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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 142 105 it is the complementary color RGB 249 113 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 142 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 6 142 105 shade: RGB 11 142 100, RGB 28 160 119, RGB 45 178 138, RGB 62 196 157 and RGB 79 214 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 142 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 6 142 105 shade: RGB 6 142 105, RGB 0 124 86, RGB 0 106 67, RGB 0 88 48 and RGB 0 70 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 6 142 105 shade: RGB 6 142 105, RGB 6 142 68, RGB 6 142 32, RGB 17 142 6 and RGB 54 142 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 6 142 105 shade: RGB 6 142 105, RGB 6 142 142, RGB 6 106 142, RGB 6 69 142 and RGB 6 32 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 6 142 105 shade matches the following richer shades: RGB 6 142 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 6 142 105 shade: RGB 6 142 105, RGB 18 130 100, RGB 30 118 94, RGB 42 106 89 and RGB 54 94 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 6 142 105 shade: RGB 6 142 31, RGB 6 142 67, RGB 6 142 103, RGB 6 142 140 and RGB 6 108 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 6 142 105 shade: RGB 3 63 46, RGB 4 102 76, RGB 6 142 105, RGB 8 182 134 and RGB 9 221 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 6 142 105 shade: RGB 6 142 105, RGB 6 17 142 and RGB 142 49 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 6 142 105 shade: RGB 6 142 105, RGB 103 6 142 and RGB 142 103 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 6 142 105 shade: RGB 6 142 105, RGB 6 17 142, RGB 142 6 44 and RGB 142 131 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 6 142 105 shade: RGB 6 142 105, RGB 35 6 142, RGB 142 6 44 and RGB 113 142 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

Complementary color

CMYK 0 / 55 / 40 / 2

HEX #F97196

RGB 249 113 150

HSL 343.68, 0.92%, 0.71%

LAB 65.08, 55.41, 5.75

 

CMYK 92 / 0 / 30 / 44

HEX #0B8E64

RGB 11 142 100

HSL 160.76, 0.86%, 0.3%

LAB 52.22, -42.43, 13.54

 

CMYK 83 / 0 / 26 / 37

HEX #1CA077

RGB 28 160 119

HSL 161.36, 0.7%, 0.37%

LAB 58.71, -43.8, 11.91

 

CMYK 75 / 0 / 22 / 30

HEX #2DB28A

RGB 45 178 138

HSL 161.95, 0.6%, 0.44%

LAB 65.15, -44.7, 10.47

 

CMYK 68 / 0 / 20 / 23

HEX #3EC49D

RGB 62 196 157

HSL 162.54, 0.53%, 0.51%

LAB 71.51, -45.26, 9.19

 

CMYK 63 / 0 / 18 / 16

HEX #4FD6B0

RGB 79 214 176

HSL 163.11, 0.62%, 0.57%

LAB 77.81, -45.6, 8.03

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 100 / 0 / 31 / 51

HEX #007C56

RGB 0 124 86

HSL 161.61, 1%, 0.24%

LAB 45.75, -39.24, 12.63

 

CMYK 100 / 0 / 37 / 58

HEX #006A43

RGB 0 106 67

HSL 157.92, 1%, 0.21%

LAB 39.09, -36.55, 14.67

 

CMYK 100 / 0 / 45 / 65

HEX #005830

RGB 0 88 48

HSL 152.73, 1%, 0.17%

LAB 32.24, -33.69, 16.84

 

CMYK 100 / 0 / 59 / 73

HEX #00461D

RGB 0 70 29

HSL 144.86, 1%, 0.14%

LAB 25.17, -30.51, 19.12

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 96 / 0 / 52 / 44

HEX #068E44

RGB 6 142 68

HSL 147.35, 0.92%, 0.29%

LAB 51.61, -49.32, 30.36

 

CMYK 96 / 0 / 77 / 44

HEX #068E20

RGB 6 142 32

HSL 131.47, 0.92%, 0.29%

LAB 51.25, -53.78, 46.3

 

CMYK 88 / 0 / 96 / 44

HEX #118E06

RGB 17 142 6

HSL 115.15, 0.92%, 0.29%

LAB 51.24, -54.29, 52.9

 

CMYK 62 / 0 / 96 / 44

HEX #368E06

RGB 54 142 6

HSL 98.82, 0.92%, 0.29%

LAB 52, -47.77, 53.84

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 96 / 0 / 0 / 44

HEX #068E8E

RGB 6 142 142

HSL 180, 0.92%, 0.29%

LAB 53.32, -30.82, -9.08

 

CMYK 96 / 25 / 0 / 44

HEX #066A8E

RGB 6 106 142

HSL 195.88, 0.92%, 0.29%

LAB 41.69, -11.74, -26.85

 

CMYK 96 / 51 / 0 / 44

HEX #06458E

RGB 6 69 142

HSL 212.21, 0.92%, 0.29%

LAB 30.03, 12.03, -45.39

 

CMYK 96 / 77 / 0 / 44

HEX #06208E

RGB 6 32 142

HSL 228.53, 0.92%, 0.29%

LAB 20.14, 37.3, -61.58

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 86 / 0 / 23 / 49

HEX #128264

RGB 18 130 100

HSL 163.93, 0.76%, 0.29%

LAB 48.28, -36.9, 8.02

 

CMYK 75 / 0 / 20 / 54

HEX #1E765E

RGB 30 118 94

HSL 163.64, 0.59%, 0.29%

LAB 44.29, -31.69, 5.92

 

CMYK 60 / 0 / 16 / 58

HEX #2A6A59

RGB 42 106 89

HSL 164.06, 0.43%, 0.29%

LAB 40.45, -24.98, 3.45

 

CMYK 43 / 0 / 12 / 63

HEX #365E53

RGB 54 94 83

HSL 163.5, 0.27%, 0.29%

LAB 36.77, -17.02, 1.88

 

CMYK 96 / 0 / 78 / 44

HEX #068E1F

RGB 6 142 31

HSL 131.03, 0.92%, 0.29%

LAB 51.25, -53.86, 46.64

 

CMYK 96 / 0 / 53 / 44

HEX #068E43

RGB 6 142 67

HSL 146.91, 0.92%, 0.29%

LAB 51.6, -49.49, 30.86

 

CMYK 96 / 0 / 27 / 44

HEX #068E67

RGB 6 142 103

HSL 162.79, 0.92%, 0.29%

LAB 52.25, -41.97, 11.86

 

CMYK 96 / 0 / 1 / 44

HEX #068E8C

RGB 6 142 140

HSL 179.12, 0.92%, 0.29%

LAB 53.25, -31.45, -8.02

 

CMYK 96 / 24 / 0 / 44

HEX #066C8E

RGB 6 108 142

HSL 195, 0.92%, 0.29%

LAB 42.33, -12.9, -25.85

 

CMYK 95 / 0 / 27 / 75

HEX #033F2E

RGB 3 63 46

HSL 163, 0.91%, 0.13%

LAB 22.9, -22.89, 5.41

 

CMYK 96 / 0 / 25 / 60

HEX #04664C

RGB 4 102 76

HSL 164.08, 0.92%, 0.21%

LAB 37.93, -32.22, 7.66

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 96 / 0 / 26 / 29

HEX #08B686

RGB 8 182 134

HSL 163.45, 0.92%, 0.37%

LAB 65.93, -50.23, 13.71

 

CMYK 96 / 0 / 26 / 13

HEX #09DDA4

RGB 9 221 164

HSL 163.87, 0.92%, 0.45%

LAB 78.72, -58.05, 15.55

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 96 / 88 / 0 / 44

HEX #06118E

RGB 6 17 142

HSL 235.15, 0.92%, 0.29%

LAB 17.43, 45.22, -66.1

 

CMYK 0 / 65 / 96 / 44

HEX #8E3106

RGB 142 49 6

HSL 18.97, 0.92%, 0.29%

LAB 33.9, 37.72, 43.31

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 27 / 96 / 0 / 44

HEX #67068E

RGB 103 6 142

HSL 282.79, 0.92%, 0.29%

LAB 26.64, 56.43, -50.55

 

CMYK 0 / 27 / 96 / 44

HEX #8E6706

RGB 142 103 6

HSL 42.79, 0.92%, 0.29%

LAB 46.26, 7.92, 51.97

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 96 / 88 / 0 / 44

HEX #06118E

RGB 6 17 142

HSL 235.15, 0.92%, 0.29%

LAB 17.43, 45.22, -66.1

 

CMYK 0 / 96 / 69 / 44

HEX #8E062C

RGB 142 6 44

HSL 343.24, 0.92%, 0.29%

LAB 29.57, 52.12, 18.58

 

CMYK 0 / 8 / 96 / 44

HEX #8E8306

RGB 142 131 6

HSL 55.15, 0.92%, 0.29%

LAB 54.02, -7.92, 57.75

 

CMYK 96 / 0 / 26 / 44

HEX #068E69

RGB 6 142 105

HSL 163.68, 0.92%, 0.29%

LAB 52.29, -41.47, 10.78

 

CMYK 75 / 96 / 0 / 44

HEX #23068E

RGB 35 6 142

HSL 252.79, 0.92%, 0.29%

LAB 17.65, 50, -65.69

 

CMYK 0 / 96 / 69 / 44

HEX #8E062C

RGB 142 6 44

HSL 343.24, 0.92%, 0.29%

LAB 29.57, 52.12, 18.58

 

CMYK 20 / 0 / 96 / 44

HEX #718E06

RGB 113 142 6

HSL 72.79, 0.92%, 0.29%

LAB 54.94, -26.75, 57.43

 

Description

Color code: RGB 6 142 105 | qconv.com Color code: RGB 6 142 105 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 142 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 142 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 26 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 26% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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