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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 110.6 222.6 it is the complementary color RGB 185 144.4 32.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 110.6 222.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 110.6 222.6 shade: RGB 75 110.6 217.6, RGB 92 128.6 236.6, RGB 109 146.6 255, RGB 126 164.6 255 and RGB 143 182.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 110.6 222.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 110.6 222.6 shade: RGB 70 110.6 222.6, RGB 53 92.6 203.6, RGB 36 74.6 184.6, RGB 19 56.6 165.6 and RGB 2 38.6 146.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 110.6 222.6 shade: RGB 69 109 222, RGB 69 69 222, RGB 111 69 222, RGB 152 69 222 and RGB 193 69 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 110.6 222.6 shade: RGB 69 109 222 and RGB 69 69 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 110.6 222.6 shade matches the following richer shades: RGB 69 109 222 and RGB 51 101 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 110.6 222.6 shade: RGB 69 109 222, RGB 86 118 204, RGB 104 126 187, RGB 122 134 169 and RGB 140 143 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 110.6 222.6 shade: RGB 69 191 222, RGB 69 150 222, RGB 69 110 222, RGB 69 69 222 and RGB 110 69 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 110.6 222.6 shade: RGB 31 70 177, RGB 37 84 212, RGB 69 109 222, RGB 104 137 228 and RGB 139 164 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 110.6 222.6 shade: RGB 70 110.6 222.6, RGB 212 69 222 and RGB 171 222 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 110.6 222.6 shade: RGB 70 110.6 222.6, RGB 222 69 110 and RGB 110 222 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 110.6 222.6 shade: RGB 70 110.6 222.6, RGB 212 69 222, RGB 222 181 69 and RGB 79 222 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 110.6 222.6 shade: RGB 70 110.6 222.6, RGB 222 69 186, RGB 222 181 69 and RGB 69 222 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 50 / 0 / 13

HEX #466EDE

RGB 70 110.6 222.6

HSL 224.04, 0.7%, 0.57%

LAB 49.36, 22.6, -61.43

 

Complementary color

CMYK 0 / 22 / 82 / 27

HEX #B99020

RGB 185 144.4 32.4

HSL 44.04, 0.7%, 0.43%

LAB 62.07, 5.07, 59.87

 

CMYK 66 / 49 / 0 / 15

HEX #4B6ED9

RGB 75 110.6 217.6

HSL 225.02, 0.66%, 0.57%

LAB 49.28, 21.61, -58.73

 

CMYK 61 / 46 / 0 / 7

HEX #5C80EC

RGB 92 128.6 236.6

HSL 224.81, 0.8%, 0.64%

LAB 56.05, 19.9, -58.47

 

CMYK 57 / 43 / 0 / 0

HEX #6D92FF

RGB 109 146.6 255

HSL 224.55, 1%, 0.71%

LAB 62.69, 18.28, -57.96

 

CMYK 51 / 35 / 0 / 0

HEX #7EA4FF

RGB 126 164.6 255

HSL 222.05, 1%, 0.75%

LAB 68.33, 11.32, -48.95

 

CMYK 44 / 28 / 0 / 0

HEX #8FB6FF

RGB 143 182.6 255

HSL 218.79, 1%, 0.78%

LAB 74.04, 5.12, -39.94

 

CMYK 69 / 50 / 0 / 13

HEX #466EDE

RGB 70 110.6 222.6

HSL 224.04, 0.7%, 0.57%

LAB 49.36, 22.6, -61.43

 

CMYK 74 / 55 / 0 / 20

HEX #355CCB

RGB 53 92.6 203.6

HSL 224.22, 0.59%, 0.5%

LAB 42.55, 24.86, -61.65

 

CMYK 80 / 60 / 0 / 28

HEX #244AB8

RGB 36 74.6 184.6

HSL 224.41, 0.67%, 0.43%

LAB 35.67, 27.63, -61.8

 

CMYK 89 / 66 / 0 / 35

HEX #1338A5

RGB 19 56.6 165.6

HSL 224.61, 0.79%, 0.36%

LAB 28.81, 30.96, -61.74

 

CMYK 99 / 74 / 0 / 43

HEX #022692

RGB 2 38.6 146.6

HSL 224.81, 0.97%, 0.29%

LAB 22.06, 34.73, -61.27

 

CMYK 69 / 51 / 0 / 13

HEX #456DDE

RGB 69 109 222

HSL 224.31, 0.7%, 0.57%

LAB 48.85, 23.24, -61.91

 

CMYK 69 / 69 / 0 / 13

HEX #4545DE

RGB 69 69 222

HSL 240, 0.7%, 0.57%

LAB 39.23, 47.81, -77.59

 

CMYK 50 / 69 / 0 / 13

HEX #6F45DE

RGB 111 69 222

HSL 256.47, 0.7%, 0.57%

LAB 42.63, 53.68, -71.9

 

CMYK 32 / 69 / 0 / 13

HEX #9845DE

RGB 152 69 222

HSL 272.55, 0.7%, 0.57%

LAB 47.24, 61.13, -64.19

 

CMYK 13 / 69 / 0 / 13

HEX #C145DE

RGB 193 69 222

HSL 288.63, 0.7%, 0.57%

LAB 52.8, 69.51, -54.94

 

CMYK 69 / 51 / 0 / 13

HEX #456DDE

RGB 69 109 222

HSL 224.31, 0.7%, 0.57%

LAB 48.85, 23.24, -61.91

 

CMYK 69 / 69 / 0 / 13

HEX #4545DE

RGB 69 69 222

HSL 240, 0.7%, 0.57%

LAB 39.23, 47.81, -77.59

 

CMYK 69 / 51 / 0 / 13

HEX #456DDE

RGB 69 109 222

HSL 224.31, 0.7%, 0.57%

LAB 48.85, 23.24, -61.91

 

CMYK 79 / 58 / 0 / 6

HEX #3365F0

RGB 51 101 240

HSL 224.13, 0.86%, 0.57%

LAB 47.37, 32.67, -74.49

 

CMYK 69 / 51 / 0 / 13

HEX #456DDE

RGB 69 109 222

HSL 224.31, 0.7%, 0.57%

LAB 48.85, 23.24, -61.91

 

CMYK 58 / 42 / 0 / 20

HEX #5676CC

RGB 86 118 204

HSL 223.73, 0.54%, 0.57%

LAB 51.03, 14.38, -48.15

 

CMYK 44 / 33 / 0 / 27

HEX #687EBB

RGB 104 126 187

HSL 224.1, 0.38%, 0.57%

LAB 53.44, 8.33, -34.56

 

CMYK 28 / 21 / 0 / 34

HEX #7A86A9

RGB 122 134 169

HSL 224.68, 0.21%, 0.57%

LAB 56.14, 3.81, -19.96

 

CMYK 7 / 5 / 0 / 41

HEX #8C8F97

RGB 140 143 151

HSL 223.64, 0.05%, 0.57%

LAB 59.39, 0.53, -4.62

 

CMYK 69 / 14 / 0 / 13

HEX #45BFDE

RGB 69 191 222

HSL 192.16, 0.7%, 0.57%

LAB 72.1, -23.85, -25.33

 

CMYK 69 / 32 / 0 / 13

HEX #4596DE

RGB 69 150 222

HSL 208.24, 0.7%, 0.57%

LAB 60.21, -1.64, -43.8

 

CMYK 69 / 50 / 0 / 13

HEX #456EDE

RGB 69 110 222

HSL 223.92, 0.7%, 0.57%

LAB 49.12, 22.61, -61.49

 

CMYK 69 / 69 / 0 / 13

HEX #4545DE

RGB 69 69 222

HSL 240, 0.7%, 0.57%

LAB 39.23, 47.81, -77.59

 

CMYK 50 / 69 / 0 / 13

HEX #6E45DE

RGB 110 69 222

HSL 256.08, 0.7%, 0.57%

LAB 42.53, 53.52, -72.06

 

CMYK 82 / 60 / 0 / 31

HEX #1F46B1

RGB 31 70 177

HSL 223.97, 0.7%, 0.41%

LAB 33.66, 27.31, -60.6

 

CMYK 83 / 60 / 0 / 17

HEX #2554D4

RGB 37 84 212

HSL 223.89, 0.7%, 0.49%

LAB 40.39, 31.96, -70.02

 

CMYK 69 / 51 / 0 / 13

HEX #456DDE

RGB 69 109 222

HSL 224.31, 0.7%, 0.57%

LAB 48.85, 23.24, -61.91

 

CMYK 54 / 40 / 0 / 11

HEX #6889E4

RGB 104 137 228

HSL 224.03, 0.7%, 0.65%

LAB 58.45, 14.38, -49.82

 

CMYK 41 / 30 / 0 / 8

HEX #8BA4EA

RGB 139 164 234

HSL 224.21, 0.69%, 0.73%

LAB 68.01, 8.73, -37.96

 

CMYK 69 / 50 / 0 / 13

HEX #466EDE

RGB 70 110.6 222.6

HSL 224.04, 0.7%, 0.57%

LAB 49.36, 22.6, -61.43

 

CMYK 5 / 69 / 0 / 13

HEX #D445DE

RGB 212 69 222

HSL 296.08, 0.7%, 0.57%

LAB 55.61, 73.57, -50.3

 

CMYK 23 / 0 / 69 / 13

HEX #ABDE45

RGB 171 222 69

HSL 80, 0.7%, 0.57%

LAB 82.56, -38.05, 66.29

 

CMYK 69 / 50 / 0 / 13

HEX #466EDE

RGB 70 110.6 222.6

HSL 224.04, 0.7%, 0.57%

LAB 49.36, 22.6, -61.43

 

CMYK 0 / 69 / 50 / 13

HEX #DE456E

RGB 222 69 110

HSL 343.92, 0.7%, 0.57%

LAB 52.85, 61.83, 11.14

 

CMYK 50 / 0 / 69 / 13

HEX #6EDE45

RGB 110 222 69

HSL 103.92, 0.7%, 0.57%

LAB 79.61, -58.47, 62.32

 

CMYK 69 / 50 / 0 / 13

HEX #466EDE

RGB 70 110.6 222.6

HSL 224.04, 0.7%, 0.57%

LAB 49.36, 22.6, -61.43

 

CMYK 5 / 69 / 0 / 13

HEX #D445DE

RGB 212 69 222

HSL 296.08, 0.7%, 0.57%

LAB 55.61, 73.57, -50.3

 

CMYK 0 / 18 / 69 / 13

HEX #DEB545

RGB 222 181 69

HSL 43.92, 0.7%, 0.57%

LAB 75.46, 3.2, 60.29

 

CMYK 64 / 0 / 69 / 13

HEX #4FDE45

RGB 79 222 69

HSL 116.08, 0.7%, 0.57%

LAB 78.66, -65.99, 61.03

 

CMYK 69 / 50 / 0 / 13

HEX #466EDE

RGB 70 110.6 222.6

HSL 224.04, 0.7%, 0.57%

LAB 49.36, 22.6, -61.43

 

CMYK 0 / 69 / 16 / 13

HEX #DE45BA

RGB 222 69 186

HSL 314.12, 0.7%, 0.57%

LAB 55.41, 70.34, -29.92

 

CMYK 0 / 18 / 69 / 13

HEX #DEB545

RGB 222 181 69

HSL 43.92, 0.7%, 0.57%

LAB 75.46, 3.2, 60.29

 

CMYK 69 / 0 / 53 / 13

HEX #45DE68

RGB 69 222 104

HSL 133.73, 0.7%, 0.57%

LAB 78.76, -63.99, 46.05

 

Description

Color code: RGB 70 110.6 222.6 | qconv.com Color code: RGB 70 110.6 222.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 110.6 green and 222.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 110.6 222.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 50 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 50% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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