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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 42 212 it is the complementary color RGB 185 213 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 42 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 42 212 shade: RGB 75 42 207, RGB 92 60 226, RGB 109 78 245, RGB 126 96 255 and RGB 143 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 42 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 42 212 shade: RGB 70 42 212, RGB 53 24 193, RGB 36 6 174, RGB 19 0 155 and RGB 2 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 42 212 shade: RGB 70 42 213, RGB 116 42 213, RGB 162 42 213, RGB 208 42 213 and RGB 213 42 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 42 212 shade: RGB 70 42 213 and RGB 42 42 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 42 212 shade matches the following richer shades: RGB 70 42 213, RGB 56 21 234 and RGB 43 1 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 42 212 shade: RGB 70 42 213, RGB 84 63 192, RGB 98 83 172, RGB 112 104 151 and RGB 126 125 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 42 212 shade: RGB 42 108 213, RGB 42 62 213, RGB 68 42 213, RGB 113 42 213 and RGB 159 42 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 42 212 shade: RGB 47 28 144, RGB 59 35 178, RGB 70 42 213, RGB 100 77 220 and RGB 130 111 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 42 212 shade: RGB 70 42 212, RGB 213 42 153 and RGB 85 213 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 42 212 shade: RGB 70 42 212, RGB 213 68 42 and RGB 42 213 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 42 212 shade: RGB 70 42 212, RGB 213 42 153, RGB 187 213 42 and RGB 42 213 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 42 212 shade: RGB 70 42 212, RGB 213 42 102, RGB 187 213 42 and RGB 42 213 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 80 / 0 / 17

HEX #462AD4

RGB 70 42 212

HSL 249.88, 0.67%, 0.5%

LAB 33.37, 58.8, -81.5

 

Complementary color

CMYK 13 / 0 / 80 / 16

HEX #B9D52B

RGB 185 213 43

HSL 69.88, 0.67%, 0.5%

LAB 80.78, -29.68, 73.26

 

CMYK 64 / 80 / 0 / 19

HEX #4B2ACF

RGB 75 42 207

HSL 252, 0.66%, 0.49%

LAB 33.26, 57.84, -78.79

 

CMYK 59 / 73 / 0 / 11

HEX #5C3CE2

RGB 92 60 226

HSL 251.57, 0.74%, 0.56%

LAB 39.58, 56.63, -79.25

 

CMYK 56 / 68 / 0 / 4

HEX #6D4EF5

RGB 109 78 245

HSL 251.14, 0.89%, 0.63%

LAB 46.03, 55.15, -79.34

 

CMYK 51 / 62 / 0 / 0

HEX #7E60FF

RGB 126 96 255

HSL 251.32, 1%, 0.69%

LAB 51.86, 51.06, -75.34

 

CMYK 44 / 55 / 0 / 0

HEX #8F72FF

RGB 143 114 255

HSL 252.34, 1%, 0.72%

LAB 57.17, 44.35, -66.68

 

CMYK 67 / 80 / 0 / 17

HEX #462AD4

RGB 70 42 212

HSL 249.88, 0.67%, 0.5%

LAB 33.37, 58.8, -81.5

 

CMYK 73 / 88 / 0 / 24

HEX #3518C1

RGB 53 24 193

HSL 250.3, 0.78%, 0.43%

LAB 27.46, 59.38, -80.25

 

CMYK 79 / 97 / 0 / 32

HEX #2406AE

RGB 36 6 174

HSL 250.71, 0.93%, 0.35%

LAB 22.16, 58.5, -77.78

 

CMYK 88 / 100 / 0 / 39

HEX #13009B

RGB 19 0 155

HSL 247.35, 1%, 0.3%

LAB 17.94, 54.81, -73.29

 

CMYK 99 / 100 / 0 / 47

HEX #020088

RGB 2 0 136

HSL 240.88, 1%, 0.27%

LAB 14.35, 49.66, -67.48

 

CMYK 67 / 80 / 0 / 16

HEX #462AD5

RGB 70 42 213

HSL 249.82, 0.67%, 0.5%

LAB 33.48, 59.08, -81.9

 

CMYK 46 / 80 / 0 / 16

HEX #742AD5

RGB 116 42 213

HSL 265.96, 0.67%, 0.5%

LAB 38.15, 64.19, -74.05

 

CMYK 24 / 80 / 0 / 16

HEX #A22AD5

RGB 162 42 213

HSL 282.11, 0.67%, 0.5%

LAB 44.44, 71.16, -63.53

 

CMYK 2 / 80 / 0 / 16

HEX #D02AD5

RGB 208 42 213

HSL 298.25, 0.67%, 0.5%

LAB 51.69, 79.3, -51.47

 

CMYK 0 / 80 / 20 / 16

HEX #D52AAB

RGB 213 42 171

HSL 314.74, 0.67%, 0.5%

LAB 50.38, 74.34, -29.1

 

CMYK 67 / 80 / 0 / 16

HEX #462AD5

RGB 70 42 213

HSL 249.82, 0.67%, 0.5%

LAB 33.48, 59.08, -81.9

 

CMYK 80 / 80 / 0 / 16

HEX #2A2AD5

RGB 42 42 213

HSL 240, 0.67%, 0.5%

LAB 31.7, 57.16, -84.92

 

CMYK 67 / 80 / 0 / 16

HEX #462AD5

RGB 70 42 213

HSL 249.82, 0.67%, 0.5%

LAB 33.48, 59.08, -81.9

 

CMYK 76 / 91 / 0 / 8

HEX #3815EA

RGB 56 21 234

HSL 249.86, 0.84%, 0.5%

LAB 32.52, 71.19, -95.58

 

CMYK 83 / 100 / 0 / 0

HEX #2B01FE

RGB 43 1 254

HSL 249.96, 0.99%, 0.5%

LAB 33.33, 79.19, -105.56

 

CMYK 67 / 80 / 0 / 16

HEX #462AD5

RGB 70 42 213

HSL 249.82, 0.67%, 0.5%

LAB 33.48, 59.08, -81.9

 

CMYK 56 / 67 / 0 / 25

HEX #543FC0

RGB 84 63 192

HSL 249.77, 0.51%, 0.5%

LAB 36.45, 43.8, -64.75

 

CMYK 43 / 52 / 0 / 33

HEX #6253AC

RGB 98 83 172

HSL 250.11, 0.35%, 0.5%

LAB 40.83, 28.64, -45.82

 

CMYK 26 / 31 / 0 / 41

HEX #706897

RGB 112 104 151

HSL 250.21, 0.18%, 0.5%

LAB 46.42, 13.87, -24.49

 

CMYK 3 / 4 / 0 / 49

HEX #7E7D82

RGB 126 125 130

HSL 252, 0.02%, 0.5%

LAB 52.64, 1.39, -2.58

 

CMYK 80 / 49 / 0 / 16

HEX #2A6CD5

RGB 42 108 213

HSL 216.84, 0.67%, 0.5%

LAB 47, 17.3, -59.84

 

CMYK 80 / 71 / 0 / 16

HEX #2A3ED5

RGB 42 62 213

HSL 232.98, 0.67%, 0.5%

LAB 35.48, 46.41, -78.65

 

CMYK 68 / 80 / 0 / 16

HEX #442AD5

RGB 68 42 213

HSL 249.12, 0.67%, 0.5%

LAB 33.33, 58.91, -82.17

 

CMYK 47 / 80 / 0 / 16

HEX #712AD5

RGB 113 42 213

HSL 264.91, 0.67%, 0.5%

LAB 37.79, 63.79, -74.65

 

CMYK 25 / 80 / 0 / 16

HEX #9F2AD5

RGB 159 42 213

HSL 281.05, 0.67%, 0.5%

LAB 43.99, 70.66, -64.27

 

CMYK 67 / 81 / 0 / 44

HEX #2F1C90

RGB 47 28 144

HSL 249.83, 0.67%, 0.34%

LAB 21.76, 42.99, -60.09

 

CMYK 67 / 80 / 0 / 30

HEX #3B23B2

RGB 59 35 178

HSL 250.07, 0.67%, 0.42%

LAB 27.7, 51.1, -70.94

 

CMYK 67 / 80 / 0 / 16

HEX #462AD5

RGB 70 42 213

HSL 249.82, 0.67%, 0.5%

LAB 33.48, 59.08, -81.9

 

CMYK 55 / 65 / 0 / 14

HEX #644DDC

RGB 100 77 220

HSL 249.65, 0.67%, 0.58%

LAB 43.04, 46.96, -70.13

 

CMYK 43 / 51 / 0 / 11

HEX #826FE3

RGB 130 111 227

HSL 249.83, 0.67%, 0.66%

LAB 53.67, 35.38, -56.78

 

CMYK 67 / 80 / 0 / 17

HEX #462AD4

RGB 70 42 212

HSL 249.88, 0.67%, 0.5%

LAB 33.37, 58.8, -81.5

 

CMYK 0 / 80 / 28 / 16

HEX #D52A99

RGB 213 42 153

HSL 321.05, 0.67%, 0.5%

LAB 49.62, 72.16, -19.61

 

CMYK 60 / 0 / 80 / 16

HEX #55D52A

RGB 85 213 42

HSL 104.91, 0.67%, 0.5%

LAB 75.88, -63.49, 67.26

 

CMYK 67 / 80 / 0 / 17

HEX #462AD4

RGB 70 42 212

HSL 249.88, 0.67%, 0.5%

LAB 33.37, 58.8, -81.5

 

CMYK 0 / 68 / 80 / 16

HEX #D5442A

RGB 213 68 42

HSL 9.12, 0.67%, 0.5%

LAB 50.03, 55.52, 46.42

 

CMYK 80 / 0 / 68 / 16

HEX #2AD544

RGB 42 213 68

HSL 129.12, 0.67%, 0.5%

LAB 75.14, -69.13, 57.48

 

CMYK 67 / 80 / 0 / 17

HEX #462AD4

RGB 70 42 212

HSL 249.88, 0.67%, 0.5%

LAB 33.37, 58.8, -81.5

 

CMYK 0 / 80 / 28 / 16

HEX #D52A99

RGB 213 42 153

HSL 321.05, 0.67%, 0.5%

LAB 49.62, 72.16, -19.61

 

CMYK 12 / 0 / 80 / 16

HEX #BBD52A

RGB 187 213 42

HSL 69.12, 0.67%, 0.5%

LAB 80.92, -28.9, 73.69

 

CMYK 80 / 0 / 52 / 16

HEX #2AD566

RGB 42 213 102

HSL 141.05, 0.67%, 0.5%

LAB 75.48, -65.01, 42.89

 

CMYK 67 / 80 / 0 / 17

HEX #462AD4

RGB 70 42 212

HSL 249.88, 0.67%, 0.5%

LAB 33.37, 58.8, -81.5

 

CMYK 0 / 80 / 52 / 16

HEX #D52A66

RGB 213 42 102

HSL 338.95, 0.67%, 0.5%

LAB 47.96, 67.26, 8.87

 

CMYK 12 / 0 / 80 / 16

HEX #BBD52A

RGB 187 213 42

HSL 69.12, 0.67%, 0.5%

LAB 80.92, -28.9, 73.69

 

CMYK 80 / 0 / 28 / 16

HEX #2AD599

RGB 42 213 153

HSL 158.95, 0.67%, 0.5%

LAB 76.3, -55.55, 18.02

 

Description

Color code: RGB 70 42 212 | qconv.com Color code: RGB 70 42 212 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 42 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 42 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 80 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 80% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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