 160 70 70

HSL 0, 0.39%, 0.45%

LAB 41.68, 37.39, 18.47

 

CMYK 56 / 0 / 55 / 37

HEX #47A048

RGB 71 160 72

HSL 120.67, 0.39%, 0.45%

LAB 58.93, -44.95, 37.55

 

CMYK 56 / 11 / 0 / 37

HEX #468EA0

RGB 70 142 160

HSL 192, 0.39%, 0.45%

LAB 55.26, -17.18, -16.39

 

CMYK 0 / 56 / 0 / 37

HEX #A046A0

RGB 160 70 160

HSL 300, 0.39%, 0.45%

LAB 44.79, 49.7, -31.96

 

CMYK 0 / 45 / 56 / 37

HEX #A05846

RGB 160 88 70

HSL 12, 0.39%, 0.45%

LAB 45.49, 27.78, 23.44

 

CMYK 56 / 0 / 55 / 37

HEX #47A048

RGB 71 160 72

HSL 120.67, 0.39%, 0.45%

LAB 58.93, -44.95, 37.55

 

CMYK 56 / 28 / 0 / 37

HEX #4673A0

RGB 70 115 160

HSL 210, 0.39%, 0.45%

LAB 47.11, -1.8, -28.94

 

CMYK 0 / 56 / 0 / 37

HEX #A046A0

RGB 160 70 160

HSL 300, 0.39%, 0.45%

LAB 44.79, 49.7, -31.96

 

CMYK 0 / 28 / 56 / 37

HEX #A07346

RGB 160 115 70

HSL 30, 0.39%, 0.45%

LAB 52.04, 12.49, 31.68

 

Description

Color code: RGB 71 160 72 | qconv.com Color code: RGB 71 160 72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 160 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 160 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 55 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 55% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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