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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 126.8 8.4 it is the complementary color RGB 184 128.2 246.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 126.8 8.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 126.8 8.4 shade: RGB 76 126.8 3.4, RGB 93 144.8 22.4, RGB 110 162.8 41.4, RGB 127 180.8 60.4 and RGB 144 198.8 79.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 126.8 8.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 126.8 8.4 shade: RGB 71 126.8 8.4, RGB 54 108.8 0, RGB 37 90.8 0, RGB 20 72.8 0 and RGB 3 54.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 126.8 8.4 shade: RGB 72 129 8, RGB 105 129 8, RGB 129 121 8, RGB 129 89 8 and RGB 129 56 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 126.8 8.4 shade: RGB 72 129 8, RGB 40 129 8, RGB 8 129 10, RGB 8 129 42 and RGB 8 129 75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 126.8 8.4 shade matches the following richer shades: RGB 72 129 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 126.8 8.4 shade: RGB 72 129 8, RGB 72 118 19, RGB 71 107 31, RGB 70 96 42 and RGB 70 85 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 126.8 8.4 shade: RGB 129 121 8, RGB 105 129 8, RGB 73 129 8, RGB 41 129 8 and RGB 8 129 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 126.8 8.4 shade: RGB 29 52 3, RGB 51 91 6, RGB 72 129 8, RGB 94 168 11 and RGB 116 207 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 126.8 8.4 shade: RGB 71 126.8 8.4, RGB 8 129 89 and RGB 129 8 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 126.8 8.4 shade: RGB 71 126.8 8.4, RGB 8 73 129 and RGB 129 8 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 126.8 8.4 shade: RGB 71 126.8 8.4, RGB 8 129 89, RGB 65 8 129 and RGB 129 8 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 126.8 8.4 shade: RGB 71 126.8 8.4, RGB 8 129 125, RGB 65 8 129 and RGB 129 8 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 93 / 50

HEX #477E08

RGB 71 126.8 8.4

HSL 88.28, 0.88%, 0.27%

LAB 47.6, -36.49, 50.04

 

Complementary color

CMYK 25 / 48 / 0 / 3

HEX #B880F6

RGB 184 128.2 246.6

HSL 268.28, 0.88%, 0.73%

LAB 63.65, 44.18, -51.47

 

CMYK 40 / 0 / 97 / 50

HEX #4C7E03

RGB 76 126.8 3.4

HSL 84.7, 0.95%, 0.26%

LAB 47.84, -34.8, 51.33

 

CMYK 36 / 0 / 85 / 43

HEX #5D9016

RGB 93 144.8 22.4

HSL 85.39, 0.73%, 0.33%

LAB 54.63, -35.71, 53.36

 

CMYK 32 / 0 / 75 / 36

HEX #6EA229

RGB 110 162.8 41.4

HSL 86.1, 0.59%, 0.4%

LAB 61.31, -36.33, 53.94

 

CMYK 30 / 0 / 67 / 29

HEX #7FB43C

RGB 127 180.8 60.4

HSL 86.81, 0.5%, 0.47%

LAB 67.88, -36.72, 53.62

 

CMYK 28 / 0 / 60 / 22

HEX #90C64F

RGB 144 198.8 79.4

HSL 87.54, 0.52%, 0.55%

LAB 74.35, -36.95, 52.86

 

CMYK 44 / 0 / 93 / 50

HEX #477E08

RGB 71 126.8 8.4

HSL 88.28, 0.88%, 0.27%

LAB 47.6, -36.49, 50.04

 

CMYK 50 / 0 / 100 / 57

HEX #366C00

RGB 54 108.8 0

HSL 90.22, 1%, 0.21%

LAB 40.7, -35.13, 46

 

CMYK 59 / 0 / 100 / 64

HEX #255A00

RGB 37 90.8 0

HSL 95.55, 1%, 0.18%

LAB 33.65, -33.3, 40.16

 

CMYK 73 / 0 / 100 / 71

HEX #144800

RGB 20 72.8 0

HSL 103.52, 1%, 0.14%

LAB 26.41, -31.05, 34.05

 

CMYK 95 / 0 / 100 / 79

HEX #033600

RGB 3 54.8 0

HSL 116.72, 1%, 0.11%

LAB 18.94, -28.21, 26.16

 

CMYK 44 / 0 / 94 / 49

HEX #488108

RGB 72 129 8

HSL 88.26, 0.88%, 0.27%

LAB 48.38, -37.08, 50.78

 

CMYK 19 / 0 / 94 / 49

HEX #698108

RGB 105 129 8

HSL 71.9, 0.88%, 0.27%

LAB 50.36, -23.75, 53.21

 

CMYK 0 / 6 / 94 / 49

HEX #817908

RGB 129 121 8

HSL 56.03, 0.88%, 0.27%

LAB 49.93, -8.48, 53.71

 

CMYK 0 / 31 / 94 / 49

HEX #815908

RGB 129 89 8

HSL 40.17, 0.88%, 0.27%

LAB 40.94, 9.97, 46.81

 

CMYK 0 / 57 / 94 / 49

HEX #813808

RGB 129 56 8

HSL 23.8, 0.88%, 0.27%

LAB 32.95, 29.02, 40.82

 

CMYK 44 / 0 / 94 / 49

HEX #488108

RGB 72 129 8

HSL 88.26, 0.88%, 0.27%

LAB 48.38, -37.08, 50.78

 

CMYK 69 / 0 / 94 / 49

HEX #288108

RGB 40 129 8

HSL 104.13, 0.88%, 0.27%

LAB 47.2, -46.46, 49.31

 

CMYK 94 / 0 / 92 / 49

HEX #08810A

RGB 8 129 10

HSL 120.99, 0.88%, 0.27%

LAB 46.68, -50.99, 48.27

 

CMYK 94 / 0 / 67 / 49

HEX #08812A

RGB 8 129 42

HSL 136.86, 0.88%, 0.27%

LAB 46.87, -48.55, 37.63

 

CMYK 94 / 0 / 42 / 49

HEX #08814B

RGB 8 129 75

HSL 153.22, 0.88%, 0.27%

LAB 47.31, -43.16, 21.05

 

CMYK 44 / 0 / 94 / 49

HEX #488108

RGB 72 129 8

HSL 88.26, 0.88%, 0.27%

LAB 48.38, -37.08, 50.78

 

CMYK 44 / 0 / 94 / 49

HEX #488108

RGB 72 129 8

HSL 88.26, 0.88%, 0.27%

LAB 48.38, -37.08, 50.78

 

CMYK 39 / 0 / 84 / 54

HEX #487613

RGB 72 118 19

HSL 87.88, 0.72%, 0.27%

LAB 44.78, -31.82, 45.03

 

CMYK 34 / 0 / 71 / 58

HEX #476B1F

RGB 71 107 31

HSL 88.42, 0.55%, 0.27%

LAB 41.14, -26.24, 36.95

 

CMYK 27 / 0 / 56 / 62

HEX #46602A

RGB 70 96 42

HSL 88.89, 0.39%, 0.27%

LAB 37.54, -19.96, 27.46

 

CMYK 18 / 0 / 38 / 67

HEX #465535

RGB 70 85 53

HSL 88.13, 0.23%, 0.27%

LAB 34.1, -12.35, 16.8

 

CMYK 0 / 6 / 94 / 49

HEX #817908

RGB 129 121 8

HSL 56.03, 0.88%, 0.27%

LAB 49.93, -8.48, 53.71

 

CMYK 19 / 0 / 94 / 49

HEX #698108

RGB 105 129 8

HSL 71.9, 0.88%, 0.27%

LAB 50.36, -23.75, 53.21

 

CMYK 43 / 0 / 94 / 49

HEX #498108

RGB 73 129 8

HSL 87.77, 0.88%, 0.27%

LAB 48.43, -36.72, 50.84

 

CMYK 68 / 0 / 94 / 49

HEX #298108

RGB 41 129 8

HSL 103.64, 0.88%, 0.27%

LAB 47.22, -46.24, 49.34

 

CMYK 94 / 0 / 94 / 49

HEX #088108

RGB 8 129 8

HSL 120, 0.88%, 0.27%

LAB 46.67, -51.06, 48.66

 

CMYK 44 / 0 / 94 / 80

HEX #1D3403

RGB 29 52 3

HSL 88.16, 0.89%, 0.11%

LAB 18.9, -18.38, 25.16

 

CMYK 44 / 0 / 93 / 64

HEX #335B06

RGB 51 91 6

HSL 88.24, 0.88%, 0.19%

LAB 34.39, -28.15, 39.11

 

CMYK 44 / 0 / 94 / 49

HEX #488108

RGB 72 129 8

HSL 88.26, 0.88%, 0.27%

LAB 48.38, -37.08, 50.78

 

CMYK 44 / 0 / 93 / 34

HEX #5EA80B

RGB 94 168 11

HSL 88.28, 0.88%, 0.35%

LAB 62.01, -45.53, 61.92

 

CMYK 44 / 0 / 94 / 19

HEX #74CF0D

RGB 116 207 13

HSL 88.14, 0.88%, 0.43%

LAB 75.06, -53.62, 72.68

 

CMYK 44 / 0 / 93 / 50

HEX #477E08

RGB 71 126.8 8.4

HSL 88.28, 0.88%, 0.27%

LAB 47.6, -36.49, 50.04

 

CMYK 94 / 0 / 31 / 49

HEX #088159

RGB 8 129 89

HSL 160.17, 0.88%, 0.27%

LAB 47.59, -40.01, 13.44

 

CMYK 0 / 94 / 6 / 49

HEX #810879

RGB 129 8 121

HSL 303.97, 0.88%, 0.27%

LAB 29.96, 56.77, -31.78

 

CMYK 44 / 0 / 93 / 50

HEX #477E08

RGB 71 126.8 8.4

HSL 88.28, 0.88%, 0.27%

LAB 47.6, -36.49, 50.04

 

CMYK 94 / 43 / 0 / 49

HEX #084981

RGB 8 73 129

HSL 207.77, 0.88%, 0.27%

LAB 30.4, 3.87, -36.75

 

CMYK 0 / 94 / 43 / 49

HEX #810849

RGB 129 8 73

HSL 327.77, 0.88%, 0.27%

LAB 27.63, 50.64, -4.06

 

CMYK 44 / 0 / 93 / 50

HEX #477E08

RGB 71 126.8 8.4

HSL 88.28, 0.88%, 0.27%

LAB 47.6, -36.49, 50.04

 

CMYK 94 / 0 / 31 / 49

HEX #088159

RGB 8 129 89

HSL 160.17, 0.88%, 0.27%

LAB 47.59, -40.01, 13.44

 

CMYK 50 / 94 / 0 / 49

HEX #410881

RGB 65 8 129

HSL 268.26, 0.88%, 0.27%

LAB 19.57, 48.28, -54.23

 

CMYK 0 / 94 / 62 / 49

HEX #810831

RGB 129 8 49

HSL 339.67, 0.88%, 0.27%

LAB 26.91, 48.65, 11.18

 

CMYK 44 / 0 / 93 / 50

HEX #477E08

RGB 71 126.8 8.4

HSL 88.28, 0.88%, 0.27%

LAB 47.6, -36.49, 50.04

 

CMYK 94 / 0 / 3 / 49

HEX #08817D

RGB 8 129 125

HSL 178.02, 0.88%, 0.27%

LAB 48.55, -29.86, -6.27

 

CMYK 50 / 94 / 0 / 49

HEX #410881

RGB 65 8 129

HSL 268.26, 0.88%, 0.27%

LAB 19.57, 48.28, -54.23

 

CMYK 0 / 94 / 91 / 49

HEX #81080C

RGB 129 8 12

HSL 358.02, 0.88%, 0.27%

LAB 26.35, 47.07, 33.96

 

Description

Color code: RGB 71 126.8 8.4 | qconv.com Color code: RGB 71 126.8 8.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 126.8 green and 8.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 126.8 8.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 93 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 93% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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