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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 142 14 it is the complementary color RGB 185 113 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 142 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 142 14 shade: RGB 75 142 9, RGB 92 160 28, RGB 109 178 47, RGB 126 196 66 and RGB 143 214 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 142 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 142 14 shade: RGB 70 142 14, RGB 53 124 0, RGB 36 106 0, RGB 19 88 0 and RGB 2 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 142 14 shade: RGB 70 143 14, RGB 105 143 14, RGB 140 143 14, RGB 143 111 14 and RGB 143 76 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 142 14 shade: RGB 70 143 14, RGB 35 143 14, RGB 14 143 27, RGB 14 143 62 and RGB 14 143 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 142 14 shade matches the following richer shades: RGB 70 143 14 and RGB 69 156 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 142 14 shade: RGB 70 143 14, RGB 72 131 27, RGB 74 118 39, RGB 75 105 52 and RGB 77 92 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 142 14 shade: RGB 141 143 14, RGB 107 143 14, RGB 72 143 14, RGB 37 143 14 and RGB 14 143 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 142 14 shade: RGB 33 68 6, RGB 52 106 10, RGB 70 143 14, RGB 89 181 17 and RGB 107 218 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 142 14 shade: RGB 70 142 14, RGB 14 143 111 and RGB 143 14 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 142 14 shade: RGB 70 142 14, RGB 14 72 143 and RGB 143 14 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 142 14 shade: RGB 70 142 14, RGB 14 143 111, RGB 85 14 143 and RGB 143 14 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 142 14 shade: RGB 70 142 14, RGB 14 137 143, RGB 85 14 143 and RGB 143 20 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 90 / 44

HEX #468E0E

RGB 70 142 14

HSL 93.75, 0.82%, 0.31%

LAB 52.6, -42.92, 53.14

 

Complementary color

CMYK 23 / 53 / 0 / 5

HEX #B971F1

RGB 185 113 241

HSL 273.75, 0.82%, 0.69%

LAB 60.32, 51.25, -53.66

 

CMYK 47 / 0 / 94 / 44

HEX #4B8E09

RGB 75 142 9

HSL 90.23, 0.88%, 0.3%

LAB 52.8, -41.43, 54.31

 

CMYK 43 / 0 / 83 / 37

HEX #5CA01C

RGB 92 160 28

HSL 90.91, 0.7%, 0.37%

LAB 59.44, -42.37, 56.13

 

CMYK 39 / 0 / 74 / 30

HEX #6DB22F

RGB 109 178 47

HSL 91.6, 0.58%, 0.44%

LAB 65.98, -42.96, 56.53

 

CMYK 36 / 0 / 66 / 23

HEX #7EC442

RGB 126 196 66

HSL 92.31, 0.52%, 0.51%

LAB 72.43, -43.31, 56.16

 

CMYK 33 / 0 / 60 / 16

HEX #8FD655

RGB 143 214 85

HSL 93.02, 0.61%, 0.59%

LAB 78.8, -43.51, 55.38

 

CMYK 51 / 0 / 90 / 44

HEX #468E0E

RGB 70 142 14

HSL 93.75, 0.82%, 0.31%

LAB 52.6, -42.92, 53.14

 

CMYK 57 / 0 / 100 / 51

HEX #357C00

RGB 53 124 0

HSL 94.35, 1%, 0.24%

LAB 45.87, -41.55, 50.04

 

CMYK 66 / 0 / 100 / 58

HEX #246A00

RGB 36 106 0

HSL 99.62, 1%, 0.21%

LAB 39.04, -39.48, 44.41

 

CMYK 78 / 0 / 100 / 65

HEX #135800

RGB 19 88 0

HSL 107.05, 1%, 0.17%

LAB 32.07, -36.87, 38.68

 

CMYK 97 / 0 / 100 / 73

HEX #024600

RGB 2 70 0

HSL 118.29, 1%, 0.14%

LAB 24.93, -33.6, 32.53

 

CMYK 51 / 0 / 90 / 44

HEX #468F0E

RGB 70 143 14

HSL 93.95, 0.82%, 0.31%

LAB 52.93, -43.32, 53.42

 

CMYK 27 / 0 / 90 / 44

HEX #698F0E

RGB 105 143 14

HSL 77.67, 0.82%, 0.31%

LAB 54.74, -30.42, 55.68

 

CMYK 2 / 0 / 90 / 44

HEX #8C8F0E

RGB 140 143 14

HSL 61.4, 0.82%, 0.31%

LAB 57.32, -15.13, 58.85

 

CMYK 0 / 22 / 90 / 44

HEX #8F6F0E

RGB 143 111 14

HSL 45.12, 0.82%, 0.31%

LAB 48.56, 3.94, 51.98

 

CMYK 0 / 47 / 90 / 44

HEX #8F4C0E

RGB 143 76 14

HSL 28.84, 0.82%, 0.31%

LAB 39.65, 24.14, 44.91

 

CMYK 51 / 0 / 90 / 44

HEX #468F0E

RGB 70 143 14

HSL 93.95, 0.82%, 0.31%

LAB 52.93, -43.32, 53.42

 

CMYK 76 / 0 / 90 / 44

HEX #238F0E

RGB 35 143 14

HSL 110.23, 0.82%, 0.31%

LAB 51.88, -51.93, 52.11

 

CMYK 90 / 0 / 81 / 44

HEX #0E8F1B

RGB 14 143 27

HSL 126.05, 0.82%, 0.31%

LAB 51.63, -53.89, 48.37

 

CMYK 90 / 0 / 57 / 44

HEX #0E8F3E

RGB 14 143 62

HSL 142.33, 0.82%, 0.31%

LAB 51.93, -50.1, 33.85

 

CMYK 90 / 0 / 32 / 44

HEX #0E8F61

RGB 14 143 97

HSL 158.6, 0.82%, 0.31%

LAB 52.51, -43.35, 15.65

 

CMYK 51 / 0 / 90 / 44

HEX #468F0E

RGB 70 143 14

HSL 93.95, 0.82%, 0.31%

LAB 52.93, -43.32, 53.42

 

CMYK 56 / 0 / 99 / 39

HEX #459C01

RGB 69 156 1

HSL 93.68, 0.99%, 0.31%

LAB 57.12, -48.94, 59

 

CMYK 51 / 0 / 90 / 44

HEX #468F0E

RGB 70 143 14

HSL 93.95, 0.82%, 0.31%

LAB 52.93, -43.32, 53.42

 

CMYK 45 / 0 / 79 / 49

HEX #48831B

RGB 72 131 27

HSL 94.04, 0.66%, 0.31%

LAB 49.12, -37.11, 46.5

 

CMYK 37 / 0 / 67 / 54

HEX #4A7627

RGB 74 118 39

HSL 93.42, 0.5%, 0.31%

LAB 45.02, -29.63, 37.53

 

CMYK 29 / 0 / 50 / 59

HEX #4B6934

RGB 75 105 52

HSL 93.96, 0.34%, 0.31%

LAB 40.97, -21.33, 26.21

 

CMYK 16 / 0 / 29 / 64

HEX #4D5C41

RGB 77 92 65

HSL 93.33, 0.17%, 0.31%

LAB 37.14, -11.38, 13.68

 

CMYK 1 / 0 / 90 / 44

HEX #8D8F0E

RGB 141 143 14

HSL 60.93, 0.82%, 0.31%

LAB 57.4, -14.67, 58.95

 

CMYK 25 / 0 / 90 / 44

HEX #6B8F0E

RGB 107 143 14

HSL 76.74, 0.82%, 0.31%

LAB 54.87, -29.59, 55.84

 

CMYK 50 / 0 / 90 / 44

HEX #488F0E

RGB 72 143 14

HSL 93.02, 0.82%, 0.31%

LAB 53.01, -42.68, 53.53

 

CMYK 74 / 0 / 90 / 44

HEX #258F0E

RGB 37 143 14

HSL 109.3, 0.82%, 0.31%

LAB 51.92, -51.58, 52.16

 

CMYK 90 / 0 / 83 / 44

HEX #0E8F19

RGB 14 143 25

HSL 125.12, 0.82%, 0.31%

LAB 51.62, -54.02, 48.97

 

CMYK 51 / 0 / 91 / 73

HEX #214406

RGB 33 68 6

HSL 93.87, 0.84%, 0.15%

LAB 25.17, -24.39, 30.65

 

CMYK 51 / 0 / 91 / 58

HEX #346A0A

RGB 52 106 10

HSL 93.75, 0.83%, 0.23%

LAB 39.68, -34.23, 42.6

 

CMYK 51 / 0 / 90 / 44

HEX #468F0E

RGB 70 143 14

HSL 93.95, 0.82%, 0.31%

LAB 52.93, -43.32, 53.42

 

CMYK 51 / 0 / 91 / 29

HEX #59B511

RGB 89 181 17

HSL 93.66, 0.83%, 0.39%

LAB 65.91, -52.03, 64.15

 

CMYK 51 / 0 / 90 / 15

HEX #6BDA15

RGB 107 218 21

HSL 93.81, 0.82%, 0.47%

LAB 78.07, -60.28, 73.93

 

CMYK 51 / 0 / 90 / 44

HEX #468E0E

RGB 70 142 14

HSL 93.75, 0.82%, 0.31%

LAB 52.6, -42.92, 53.14

 

CMYK 90 / 0 / 22 / 44

HEX #0E8F6F

RGB 14 143 111

HSL 165.12, 0.82%, 0.31%

LAB 52.82, -39.88, 8.11

 

CMYK 0 / 90 / 13 / 44

HEX #8F0E7C

RGB 143 14 124

HSL 308.84, 0.82%, 0.31%

LAB 33.15, 59.06, -28.45

 

CMYK 51 / 0 / 90 / 44

HEX #468E0E

RGB 70 142 14

HSL 93.75, 0.82%, 0.31%

LAB 52.6, -42.92, 53.14

 

CMYK 90 / 50 / 0 / 44

HEX #0E488F

RGB 14 72 143

HSL 213.02, 0.82%, 0.31%

LAB 31.14, 10.85, -44.2

 

CMYK 0 / 90 / 50 / 44

HEX #8F0E48

RGB 143 14 72

HSL 333.02, 0.82%, 0.31%

LAB 30.93, 53.03, 1.79

 

CMYK 51 / 0 / 90 / 44

HEX #468E0E

RGB 70 142 14

HSL 93.75, 0.82%, 0.31%

LAB 52.6, -42.92, 53.14

 

CMYK 90 / 0 / 22 / 44

HEX #0E8F6F

RGB 14 143 111

HSL 165.12, 0.82%, 0.31%

LAB 52.82, -39.88, 8.11

 

CMYK 41 / 90 / 0 / 44

HEX #550E8F

RGB 85 14 143

HSL 273.02, 0.82%, 0.31%

LAB 24.41, 52.53, -54.93

 

CMYK 0 / 90 / 68 / 44

HEX #8F0E2E

RGB 143 14 46

HSL 345.12, 0.82%, 0.31%

LAB 30.28, 51.19, 18.21

 

CMYK 51 / 0 / 90 / 44

HEX #468E0E

RGB 70 142 14

HSL 93.75, 0.82%, 0.31%

LAB 52.6, -42.92, 53.14

 

CMYK 90 / 4 / 0 / 44

HEX #0E898F

RGB 14 137 143

HSL 182.79, 0.82%, 0.31%

LAB 51.8, -27.66, -11.93

 

CMYK 41 / 90 / 0 / 44

HEX #550E8F

RGB 85 14 143

HSL 273.02, 0.82%, 0.31%

LAB 24.41, 52.53, -54.93

 

CMYK 0 / 86 / 90 / 44

HEX #8F140E

RGB 143 20 14

HSL 2.79, 0.82%, 0.31%

LAB 30.33, 48.72, 37.57

 

Description

Color code: RGB 70 142 14 | qconv.com Color code: RGB 70 142 14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 142 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 142 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 90 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 90% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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