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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 142 243 it is the complementary color RGB 249 113 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 142 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 6 142 243 shade: RGB 11 142 238, RGB 28 160 255, RGB 45 178 255, RGB 62 196 255 and RGB 79 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 142 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 6 142 243 shade: RGB 6 142 243, RGB 0 124 224, RGB 0 106 205, RGB 0 88 186 and RGB 0 70 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 6 142 243 shade: RGB 6 142 243, RGB 6 78 243, RGB 6 14 243, RGB 62 6 243 and RGB 126 6 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 6 142 243 shade: RGB 6 142 243, RGB 6 78 243, RGB 6 14 243 and RGB 6 6 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 6 142 243 shade matches the following richer shades: RGB 6 142 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 6 142 243 shade: RGB 6 142 243, RGB 26 139 223, RGB 46 136 203, RGB 66 133 183 and RGB 87 130 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 6 142 243 shade: RGB 6 243 215, RGB 6 208 243, RGB 6 144 243, RGB 6 81 243 and RGB 6 18 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 6 142 243 shade: RGB 4 95 163, RGB 5 118 203, RGB 6 142 243, RGB 41 160 249 and RGB 81 178 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 6 142 243 shade: RGB 6 142 243, RGB 152 6 243 and RGB 239 243 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 6 142 243 shade: RGB 6 142 243, RGB 243 6 144 and RGB 144 243 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 6 142 243 shade: RGB 6 142 243, RGB 152 6 243, RGB 243 105 6 and RGB 97 243 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 6 142 243 shade: RGB 6 142 243, RGB 223 6 243, RGB 243 105 6 and RGB 26 243 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

Complementary color

CMYK 0 / 55 / 95 / 2

HEX #F9710C

RGB 249 113 12

HSL 25.57, 0.95%, 0.51%

LAB 63.32, 47.9, 69.48

 

CMYK 95 / 40 / 0 / 7

HEX #0B8EEE

RGB 11 142 238

HSL 205.37, 0.91%, 0.49%

LAB 57.65, 3.96, -56.82

 

CMYK 89 / 37 / 0 / 0

HEX #1CA0FF

RGB 28 160 255

HSL 205.11, 1%, 0.55%

LAB 63.84, 0.39, -56.27

 

CMYK 82 / 30 / 0 / 0

HEX #2DB2FF

RGB 45 178 255

HSL 202, 1%, 0.59%

LAB 69.2, -8.67, -47.78

 

CMYK 76 / 23 / 0 / 0

HEX #3EC4FF

RGB 62 196 255

HSL 198.34, 1%, 0.62%

LAB 74.65, -16.74, -39.22

 

CMYK 69 / 16 / 0 / 0

HEX #4FD6FF

RGB 79 214 255

HSL 193.98, 1%, 0.65%

LAB 80.17, -23.89, -30.67

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 100 / 45 / 0 / 12

HEX #007CE0

RGB 0 124 224

HSL 206.79, 1%, 0.44%

LAB 51.61, 9.23, -58.68

 

CMYK 100 / 48 / 0 / 20

HEX #006ACD

RGB 0 106 205

HSL 208.98, 1%, 0.4%

LAB 45.24, 13.1, -58.15

 

CMYK 100 / 53 / 0 / 27

HEX #0058BA

RGB 0 88 186

HSL 211.61, 1%, 0.36%

LAB 38.77, 17.2, -57.61

 

CMYK 100 / 58 / 0 / 35

HEX #0046A7

RGB 0 70 167

HSL 214.85, 1%, 0.33%

LAB 32.19, 21.56, -57.05

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 98 / 68 / 0 / 5

HEX #064EF3

RGB 6 78 243

HSL 221.77, 0.95%, 0.49%

LAB 41.15, 45.9, -86.41

 

CMYK 98 / 94 / 0 / 5

HEX #060EF3

RGB 6 14 243

HSL 237.97, 0.95%, 0.49%

LAB 31.4, 74.09, -102.6

 

CMYK 74 / 98 / 0 / 5

HEX #3E06F3

RGB 62 6 243

HSL 254.18, 0.95%, 0.49%

LAB 33.19, 76.32, -99.56

 

CMYK 48 / 98 / 0 / 5

HEX #7E06F3

RGB 126 6 243

HSL 270.38, 0.95%, 0.49%

LAB 39.64, 79.87, -88.66

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 98 / 68 / 0 / 5

HEX #064EF3

RGB 6 78 243

HSL 221.77, 0.95%, 0.49%

LAB 41.15, 45.9, -86.41

 

CMYK 98 / 94 / 0 / 5

HEX #060EF3

RGB 6 14 243

HSL 237.97, 0.95%, 0.49%

LAB 31.4, 74.09, -102.6

 

CMYK 98 / 98 / 0 / 5

HEX #0606F3

RGB 6 6 243

HSL 240, 0.95%, 0.49%

LAB 30.97, 75.42, -103.32

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 88 / 38 / 0 / 13

HEX #1A8BDF

RGB 26 139 223

HSL 205.58, 0.79%, 0.49%

LAB 56.1, 0.7, -50.92

 

CMYK 77 / 33 / 0 / 20

HEX #2E88CB

RGB 46 136 203

HSL 205.61, 0.63%, 0.49%

LAB 54.55, -3.24, -42.1

 

CMYK 64 / 27 / 0 / 28

HEX #4285B7

RGB 66 133 183

HSL 205.64, 0.47%, 0.49%

LAB 53.33, -5.57, -32.58

 

CMYK 46 / 20 / 0 / 36

HEX #5782A2

RGB 87 130 162

HSL 205.6, 0.3%, 0.49%

LAB 52.51, -5.87, -21.68

 

CMYK 98 / 0 / 12 / 5

HEX #06F3D7

RGB 6 243 215

HSL 172.91, 0.95%, 0.49%

LAB 86.53, -53.99, -0.08

 

CMYK 98 / 14 / 0 / 5

HEX #06D0F3

RGB 6 208 243

HSL 188.86, 0.95%, 0.49%

LAB 77.05, -30.16, -29.13

 

CMYK 98 / 41 / 0 / 5

HEX #0690F3

RGB 6 144 243

HSL 205.06, 0.95%, 0.49%

LAB 58.47, 4.53, -58.27

 

CMYK 98 / 67 / 0 / 5

HEX #0651F3

RGB 6 81 243

HSL 221.01, 0.95%, 0.49%

LAB 41.84, 44.06, -85.28

 

CMYK 98 / 93 / 0 / 5

HEX #0612F3

RGB 6 18 243

HSL 236.96, 0.95%, 0.49%

LAB 31.68, 73.25, -102.15

 

CMYK 98 / 42 / 0 / 36

HEX #045FA3

RGB 4 95 163

HSL 205.66, 0.95%, 0.33%

LAB 39.33, 3.32, -43.12

 

CMYK 98 / 42 / 0 / 20

HEX #0576CB

RGB 5 118 203

HSL 205.76, 0.95%, 0.41%

LAB 48.64, 4.86, -51.54

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 84 / 36 / 0 / 2

HEX #29A0F9

RGB 41 160 249

HSL 205.67, 0.95%, 0.57%

LAB 63.72, -0.97, -53.18

 

CMYK 68 / 29 / 0 / 2

HEX #51B2FA

RGB 81 178 250

HSL 205.56, 0.94%, 0.65%

LAB 69.82, -6.25, -44.04

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 37 / 98 / 0 / 5

HEX #9806F3

RGB 152 6 243

HSL 276.96, 0.95%, 0.49%

LAB 43.18, 82.27, -82.71

 

CMYK 2 / 0 / 98 / 5

HEX #EFF306

RGB 239 243 6

HSL 61.01, 0.95%, 0.49%

LAB 92.78, -22.39, 90.29

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 0 / 98 / 41 / 5

HEX #F30690

RGB 243 6 144

HSL 325.06, 0.95%, 0.49%

LAB 53.17, 82.89, -8.32

 

CMYK 41 / 0 / 98 / 5

HEX #90F306

RGB 144 243 6

HSL 85.06, 0.95%, 0.49%

LAB 87.02, -58.47, 83.37

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 37 / 98 / 0 / 5

HEX #9806F3

RGB 152 6 243

HSL 276.96, 0.95%, 0.49%

LAB 43.18, 82.27, -82.71

 

CMYK 0 / 57 / 98 / 5

HEX #F36906

RGB 243 105 6

HSL 25.06, 0.95%, 0.49%

LAB 60.93, 49.37, 68.53

 

CMYK 60 / 0 / 98 / 5

HEX #61F306

RGB 97 243 6

HSL 96.96, 0.95%, 0.49%

LAB 85.33, -71.64, 81.31

 

CMYK 98 / 42 / 0 / 5

HEX #068EF3

RGB 6 142 243

HSL 205.57, 0.95%, 0.49%

LAB 57.9, 5.73, -59.18

 

CMYK 8 / 98 / 0 / 5

HEX #DF06F3

RGB 223 6 243

HSL 294.94, 0.95%, 0.49%

LAB 54.33, 91.31, -64.07

 

CMYK 0 / 57 / 98 / 5

HEX #F36906

RGB 243 105 6

HSL 25.06, 0.95%, 0.49%

LAB 60.93, 49.37, 68.53

 

CMYK 89 / 0 / 98 / 5

HEX #1AF306

RGB 26 243 6

HSL 114.94, 0.95%, 0.49%

LAB 84.14, -81.96, 79.86

 

Description

Color code: RGB 6 142 243 | qconv.com Color code: RGB 6 142 243 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 142 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 142 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 42 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 42% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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